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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6258BD it is the complementary color #9DA742. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6258BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6258BD shade: #6758B8, #786ACB, #897CDE, #9A8EF1 and #ABA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6258BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6258BD shade: #6258BD, #5146AA, #403497, #2F2284 and #1E1071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6258BD shade: #6157BC, #7C57BC, #9857BC, #B357BC and #BC57AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6258BD shade: #6157BC and #5757BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6258BD shade matches the following richer shades: #6157BC, #5244CF, #4331E2 and #341EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6258BD shade: #6157BC, #706AA9, #807D96, #8F9083 and #9EA370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6258BD shade: #5785BC, #576ABC, #6057BC, #7B57BC and #9557BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6258BD shade: #3F378A, #4D43A7, #6157BC, #7D75C8 and #9992D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6258BD shade: #6258BD, #BC57A0 and #77BC57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6258BD shade: #6258BD, #BC6057 and #57BC60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6258BD shade: #6258BD, #BC57A0, #B4BC57 and #57BC74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6258BD shade: #6258BD, #BC5781, #B4BC57 and #57BC92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 53 / 0 / 26

HEX #6258BD

RGB 98 88 189

HSL 245.94, 0.43%, 0.54%

LAB 43.14, 30.69, -52.1

 

Complementary color

CMYK 6 / 0 / 60 / 35

HEX #9DA742

RGB 157 167 66

HSL 65.94, 0.43%, 0.46%

LAB 65.9, -17.56, 49.69

 

CMYK 44 / 52 / 0 / 28

HEX #6758B8

RGB 103 88 184

HSL 249.38, 0.4%, 0.53%

LAB 43.25, 30.34, -48.98

 

CMYK 41 / 48 / 0 / 20

HEX #786ACB

RGB 120 106 203

HSL 248.66, 0.48%, 0.61%

LAB 50.23, 29.14, -48.72

 

CMYK 38 / 44 / 0 / 13

HEX #897CDE

RGB 137 124 222

HSL 247.96, 0.6%, 0.68%

LAB 57.08, 28.08, -48.49

 

CMYK 36 / 41 / 0 / 5

HEX #9A8EF1

RGB 154 142 241

HSL 247.27, 0.78%, 0.75%

LAB 63.81, 27.15, -48.31

 

CMYK 33 / 37 / 0 / 0

HEX #ABA0FF

RGB 171 160 255

HSL 246.95, 1%, 0.81%

LAB 70.19, 25.04, -45.82

 

CMYK 48 / 53 / 0 / 26

HEX #6258BD

RGB 98 88 189

HSL 245.94, 0.43%, 0.54%

LAB 43.14, 30.69, -52.1

 

CMYK 52 / 59 / 0 / 33

HEX #5146AA

RGB 81 70 170

HSL 246.6, 0.42%, 0.47%

LAB 36.05, 32.21, -52.42

 

CMYK 58 / 66 / 0 / 41

HEX #403497

RGB 64 52 151

HSL 247.27, 0.49%, 0.4%

LAB 28.85, 33.96, -52.7

 

CMYK 64 / 74 / 0 / 48

HEX #2F2284

RGB 47 34 132

HSL 247.96, 0.59%, 0.33%

LAB 21.63, 35.87, -52.79

 

CMYK 73 / 86 / 0 / 56

HEX #1E1071

RGB 30 16 113

HSL 248.66, 0.75%, 0.25%

LAB 14.62, 37.5, -52.27

 

CMYK 48 / 54 / 0 / 26

HEX #6157BC

RGB 97 87 188

HSL 245.94, 0.43%, 0.54%

LAB 42.75, 30.77, -52.15

 

CMYK 34 / 54 / 0 / 26

HEX #7C57BC

RGB 124 87 188

HSL 261.98, 0.43%, 0.54%

LAB 45.27, 37.22, -47.97

 

CMYK 19 / 54 / 0 / 26

HEX #9857BC

RGB 152 87 188

HSL 278.61, 0.43%, 0.54%

LAB 48.41, 44.56, -42.77

 

CMYK 5 / 54 / 0 / 26

HEX #B357BC

RGB 179 87 188

HSL 294.65, 0.43%, 0.54%

LAB 51.87, 51.9, -37.08

 

CMYK 0 / 54 / 10 / 26

HEX #BC57AA

RGB 188 87 170

HSL 310.69, 0.43%, 0.54%

LAB 52.3, 51.27, -25.86

 

CMYK 48 / 54 / 0 / 26

HEX #6157BC

RGB 97 87 188

HSL 245.94, 0.43%, 0.54%

LAB 42.75, 30.77, -52.15

 

CMYK 54 / 54 / 0 / 26

HEX #5757BC

RGB 87 87 188

HSL 240, 0.43%, 0.54%

LAB 41.96, 28.63, -53.46

 

CMYK 48 / 54 / 0 / 26

HEX #6157BC

RGB 97 87 188

HSL 245.94, 0.43%, 0.54%

LAB 42.75, 30.77, -52.15

 

CMYK 60 / 67 / 0 / 19

HEX #5244CF

RGB 82 68 207

HSL 246.04, 0.59%, 0.54%

LAB 38.61, 45.27, -69.96

 

CMYK 70 / 78 / 0 / 11

HEX #4331E2

RGB 67 49 226

HSL 246.1, 0.75%, 0.54%

LAB 35.75, 59.41, -85.62

 

CMYK 79 / 88 / 0 / 4

HEX #341EF5

RGB 52 30 245

HSL 246.14, 0.91%, 0.54%

LAB 34.5, 71.37, -98.53

 

CMYK 48 / 54 / 0 / 26

HEX #6157BC

RGB 97 87 188

HSL 245.94, 0.43%, 0.54%

LAB 42.75, 30.77, -52.15

 

