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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62642C it is the complementary color #9D9BD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62642C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62642C shade: #676427, #78763A, #89884D, #9A9A60 and #ABAC73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62642C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62642C shade: #62642C, #515219, #404006, #2F2E00 and #1E1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62642C shade: #61632C, #63562C, #63472C, #63382C and #632C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62642C shade: #61632C, #52632C, #43632C, #34632C and #2C6332

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62642C shade matches the following richer shades: #61632C, #6C6F20, #777A14 and #818609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62642C shade: #61632C, #575837, #4C4C43, #41414E and #36355A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62642C shade: #63472C, #63562C, #61632C, #53632C and #44632C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62642C shade: #292A12, #45471F, #61632C, #7D8038 and #999D45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62642C shade: #62642C, #2C6339 and #4F2C63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62642C shade: #62642C, #2C6163 and #632C61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62642C shade: #62642C, #2C6339, #2D2C63 and #632C56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62642C shade: #62642C, #2C6349, #2D2C63 and #632C46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 56 / 61

HEX #62642C

RGB 98 100 44

HSL 62.14, 0.39%, 0.28%

LAB 41.05, -9.46, 31.05

 

Complementary color

CMYK 26 / 27 / 0 / 17

HEX #9D9BD3

RGB 157 155 211

HSL 242.14, 0.39%, 0.72%

LAB 65.99, 12.93, -28.3

 

CMYK 0 / 3 / 62 / 60

HEX #676427

RGB 103 100 39

HSL 57.19, 0.45%, 0.28%

LAB 41.44, -7.56, 34.21

 

CMYK 0 / 2 / 52 / 53

HEX #78763A

RGB 120 118 58

HSL 58.06, 0.35%, 0.35%

LAB 48.58, -8.23, 33.01

 

CMYK 0 / 1 / 44 / 46

HEX #89884D

RGB 137 136 77

HSL 59, 0.28%, 0.42%

LAB 55.55, -8.73, 31.72

 

CMYK 0 / 0 / 38 / 40

HEX #9A9A60

RGB 154 154 96

HSL 60, 0.23%, 0.49%

LAB 62.36, -9.1, 30.47

 

CMYK 1 / 0 / 33 / 33

HEX #ABAC73

RGB 171 172 115

HSL 61.05, 0.26%, 0.56%

LAB 69.04, -9.4, 29.26

 

CMYK 2 / 0 / 56 / 61

HEX #62642C

RGB 98 100 44

HSL 62.14, 0.39%, 0.28%

LAB 41.05, -9.46, 31.05

 

CMYK 1 / 0 / 70 / 68

HEX #515219

RGB 81 82 25

HSL 61.05, 0.53%, 0.21%

LAB 33.68, -8.76, 32.11

 

CMYK 0 / 0 / 91 / 75

HEX #404006

RGB 64 64 6

HSL 60, 0.83%, 0.14%

LAB 26.07, -7.7, 32.31

 

CMYK 0 / 2 / 100 / 82

HEX #2F2E00

RGB 47 46 0

HSL 58.72, 1%, 0.09%

LAB 18.18, -5.94, 25.9

 

CMYK 0 / 7 / 100 / 88

HEX #1E1C00

RGB 30 28 0

HSL 56, 1%, 0.06%

LAB 9.85, -3.69, 14.64

 

CMYK 2 / 0 / 56 / 61

HEX #61632C

RGB 97 99 44

HSL 62.18, 0.38%, 0.28%

LAB 40.65, -9.35, 30.57

 

CMYK 0 / 13 / 56 / 61

HEX #63562C

RGB 99 86 44

HSL 45.82, 0.38%, 0.28%

LAB 36.91, -0.78, 26.19

 

CMYK 0 / 28 / 56 / 61

HEX #63472C

RGB 99 71 44

HSL 29.45, 0.38%, 0.28%

LAB 32.57, 8.42, 20.85

 

