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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #627F9F it is the complementary color #9D8060. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #627F9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #627F9F shade: #677F9A, #7891AD, #89A3C0, #9AB5D3 and #ABC7E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #627F9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #627F9F shade: #627F9F, #516D8C, #405B79, #2F4966 and #1E3753

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #627F9F shade: #617E9E, #616D9E, #65619E, #75619E and #86619E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #627F9F shade: #617E9E, #616D9E and #61619E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #627F9F shade matches the following richer shades: #617E9E, #4C7DB3, #387CC7, #237BDC and #0E7AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #627F9F shade: #617E9E, #767F89, #8A8075, #9F8160 and #B3824C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #627F9F shade: #619E9D, #618F9E, #617E9E, #616E9E and #64619E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #627F9F shade: #42556B, #516A85, #617E9E, #7A93AE and #94A8BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #627F9F shade: #627F9F, #8D619E and #979E61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #627F9F shade: #627F9F, #9E617E and #7E9E61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #627F9F shade: #627F9F, #8D619E, #9E8161 and #729E61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #627F9F shade: #627F9F, #9E619D, #9E8161 and #619E62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 20 / 0 / 38

HEX #627F9F

RGB 98 127 159

HSL 211.48, 0.24%, 0.5%

LAB 52.15, -1.99, -20.44

 

Complementary color

CMYK 0 / 18 / 39 / 38

HEX #9D8060

RGB 157 128 96

HSL 31.48, 0.24%, 0.5%

LAB 55.53, 6.53, 21.57

 

CMYK 33 / 18 / 0 / 40

HEX #677F9A

RGB 103 127 154

HSL 211.76, 0.2%, 0.5%

LAB 52.28, -1.88, -17.3

 

CMYK 31 / 16 / 0 / 32

HEX #7891AD

RGB 120 145 173

HSL 211.7, 0.24%, 0.57%

LAB 59.22, -2.09, -17.57

 

CMYK 29 / 15 / 0 / 25

HEX #89A3C0

RGB 137 163 192

HSL 211.64, 0.3%, 0.65%

LAB 66, -2.26, -17.86

 

CMYK 27 / 14 / 0 / 17

HEX #9AB5D3

RGB 154 181 211

HSL 211.58, 0.39%, 0.72%

LAB 72.64, -2.43, -18.16

 

CMYK 26 / 13 / 0 / 10

HEX #ABC7E6

RGB 171 199 230

HSL 211.53, 0.54%, 0.79%

LAB 79.17, -2.57, -18.48

 

CMYK 38 / 20 / 0 / 38

HEX #627F9F

RGB 98 127 159

HSL 211.48, 0.24%, 0.5%

LAB 52.15, -1.99, -20.44

 

CMYK 42 / 22 / 0 / 45

HEX #516D8C

RGB 81 109 140

HSL 211.53, 0.27%, 0.43%

LAB 45.05, -1.67, -20.24

 

CMYK 47 / 25 / 0 / 53

HEX #405B79

RGB 64 91 121

HSL 211.58, 0.31%, 0.36%

LAB 37.76, -1.26, -20.09

 

CMYK 54 / 28 / 0 / 60

HEX #2F4966

RGB 47 73 102

HSL 211.64, 0.37%, 0.29%

LAB 30.23, -0.69, -19.97

 

CMYK 64 / 34 / 0 / 67

HEX #1E3753

RGB 30 55 83

HSL 211.7, 0.47%, 0.22%

LAB 22.42, 0.16, -19.91

 

CMYK 39 / 20 / 0 / 38

HEX #617E9E

RGB 97 126 158

HSL 211.48, 0.24%, 0.5%

LAB 51.76, -1.98, -20.46

 

CMYK 39 / 31 / 0 / 38

HEX #616D9E

RGB 97 109 158

HSL 228.2, 0.24%, 0.5%

LAB 46.91, 8.17, -27.96

 

