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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #627EEACE it is the complementary color #9D8115CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #627EEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #627EEACE shade: #677EE5CE, #7890F8CE, #89A2FFCE, #9AB4FFCE and #ABC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #627EEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #627EEACE shade: #627EEACE, #516CD7CE, #405AC4CE, #2F48B1CE and #1E369ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #627EEACE shade: #627EEA, #6B62EA, #8F62EA, #B462EA and #D862EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #627EEACE shade: #627EEA and #6262EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #627EEACE shade matches the following richer shades: #627EEA and #5375F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #627EEACE shade: #627EEA, #7086DB, #7F8FCD, #8D97BE and #9CA0B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #627EEACE shade: #62C8EA, #62A3EA, #627FEA, #6962EA and #8D62EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #627EEACE shade: #1E45DB, #3E60E5, #627EEA, #869CEF and #ABBAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #627EEACE shade: #627EEA, #E762EA and #B6EA62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #627EEACE shade: #627EEA, #EA627F and #7FEA62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #627EEACE shade: #627EEA, #E762EA, #EACC62 and #64EA62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #627EEACE shade: #627EEA, #EA62C3, #EACC62 and #62EA88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 37 / 0 / 7

HEX #627EEACE

RGBA 98 126 234 0.81

HSLA 227.65, 0.76%, 0.65%, 0.81

LABA 55.54, 21.72, -57.82, 0.81

 

Complementary color

CMYK 0 / 14 / 70 / 31

HEX #9D8115CE

RGBA 157 129 21 0.81

HSLA 47.65, 0.76%, 0.35%, 0.81

LABA 54.99, 0.48, 56.02, 0.81

 

CMYK 45 / 36 / 0 / 8

HEX #677EE5CE

RGBA 103 126 229 0.81

HSLA 229.05, 0.71%, 0.65%, 0.81

LABA 55.55, 21.1, -55, 0.81

 

CMYK 42 / 34 / 0 / 2

HEX #7890F8CE

RGBA 120 144 248 0.81

HSLA 228.75, 0.9%, 0.72%, 0.81

LABA 62.27, 19.86, -54.75, 0.81

 

CMYK 37 / 30 / 0 / 0

HEX #89A2FFCE

RGBA 137 162 255 0.81

HSLA 227.29, 1%, 0.77%, 0.81

LABA 68.3, 15.31, -48.96, 0.81

 

CMYK 32 / 24 / 0 / 0

HEX #9AB4FFCE

RGBA 154 180 255 0.81

HSLA 224.55, 1%, 0.8%, 0.81

LABA 74.02, 9.32, -39.92, 0.81

 

CMYK 27 / 18 / 0 / 0

HEX #ABC6FFCE

RGBA 171 198 255 0.81

HSLA 220.71, 1%, 0.84%, 0.81

LABA 79.77, 3.97, -30.94, 0.81

 

CMYK 47 / 37 / 0 / 7

HEX #627EEACE

RGBA 98 126 234 0.81

HSLA 227.65, 0.76%, 0.65%, 0.81

LABA 55.54, 21.72, -57.82, 0.81

 

CMYK 50 / 40 / 0 / 13

HEX #516CD7CE

RGBA 81 108 215 0.81

HSLA 227.91, 0.63%, 0.58%, 0.81

LABA 48.74, 23.34, -58.1, 0.81

 

CMYK 55 / 44 / 0 / 19

HEX #405AC4CE

RGBA 64 90 196 0.81

HSLA 228.18, 0.53%, 0.51%, 0.81

LABA 41.83, 25.29, -58.4, 0.81

 

CMYK 59 / 48 / 0 / 25

HEX #2F48B1CE

RGBA 47 72 177 0.81

HSLA 228.46, 0.58%, 0.44%, 0.81

LABA 34.83, 27.67, -58.66, 0.81

 