CMYK 0 / 43 / 56 / 61

HEX #63382C

RGB 99 56 44

HSL 13.09, 0.38%, 0.28%

LAB 28.55, 17.72, 15.69

 

CMYK 0 / 56 / 56 / 61

HEX #632C2C

RGB 99 44 44

HSL 0, 0.38%, 0.28%

LAB 25.67, 24.86, 11.88

 

CMYK 2 / 0 / 56 / 61

HEX #61632C

RGB 97 99 44

HSL 62.18, 0.38%, 0.28%

LAB 40.65, -9.35, 30.57

 

CMYK 17 / 0 / 56 / 61

HEX #52632C

RGB 82 99 44

HSL 78.55, 0.38%, 0.28%

LAB 39.41, -16.16, 28.81

 

CMYK 32 / 0 / 56 / 61

HEX #43632C

RGB 67 99 44

HSL 94.91, 0.38%, 0.28%

LAB 38.37, -22.5, 27.32

 

CMYK 47 / 0 / 56 / 61

HEX #34632C

RGB 52 99 44

HSL 111.27, 0.38%, 0.28%

LAB 37.55, -28.1, 26.13

 

CMYK 56 / 0 / 49 / 61

HEX #2C6332

RGB 44 99 50

HSL 126.55, 0.38%, 0.28%

LAB 37.28, -29.73, 22.37

 

CMYK 2 / 0 / 56 / 61

HEX #61632C

RGB 97 99 44

HSL 62.18, 0.38%, 0.28%

LAB 40.65, -9.35, 30.57

 

CMYK 3 / 0 / 71 / 56

HEX #6C6F20

RGB 108 111 32

HSL 62.28, 0.55%, 0.28%

LAB 45.17, -11.92, 41.52

 

CMYK 2 / 0 / 84 / 52

HEX #777A14

RGB 119 122 20

HSL 61.76, 0.72%, 0.28%

LAB 49.36, -13.39, 50.08

 

CMYK 4 / 0 / 93 / 47

HEX #818609

RGB 129 134 9

HSL 62.4, 0.87%, 0.28%

LAB 53.75, -15.49, 56.51

 

CMYK 2 / 0 / 56 / 61

HEX #61632C

RGB 97 99 44

HSL 62.18, 0.38%, 0.28%

LAB 40.65, -9.35, 30.57

 

CMYK 1 / 0 / 38 / 65

HEX #575837

RGB 87 88 55

HSL 61.82, 0.23%, 0.28%

LAB 36.52, -6.26, 19.04

 

CMYK 0 / 0 / 12 / 70

HEX #4C4C43

RGB 76 76 67

HSL 60, 0.06%, 0.28%

LAB 32.06, -1.86, 5.36

 

CMYK 17 / 17 / 0 / 69

HEX #41414E

RGB 65 65 78

HSL 240, 0.09%, 0.28%

LAB 27.99, 3.13, -7.83

 

CMYK 40 / 41 / 0 / 65

HEX #36355A

RGB 54 53 90

HSL 241.62, 0.26%, 0.28%

LAB 23.9, 10.77, -22.09

 

CMYK 0 / 28 / 56 / 61

HEX #63472C

RGB 99 71 44

HSL 29.45, 0.38%, 0.28%

LAB 32.57, 8.42, 20.85

 

CMYK 0 / 13 / 56 / 61

HEX #63562C

RGB 99 86 44

HSL 45.82, 0.38%, 0.28%

LAB 36.91, -0.78, 26.19

 

CMYK 2 / 0 / 56 / 61

HEX #61632C

RGB 97 99 44

HSL 62.18, 0.38%, 0.28%

LAB 40.65, -9.35, 30.57

 

CMYK 16 / 0 / 56 / 61

HEX #53632C

RGB 83 99 44

HSL 77.45, 0.38%, 0.28%

LAB 39.49, -15.71, 28.91

 

CMYK 31 / 0 / 56 / 61

HEX #44632C

RGB 68 99 44

HSL 93.82, 0.38%, 0.28%

LAB 38.44, -22.1, 27.41

 

