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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625973 it is the complementary color #9DA68C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625973. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625973 shade: #67596E, #786B81, #897D94, #9A8FA7 and #ABA1BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625973. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625973 shade: #625973, #514760, #40354D, #2F233A and #1E1127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625973 shade: #625973, #695973, #705973, #73596F and #735968

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625973 shade: #625973, #5B5973 and #595973

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625973 shade matches the following richer shades: #625973, #5D4884, #583894, #5327A5 and #4E17B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625973 shade: #625973, #676963, #6C7A52, #718A42 and #769B31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625973 shade: #595E73, #5B5973, #625973, #695973 and #705973

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625973 shade: #3A3545, #4E475C, #625973, #766B8B and #8B819E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625973 shade: #625973, #735965 and #5B7359

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625973 shade: #625973, #736259 and #597362

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625973 shade: #625973, #735965, #6A7359 and #597367

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625973 shade: #625973, #73595D, #6A7359 and #59736F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

Complementary color

CMYK 5 / 0 / 16 / 35

HEX #9DA68C

RGB 157 166 140

HSL 80.77, 0.13%, 0.6%

LAB 66.77, -7.96, 12.39

 

CMYK 6 / 19 / 0 / 57

HEX #67596E

RGB 103 89 110

HSL 280, 0.11%, 0.39%

LAB 39.84, 10.01, -9.86

 

CMYK 7 / 17 / 0 / 49

HEX #786B81

RGB 120 107 129

HSL 275.45, 0.09%, 0.46%

LAB 47.1, 9.56, -10.29

 

CMYK 7 / 16 / 0 / 42

HEX #897D94

RGB 137 125 148

HSL 271.3, 0.1%, 0.54%

LAB 54.16, 9.15, -10.72

 

CMYK 8 / 14 / 0 / 35

HEX #9A8FA7

RGB 154 143 167

HSL 267.5, 0.12%, 0.61%

LAB 61.05, 8.79, -11.14

 

CMYK 8 / 13 / 0 / 27

HEX #ABA1BA

RGB 171 161 186

HSL 264, 0.15%, 0.68%

LAB 67.79, 8.46, -11.56

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 16 / 26 / 0 / 62

HEX #514760

RGB 81 71 96

HSL 264, 0.15%, 0.33%

LAB 32.03, 9.85, -13.15

 

CMYK 17 / 31 / 0 / 70

HEX #40354D

RGB 64 53 77

HSL 267.5, 0.18%, 0.25%

LAB 24.23, 10.46, -12.9

 

CMYK 19 / 40 / 0 / 77

HEX #2F233A

RGB 47 35 58

HSL 271.3, 0.25%, 0.18%

LAB 16.06, 11.22, -12.7

 

CMYK 23 / 56 / 0 / 85

HEX #1E1127

RGB 30 17 39

HSL 275.45, 0.39%, 0.11%

LAB 7.44, 12.14, -12.54

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 9 / 23 / 0 / 55

HEX #695973

RGB 105 89 115

HSL 276.92, 0.13%, 0.4%

LAB 40.22, 11.88, -12.34

 

CMYK 3 / 23 / 0 / 55

HEX #705973

RGB 112 89 115

HSL 293.08, 0.13%, 0.4%

LAB 40.94, 14.47, -11.18

 

CMYK 0 / 23 / 3 / 55

HEX #73596F

RGB 115 89 111

HSL 309.23, 0.13%, 0.4%

LAB 41.12, 14.76, -8.43

 

CMYK 0 / 23 / 10 / 55

HEX #735968

RGB 115 89 104

HSL 325.38, 0.13%, 0.4%

LAB 40.88, 13.38, -4.49

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 21 / 23 / 0 / 55

HEX #5B5973

RGB 91 89 115

HSL 244.62, 0.13%, 0.4%

LAB 38.91, 6.84, -14.46

 

CMYK 23 / 23 / 0 / 55

HEX #595973

RGB 89 89 115

HSL 240, 0.13%, 0.4%

LAB 38.74, 6.14, -14.74

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 30 / 45 / 0 / 48

HEX #5D4884

RGB 93 72 132

HSL 261, 0.29%, 0.4%

LAB 35.26, 22.7, -30.59

 

CMYK 41 / 62 / 0 / 42

HEX #583894

RGB 88 56 148

HSL 260.87, 0.45%, 0.4%

LAB 31.9, 35.59, -45.81

 

CMYK 50 / 76 / 0 / 35

HEX #5327A5

RGB 83 39 165

HSL 260.95, 0.62%, 0.4%

LAB 29.43, 48.47, -60.19

 