CMYK 34 / 37 / 0 / 34

HEX #706AA9

RGB 112 106 169

HSL 245.71, 0.27%, 0.54%

LAB 47.77, 17.45, -32.98

 

CMYK 15 / 17 / 0 / 41

HEX #807D96

RGB 128 125 150

HSL 247.2, 0.11%, 0.54%

LAB 53.45, 6.44, -13.03

 

CMYK 1 / 0 / 9 / 44

HEX #8F9083

RGB 143 144 131

HSL 64.62, 0.06%, 0.54%

LAB 59.37, -2.8, 6.78

 

CMYK 3 / 0 / 31 / 36

HEX #9EA370

RGB 158 163 112

HSL 65.88, 0.22%, 0.54%

LAB 65.46, -10.24, 25.96

 

CMYK 54 / 29 / 0 / 26

HEX #5785BC

RGB 87 133 188

HSL 212.67, 0.43%, 0.54%

LAB 54.48, 0.35, -33.58

 

CMYK 54 / 44 / 0 / 26

HEX #576ABC

RGB 87 106 188

HSL 228.71, 0.43%, 0.54%

LAB 46.93, 16.74, -45.49

 

CMYK 49 / 54 / 0 / 26

HEX #6057BC

RGB 96 87 188

HSL 245.35, 0.43%, 0.54%

LAB 42.66, 30.55, -52.29

 

CMYK 35 / 54 / 0 / 26

HEX #7B57BC

RGB 123 87 188

HSL 261.39, 0.43%, 0.54%

LAB 45.16, 36.97, -48.14

 

CMYK 21 / 54 / 0 / 26

HEX #9557BC

RGB 149 87 188

HSL 276.83, 0.43%, 0.54%

LAB 48.05, 43.75, -43.36

 

CMYK 54 / 60 / 0 / 46

HEX #3F378A

RGB 63 55 138

HSL 245.78, 0.43%, 0.38%

LAB 28.44, 27.59, -45.36

 

CMYK 54 / 60 / 0 / 35

HEX #4D43A7

RGB 77 67 167

HSL 246, 0.43%, 0.46%

LAB 34.77, 32.31, -52.72

 

CMYK 48 / 54 / 0 / 26

HEX #6157BC

RGB 97 87 188

HSL 245.94, 0.43%, 0.54%

LAB 42.75, 30.77, -52.15

 

CMYK 38 / 42 / 0 / 22

HEX #7D75C8

RGB 125 117 200

HSL 245.78, 0.43%, 0.62%

LAB 53.22, 23.01, -42.23

 

CMYK 28 / 31 / 0 / 17

HEX #9992D4

RGB 153 146 212

HSL 246.36, 0.43%, 0.7%

LAB 63.41, 17.11, -32.87

 

CMYK 48 / 53 / 0 / 26

HEX #6258BD

RGB 98 88 189

HSL 245.94, 0.43%, 0.54%

LAB 43.14, 30.69, -52.1

 

CMYK 0 / 54 / 15 / 26

HEX #BC57A0

RGB 188 87 160

HSL 316.63, 0.43%, 0.54%

LAB 51.89, 49.66, -20.63

 

CMYK 37 / 0 / 54 / 26

HEX #77BC57

RGB 119 188 87

HSL 100.99, 0.43%, 0.54%

LAB 69.88, -40.22, 43.84

 

CMYK 48 / 53 / 0 / 26

HEX #6258BD

RGB 98 88 189

HSL 245.94, 0.43%, 0.54%

LAB 43.14, 30.69, -52.1

 

CMYK 0 / 49 / 54 / 26

HEX #BC6057

RGB 188 96 87

HSL 5.35, 0.43%, 0.54%

LAB 51.55, 36.07, 22.13

 

CMYK 54 / 0 / 49 / 26

HEX #57BC60

RGB 87 188 96

HSL 125.35, 0.43%, 0.54%

LAB 68.63, -48.66, 37.6

 

CMYK 48 / 53 / 0 / 26

HEX #6258BD

RGB 98 88 189

HSL 245.94, 0.43%, 0.54%

LAB 43.14, 30.69, -52.1

 

CMYK 0 / 54 / 15 / 26

HEX #BC57A0

RGB 188 87 160

HSL 316.63, 0.43%, 0.54%

LAB 51.89, 49.66, -20.63

 

CMYK 4 / 0 / 54 / 26

HEX #B4BC57

RGB 180 188 87

HSL 64.75, 0.43%, 0.54%

LAB 73.78, -16.94, 49.39

 

CMYK 54 / 0 / 38 / 26

HEX #57BC74

RGB 87 188 116

HSL 137.23, 0.43%, 0.54%

LAB 68.93, -45.46, 27.71

 

CMYK 48 / 53 / 0 / 26

HEX #6258BD

RGB 98 88 189

HSL 245.94, 0.43%, 0.54%

LAB 43.14, 30.69, -52.1

 

CMYK 0 / 54 / 31 / 26

HEX #BC5781

RGB 188 87 129

HSL 335.05, 0.43%, 0.54%

LAB 50.8, 45.21, -3.9

 

CMYK 4 / 0 / 54 / 26

HEX #B4BC57

RGB 180 188 87

HSL 64.75, 0.43%, 0.54%

LAB 73.78, -16.94, 49.39

 

CMYK 54 / 0 / 22 / 26

HEX #57BC92

RGB 87 188 146

HSL 155.05, 0.43%, 0.54%

LAB 69.52, -39.51, 12.43

 

Description

Color code: HEX #6258BD | qconv.com Color code: HEX #6258BD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 88 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 88 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 53 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 53% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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