CMYK 2 / 0 / 57 / 84

HEX #292A12

RGB 41 42 18

HSL 62.5, 0.4%, 0.12%

LAB 16.36, -4.95, 15.42

 

CMYK 3 / 0 / 56 / 72

HEX #45471F

RGB 69 71 31

HSL 63, 0.39%, 0.2%

LAB 29.08, -7.55, 23.52

 

CMYK 2 / 0 / 56 / 61

HEX #61632C

RGB 97 99 44

HSL 62.18, 0.38%, 0.28%

LAB 40.65, -9.35, 30.57

 

CMYK 2 / 0 / 56 / 50

HEX #7D8038

RGB 125 128 56

HSL 62.5, 0.39%, 0.36%

LAB 51.93, -11.7, 38.06

 

CMYK 3 / 0 / 56 / 38

HEX #999D45

RGB 153 157 69

HSL 62.73, 0.39%, 0.44%

LAB 62.77, -13.85, 44.72

 

CMYK 2 / 0 / 56 / 61

HEX #62642C

RGB 98 100 44

HSL 62.14, 0.39%, 0.28%

LAB 41.05, -9.46, 31.05

 

CMYK 56 / 0 / 42 / 61

HEX #2C6339

RGB 44 99 57

HSL 134.18, 0.38%, 0.28%

LAB 37.4, -28.47, 18.47

 

CMYK 20 / 56 / 0 / 61

HEX #4F2C63

RGB 79 44 99

HSL 278.18, 0.38%, 0.28%

LAB 24.84, 27.13, -26.29

 

CMYK 2 / 0 / 56 / 61

HEX #62642C

RGB 98 100 44

HSL 62.14, 0.39%, 0.28%

LAB 41.05, -9.46, 31.05

 

CMYK 56 / 2 / 0 / 61

HEX #2C6163

RGB 44 97 99

HSL 182.18, 0.38%, 0.28%

LAB 37.82, -16.89, -6.53

 

CMYK 0 / 56 / 2 / 61

HEX #632C61

RGB 99 44 97

HSL 302.18, 0.38%, 0.28%

LAB 27.62, 32.95, -20.42

 

CMYK 2 / 0 / 56 / 61

HEX #62642C

RGB 98 100 44

HSL 62.14, 0.39%, 0.28%

LAB 41.05, -9.46, 31.05

 

CMYK 56 / 0 / 42 / 61

HEX #2C6339

RGB 44 99 57

HSL 134.18, 0.38%, 0.28%

LAB 37.4, -28.47, 18.47

 

CMYK 55 / 56 / 0 / 61

HEX #2D2C63

RGB 45 44 99

HSL 241.09, 0.38%, 0.28%

LAB 21.06, 17.53, -32.56

 

CMYK 0 / 56 / 13 / 61

HEX #632C56

RGB 99 44 86

HSL 314.18, 0.38%, 0.28%

LAB 27.09, 30.86, -14.06

 

CMYK 2 / 0 / 56 / 61

HEX #62642C

RGB 98 100 44

HSL 62.14, 0.39%, 0.28%

LAB 41.05, -9.46, 31.05

 

CMYK 56 / 0 / 26 / 61

HEX #2C6349

RGB 44 99 73

HSL 151.64, 0.38%, 0.28%

LAB 37.73, -25.04, 9.34

 

CMYK 55 / 56 / 0 / 61

HEX #2D2C63

RGB 45 44 99

HSL 241.09, 0.38%, 0.28%

LAB 21.06, 17.53, -32.56

 

CMYK 0 / 56 / 29 / 61

HEX #632C46

RGB 99 44 70

HSL 331.64, 0.38%, 0.28%

LAB 26.44, 28.17, -4.44

 

Description

Color code: HEX #62642C | qconv.com Color code: HEX #62642C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 100 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 100 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 56 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 56% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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