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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #626D93 it is the complementary color #9D926C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #626D93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #626D93 shade: #676D8E, #787FA1, #8991B4, #9AA3C7 and #ABB5DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #626D93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #626D93 shade: #626D93, #515B80, #40496D, #2F375A and #1E2547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #626D93 shade: #626D93, #646293, #716293, #7F6293 and #8C6293

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #626D93 shade: #626D93 and #626293

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #626D93 shade matches the following richer shades: #626D93, #4E62A7, #3A57BA, #274CCE and #1341E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #626D93 shade: #626D93, #76787F, #8A836B, #9D8E57 and #B19944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #626D93 shade: #628793, #627A93, #626D93, #646293 and #716293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #626D93 shade: #414861, #515B7A, #626D93, #7983A5 and #919AB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #626D93 shade: #626D93, #916293 and #819362

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #626D93 shade: #626D93, #93626D and #6D9362

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #626D93 shade: #626D93, #916293, #938762 and #649362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #626D93 shade: #626D93, #936286, #938762 and #62936F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

Complementary color

CMYK 0 / 7 / 31 / 38

HEX #9D926C

RGB 157 146 108

HSL 46.53, 0.2%, 0.52%

LAB 60.61, -1.99, 21.66

 

CMYK 27 / 23 / 0 / 44

HEX #676D8E

RGB 103 109 142

HSL 230.77, 0.16%, 0.48%

LAB 46.68, 5.6, -18.81

 

CMYK 25 / 21 / 0 / 37

HEX #787FA1

RGB 120 127 161

HSL 229.76, 0.18%, 0.55%

LAB 53.76, 5.24, -19.01

 

CMYK 24 / 19 / 0 / 29

HEX #8991B4

RGB 137 145 180

HSL 228.84, 0.22%, 0.62%

LAB 60.66, 4.93, -19.23

 

CMYK 23 / 18 / 0 / 22

HEX #9AA3C7

RGB 154 163 199

HSL 228, 0.29%, 0.69%

LAB 67.42, 4.64, -19.48

 

CMYK 22 / 17 / 0 / 15

HEX #ABB5DA

RGB 171 181 218

HSL 227.23, 0.39%, 0.76%

LAB 74.04, 4.38, -19.75

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 37 / 29 / 0 / 50

HEX #515B80

RGB 81 91 128

HSL 227.23, 0.22%, 0.41%

LAB 39.22, 5.85, -22.01

 

CMYK 41 / 33 / 0 / 57

HEX #40496D

RGB 64 73 109

HSL 228, 0.26%, 0.34%

LAB 31.71, 6.46, -22

 

CMYK 48 / 39 / 0 / 65

HEX #2F375A

RGB 47 55 90

HSL 228.84, 0.31%, 0.27%

LAB 23.92, 7.25, -22.09

 

CMYK 58 / 48 / 0 / 72

HEX #1E2547

RGB 30 37 71

HSL 229.76, 0.41%, 0.2%

LAB 15.77, 8.4, -22.31

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 32 / 33 / 0 / 42

HEX #646293

RGB 100 98 147

HSL 242.45, 0.2%, 0.48%

LAB 43.58, 12.72, -26.59

 

CMYK 23 / 33 / 0 / 42

HEX #716293

RGB 113 98 147

HSL 258.37, 0.2%, 0.48%

LAB 44.73, 16.82, -24.71

 

CMYK 14 / 33 / 0 / 42

HEX #7F6293

RGB 127 98 147

HSL 275.51, 0.2%, 0.48%

LAB 46.12, 21.43, -22.46

 

CMYK 5 / 33 / 0 / 42

HEX #8C6293

RGB 140 98 147

HSL 291.43, 0.2%, 0.48%

LAB 47.52, 25.82, -20.19

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 33 / 33 / 0 / 42

HEX #626293

RGB 98 98 147

HSL 240, 0.2%, 0.48%

LAB 43.42, 12.11, -26.86

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 53 / 41 / 0 / 35

HEX #4E62A7

RGB 78 98 167

HSL 226.52, 0.36%, 0.48%

LAB 42.98, 12.84, -39.53

 

CMYK 69 / 53 / 0 / 27

HEX #3A57BA

RGB 58 87 186

HSL 226.41, 0.52%, 0.48%

LAB 40.02, 22.71, -55.52

 

CMYK 81 / 63 / 0 / 19

HEX #274CCE

RGB 39 76 206

HSL 226.71, 0.68%, 0.48%

LAB 37.94, 35.03, -70.57

 

