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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #626C5E it is the complementary color #9D93A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #626C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #626C5E shade: #676C59, #787E6C, #89907F, #9AA292 and #ABB4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #626C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #626C5E shade: #626C5E, #515A4B, #404838, #2F3625 and #1E2412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #626C5E shade: #626D5E, #666D5E, #6A6D5E, #6D6B5E and #6D675E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #626C5E shade: #626D5E, #5F6D5E, #5E6D62, #5E6D66 and #5E6D6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #626C5E shade matches the following richer shades: #626D5E, #5B7D4E, #548E3D, #4D9E2D and #46AF1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #626C5E shade: #626D5E, #6A5C6F, #714C7F, #783B90 and #7F2BA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #626C5E shade: #6A6D5E, #666D5E, #636D5E, #5F6D5E and #5E6D62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #626C5E shade: #3A4038, #4E574B, #626D5E, #768372 and #8B9787

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #626C5E shade: #626C5E, #5E6D6B and #6D5E68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #626C5E shade: #626C5E, #5E636D and #6D5E63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #626C5E shade: #626C5E, #5E6D6B, #685E6D and #6D5E60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #626C5E shade: #626C5E, #5E6A6D, #685E6D and #6D615E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 13 / 58

HEX #626C5E

RGB 98 108 94

HSL 102.86, 0.07%, 0.4%

LAB 44.42, -6.7, 6.55

 

Complementary color

CMYK 2 / 9 / 0 / 37

HEX #9D93A1

RGB 157 147 161

HSL 282.86, 0.07%, 0.6%

LAB 62.18, 6.36, -6.03

 

CMYK 5 / 0 / 18 / 58

HEX #676C59

RGB 103 108 89

HSL 75.79, 0.1%, 0.39%

LAB 44.7, -5.63, 10

 

CMYK 5 / 0 / 14 / 51

HEX #787E6C

RGB 120 126 108

HSL 80, 0.08%, 0.46%

LAB 51.83, -5.72, 9.04

 

CMYK 5 / 0 / 12 / 44

HEX #89907F

RGB 137 144 127

HSL 84.71, 0.07%, 0.53%

LAB 58.79, -5.8, 8.16

 

CMYK 5 / 0 / 10 / 36

HEX #9AA292

RGB 154 162 146

HSL 90, 0.08%, 0.6%

LAB 65.58, -5.87, 7.34

 

CMYK 5 / 0 / 8 / 29

HEX #ABB4A5

RGB 171 180 165

HSL 96, 0.09%, 0.68%

LAB 72.24, -5.94, 6.56

 

CMYK 9 / 0 / 13 / 58

HEX #626C5E

RGB 98 108 94

HSL 102.86, 0.07%, 0.4%

LAB 44.42, -6.7, 6.55

 

CMYK 10 / 0 / 17 / 65

HEX #515A4B

RGB 81 90 75

HSL 96, 0.09%, 0.32%

LAB 37.06, -6.7, 7.49

 

CMYK 11 / 0 / 22 / 72

HEX #404838

RGB 64 72 56

HSL 90, 0.13%, 0.25%

LAB 29.44, -6.71, 8.53

 

CMYK 13 / 0 / 31 / 79

HEX #2F3625

RGB 47 54 37

HSL 84.71, 0.19%, 0.18%

LAB 21.49, -6.71, 9.73

 

CMYK 17 / 0 / 50 / 86

HEX #1E2412

RGB 30 36 18

HSL 80, 0.33%, 0.11%

LAB 13.12, -6.69, 11.03

 

CMYK 10 / 0 / 14 / 57

HEX #626D5E

RGB 98 109 94

HSL 104, 0.07%, 0.4%

LAB 44.72, -7.28, 6.98

 

CMYK 6 / 0 / 14 / 57

HEX #666D5E

RGB 102 109 94

HSL 88, 0.07%, 0.4%

LAB 45.04, -5.7, 7.47

 

CMYK 3 / 0 / 14 / 57

HEX #6A6D5E

RGB 106 109 94

HSL 72, 0.07%, 0.4%

LAB 45.37, -4.09, 7.99

 

