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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #626A8C it is the complementary color #9D9573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #626A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #626A8C shade: #676A87, #787C9A, #898EAD, #9AA0C0 and #ABB2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #626A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #626A8C shade: #626A8C, #515879, #404666, #2F3453 and #1E2240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #626A8C shade: #626A8D, #66628D, #71628D, #7D628D and #89628D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #626A8C shade: #626A8D and #62628D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #626A8C shade matches the following richer shades: #626A8D, #4F5EA1, #3B52B4, #2846C8 and #153ADB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #626A8C shade: #626A8D, #76767A, #898367, #9C8F53 and #B09B40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #626A8C shade: #62828D, #62768D, #626B8D, #65628D and #71628D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #626A8C shade: #40465D, #515875, #626A8D, #7880A1 and #9097B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #626A8C shade: #626A8C, #8D628D and #7C8D62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #626A8C shade: #626A8C, #8D626B and #6B8D62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #626A8C shade: #626A8C, #8D628D, #8D8562 and #628D62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #626A8C shade: #626A8C, #8D6280, #8D8562 and #628D6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 24 / 0 / 45

HEX #626A8C

RGB 98 106 140

HSL 228.57, 0.18%, 0.47%

LAB 45.36, 5.28, -19.68

 

Complementary color

CMYK 0 / 5 / 27 / 38

HEX #9D9573

RGB 157 149 115

HSL 48.57, 0.18%, 0.53%

LAB 61.57, -2.66, 19.06

 

CMYK 24 / 21 / 0 / 47

HEX #676A87

RGB 103 106 135

HSL 234.38, 0.13%, 0.47%

LAB 45.55, 5.61, -16.36

 

CMYK 22 / 19 / 0 / 40

HEX #787C9A

RGB 120 124 154

HSL 232.94, 0.14%, 0.54%

LAB 52.67, 5.27, -16.6

 

CMYK 21 / 18 / 0 / 32

HEX #898EAD

RGB 137 142 173

HSL 231.67, 0.18%, 0.61%

LAB 59.6, 4.97, -16.87

 

CMYK 20 / 17 / 0 / 25

HEX #9AA0C0

RGB 154 160 192

HSL 230.53, 0.23%, 0.68%

LAB 66.38, 4.69, -17.17

 

CMYK 19 / 16 / 0 / 17

HEX #ABB2D3

RGB 171 178 211

HSL 229.5, 0.31%, 0.75%

LAB 73.02, 4.44, -17.47

 

CMYK 30 / 24 / 0 / 45

HEX #626A8C

RGB 98 106 140

HSL 228.57, 0.18%, 0.47%

LAB 45.36, 5.28, -19.68

 

CMYK 33 / 27 / 0 / 53

HEX #515879

RGB 81 88 121

HSL 229.5, 0.2%, 0.4%

LAB 38.04, 5.72, -19.56

 

CMYK 37 / 31 / 0 / 60

HEX #404666

RGB 64 70 102

HSL 230.53, 0.23%, 0.33%

LAB 30.47, 6.27, -19.5

 

CMYK 43 / 37 / 0 / 67

HEX #2F3453

RGB 47 52 83

HSL 231.67, 0.28%, 0.25%

LAB 22.6, 6.98, -19.54

 

CMYK 53 / 47 / 0 / 75

HEX #1E2240

RGB 30 34 64

HSL 232.94, 0.36%, 0.18%

LAB 14.35, 7.99, -19.72

 

CMYK 30 / 25 / 0 / 45

HEX #626A8D

RGB 98 106 141

HSL 228.84, 0.18%, 0.47%

LAB 45.4, 5.55, -20.21

 

CMYK 28 / 30 / 0 / 45

HEX #66628D

RGB 102 98 141

HSL 245.58, 0.18%, 0.47%

LAB 43.48, 11.72, -23.14

 

CMYK 20 / 30 / 0 / 45

HEX #71628D

RGB 113 98 141

HSL 260.93, 0.18%, 0.47%

LAB 44.47, 15.33, -21.53

 

CMYK 11 / 30 / 0 / 45

HEX #7D628D

RGB 125 98 141

HSL 277.67, 0.18%, 0.47%

LAB 45.66, 19.39, -19.6

 

CMYK 3 / 30 / 0 / 45

HEX #89628D

RGB 137 98 141

HSL 294.42, 0.18%, 0.47%

LAB 46.94, 23.54, -17.52

 

CMYK 30 / 25 / 0 / 45

HEX #626A8D

RGB 98 106 141

HSL 228.84, 0.18%, 0.47%

LAB 45.4, 5.55, -20.21

 

CMYK 30 / 30 / 0 / 45

HEX #62628D

RGB 98 98 141

HSL 240, 0.18%, 0.47%

LAB 43.15, 10.45, -23.69

 

CMYK 30 / 25 / 0 / 45

HEX #626A8D

RGB 98 106 141

HSL 228.84, 0.18%, 0.47%

LAB 45.4, 5.55, -20.21

 

CMYK 51 / 42 / 0 / 37

HEX #4F5EA1

RGB 79 94 161

HSL 229.02, 0.34%, 0.47%

LAB 41.6, 13.64, -38.17

 

CMYK 67 / 54 / 0 / 29

HEX #3B52B4

RGB 59 82 180

HSL 228.6, 0.51%, 0.47%

LAB 38.3, 23.93, -54.76

 

CMYK 80 / 65 / 0 / 22

HEX #2846C8

RGB 40 70 200

HSL 228.75, 0.67%, 0.47%

LAB 35.99, 36.73, -70.29

 

CMYK 90 / 74 / 0 / 14

HEX #153ADB

RGB 21 58 219

HSL 228.79, 0.83%, 0.47%

LAB 34.6, 49.73, -83.59

 

