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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #626626 it is the complementary color #9D99D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #626626. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #626626 shade: #676621, #787834, #898A47, #9A9C5A and #ABAE6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #626626. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #626626 shade: #626626, #515413, #404200, #2F3000 and #1E1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #626626 shade: #616525, #655725, #654625, #653525 and #652525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #626626 shade: #616525, #4F6525, #3E6525, #2D6525 and #25652E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #626626 shade matches the following richer shades: #616525, #6A701A, #747B0F and #7E8604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #626626 shade: #616525, #575930, #4D4E3B, #434347 and #3A3852

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #626626 shade: #654625, #655725, #616525, #506525 and #406525

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #626626 shade: #27280F, #44461A, #616525, #7D8330 and #9AA13B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #626626 shade: #626626, #256535 and #4E2565

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #626626 shade: #626626, #256165 and #652561

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #626626 shade: #626626, #256535, #282565 and #652555

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #626626 shade: #626626, #256548, #282565 and #652542

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 63 / 60

HEX #626626

RGB 98 102 38

HSL 63.75, 0.46%, 0.27%

LAB 41.59, -11.12, 34.74

 

Complementary color

CMYK 28 / 29 / 0 / 15

HEX #9D99D9

RGB 157 153 217

HSL 243.75, 0.46%, 0.73%

LAB 65.72, 15.53, -32.05

 

CMYK 0 / 1 / 68 / 60

HEX #676621

RGB 103 102 33

HSL 59.14, 0.51%, 0.27%

LAB 41.99, -9.16, 37.69

 

CMYK 0 / 0 / 57 / 53

HEX #787834

RGB 120 120 52

HSL 60, 0.4%, 0.34%

LAB 49.1, -9.9, 36.7

 

CMYK 1 / 0 / 49 / 46

HEX #898A47

RGB 137 138 71

HSL 60.9, 0.32%, 0.41%

LAB 56.04, -10.45, 35.49

 

CMYK 1 / 0 / 42 / 39

HEX #9A9C5A

RGB 154 156 90

HSL 61.82, 0.27%, 0.48%

LAB 62.83, -10.86, 34.24

 

CMYK 2 / 0 / 37 / 32

HEX #ABAE6D

RGB 171 174 109

HSL 62.77, 0.29%, 0.55%

LAB 69.49, -11.18, 33.02

 

CMYK 4 / 0 / 63 / 60

HEX #626626

RGB 98 102 38

HSL 63.75, 0.46%, 0.27%

LAB 41.59, -11.12, 34.74

 

CMYK 4 / 0 / 77 / 67

HEX #515413

RGB 81 84 19

HSL 62.77, 0.63%, 0.2%

LAB 34.27, -10.31, 35.39

 

CMYK 3 / 0 / 100 / 74

HEX #404200

RGB 64 66 0

HSL 61.82, 1%, 0.13%

LAB 26.7, -9.21, 35.32

 

CMYK 2 / 0 / 100 / 81

HEX #2F3000

RGB 47 48 0

HSL 61.25, 1%, 0.09%

LAB 18.88, -7.21, 26.72

 

CMYK 0 / 0 / 100 / 88

HEX #1E1E00

RGB 30 30 0

HSL 60, 1%, 0.06%

LAB 10.59, -5.07, 15.69

 

CMYK 4 / 0 / 63 / 60

HEX #616525

RGB 97 101 37

HSL 63.75, 0.46%, 0.27%

LAB 41.19, -11.11, 34.76

 

CMYK 0 / 14 / 63 / 60

HEX #655725

RGB 101 87 37

HSL 46.88, 0.46%, 0.27%

LAB 37.33, -1.05, 30.58

 

CMYK 0 / 31 / 63 / 60

HEX #654625

RGB 101 70 37

HSL 30.94, 0.46%, 0.27%

LAB 32.44, 9.34, 24.91

 