CMYK 57 / 87 / 0 / 29

HEX #4E17B5

RGB 78 23 181

HSL 260.89, 0.77%, 0.4%

LAB 28.3, 58.42, -71.68

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 2 / 0 / 6 / 59

HEX #676963

RGB 103 105 99

HSL 80, 0.03%, 0.4%

LAB 44.07, -1.99, 3.1

 

CMYK 11 / 0 / 33 / 52

HEX #6C7A52

RGB 108 122 82

HSL 81, 0.2%, 0.4%

LAB 49.15, -12.63, 20.24

 

CMYK 18 / 0 / 52 / 46

HEX #718A42

RGB 113 138 66

HSL 80.83, 0.35%, 0.4%

LAB 54.11, -21.15, 35.32

 

CMYK 24 / 0 / 68 / 39

HEX #769B31

RGB 118 155 49

HSL 80.94, 0.52%, 0.4%

LAB 59.45, -29.08, 49.3

 

CMYK 23 / 18 / 0 / 55

HEX #595E73

RGB 89 94 115

HSL 228.46, 0.13%, 0.4%

LAB 40.19, 3.05, -12.52

 

CMYK 21 / 23 / 0 / 55

HEX #5B5973

RGB 91 89 115

HSL 244.62, 0.13%, 0.4%

LAB 38.91, 6.84, -14.46

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 9 / 23 / 0 / 55

HEX #695973

RGB 105 89 115

HSL 276.92, 0.13%, 0.4%

LAB 40.22, 11.88, -12.34

 

CMYK 3 / 23 / 0 / 55

HEX #705973

RGB 112 89 115

HSL 293.08, 0.13%, 0.4%

LAB 40.94, 14.47, -11.18

 

CMYK 16 / 23 / 0 / 73

HEX #3A3545

RGB 58 53 69

HSL 258.75, 0.13%, 0.24%

LAB 23.26, 6.04, -9.11

 

CMYK 15 / 23 / 0 / 64

HEX #4E475C

RGB 78 71 92

HSL 260, 0.13%, 0.32%

LAB 31.58, 7.73, -11.32

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 15 / 23 / 0 / 45

HEX #766B8B

RGB 118 107 139

HSL 260.63, 0.13%, 0.48%

LAB 47.28, 11.1, -16

 

CMYK 12 / 18 / 0 / 38

HEX #8B819E

RGB 139 129 158

HSL 260.69, 0.13%, 0.56%

LAB 55.74, 9.7, -14.1

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 0 / 23 / 12 / 55

HEX #735965

RGB 115 89 101

HSL 332.31, 0.13%, 0.4%

LAB 40.78, 12.81, -2.78

 

CMYK 21 / 0 / 23 / 55

HEX #5B7359

RGB 91 115 89

HSL 115.38, 0.13%, 0.4%

LAB 45.92, -14.33, 11.56

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 0 / 15 / 23 / 55

HEX #736259

RGB 115 98 89

HSL 20.77, 0.13%, 0.4%

LAB 42.92, 5.25, 7.64

 

CMYK 23 / 0 / 15 / 55

HEX #597362

RGB 89 115 98

HSL 140.77, 0.13%, 0.4%

LAB 46, -13.27, 6.32

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 0 / 23 / 12 / 55

HEX #735965

RGB 115 89 101

HSL 332.31, 0.13%, 0.4%

LAB 40.78, 12.81, -2.78

 

CMYK 8 / 0 / 23 / 55

HEX #6A7359

RGB 106 115 89

HSL 80.77, 0.13%, 0.4%

LAB 47.04, -8.42, 13.28

 

CMYK 23 / 0 / 10 / 55

HEX #597367

RGB 89 115 103

HSL 152.31, 0.13%, 0.4%

LAB 46.13, -12.19, 3.53

 

CMYK 15 / 23 / 0 / 55

HEX #625973

RGB 98 89 115

HSL 260.77, 0.13%, 0.4%

LAB 39.55, 9.33, -13.43

 

CMYK 0 / 23 / 19 / 55

HEX #73595D

RGB 115 89 93

HSL 350.77, 0.13%, 0.4%

LAB 40.54, 11.36, 1.79

 

CMYK 8 / 0 / 23 / 55

HEX #6A7359

RGB 106 115 89

HSL 80.77, 0.13%, 0.4%

LAB 47.04, -8.42, 13.28

 

CMYK 23 / 0 / 3 / 55

HEX #59736F

RGB 89 115 111

HSL 170.77, 0.13%, 0.4%

LAB 46.36, -10.37, -0.91

 

Description

Color code: HEX #625973 | qconv.com Color code: HEX #625973 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 89 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 89 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 23 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 23% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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