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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625646 it is the complementary color #9DA9B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625646. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625646 shade: #675641, #786854, #897A67, #9A8C7A and #AB9E8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625646. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625646 shade: #625646, #514433, #403220, #2F200D and #1E0E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625646 shade: #625646, #624E46, #624746 and #624646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625646 shade: #625646, #625E46, #5F6246, #586246 and #506246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625646 shade matches the following richer shades: #625646, #705838, #7E5A2B, #8B5C1D and #995E0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625646 shade: #625646, #555453, #475261, #3A506F and #2C4E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625646 shade: #624746, #624E46, #625646, #625E46 and #606246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625646 shade: #322C24, #4A4135, #625646, #7B6B57 and #938068

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625646 shade: #625646, #4D6246 and #4B4662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625646 shade: #625646, #466256 and #564662

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625646 shade: #625646, #4D6246, #465262 and #5C4662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625646 shade: #625646, #466248, #465262 and #624661

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

Complementary color

CMYK 15 / 9 / 0 / 27

HEX #9DA9B9

RGB 157 169 185

HSL 214.29, 0.17%, 0.67%

LAB 68.79, -0.87, -9.64

 

CMYK 0 / 17 / 37 / 60

HEX #675641

RGB 103 86 65

HSL 33.16, 0.23%, 0.33%

LAB 37.7, 3.59, 14.84

 

CMYK 0 / 13 / 30 / 53

HEX #786854

RGB 120 104 84

HSL 33.33, 0.18%, 0.4%

LAB 44.99, 3.02, 13.62

 

CMYK 0 / 11 / 25 / 46

HEX #897A67

RGB 137 122 103

HSL 33.53, 0.14%, 0.47%

LAB 52.08, 2.57, 12.52

 

CMYK 0 / 9 / 21 / 40

HEX #9A8C7A

RGB 154 140 122

HSL 33.75, 0.14%, 0.54%

LAB 59, 2.19, 11.52

 

CMYK 0 / 8 / 18 / 33

HEX #AB9E8D

RGB 171 158 141

HSL 34, 0.15%, 0.61%

LAB 65.78, 1.86, 10.59

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 0 / 16 / 37 / 68

HEX #514433

RGB 81 68 51

HSL 34, 0.23%, 0.26%

LAB 29.72, 2.66, 12.37

 

CMYK 0 / 22 / 50 / 75

HEX #403220

RGB 64 50 32

HSL 33.75, 0.33%, 0.19%

LAB 21.86, 3.42, 13.83

 

CMYK 0 / 32 / 72 / 82

HEX #2F200D

RGB 47 32 13

HSL 33.53, 0.57%, 0.12%

LAB 13.63, 4.6, 14.78

 

CMYK 0 / 53 / 100 / 88

HEX #1E0E00

RGB 30 14 0

HSL 28, 1%, 0.06%

LAB 5.33, 5.39, 8.08

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 0 / 20 / 29 / 62

HEX #624E46

RGB 98 78 70

HSL 17.14, 0.17%, 0.33%

LAB 34.98, 7.03, 7.91

 

CMYK 0 / 28 / 29 / 62

HEX #624746

RGB 98 71 70

HSL 2.14, 0.17%, 0.33%

LAB 33.02, 11.4, 5.13

 

CMYK 0 / 29 / 29 / 62

HEX #624646

RGB 98 70 70

HSL 0, 0.17%, 0.33%

LAB 32.74, 12.02, 4.74

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 0 / 4 / 29 / 62

HEX #625E46

RGB 98 94 70

HSL 51.43, 0.17%, 0.33%

LAB 39.65, -2.71, 14.37

 

CMYK 3 / 0 / 29 / 62

HEX #5F6246

RGB 95 98 70

HSL 66.43, 0.17%, 0.33%

LAB 40.59, -6.38, 15.59

 

CMYK 10 / 0 / 29 / 62

HEX #586246

RGB 88 98 70

HSL 81.43, 0.17%, 0.33%

LAB 40, -9.37, 14.7

 

CMYK 18 / 0 / 29 / 62

HEX #506246

RGB 80 98 70

HSL 98.57, 0.17%, 0.33%

LAB 39.38, -12.68, 13.75

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 0 / 21 / 50 / 56

HEX #705838

RGB 112 88 56

HSL 34.29, 0.33%, 0.33%

LAB 39.09, 5.37, 22.25

 

CMYK 0 / 29 / 66 / 51

HEX #7E5A2B

RGB 126 90 43

HSL 33.98, 0.49%, 0.33%

LAB 41.09, 9.51, 32.41

 

CMYK 0 / 34 / 79 / 45

HEX #8B5C1D

RGB 139 92 29

HSL 34.36, 0.65%, 0.33%

LAB 43.11, 13.58, 41.9

 

