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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625772 it is the complementary color #9DA88D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625772 shade: #67576D, #786980, #897B93, #9A8DA6 and #AB9FB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625772 shade: #625772, #51455F, #40334C, #2F2139 and #1E0F26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625772 shade: #615770, #685770, #6F5770, #70576B and #705764

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625772 shade: #615770, #5A5770 and #575770

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625772 shade matches the following richer shades: #615770, #5E4680, #5B3691, #5826A1 and #5516B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625772 shade: #615770, #646760, #677750, #6A8740 and #6D9730

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625772 shade: #575A70, #5A5770, #615770, #685770 and #6F5770

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625772 shade: #393342, #4D4559, #615770, #756888 and #8A7E9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625772 shade: #625772, #705761 and #577057

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625772 shade: #625772, #706157 and #577061

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625772 shade: #625772, #705761, #667057 and #577066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625772 shade: #625772, #705759, #667057 and #57706E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 24 / 0 / 55

HEX #625772

RGB 98 87 114

HSL 264.44, 0.13%, 0.39%

LAB 38.95, 10.33, -13.73

 

Complementary color

CMYK 7 / 0 / 16 / 34

HEX #9DA88D

RGB 157 168 141

HSL 84.44, 0.13%, 0.61%

LAB 67.35, -8.86, 12.65

 

CMYK 6 / 20 / 0 / 57

HEX #67576D

RGB 103 87 109

HSL 283.64, 0.11%, 0.38%

LAB 39.25, 11.02, -10.14

 

CMYK 6 / 18 / 0 / 50

HEX #786980

RGB 120 105 128

HSL 279.13, 0.1%, 0.46%

LAB 46.52, 10.54, -10.56

 

CMYK 7 / 16 / 0 / 42

HEX #897B93

RGB 137 123 147

HSL 275, 0.1%, 0.53%

LAB 53.59, 10.1, -10.99

 

CMYK 7 / 15 / 0 / 35

HEX #9A8DA6

RGB 154 141 166

HSL 271.2, 0.12%, 0.6%

LAB 60.49, 9.72, -11.41

 

CMYK 8 / 14 / 0 / 27

HEX #AB9FB9

RGB 171 159 185

HSL 267.69, 0.16%, 0.67%

LAB 67.24, 9.37, -11.83

 

CMYK 14 / 24 / 0 / 55

HEX #625772

RGB 98 87 114

HSL 264.44, 0.13%, 0.39%

LAB 38.95, 10.33, -13.73

 

CMYK 15 / 27 / 0 / 63

HEX #51455F

RGB 81 69 95

HSL 267.69, 0.16%, 0.32%

LAB 31.42, 10.88, -13.45

 

CMYK 16 / 33 / 0 / 70

HEX #40334C

RGB 64 51 76

HSL 271.2, 0.2%, 0.25%

LAB 23.6, 11.54, -13.2

 

CMYK 18 / 42 / 0 / 78

HEX #2F2139

RGB 47 33 57

HSL 275, 0.27%, 0.18%

LAB 15.42, 12.36, -13

 

CMYK 21 / 61 / 0 / 85

HEX #1E0F26

RGB 30 15 38

HSL 279.13, 0.43%, 0.1%

LAB 6.84, 13.11, -12.71

 

CMYK 13 / 22 / 0 / 56

HEX #615770

RGB 97 87 112

HSL 264, 0.13%, 0.39%

LAB 38.77, 9.49, -12.76

 

CMYK 7 / 22 / 0 / 56

HEX #685770

RGB 104 87 112

HSL 280.8, 0.13%, 0.39%

LAB 39.46, 12.07, -11.66

 

CMYK 1 / 22 / 0 / 56

HEX #6F5770

RGB 111 87 112

HSL 297.6, 0.13%, 0.39%

LAB 40.19, 14.68, -10.48

 

CMYK 0 / 22 / 4 / 56

HEX #70576B

RGB 112 87 107

HSL 312, 0.13%, 0.39%

LAB 40.12, 14.02, -7.5

 

CMYK 0 / 22 / 11 / 56

HEX #705764

RGB 112 87 100

HSL 328.8, 0.13%, 0.39%

LAB 39.88, 12.65, -3.53

 

CMYK 13 / 22 / 0 / 56

HEX #615770

RGB 97 87 112

HSL 264, 0.13%, 0.39%

LAB 38.77, 9.49, -12.76

 

CMYK 20 / 22 / 0 / 56

HEX #5A5770

RGB 90 87 112

HSL 247.2, 0.13%, 0.39%

LAB 38.13, 6.98, -13.81

 

CMYK 22 / 22 / 0 / 56

HEX #575770

RGB 87 87 112

HSL 240, 0.13%, 0.39%

LAB 37.86, 5.92, -14.23

 

CMYK 13 / 22 / 0 / 56

HEX #615770

RGB 97 87 112

HSL 264, 0.13%, 0.39%

LAB 38.77, 9.49, -12.76

 

CMYK 27 / 45 / 0 / 50

HEX #5E4680

RGB 94 70 128

HSL 264.83, 0.29%, 0.39%

LAB 34.64, 23.18, -29.09

 

CMYK 37 / 63 / 0 / 43

HEX #5B3691

RGB 91 54 145

HSL 264.4, 0.46%, 0.39%

LAB 31.59, 36.61, -44.45

 

CMYK 45 / 76 / 0 / 37

HEX #5826A1

RGB 88 38 161

HSL 264.39, 0.62%, 0.39%

LAB 29.5, 48.66, -57.63

 

CMYK 52 / 88 / 0 / 31

HEX #5516B1

RGB 85 22 177

HSL 264.39, 0.78%, 0.39%

LAB 28.59, 58.42, -68.78

 