CMYK 36 / 39 / 0 / 38

HEX #65619E

RGB 101 97 158

HSL 243.93, 0.24%, 0.5%

LAB 43.92, 16.71, -32.6

 

CMYK 26 / 39 / 0 / 38

HEX #75619E

RGB 117 97 158

HSL 259.67, 0.24%, 0.5%

LAB 45.36, 21.49, -30.25

 

CMYK 15 / 39 / 0 / 38

HEX #86619E

RGB 134 97 158

HSL 276.39, 0.24%, 0.5%

LAB 47.09, 26.84, -27.42

 

CMYK 39 / 20 / 0 / 38

HEX #617E9E

RGB 97 126 158

HSL 211.48, 0.24%, 0.5%

LAB 51.76, -1.98, -20.46

 

CMYK 39 / 31 / 0 / 38

HEX #616D9E

RGB 97 109 158

HSL 228.2, 0.24%, 0.5%

LAB 46.91, 8.17, -27.96

 

CMYK 39 / 39 / 0 / 38

HEX #61619E

RGB 97 97 158

HSL 240, 0.24%, 0.5%

LAB 43.59, 15.57, -33.14

 

CMYK 39 / 20 / 0 / 38

HEX #617E9E

RGB 97 126 158

HSL 211.48, 0.24%, 0.5%

LAB 51.76, -1.98, -20.46

 

CMYK 58 / 30 / 0 / 30

HEX #4C7DB3

RGB 76 125 179

HSL 211.46, 0.4%, 0.5%

LAB 51.22, -0.23, -33.55

 

CMYK 72 / 38 / 0 / 22

HEX #387CC7

RGB 56 124 199

HSL 211.47, 0.56%, 0.5%

LAB 51.13, 3.76, -45.23

 

CMYK 84 / 44 / 0 / 14

HEX #237BDC

RGB 35 123 220

HSL 211.46, 0.73%, 0.5%

LAB 51.49, 9.91, -56.6

 

CMYK 94 / 49 / 0 / 5

HEX #0E7AF1

RGB 14 122 241

HSL 211.45, 0.89%, 0.5%

LAB 52.25, 17.5, -67.16

 

CMYK 39 / 20 / 0 / 38

HEX #617E9E

RGB 97 126 158

HSL 211.48, 0.24%, 0.5%

LAB 51.76, -1.98, -20.46

 

CMYK 14 / 7 / 0 / 46

HEX #767F89

RGB 118 127 137

HSL 211.58, 0.07%, 0.5%

LAB 52.77, -1.14, -6.55

 

CMYK 0 / 7 / 15 / 46

HEX #8A8075

RGB 138 128 117

HSL 31.43, 0.08%, 0.5%

LAB 54.16, 1.82, 7.33

 

CMYK 0 / 19 / 40 / 38

HEX #9F8160

RGB 159 129 96

HSL 31.43, 0.25%, 0.5%

LAB 56, 6.8, 22.24

 

CMYK 0 / 27 / 58 / 30

HEX #B3824C

RGB 179 130 76

HSL 31.46, 0.4%, 0.5%

LAB 58.1, 12.79, 36.34

 

CMYK 39 / 0 / 1 / 38

HEX #619E9D

RGB 97 158 157

HSL 179.02, 0.24%, 0.5%

LAB 61.16, -19.91, -5.72

 

CMYK 39 / 9 / 0 / 38

HEX #618F9E

RGB 97 143 158

HSL 194.75, 0.24%, 0.5%

LAB 56.74, -11.62, -12.89

 

CMYK 39 / 20 / 0 / 38

HEX #617E9E

RGB 97 126 158

HSL 211.48, 0.24%, 0.5%

LAB 51.76, -1.98, -20.46

 

CMYK 39 / 30 / 0 / 38

HEX #616E9E

RGB 97 110 158

HSL 227.21, 0.24%, 0.5%

LAB 47.19, 7.56, -27.52

 

