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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62637B3F it is the complementary color #9D9C843F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62637B3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62637B3F shade: #6763763F, #7875893F, #89879C3F, #9A99AF3F and #ABABC23F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62637B3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62637B3F shade: #62637B3F, #5151683F, #403F553F, #2F2D423F and #1E1B2F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62637B3F shade: #62637A, #67627A, #6E627A, #74627A and #7A6279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62637B3F shade: #62637A and #62627A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62637B3F shade matches the following richer shades: #62637A, #50528B, #3E429D, #2C32AF and #1B21C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62637B3F shade: #62637A, #737368, #858356, #979444 and #A9A433

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62637B3F shade: #62707A, #62697A, #62637A, #67627A and #6D627A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62637B3F shade: #3D3D4C, #4F5063, #62637A, #757690 and #8B8CA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62637B3F shade: #62637B, #7A6276 and #6C7A62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62637B3F shade: #62637B, #7A6263 and #637A62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62637B3F shade: #62637B, #7A6276, #7A7962 and #627A65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62637B3F shade: #62637B, #7A626F, #7A7962 and #627A6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 5 / 0 / 13

HEX #62637B3F

RGBA 98 99 123 0.25

HSLA 237.6, 0.11%, 0.43%, 0.25

LABA 42.69, 5.14, -13.53, 0.25

 

Complementary color

CMYK 0 / 0 / 4 / 10

HEX #9D9C843F

RGBA 157 156 132 0.25

HSLA 57.6, 0.11%, 0.57%, 0.25

LABA 63.84, -3.88, 12.72, 0.25

 

CMYK 3 / 4 / 0 / 13

HEX #6763763F

RGBA 103 99 118 0.25

HSLA 252.63, 0.09%, 0.43%, 0.25

LABA 42.94, 5.71, -10.09, 0.25

 

CMYK 3 / 4 / 0 / 12

HEX #7875893F

RGBA 120 117 137 0.25

HSLA 249, 0.08%, 0.5%, 0.25

LABA 50.12, 5.39, -10.49, 0.25

 

CMYK 3 / 3 / 0 / 10

HEX #89879C3F

RGBA 137 135 156 0.25

HSLA 245.71, 0.1%, 0.57%, 0.25

LABA 57.12, 5.1, -10.89, 0.25

 

CMYK 3 / 3 / 0 / 8

HEX #9A99AF3F

RGBA 154 153 175 0.25

HSLA 242.73, 0.12%, 0.64%, 0.25

LABA 63.96, 4.84, -11.3, 0.25

 

CMYK 3 / 3 / 0 / 6

HEX #ABABC23F

RGBA 171 171 194 0.25

HSLA 240, 0.16%, 0.72%, 0.25

LABA 70.65, 4.6, -11.72, 0.25

 

CMYK 5 / 5 / 0 / 13

HEX #62637B3F

RGBA 98 99 123 0.25

HSLA 237.6, 0.11%, 0.43%, 0.25

LABA 42.69, 5.14, -13.53, 0.25

 

CMYK 6 / 6 / 0 / 15

HEX #5151683F

RGBA 81 81 104 0.25

HSLA 240, 0.12%, 0.36%, 0.25

LABA 35.27, 5.5, -13.26, 0.25

 

CMYK 6 / 6 / 0 / 17

HEX #403F553F

RGBA 64 63 85 0.25

HSLA 242.73, 0.15%, 0.29%, 0.25

LABA 27.58, 5.94, -13.03, 0.25

 

CMYK 7 / 8 / 0 / 19

HEX #2F2D423F

RGBA 47 45 66 0.25

HSLA 245.71, 0.19%, 0.22%, 0.25

LABA 19.53, 6.49, -12.87, 0.25

 

CMYK 9 / 11 / 0 / 20

HEX #1E1B2F3F

RGBA 30 27 47 0.25

HSLA 249, 0.27%, 0.15%, 0.25

LABA 11.03, 7.23, -12.83, 0.25

 

