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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6273D7 it is the complementary color #9D8C28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6273D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6273D7 shade: #6773D2, #7885E5, #8997F8, #9AA9FF and #ABBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6273D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6273D7 shade: #6273D7, #5161C4, #404FB1, #2F3D9E and #1E2B8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6273D7 shade: #6172D6, #6F61D6, #8F61D6, #AF61D6 and #CE61D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6273D7 shade: #6172D6 and #6161D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6273D7 shade matches the following richer shades: #6172D6, #5167E6 and #415BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6273D7 shade: #6172D6, #717DC6, #8189B6, #9194A6 and #A1A096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6273D7 shade: #61B1D6, #6192D6, #6172D6, #6F61D6 and #8E61D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6273D7 shade: #2F42B6, #4055CE, #6172D6, #828FDF and #A2ACE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6273D7 shade: #6273D7, #D661D0 and #A1D661

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6273D7 shade: #6273D7, #D66172 and #72D661

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6273D7 shade: #6273D7, #D661D0, #D6C561 and #61D667

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6273D7 shade: #6273D7, #D661AD, #D6C561 and #61D68A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 47 / 0 / 16

HEX #6273D7

RGB 98 115 215

HSL 231.28, 0.59%, 0.61%

LAB 51.57, 22.27, -53.5

 

Complementary color

CMYK 0 / 11 / 75 / 38

HEX #9D8C28

RGB 157 140 40

HSL 51.28, 0.59%, 0.39%

LAB 58.11, -4.89, 52.55

 

CMYK 51 / 45 / 0 / 18

HEX #6773D2

RGB 103 115 210

HSL 233.27, 0.54%, 0.61%

LAB 51.61, 21.77, -50.59

 

CMYK 48 / 42 / 0 / 10

HEX #7885E5

RGB 120 133 229

HSL 232.84, 0.68%, 0.68%

LAB 58.44, 20.62, -50.33

 

CMYK 45 / 39 / 0 / 3

HEX #8997F8

RGB 137 151 248

HSL 232.43, 0.89%, 0.75%

LAB 65.14, 19.64, -50.12

 

CMYK 40 / 34 / 0 / 0

HEX #9AA9FF

RGB 154 169 255

HSL 231.09, 1%, 0.8%

LAB 71.19, 15.5, -44.34

 

CMYK 33 / 27 / 0 / 0

HEX #ABBBFF

RGB 171 187 255

HSL 228.57, 1%, 0.84%

LAB 76.93, 9.98, -35.31

 

CMYK 54 / 47 / 0 / 16

HEX #6273D7

RGB 98 115 215

HSL 231.28, 0.59%, 0.61%

LAB 51.57, 22.27, -53.5

 

CMYK 59 / 51 / 0 / 23

HEX #5161C4

RGB 81 97 196

HSL 231.65, 0.49%, 0.54%

LAB 44.64, 23.79, -53.81

 

CMYK 64 / 55 / 0 / 31

HEX #404FB1

RGB 64 79 177

HSL 232.04, 0.47%, 0.47%

LAB 37.58, 25.63, -54.15

 

CMYK 70 / 61 / 0 / 38

HEX #2F3D9E

RGB 47 61 158

HSL 232.43, 0.54%, 0.4%

LAB 30.43, 27.89, -54.45

 

CMYK 78 / 69 / 0 / 45

HEX #1E2B8B

RGB 30 43 139

HSL 232.84, 0.64%, 0.33%

LAB 23.23, 30.65, -54.59

 

CMYK 55 / 47 / 0 / 16

HEX #6172D6

RGB 97 114 214

HSL 231.28, 0.59%, 0.61%

LAB 51.19, 22.36, -53.55

 

CMYK 48 / 55 / 0 / 16

HEX #6F61D6

RGB 111 97 214

HSL 247.18, 0.59%, 0.61%

LAB 47.99, 35.63, -58.64

 

CMYK 33 / 55 / 0 / 16

HEX #8F61D6

RGB 143 97 214

HSL 263.59, 0.59%, 0.61%

LAB 50.97, 42.99, -53.68

 

CMYK 18 / 55 / 0 / 16

HEX #AF61D6

RGB 175 97 214

HSL 280, 0.59%, 0.61%

LAB 54.57, 51.06, -47.73

 

CMYK 4 / 55 / 0 / 16

HEX #CE61D6

RGB 206 97 214

HSL 295.9, 0.59%, 0.61%

LAB 58.53, 59.17, -41.21

 

CMYK 55 / 47 / 0 / 16

HEX #6172D6

RGB 97 114 214

HSL 231.28, 0.59%, 0.61%

LAB 51.19, 22.36, -53.55

 

CMYK 55 / 55 / 0 / 16

HEX #6161D6

RGB 97 97 214

HSL 240, 0.59%, 0.61%

LAB 46.9, 32.77, -60.44

 

CMYK 55 / 47 / 0 / 16

HEX #6172D6

RGB 97 114 214

HSL 231.28, 0.59%, 0.61%

LAB 51.19, 22.36, -53.55

 

CMYK 65 / 55 / 0 / 10

HEX #5167E6

RGB 81 103 230

HSL 231.14, 0.75%, 0.61%

LAB 48.46, 31.56, -67.03

 

CMYK 74 / 63 / 0 / 4

HEX #415BF6

RGB 65 91 246

HSL 231.38, 0.91%, 0.61%

LAB 45.99, 42.37, -80.09

 

CMYK 55 / 47 / 0 / 16

HEX #6172D6

RGB 97 114 214

HSL 231.28, 0.59%, 0.61%

LAB 51.19, 22.36, -53.55

 