CMYK 13 / 22 / 0 / 56

HEX #615770

RGB 97 87 112

HSL 264, 0.13%, 0.39%

LAB 38.77, 9.49, -12.76

 

CMYK 3 / 0 / 7 / 60

HEX #646760

RGB 100 103 96

HSL 85.71, 0.04%, 0.39%

LAB 43.14, -2.59, 3.54

 

CMYK 13 / 0 / 33 / 53

HEX #677750

RGB 103 119 80

HSL 84.62, 0.2%, 0.39%

LAB 47.82, -13.34, 19.55

 

CMYK 21 / 0 / 53 / 47

HEX #6A8740

RGB 106 135 64

HSL 84.51, 0.36%, 0.39%

LAB 52.69, -22.7, 34.52

 

CMYK 28 / 0 / 68 / 41

HEX #6D9730

RGB 109 151 48

HSL 84.47, 0.52%, 0.39%

LAB 57.65, -30.84, 47.66

 

CMYK 22 / 20 / 0 / 56

HEX #575A70

RGB 87 90 112

HSL 232.8, 0.13%, 0.39%

LAB 38.74, 4.05, -12.9

 

CMYK 20 / 22 / 0 / 56

HEX #5A5770

RGB 90 87 112

HSL 247.2, 0.13%, 0.39%

LAB 38.13, 6.98, -13.81

 

CMYK 13 / 22 / 0 / 56

HEX #615770

RGB 97 87 112

HSL 264, 0.13%, 0.39%

LAB 38.77, 9.49, -12.76

 

CMYK 7 / 22 / 0 / 56

HEX #685770

RGB 104 87 112

HSL 280.8, 0.13%, 0.39%

LAB 39.46, 12.07, -11.66

 

CMYK 1 / 22 / 0 / 56

HEX #6F5770

RGB 111 87 112

HSL 297.6, 0.13%, 0.39%

LAB 40.19, 14.68, -10.48

 

CMYK 14 / 23 / 0 / 74

HEX #393342

RGB 57 51 66

HSL 264, 0.13%, 0.23%

LAB 22.41, 6.22, -8.38

 

CMYK 13 / 22 / 0 / 65

HEX #4D4559

RGB 77 69 89

HSL 264, 0.13%, 0.31%

LAB 30.77, 7.9, -10.63

 

CMYK 13 / 22 / 0 / 56

HEX #615770

RGB 97 87 112

HSL 264, 0.13%, 0.39%

LAB 38.77, 9.49, -12.76

 

CMYK 14 / 24 / 0 / 47

HEX #756888

RGB 117 104 136

HSL 264.38, 0.13%, 0.47%

LAB 46.26, 11.86, -15.77

 

CMYK 12 / 19 / 0 / 39

HEX #8A7E9C

RGB 138 126 156

HSL 264, 0.13%, 0.55%

LAB 54.79, 10.66, -14.4

 

CMYK 14 / 24 / 0 / 55

HEX #625772

RGB 98 87 114

HSL 264.44, 0.13%, 0.39%

LAB 38.95, 10.33, -13.73

 

CMYK 0 / 22 / 13 / 56

HEX #705761

RGB 112 87 97

HSL 336, 0.13%, 0.39%

LAB 39.79, 12.08, -1.81

 

CMYK 22 / 0 / 22 / 56

HEX #577057

RGB 87 112 87

HSL 120, 0.13%, 0.39%

LAB 44.66, -14.58, 10.96

 

CMYK 14 / 24 / 0 / 55

HEX #625772

RGB 98 87 114

HSL 264.44, 0.13%, 0.39%

LAB 38.95, 10.33, -13.73

 

CMYK 0 / 13 / 22 / 56

HEX #706157

RGB 112 97 87

HSL 24, 0.13%, 0.39%

LAB 42.28, 4.26, 7.91

 

CMYK 22 / 0 / 13 / 56

HEX #577061

RGB 87 112 97

HSL 144, 0.13%, 0.39%

LAB 44.91, -12.53, 5.34

 

CMYK 14 / 24 / 0 / 55

HEX #625772

RGB 98 87 114

HSL 264.44, 0.13%, 0.39%

LAB 38.95, 10.33, -13.73

 

CMYK 0 / 22 / 13 / 56

HEX #705761

RGB 112 87 97

HSL 336, 0.13%, 0.39%

LAB 39.79, 12.08, -1.81

 

CMYK 9 / 0 / 22 / 56

HEX #667057

RGB 102 112 87

HSL 84, 0.13%, 0.39%

LAB 45.77, -8.69, 12.66

 

CMYK 22 / 0 / 9 / 56

HEX #577066

RGB 87 112 102

HSL 156, 0.13%, 0.39%

LAB 45.04, -11.44, 2.55

 

CMYK 14 / 24 / 0 / 55

HEX #625772

RGB 98 87 114

HSL 264.44, 0.13%, 0.39%

LAB 38.95, 10.33, -13.73

 

CMYK 0 / 22 / 21 / 56

HEX #705759

RGB 112 87 89

HSL 355.2, 0.13%, 0.39%

LAB 39.55, 10.65, 2.79

 

CMYK 9 / 0 / 22 / 56

HEX #667057

RGB 102 112 87

HSL 84, 0.13%, 0.39%

LAB 45.77, -8.69, 12.66

 

CMYK 22 / 0 / 2 / 56

HEX #57706E

RGB 87 112 110

HSL 175.2, 0.13%, 0.39%

LAB 45.28, -9.59, -1.91

 

Description

Color code: HEX #625772 | qconv.com Color code: HEX #625772 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 87 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 87 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 24 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 24% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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