CMYK 20 / 19 / 0 / 52

HEX #62637A

RGB 98 99 122

HSL 237.5, 0.11%, 0.43%

LAB 42.65, 4.89, -12.99

 

CMYK 16 / 20 / 0 / 52

HEX #67627A

RGB 103 98 122

HSL 252.5, 0.11%, 0.43%

LAB 42.8, 7.26, -12.72

 

CMYK 10 / 20 / 0 / 52

HEX #6E627A

RGB 110 98 122

HSL 270, 0.11%, 0.43%

LAB 43.44, 9.78, -11.69

 

CMYK 5 / 20 / 0 / 52

HEX #74627A

RGB 116 98 122

HSL 285, 0.11%, 0.43%

LAB 44.02, 11.98, -10.75

 

CMYK 0 / 20 / 1 / 52

HEX #7A6279

RGB 122 98 121

HSL 302.5, 0.11%, 0.43%

LAB 44.59, 14, -9.23

 

CMYK 20 / 19 / 0 / 52

HEX #62637A

RGB 98 99 122

HSL 237.5, 0.11%, 0.43%

LAB 42.65, 4.89, -12.99

 

CMYK 20 / 20 / 0 / 52

HEX #62627A

RGB 98 98 122

HSL 240, 0.11%, 0.43%

LAB 42.36, 5.5, -13.42

 

CMYK 20 / 19 / 0 / 52

HEX #62637A

RGB 98 99 122

HSL 237.5, 0.11%, 0.43%

LAB 42.65, 4.89, -12.99

 

CMYK 42 / 41 / 0 / 45

HEX #50528B

RGB 80 82 139

HSL 237.97, 0.27%, 0.43%

LAB 37.12, 14.58, -32.01

 

CMYK 61 / 58 / 0 / 38

HEX #3E429D

RGB 62 66 157

HSL 237.47, 0.43%, 0.43%

LAB 32.6, 26.72, -50.26

 

CMYK 75 / 71 / 0 / 31

HEX #2C32AF

RGB 44 50 175

HSL 237.25, 0.6%, 0.43%

LAB 29.19, 40.61, -66.72

 

CMYK 86 / 83 / 0 / 24

HEX #1B21C1

RGB 27 33 193

HSL 237.83, 0.75%, 0.43%

LAB 27.22, 54.56, -80.7

 

CMYK 20 / 19 / 0 / 52

HEX #62637A

RGB 98 99 122

HSL 237.5, 0.11%, 0.43%

LAB 42.65, 4.89, -12.99

 

CMYK 0 / 0 / 10 / 55

HEX #737368

RGB 115 115 104

HSL 60, 0.05%, 0.43%

LAB 48.14, -2.13, 6.09

 

CMYK 0 / 2 / 35 / 48

HEX #858356

RGB 133 131 86

HSL 57.45, 0.21%, 0.43%

LAB 53.91, -6.6, 24.64

 

CMYK 0 / 2 / 55 / 41

HEX #979444

RGB 151 148 68

HSL 57.83, 0.38%, 0.43%

LAB 60.05, -10.04, 42.03

 

CMYK 0 / 3 / 70 / 34

HEX #A9A433

RGB 169 164 51

HSL 57.46, 0.54%, 0.43%

LAB 65.92, -11.8, 56.32

 

CMYK 20 / 8 / 0 / 52

HEX #62707A

RGB 98 112 122

HSL 205, 0.11%, 0.43%

LAB 46.43, -2.9, -7.3

 

CMYK 20 / 14 / 0 / 52

HEX #62697A

RGB 98 105 122

HSL 222.5, 0.11%, 0.43%

LAB 44.38, 1.26, -10.37

 

CMYK 20 / 19 / 0 / 52

HEX #62637A

RGB 98 99 122

HSL 237.5, 0.11%, 0.43%

LAB 42.65, 4.89, -12.99

 

CMYK 16 / 20 / 0 / 52

HEX #67627A

RGB 103 98 122

HSL 252.5, 0.11%, 0.43%

LAB 42.8, 7.26, -12.72

 