CMYK 0 / 39 / 90 / 40

HEX #995E0F

RGB 153 94 15

HSL 34.35, 0.82%, 0.33%

LAB 45.38, 18.4, 49.72

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 0 / 1 / 2 / 67

HEX #555453

RGB 85 84 83

HSL 30, 0.01%, 0.33%

LAB 35.78, 0.19, 0.72

 

CMYK 27 / 15 / 0 / 62

HEX #475261

RGB 71 82 97

HSL 214.62, 0.15%, 0.33%

LAB 34.47, -0.52, -10.15

 

CMYK 48 / 28 / 0 / 56

HEX #3A506F

RGB 58 80 111

HSL 215.09, 0.31%, 0.33%

LAB 33.53, 0.8, -20.47

 

CMYK 65 / 37 / 0 / 51

HEX #2C4E7C

RGB 44 78 124

HSL 214.5, 0.48%, 0.33%

LAB 32.79, 3.22, -29.79

 

CMYK 0 / 28 / 29 / 62

HEX #624746

RGB 98 71 70

HSL 2.14, 0.17%, 0.33%

LAB 33.02, 11.4, 5.13

 

CMYK 0 / 20 / 29 / 62

HEX #624E46

RGB 98 78 70

HSL 17.14, 0.17%, 0.33%

LAB 34.98, 7.03, 7.91

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 0 / 4 / 29 / 62

HEX #625E46

RGB 98 94 70

HSL 51.43, 0.17%, 0.33%

LAB 39.65, -2.71, 14.37

 

CMYK 2 / 0 / 29 / 62

HEX #606246

RGB 96 98 70

HSL 64.29, 0.17%, 0.33%

LAB 40.68, -5.94, 15.72

 

CMYK 0 / 12 / 28 / 80

HEX #322C24

RGB 50 44 36

HSL 34.29, 0.16%, 0.17%

LAB 18.4, 1.12, 6.19

 

CMYK 0 / 12 / 28 / 71

HEX #4A4135

RGB 74 65 53

HSL 34.29, 0.17%, 0.25%

LAB 28.1, 1.63, 8.74

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 0 / 13 / 29 / 52

HEX #7B6B57

RGB 123 107 87

HSL 33.33, 0.17%, 0.41%

LAB 46.2, 2.99, 13.54

 

CMYK 0 / 13 / 29 / 42

HEX #938068

RGB 147 128 104

HSL 33.49, 0.17%, 0.49%

LAB 54.7, 3.41, 15.71

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 21 / 0 / 29 / 62

HEX #4D6246

RGB 77 98 70

HSL 105, 0.17%, 0.33%

LAB 39.17, -13.89, 13.42

 

CMYK 23 / 29 / 0 / 62

HEX #4B4662

RGB 75 70 98

HSL 250.71, 0.17%, 0.33%

LAB 31.25, 8.84, -15.67

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 29 / 0 / 12 / 62

HEX #466256

RGB 70 98 86

HSL 154.29, 0.17%, 0.33%

LAB 39.09, -13.21, 3.5

 

CMYK 12 / 29 / 0 / 62

HEX #564662

RGB 86 70 98

HSL 274.29, 0.17%, 0.33%

LAB 32.35, 12.83, -13.89

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 21 / 0 / 29 / 62

HEX #4D6246

RGB 77 98 70

HSL 105, 0.17%, 0.33%

LAB 39.17, -13.89, 13.42

 

CMYK 29 / 16 / 0 / 62

HEX #465262

RGB 70 82 98

HSL 214.29, 0.17%, 0.33%

LAB 34.43, -0.59, -10.85

 

CMYK 6 / 29 / 0 / 62

HEX #5C4662

RGB 92 70 98

HSL 287.14, 0.17%, 0.33%

LAB 33, 15.06, -12.84

 

CMYK 0 / 12 / 29 / 62

HEX #625646

RGB 98 86 70

HSL 34.29, 0.17%, 0.33%

LAB 37.29, 2.11, 11.13

 

CMYK 29 / 0 / 27 / 62

HEX #466248

RGB 70 98 72

HSL 124.29, 0.17%, 0.33%

LAB 38.73, -16.23, 11.54

 

CMYK 29 / 16 / 0 / 62

HEX #465262

RGB 70 82 98

HSL 214.29, 0.17%, 0.33%

LAB 34.43, -0.59, -10.85

 

CMYK 0 / 29 / 1 / 62

HEX #624661

RGB 98 70 97

HSL 302.14, 0.17%, 0.33%

LAB 33.65, 17.1, -11.16

 

Description

Color code: HEX #625646 | qconv.com Color code: HEX #625646 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 86 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 86 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 29 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 29% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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