CMYK 37 / 39 / 0 / 38

HEX #64619E

RGB 100 97 158

HSL 242.95, 0.24%, 0.5%

LAB 43.84, 16.42, -32.74

 

CMYK 38 / 21 / 0 / 58

HEX #42556B

RGB 66 85 107

HSL 212.2, 0.24%, 0.34%

LAB 35.43, -1.22, -14.99

 

CMYK 39 / 20 / 0 / 48

HEX #516A85

RGB 81 106 133

HSL 211.15, 0.24%, 0.42%

LAB 43.87, -1.91, -17.87

 

CMYK 39 / 20 / 0 / 38

HEX #617E9E

RGB 97 126 158

HSL 211.48, 0.24%, 0.5%

LAB 51.76, -1.98, -20.46

 

CMYK 30 / 16 / 0 / 32

HEX #7A93AE

RGB 122 147 174

HSL 211.15, 0.24%, 0.58%

LAB 59.94, -2.35, -17.02

 

CMYK 22 / 11 / 0 / 26

HEX #94A8BD

RGB 148 168 189

HSL 210.73, 0.24%, 0.66%

LAB 68, -2.33, -13.09

 

CMYK 38 / 20 / 0 / 38

HEX #627F9F

RGB 98 127 159

HSL 211.48, 0.24%, 0.5%

LAB 52.15, -1.99, -20.44

 

CMYK 11 / 39 / 0 / 38

HEX #8D619E

RGB 141 97 158

HSL 283.28, 0.24%, 0.5%

LAB 47.86, 29.09, -26.17

 

CMYK 4 / 0 / 39 / 38

HEX #979E61

RGB 151 158 97

HSL 66.89, 0.24%, 0.5%

LAB 63.26, -12.35, 31.03

 

CMYK 38 / 20 / 0 / 38

HEX #627F9F

RGB 98 127 159

HSL 211.48, 0.24%, 0.5%

LAB 52.15, -1.99, -20.44

 

CMYK 0 / 39 / 20 / 38

HEX #9E617E

RGB 158 97 126

HSL 331.48, 0.24%, 0.5%

LAB 48.67, 28.91, -5.71

 

CMYK 20 / 0 / 39 / 38

HEX #7E9E61

RGB 126 158 97

HSL 91.48, 0.24%, 0.5%

LAB 61.44, -22.27, 28.33

 

CMYK 38 / 20 / 0 / 38

HEX #627F9F

RGB 98 127 159

HSL 211.48, 0.24%, 0.5%

LAB 52.15, -1.99, -20.44

 

CMYK 11 / 39 / 0 / 38

HEX #8D619E

RGB 141 97 158

HSL 283.28, 0.24%, 0.5%

LAB 47.86, 29.09, -26.17

 

CMYK 0 / 18 / 39 / 38

HEX #9E8161

RGB 158 129 97

HSL 31.48, 0.24%, 0.5%

LAB 55.92, 6.51, 21.54

 

CMYK 28 / 0 / 39 / 38

HEX #729E61

RGB 114 158 97

HSL 103.28, 0.24%, 0.5%

LAB 60.69, -26.73, 27.21

 

CMYK 38 / 20 / 0 / 38

HEX #627F9F

RGB 98 127 159

HSL 211.48, 0.24%, 0.5%

LAB 52.15, -1.99, -20.44

 

CMYK 0 / 39 / 1 / 38

HEX #9E619D

RGB 158 97 157

HSL 300.98, 0.24%, 0.5%

LAB 49.8, 34.41, -22.41

 

CMYK 0 / 18 / 39 / 38

HEX #9E8161

RGB 158 129 97

HSL 31.48, 0.24%, 0.5%

LAB 55.92, 6.51, 21.54

 

CMYK 39 / 0 / 38 / 38

HEX #619E62

RGB 97 158 98

HSL 120.98, 0.24%, 0.5%

LAB 59.78, -32.43, 25.3

 

Description

Color code: HEX #627F9F | qconv.com Color code: HEX #627F9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 127 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 127 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 20 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 20% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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