CMYK 11 / 20 / 0 / 52

HEX #6D627A

RGB 109 98 122

HSL 267.5, 0.11%, 0.43%

LAB 43.35, 9.42, -11.84

 

CMYK 20 / 20 / 0 / 70

HEX #3D3D4C

RGB 61 61 76

HSL 240, 0.11%, 0.27%

LAB 26.31, 3.7, -9.1

 

CMYK 20 / 19 / 0 / 61

HEX #4F5063

RGB 79 80 99

HSL 237, 0.11%, 0.35%

LAB 34.6, 4.12, -11.16

 

CMYK 20 / 19 / 0 / 52

HEX #62637A

RGB 98 99 122

HSL 237.5, 0.11%, 0.43%

LAB 42.65, 4.89, -12.99

 

CMYK 19 / 18 / 0 / 44

HEX #757690

RGB 117 118 144

HSL 237.78, 0.11%, 0.51%

LAB 50.4, 5.38, -14.22

 

CMYK 14 / 14 / 0 / 36

HEX #8B8CA2

RGB 139 140 162

HSL 237.39, 0.11%, 0.59%

LAB 58.84, 4.26, -11.74

 

CMYK 20 / 20 / 0 / 52

HEX #62637B

RGB 98 99 123

HSL 237.6, 0.11%, 0.43%

LAB 42.69, 5.14, -13.53

 

CMYK 0 / 20 / 3 / 52

HEX #7A6276

RGB 122 98 118

HSL 310, 0.11%, 0.43%

LAB 44.49, 13.39, -7.57

 

CMYK 11 / 0 / 20 / 52

HEX #6C7A62

RGB 108 122 98

HSL 95, 0.11%, 0.43%

LAB 49.48, -9.98, 11.43

 

CMYK 20 / 20 / 0 / 52

HEX #62637B

RGB 98 99 123

HSL 237.6, 0.11%, 0.43%

LAB 42.69, 5.14, -13.53

 

CMYK 0 / 20 / 19 / 52

HEX #7A6263

RGB 122 98 99

HSL 357.5, 0.11%, 0.43%

LAB 43.91, 9.84, 3.09

 

CMYK 19 / 0 / 20 / 52

HEX #637A62

RGB 99 122 98

HSL 117.5, 0.11%, 0.43%

LAB 48.83, -13.43, 10.42

 

CMYK 20 / 20 / 0 / 52

HEX #62637B

RGB 98 99 123

HSL 237.6, 0.11%, 0.43%

LAB 42.69, 5.14, -13.53

 

CMYK 0 / 20 / 3 / 52

HEX #7A6276

RGB 122 98 118

HSL 310, 0.11%, 0.43%

LAB 44.49, 13.39, -7.57

 

CMYK 0 / 1 / 20 / 52

HEX #7A7962

RGB 122 121 98

HSL 57.5, 0.11%, 0.43%

LAB 50.33, -3.81, 12.78

 

CMYK 20 / 0 / 17 / 52

HEX #627A65

RGB 98 122 101

HSL 127.5, 0.11%, 0.43%

LAB 48.83, -13.22, 8.65

 

CMYK 20 / 20 / 0 / 52

HEX #62637B

RGB 98 99 123

HSL 237.6, 0.11%, 0.43%

LAB 42.69, 5.14, -13.53

 

CMYK 0 / 20 / 9 / 52

HEX #7A626F

RGB 122 98 111

HSL 327.5, 0.11%, 0.43%

LAB 44.26, 12.02, -3.67

 

CMYK 0 / 1 / 20 / 52

HEX #7A7962

RGB 122 121 98

HSL 57.5, 0.11%, 0.43%

LAB 50.33, -3.81, 12.78

 

CMYK 20 / 0 / 11 / 52

HEX #627A6C

RGB 98 122 108

HSL 145, 0.11%, 0.43%

LAB 49.01, -11.79, 4.79

 

Description

Color code: HEX #62637B3F | qconv.com Color code: HEX #62637B3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 99 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 99 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 5 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 5% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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