CMYK 30 / 25 / 0 / 45

HEX #626A8D

RGB 98 106 141

HSL 228.84, 0.18%, 0.47%

LAB 45.4, 5.55, -20.21

 

CMYK 3 / 3 / 0 / 52

HEX #76767A

RGB 118 118 122

HSL 240, 0.02%, 0.47%

LAB 49.75, 0.82, -2.2

 

CMYK 0 / 4 / 25 / 46

HEX #898367

RGB 137 131 103

HSL 49.41, 0.14%, 0.47%

LAB 54.59, -2.55, 15.98

 

CMYK 0 / 8 / 47 / 39

HEX #9C8F53

RGB 156 143 83

HSL 49.32, 0.31%, 0.47%

LAB 59.29, -3.75, 33.55

 

CMYK 0 / 12 / 64 / 31

HEX #B09B40

RGB 176 155 64

HSL 48.75, 0.47%, 0.47%

LAB 64.2, -3.17, 49.2

 

CMYK 30 / 8 / 0 / 45

HEX #62828D

RGB 98 130 141

HSL 195.35, 0.18%, 0.47%

LAB 52.38, -8.54, -9.61

 

CMYK 30 / 16 / 0 / 45

HEX #62768D

RGB 98 118 141

HSL 212.09, 0.18%, 0.47%

LAB 48.86, -1.62, -14.93

 

CMYK 30 / 24 / 0 / 45

HEX #626B8D

RGB 98 107 141

HSL 227.44, 0.18%, 0.47%

LAB 45.68, 4.94, -19.77

 

CMYK 28 / 30 / 0 / 45

HEX #65628D

RGB 101 98 141

HSL 244.19, 0.18%, 0.47%

LAB 43.4, 11.4, -23.28

 

CMYK 20 / 30 / 0 / 45

HEX #71628D

RGB 113 98 141

HSL 260.93, 0.18%, 0.47%

LAB 44.47, 15.33, -21.53

 

CMYK 31 / 25 / 0 / 64

HEX #40465D

RGB 64 70 93

HSL 227.59, 0.18%, 0.31%

LAB 30.06, 3.6, -14.39

 

CMYK 31 / 25 / 0 / 54

HEX #515875

RGB 81 88 117

HSL 228.33, 0.18%, 0.39%

LAB 37.87, 4.6, -17.36

 

CMYK 30 / 25 / 0 / 45

HEX #626A8D

RGB 98 106 141

HSL 228.84, 0.18%, 0.47%

LAB 45.4, 5.55, -20.21

 

CMYK 25 / 20 / 0 / 37

HEX #7880A1

RGB 120 128 161

HSL 228.29, 0.18%, 0.55%

LAB 54.03, 4.66, -18.58

 

CMYK 19 / 15 / 0 / 30

HEX #9097B2

RGB 144 151 178

HSL 227.65, 0.18%, 0.63%

LAB 62.74, 3.3, -14.9

 

CMYK 30 / 24 / 0 / 45

HEX #626A8C

RGB 98 106 140

HSL 228.57, 0.18%, 0.47%

LAB 45.36, 5.28, -19.68

 

CMYK 0 / 30 / 0 / 45

HEX #8D628D

RGB 141 98 141

HSL 300, 0.18%, 0.47%

LAB 47.39, 24.94, -16.8

 

CMYK 12 / 0 / 30 / 45

HEX #7C8D62

RGB 124 141 98

HSL 83.72, 0.18%, 0.47%

LAB 56.3, -14.05, 20.97

 

CMYK 30 / 24 / 0 / 45

HEX #626A8C

RGB 98 106 140

HSL 228.57, 0.18%, 0.47%

LAB 45.36, 5.28, -19.68

 

CMYK 0 / 30 / 24 / 45

HEX #8D626B

RGB 141 98 107

HSL 347.44, 0.18%, 0.47%

LAB 46.26, 18.81, 1.92

 

CMYK 24 / 0 / 30 / 45

HEX #6B8D62

RGB 107 141 98

HSL 107.44, 0.18%, 0.47%

LAB 55.13, -20.57, 19.19

 

CMYK 30 / 24 / 0 / 45

HEX #626A8C

RGB 98 106 140

HSL 228.57, 0.18%, 0.47%

LAB 45.36, 5.28, -19.68

 

CMYK 0 / 30 / 0 / 45

HEX #8D628D

RGB 141 98 141

HSL 300, 0.18%, 0.47%

LAB 47.39, 24.94, -16.8

 

CMYK 0 / 6 / 30 / 45

HEX #8D8562

RGB 141 133 98

HSL 48.84, 0.18%, 0.47%

LAB 55.4, -2.75, 20

 

CMYK 30 / 0 / 30 / 45

HEX #628D62

RGB 98 141 98

HSL 120, 0.18%, 0.47%

LAB 54.58, -23.82, 18.36

 

CMYK 30 / 24 / 0 / 45

HEX #626A8C

RGB 98 106 140

HSL 228.57, 0.18%, 0.47%

LAB 45.36, 5.28, -19.68

 

CMYK 0 / 30 / 9 / 45

HEX #8D6280

RGB 141 98 128

HSL 318.14, 0.18%, 0.47%

LAB 46.92, 22.43, -9.74

 

CMYK 0 / 6 / 30 / 45

HEX #8D8562

RGB 141 133 98

HSL 48.84, 0.18%, 0.47%

LAB 55.4, -2.75, 20

 

CMYK 30 / 0 / 21 / 45

HEX #628D6F

RGB 98 141 111

HSL 138.14, 0.18%, 0.47%

LAB 54.86, -21.35, 11.36

 

Description

Color code: HEX #626A8C | qconv.com Color code: HEX #626A8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 106 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 106 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 24 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 24% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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