CMYK 43 / 37 / 0 / 22

HEX #717DC6

RGB 113 125 198

HSL 231.53, 0.43%, 0.61%

LAB 54.3, 14.5, -39.46

 

CMYK 29 / 25 / 0 / 29

HEX #8189B6

RGB 129 137 182

HSL 230.94, 0.27%, 0.61%

LAB 57.98, 7.54, -24.53

 

CMYK 13 / 11 / 0 / 35

HEX #9194A6

RGB 145 148 166

HSL 231.43, 0.11%, 0.61%

LAB 61.61, 2.65, -9.81

 

CMYK 0 / 1 / 7 / 37

HEX #A1A096

RGB 161 160 150

HSL 54.55, 0.06%, 0.61%

LAB 65.69, -1.48, 5.33

 

CMYK 55 / 17 / 0 / 16

HEX #61B1D6

RGB 97 177 214

HSL 198.97, 0.59%, 0.61%

LAB 68.64, -14.14, -26.19

 

CMYK 55 / 32 / 0 / 16

HEX #6192D6

RGB 97 146 214

HSL 214.87, 0.59%, 0.61%

LAB 59.85, 3.15, -39.82

 

CMYK 55 / 47 / 0 / 16

HEX #6172D6

RGB 97 114 214

HSL 231.28, 0.59%, 0.61%

LAB 51.19, 22.36, -53.55

 

CMYK 48 / 55 / 0 / 16

HEX #6F61D6

RGB 111 97 214

HSL 247.18, 0.59%, 0.61%

LAB 47.99, 35.63, -58.64

 

CMYK 34 / 55 / 0 / 16

HEX #8E61D6

RGB 142 97 214

HSL 263.08, 0.59%, 0.61%

LAB 50.87, 42.75, -53.85

 

CMYK 74 / 64 / 0 / 29

HEX #2F42B6

RGB 47 66 182

HSL 231.56, 0.59%, 0.45%

LAB 33.73, 33.41, -63.42

 

CMYK 69 / 59 / 0 / 19

HEX #4055CE

RGB 64 85 206

HSL 231.13, 0.59%, 0.53%

LAB 41.28, 32.03, -65.06

 

CMYK 55 / 47 / 0 / 16

HEX #6172D6

RGB 97 114 214

HSL 231.28, 0.59%, 0.61%

LAB 51.19, 22.36, -53.55

 

CMYK 42 / 36 / 0 / 13

HEX #828FDF

RGB 130 143 223

HSL 231.61, 0.59%, 0.69%

LAB 61.41, 15.42, -42.25

 

CMYK 30 / 26 / 0 / 9

HEX #A2ACE7

RGB 162 172 231

HSL 231.3, 0.59%, 0.77%

LAB 71.53, 9.75, -30.74

 

CMYK 54 / 47 / 0 / 16

HEX #6273D7

RGB 98 115 215

HSL 231.28, 0.59%, 0.61%

LAB 51.57, 22.27, -53.5

 

CMYK 0 / 55 / 3 / 16

HEX #D661D0

RGB 214 97 208

HSL 303.08, 0.59%, 0.61%

LAB 59.34, 60.25, -36.47

 

CMYK 25 / 0 / 55 / 16

HEX #A1D661

RGB 161 214 97

HSL 87.18, 0.59%, 0.61%

LAB 79.92, -35.94, 51.56

 

CMYK 54 / 47 / 0 / 16

HEX #6273D7

RGB 98 115 215

HSL 231.28, 0.59%, 0.61%

LAB 51.57, 22.27, -53.5

 

CMYK 0 / 55 / 47 / 16

HEX #D66172

RGB 214 97 114

HSL 351.28, 0.59%, 0.61%

LAB 56.15, 47.55, 13.19

 

CMYK 47 / 0 / 55 / 16

HEX #72D661

RGB 114 214 97

HSL 111.28, 0.59%, 0.61%

LAB 77.6, -51.51, 48.25

 

CMYK 54 / 47 / 0 / 16

HEX #6273D7

RGB 98 115 215

HSL 231.28, 0.59%, 0.61%

LAB 51.57, 22.27, -53.5

 

CMYK 0 / 55 / 3 / 16

HEX #D661D0

RGB 214 97 208

HSL 303.08, 0.59%, 0.61%

LAB 59.34, 60.25, -36.47

 

CMYK 0 / 8 / 55 / 16

HEX #D6C561

RGB 214 197 97

HSL 51.28, 0.59%, 0.61%

LAB 79.09, -6.65, 51.58

 

CMYK 55 / 0 / 52 / 16

HEX #61D667

RGB 97 214 103

HSL 123.08, 0.59%, 0.61%

LAB 77.05, -55.34, 44.62

 

CMYK 54 / 47 / 0 / 16

HEX #6273D7

RGB 98 115 215

HSL 231.28, 0.59%, 0.61%

LAB 51.57, 22.27, -53.5

 

CMYK 0 / 55 / 19 / 16

HEX #D661AD

RGB 214 97 173

HSL 321.03, 0.59%, 0.61%

LAB 57.91, 54.72, -18.67

 

CMYK 0 / 8 / 55 / 16

HEX #D6C561

RGB 214 197 97

HSL 51.28, 0.59%, 0.61%

LAB 79.09, -6.65, 51.58

 

CMYK 55 / 0 / 36 / 16

HEX #61D68A

RGB 97 214 138

HSL 141.03, 0.59%, 0.61%

LAB 77.56, -49.87, 27.78

 

Description

Color code: HEX #6273D7 | qconv.com Color code: HEX #6273D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 115 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 115 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 47 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 47% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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