CMYK 0 / 48 / 63 / 60

HEX #653525

RGB 101 53 37

HSL 15, 0.46%, 0.27%

LAB 27.97, 19.79, 19.47

 

CMYK 0 / 63 / 63 / 60

HEX #652525

RGB 101 37 37

HSL 0, 0.46%, 0.27%

LAB 24.4, 28.89, 14.93

 

CMYK 4 / 0 / 63 / 60

HEX #616525

RGB 97 101 37

HSL 63.75, 0.46%, 0.27%

LAB 41.19, -11.11, 34.76

 

CMYK 22 / 0 / 63 / 60

HEX #4F6525

RGB 79 101 37

HSL 80.63, 0.46%, 0.27%

LAB 39.75, -19.28, 32.78

 

CMYK 39 / 0 / 63 / 60

HEX #3E6525

RGB 62 101 37

HSL 96.56, 0.46%, 0.27%

LAB 38.66, -26.3, 31.25

 

CMYK 55 / 0 / 63 / 60

HEX #2D6525

RGB 45 101 37

HSL 112.5, 0.46%, 0.27%

LAB 37.84, -32.22, 30.09

 

CMYK 63 / 0 / 54 / 60

HEX #25652E

RGB 37 101 46

HSL 128.44, 0.46%, 0.27%

LAB 37.66, -33.2, 25.03

 

CMYK 4 / 0 / 63 / 60

HEX #616525

RGB 97 101 37

HSL 63.75, 0.46%, 0.27%

LAB 41.19, -11.11, 34.76

 

CMYK 5 / 0 / 77 / 56

HEX #6A701A

RGB 106 112 26

HSL 64.19, 0.62%, 0.27%

LAB 45.26, -13.74, 43.95

 

CMYK 6 / 0 / 88 / 52

HEX #747B0F

RGB 116 123 15

HSL 63.89, 0.78%, 0.27%

LAB 49.39, -15.48, 51.33

 

CMYK 6 / 0 / 97 / 47

HEX #7E8604

RGB 126 134 4

HSL 63.69, 0.94%, 0.27%

LAB 53.49, -16.97, 57.07

 

CMYK 4 / 0 / 63 / 60

HEX #616525

RGB 97 101 37

HSL 63.75, 0.46%, 0.27%

LAB 41.19, -11.11, 34.76

 

CMYK 2 / 0 / 46 / 65

HEX #575930

RGB 87 89 48

HSL 62.93, 0.3%, 0.27%

LAB 36.71, -7.76, 23.4

 

CMYK 1 / 0 / 24 / 69

HEX #4D4E3B

RGB 77 78 59

HSL 63.16, 0.14%, 0.27%

LAB 32.57, -4.12, 11.15

 

CMYK 6 / 6 / 0 / 72

HEX #434347

RGB 67 67 71

HSL 240, 0.03%, 0.27%

LAB 28.54, 0.91, -2.42

 

CMYK 29 / 32 / 0 / 68

HEX #3A3852

RGB 58 56 82

HSL 244.62, 0.19%, 0.27%

LAB 24.76, 7.62, -15.45

 

CMYK 0 / 31 / 63 / 60

HEX #654625

RGB 101 70 37

HSL 30.94, 0.46%, 0.27%

LAB 32.44, 9.34, 24.91

 

CMYK 0 / 14 / 63 / 60

HEX #655725

RGB 101 87 37

HSL 46.88, 0.46%, 0.27%

LAB 37.33, -1.05, 30.58

 

CMYK 4 / 0 / 63 / 60

HEX #616525

RGB 97 101 37

HSL 63.75, 0.46%, 0.27%

LAB 41.19, -11.11, 34.76

 

CMYK 21 / 0 / 63 / 60

HEX #506525

RGB 80 101 37

HSL 79.69, 0.46%, 0.27%

LAB 39.83, -18.84, 32.88

 