CMYK 92 / 71 / 0 / 11

HEX #1341E2

RGB 19 65 226

HSL 226.67, 0.84%, 0.48%

LAB 36.76, 48, -84.02

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 7 / 6 / 0 / 50

HEX #76787F

RGB 118 120 127

HSL 226.67, 0.04%, 0.48%

LAB 50.47, 0.71, -4.09

 

CMYK 0 / 5 / 22 / 46

HEX #8A836B

RGB 138 131 107

HSL 46.45, 0.13%, 0.48%

LAB 54.76, -1.52, 13.94

 

CMYK 0 / 10 / 45 / 38

HEX #9D8E57

RGB 157 142 87

HSL 47.14, 0.29%, 0.48%

LAB 59.16, -2.34, 31.27

 

CMYK 0 / 14 / 62 / 31

HEX #B19944

RGB 177 153 68

HSL 46.79, 0.44%, 0.48%

LAB 63.79, -1.37, 46.92

 

CMYK 33 / 8 / 0 / 42

HEX #628793

RGB 98 135 147

HSL 194.69, 0.2%, 0.48%

LAB 54.06, -9.8, -10.58

 

CMYK 33 / 17 / 0 / 42

HEX #627A93

RGB 98 122 147

HSL 210.61, 0.2%, 0.48%

LAB 50.24, -2.37, -16.35

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 32 / 33 / 0 / 42

HEX #646293

RGB 100 98 147

HSL 242.45, 0.2%, 0.48%

LAB 43.58, 12.72, -26.59

 

CMYK 23 / 33 / 0 / 42

HEX #716293

RGB 113 98 147

HSL 258.37, 0.2%, 0.48%

LAB 44.73, 16.82, -24.71

 

CMYK 33 / 26 / 0 / 62

HEX #414861

RGB 65 72 97

HSL 226.88, 0.2%, 0.32%

LAB 30.93, 3.8, -15.6

 

CMYK 34 / 25 / 0 / 52

HEX #515B7A

RGB 81 91 122

HSL 225.37, 0.2%, 0.4%

LAB 38.96, 4.13, -18.75

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 27 / 21 / 0 / 35

HEX #7983A5

RGB 121 131 165

HSL 226.36, 0.2%, 0.56%

LAB 55.09, 4.23, -19.28

 

CMYK 20 / 15 / 0 / 29

HEX #919AB6

RGB 145 154 182

HSL 225.41, 0.2%, 0.64%

LAB 63.76, 2.86, -15.6

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 1 / 33 / 0 / 42

HEX #916293

RGB 145 98 147

HSL 297.55, 0.2%, 0.48%

LAB 48.09, 27.53, -19.27

 

CMYK 12 / 0 / 33 / 42

HEX #819362

RGB 129 147 98

HSL 82.04, 0.2%, 0.48%

LAB 58.43, -15.27, 23.87

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 0 / 33 / 26 / 42

HEX #93626D

RGB 147 98 109

HSL 346.53, 0.2%, 0.48%

LAB 47.03, 21.49, 1.93

 

CMYK 26 / 0 / 33 / 42

HEX #6D9362

RGB 109 147 98

HSL 106.53, 0.2%, 0.48%

LAB 57.08, -22.91, 21.83

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 1 / 33 / 0 / 42

HEX #916293

RGB 145 98 147

HSL 297.55, 0.2%, 0.48%

LAB 48.09, 27.53, -19.27

 

CMYK 0 / 8 / 33 / 42

HEX #938762

RGB 147 135 98

HSL 45.31, 0.2%, 0.48%

LAB 56.5, -1.36, 21.57

 

CMYK 32 / 0 / 33 / 42

HEX #649362

RGB 100 147 98

HSL 117.55, 0.2%, 0.48%

LAB 56.54, -26.12, 21.02

 

CMYK 33 / 26 / 0 / 42

HEX #626D93

RGB 98 109 147

HSL 226.53, 0.2%, 0.48%

LAB 46.5, 5.37, -22.08

 

CMYK 0 / 33 / 9 / 42

HEX #936286

RGB 147 98 134

HSL 315.92, 0.2%, 0.48%

LAB 47.83, 25.72, -11.89

 

CMYK 0 / 8 / 33 / 42

HEX #938762

RGB 147 135 98

HSL 45.31, 0.2%, 0.48%

LAB 56.5, -1.36, 21.57

 

CMYK 33 / 0 / 24 / 42

HEX #62936F

RGB 98 147 111

HSL 135.92, 0.2%, 0.48%

LAB 56.7, -24.41, 13.92

 

Description

Color code: HEX #626D93 | qconv.com Color code: HEX #626D93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 109 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 109 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 26 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 26% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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