CMYK 0 / 2 / 14 / 57

HEX #6D6B5E

RGB 109 107 94

HSL 52, 0.07%, 0.4%

LAB 45.05, -1.71, 7.57

 

CMYK 0 / 6 / 14 / 57

HEX #6D675E

RGB 109 103 94

HSL 36, 0.07%, 0.4%

LAB 43.89, 0.65, 5.92

 

CMYK 10 / 0 / 14 / 57

HEX #626D5E

RGB 98 109 94

HSL 104, 0.07%, 0.4%

LAB 44.72, -7.28, 6.98

 

CMYK 13 / 0 / 14 / 57

HEX #5F6D5E

RGB 95 109 94

HSL 116, 0.07%, 0.4%

LAB 44.49, -8.45, 6.61

 

CMYK 14 / 0 / 10 / 57

HEX #5E6D62

RGB 94 109 98

HSL 136, 0.07%, 0.4%

LAB 44.52, -8.02, 4.25

 

CMYK 14 / 0 / 6 / 57

HEX #5E6D66

RGB 94 109 102

HSL 152, 0.07%, 0.4%

LAB 44.63, -7.17, 2

 

CMYK 14 / 0 / 3 / 57

HEX #5E6D6A

RGB 94 109 106

HSL 168, 0.07%, 0.4%

LAB 44.74, -6.29, -0.23

 

CMYK 10 / 0 / 14 / 57

HEX #626D5E

RGB 98 109 94

HSL 104, 0.07%, 0.4%

LAB 44.72, -7.28, 6.98

 

CMYK 27 / 0 / 38 / 51

HEX #5B7D4E

RGB 91 125 78

HSL 103.4, 0.23%, 0.4%

LAB 48.81, -21.59, 21.85

 

CMYK 41 / 0 / 57 / 44

HEX #548E3D

RGB 84 142 61

HSL 102.96, 0.4%, 0.4%

LAB 53.57, -34.72, 36.77

 

CMYK 51 / 0 / 72 / 38

HEX #4D9E2D

RGB 77 158 45

HSL 103.01, 0.56%, 0.4%

LAB 58.25, -45.33, 49

 

CMYK 60 / 0 / 84 / 31

HEX #46AF1C

RGB 70 175 28

HSL 102.86, 0.72%, 0.4%

LAB 63.38, -54.68, 59.38

 

CMYK 10 / 0 / 14 / 57

HEX #626D5E

RGB 98 109 94

HSL 104, 0.07%, 0.4%

LAB 44.72, -7.28, 6.98

 

CMYK 5 / 17 / 0 / 56

HEX #6A5C6F

RGB 106 92 111

HSL 284.21, 0.09%, 0.4%

LAB 41, 9.52, -8.7

 

CMYK 11 / 40 / 0 / 50

HEX #714C7F

RGB 113 76 127

HSL 283.53, 0.25%, 0.4%

LAB 38.22, 25.39, -22.71

 

CMYK 17 / 59 / 0 / 44

HEX #783B90

RGB 120 59 144

HSL 283.06, 0.42%, 0.4%

LAB 36.24, 41.02, -36.18

 

CMYK 21 / 73 / 0 / 37

HEX #7F2BA0

RGB 127 43 160

HSL 283.08, 0.58%, 0.4%

LAB 35.55, 53.64, -46.95

 

CMYK 3 / 0 / 14 / 57

HEX #6A6D5E

RGB 106 109 94

HSL 72, 0.07%, 0.4%

LAB 45.37, -4.09, 7.99

 

CMYK 6 / 0 / 14 / 57

HEX #666D5E

RGB 102 109 94

HSL 88, 0.07%, 0.4%

LAB 45.04, -5.7, 7.47

 

CMYK 9 / 0 / 14 / 57

HEX #636D5E

RGB 99 109 94

HSL 100, 0.07%, 0.4%

LAB 44.8, -6.88, 7.1

 

CMYK 13 / 0 / 14 / 57

HEX #5F6D5E

RGB 95 109 94

HSL 116, 0.07%, 0.4%

LAB 44.49, -8.45, 6.61

 