CMYK 37 / 0 / 63 / 60

HEX #406525

RGB 64 101 37

HSL 94.69, 0.46%, 0.27%

LAB 38.78, -25.52, 31.41

 

CMYK 2 / 0 / 63 / 84

HEX #27280F

RGB 39 40 15

HSL 62.4, 0.45%, 0.11%

LAB 15.4, -5.06, 15.88

 

CMYK 3 / 0 / 63 / 73

HEX #44461A

RGB 68 70 26

HSL 62.73, 0.46%, 0.19%

LAB 28.6, -7.94, 25.73

 

CMYK 4 / 0 / 63 / 60

HEX #616525

RGB 97 101 37

HSL 63.75, 0.46%, 0.27%

LAB 41.19, -11.11, 34.76

 

CMYK 5 / 0 / 63 / 49

HEX #7D8330

RGB 125 131 48

HSL 64.34, 0.46%, 0.35%

LAB 52.74, -13.97, 42.78

 

CMYK 4 / 0 / 63 / 37

HEX #9AA13B

RGB 154 161 59

HSL 64.12, 0.46%, 0.43%

LAB 63.9, -16.27, 50.54

 

CMYK 4 / 0 / 63 / 60

HEX #626626

RGB 98 102 38

HSL 63.75, 0.46%, 0.27%

LAB 41.59, -11.12, 34.74

 

CMYK 63 / 0 / 48 / 60

HEX #256535

RGB 37 101 53

HSL 135, 0.46%, 0.27%

LAB 37.77, -32.01, 21.22

 

CMYK 23 / 63 / 0 / 60

HEX #4E2565

RGB 78 37 101

HSL 278.44, 0.46%, 0.27%

LAB 23.28, 31.45, -30.09

 

CMYK 4 / 0 / 63 / 60

HEX #626626

RGB 98 102 38

HSL 63.75, 0.46%, 0.27%

LAB 41.59, -11.12, 34.74

 

CMYK 63 / 4 / 0 / 60

HEX #256165

RGB 37 97 101

HSL 183.75, 0.46%, 0.27%

LAB 37.63, -17.79, -8.07

 

CMYK 0 / 63 / 4 / 60

HEX #652561

RGB 101 37 97

HSL 303.75, 0.46%, 0.27%

LAB 26.6, 37.19, -22

 

CMYK 4 / 0 / 63 / 60

HEX #626626

RGB 98 102 38

HSL 63.75, 0.46%, 0.27%

LAB 41.59, -11.12, 34.74

 

CMYK 63 / 0 / 48 / 60

HEX #256535

RGB 37 101 53

HSL 135, 0.46%, 0.27%

LAB 37.77, -32.01, 21.22

 

CMYK 60 / 63 / 0 / 60

HEX #282565

RGB 40 37 101

HSL 242.81, 0.46%, 0.27%

LAB 18.86, 21.99, -37.44

 

CMYK 0 / 63 / 16 / 60

HEX #652555

RGB 101 37 85

HSL 315, 0.46%, 0.27%

LAB 26, 35.02, -15.05

 

CMYK 4 / 0 / 63 / 60

HEX #626626

RGB 98 102 38

HSL 63.75, 0.46%, 0.27%

LAB 41.59, -11.12, 34.74

 

CMYK 63 / 0 / 29 / 60

HEX #256548

RGB 37 101 72

HSL 152.81, 0.46%, 0.27%

LAB 38.14, -28.01, 10.48

 

CMYK 60 / 63 / 0 / 60

HEX #282565

RGB 40 37 101

HSL 242.81, 0.46%, 0.27%

LAB 18.86, 21.99, -37.44

 

CMYK 0 / 63 / 35 / 60

HEX #652542

RGB 101 37 66

HSL 332.81, 0.46%, 0.27%

LAB 25.21, 32.08, -3.55

 

Description

Color code: HEX #626626 | qconv.com Color code: HEX #626626 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 102 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 102 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 63 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 63% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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