CMYK 66 / 53 / 0 / 31

HEX #1E369ECE

RGBA 30 54 158 0.81

HSLA 228.75, 0.68%, 0.37%, 0.81

LABA 27.8, 30.57, -58.78, 0.81

 

CMYK 58 / 46 / 0 / 8

HEX #627EEA

RGB 98 126 234

HSL 227.65, 0.76%, 0.65%

LAB 55.54, 21.72, -57.82

 

CMYK 54 / 58 / 0 / 8

HEX #6B62EA

RGB 107 98 234

HSL 243.97, 0.76%, 0.65%

LAB 49.25, 40.29, -67.92

 

CMYK 39 / 58 / 0 / 8

HEX #8F62EA

RGB 143 98 234

HSL 259.85, 0.76%, 0.65%

LAB 52.42, 47.59, -62.66

 

CMYK 23 / 58 / 0 / 8

HEX #B462EA

RGB 180 98 234

HSL 276.18, 0.76%, 0.65%

LAB 56.47, 56.12, -55.94

 

CMYK 8 / 58 / 0 / 8

HEX #D862EA

RGB 216 98 234

HSL 292.06, 0.76%, 0.65%

LAB 61.02, 64.89, -48.41

 

CMYK 58 / 46 / 0 / 8

HEX #627EEA

RGB 98 126 234

HSL 227.65, 0.76%, 0.65%

LAB 55.54, 21.72, -57.82

 

CMYK 58 / 58 / 0 / 8

HEX #6262EA

RGB 98 98 234

HSL 240, 0.76%, 0.65%

LAB 48.6, 38.69, -69.01

 

CMYK 58 / 46 / 0 / 8

HEX #627EEA

RGB 98 126 234

HSL 227.65, 0.76%, 0.65%

LAB 55.54, 21.72, -57.82

 

CMYK 67 / 53 / 0 / 3

HEX #5375F8

RGB 83 117 248

HSL 227.64, 0.92%, 0.65%

LAB 53.32, 29.38, -69.23

 

CMYK 58 / 46 / 0 / 8

HEX #627EEA

RGB 98 126 234

HSL 227.65, 0.76%, 0.65%

LAB 55.54, 21.72, -57.82

 

CMYK 49 / 39 / 0 / 14

HEX #7086DB

RGB 112 134 219

HSL 227.66, 0.6%, 0.65%

LAB 57.66, 15.15, -46

 

CMYK 38 / 30 / 0 / 20

HEX #7F8FCD

RGB 127 143 205

HSL 227.69, 0.44%, 0.65%

LAB 60.4, 9.6, -33.8

 

CMYK 26 / 21 / 0 / 25

HEX #8D97BE

RGB 141 151 190

HSL 227.76, 0.27%, 0.65%

LAB 62.94, 5.19, -21.37

 

CMYK 11 / 9 / 0 / 31

HEX #9CA0B0

RGB 156 160 176

HSL 228, 0.11%, 0.65%

LAB 66.02, 1.83, -8.77

 

CMYK 58 / 15 / 0 / 8

HEX #62C8EA

RGB 98 200 234

HSL 195, 0.76%, 0.65%

LAB 75.97, -20.06, -25.81

 

CMYK 58 / 30 / 0 / 8

HEX #62A3EA

RGB 98 163 234

HSL 211.32, 0.76%, 0.65%

LAB 65.54, -0.09, -41.97

 

CMYK 58 / 46 / 0 / 8

HEX #627FEA

RGB 98 127 234

HSL 227.21, 0.76%, 0.65%

LAB 55.8, 21.12, -57.4

 

CMYK 55 / 58 / 0 / 8

HEX #6962EA

RGB 105 98 234

HSL 243.09, 0.76%, 0.65%

LAB 49.1, 39.93, -68.17

 

CMYK 40 / 58 / 0 / 8

HEX #8D62EA

RGB 141 98 234

HSL 258.97, 0.76%, 0.65%

LAB 52.22, 47.16, -62.99

 