CMYK 14 / 0 / 10 / 57

HEX #5E6D62

RGB 94 109 98

HSL 136, 0.07%, 0.4%

LAB 44.52, -8.02, 4.25

 

CMYK 9 / 0 / 13 / 75

HEX #3A4038

RGB 58 64 56

HSL 105, 0.07%, 0.24%

LAB 26.31, -4.31, 4.05

 

CMYK 10 / 0 / 14 / 66

HEX #4E574B

RGB 78 87 75

HSL 105, 0.07%, 0.32%

LAB 35.88, -6.14, 5.78

 

CMYK 10 / 0 / 14 / 57

HEX #626D5E

RGB 98 109 94

HSL 104, 0.07%, 0.4%

LAB 44.72, -7.28, 6.98

 

CMYK 10 / 0 / 13 / 49

HEX #768372

RGB 118 131 114

HSL 105.88, 0.07%, 0.48%

LAB 53.28, -8.18, 7.58

 

CMYK 8 / 0 / 11 / 41

HEX #8B9787

RGB 139 151 135

HSL 105, 0.07%, 0.56%

LAB 61.11, -7.42, 6.96

 

CMYK 9 / 0 / 13 / 58

HEX #626C5E

RGB 98 108 94

HSL 102.86, 0.07%, 0.4%

LAB 44.42, -6.7, 6.55

 

CMYK 14 / 0 / 2 / 57

HEX #5E6D6B

RGB 94 109 107

HSL 172, 0.07%, 0.4%

LAB 44.77, -6.07, -0.79

 

CMYK 0 / 14 / 5 / 57

HEX #6D5E68

RGB 109 94 104

HSL 320, 0.07%, 0.4%

LAB 41.62, 7.98, -3.46

 

CMYK 9 / 0 / 13 / 58

HEX #626C5E

RGB 98 108 94

HSL 102.86, 0.07%, 0.4%

LAB 44.42, -6.7, 6.55

 

CMYK 14 / 9 / 0 / 57

HEX #5E636D

RGB 94 99 109

HSL 220, 0.07%, 0.4%

LAB 41.86, 0.32, -6.31

 

CMYK 0 / 14 / 9 / 57

HEX #6D5E63

RGB 109 94 99

HSL 340, 0.07%, 0.4%

LAB 41.47, 6.99, -0.62

 

CMYK 9 / 0 / 13 / 58

HEX #626C5E

RGB 98 108 94

HSL 102.86, 0.07%, 0.4%

LAB 44.42, -6.7, 6.55

 

CMYK 14 / 0 / 2 / 57

HEX #5E6D6B

RGB 94 109 107

HSL 172, 0.07%, 0.4%

LAB 44.77, -6.07, -0.79

 

CMYK 5 / 14 / 0 / 57

HEX #685E6D

RGB 104 94 109

HSL 280, 0.07%, 0.4%

LAB 41.3, 7.1, -7.05

 

CMYK 0 / 14 / 12 / 57

HEX #6D5E60

RGB 109 94 96

HSL 352, 0.07%, 0.4%

LAB 41.38, 6.42, 1.08

 

CMYK 9 / 0 / 13 / 58

HEX #626C5E

RGB 98 108 94

HSL 102.86, 0.07%, 0.4%

LAB 44.42, -6.7, 6.55

 

CMYK 14 / 3 / 0 / 57

HEX #5E6A6D

RGB 94 106 109

HSL 192, 0.07%, 0.4%

LAB 43.93, -3.86, -3.23

 

CMYK 5 / 14 / 0 / 57

HEX #685E6D

RGB 104 94 109

HSL 280, 0.07%, 0.4%

LAB 41.3, 7.1, -7.05

 

CMYK 0 / 11 / 14 / 57

HEX #6D615E

RGB 109 97 94

HSL 12, 0.07%, 0.4%

LAB 42.17, 4.23, 3.45

 

Description

Color code: HEX #626C5E | qconv.com Color code: HEX #626C5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 108 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 108 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 13 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 13% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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