CMYK 86 / 68 / 0 / 14

HEX #1E45DB

RGB 30 69 219

HSL 227.62, 0.76%, 0.49%

LAB 37.2, 43.56, -79.28

 

CMYK 73 / 58 / 0 / 10

HEX #3E60E5

RGB 62 96 229

HSL 227.78, 0.76%, 0.57%

LAB 45.7, 32.99, -71.01

 

CMYK 58 / 46 / 0 / 8

HEX #627EEA

RGB 98 126 234

HSL 227.65, 0.76%, 0.65%

LAB 55.54, 21.72, -57.82

 

CMYK 44 / 35 / 0 / 6

HEX #869CEF

RGB 134 156 239

HSL 227.43, 0.77%, 0.73%

LAB 65.81, 13.44, -44.16

 

CMYK 30 / 23 / 0 / 5

HEX #ABBAF3

RGB 171 186 243

HSL 227.5, 0.75%, 0.81%

LAB 76.22, 7.55, -29.96

 

CMYK 58 / 46 / 0 / 8

HEX #627EEA

RGB 98 126 234

HSL 227.65, 0.76%, 0.65%

LAB 55.54, 21.72, -57.82

 

CMYK 1 / 58 / 0 / 8

HEX #E762EA

RGB 231 98 234

HSL 298.68, 0.76%, 0.65%

LAB 63.06, 68.6, -45.05

 

CMYK 22 / 0 / 58 / 8

HEX #B6EA62

RGB 182 234 98

HSL 82.94, 0.76%, 0.65%

LAB 86.84, -37.17, 59.38

 

CMYK 58 / 46 / 0 / 8

HEX #627EEA

RGB 98 126 234

HSL 227.65, 0.76%, 0.65%

LAB 55.54, 21.72, -57.82

 

CMYK 0 / 58 / 46 / 8

HEX #EA627F

RGB 234 98 127

HSL 347.21, 0.76%, 0.65%

LAB 59.67, 55.06, 10.98

 

CMYK 46 / 0 / 58 / 8

HEX #7FEA62

RGB 127 234 98

HSL 107.21, 0.76%, 0.65%

LAB 84.09, -55.55, 55.52

 

CMYK 58 / 46 / 0 / 8

HEX #627EEA

RGB 98 126 234

HSL 227.65, 0.76%, 0.65%

LAB 55.54, 21.72, -57.82

 

CMYK 1 / 58 / 0 / 8

HEX #E762EA

RGB 231 98 234

HSL 298.68, 0.76%, 0.65%

LAB 63.06, 68.6, -45.05

 

CMYK 0 / 13 / 58 / 8

HEX #EACC62

RGB 234 204 98

HSL 46.76, 0.76%, 0.65%

LAB 82.68, -1.9, 55.7

 

CMYK 57 / 0 / 58 / 8

HEX #64EA62

RGB 100 234 98

HSL 119.12, 0.76%, 0.65%

LAB 83.15, -62.65, 54.18

 

CMYK 58 / 46 / 0 / 8

HEX #627EEA

RGB 98 126 234

HSL 227.65, 0.76%, 0.65%

LAB 55.54, 21.72, -57.82

 

CMYK 0 / 58 / 17 / 8

HEX #EA62C3

RGB 234 98 195

HSL 317.21, 0.76%, 0.65%

LAB 61.8, 63.25, -25.06

 

CMYK 0 / 13 / 58 / 8

HEX #EACC62

RGB 234 204 98

HSL 46.76, 0.76%, 0.65%

LAB 82.68, -1.9, 55.7

 

CMYK 58 / 0 / 42 / 8

HEX #62EA88

RGB 98 234 136

HSL 136.76, 0.76%, 0.65%

LAB 83.56, -57.89, 36.71

 

Description

Color code: HEX #627EEACE | qconv.com Color code: HEX #627EEACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 126 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 126 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 37 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 37% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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