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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625515 it is the complementary color #9DAAEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625515. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625515 shade: #675510, #786723, #897936, #9A8B49 and #AB9D5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625515. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625515 shade: #625515, #514302, #403100, #2F1F00 and #1E0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625515 shade: #615415, #613F15, #612B15, #611615 and #611515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625515 shade: #615415, #596115, #456115, #306115 and #1B6115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625515 shade matches the following richer shades: #615415, #6A5A0B and #746002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625515 shade: #615415, #574E1E, #4E4728, #444131 and #3B3B3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625515 shade: #612A15, #613E15, #615315, #5A6115 and #466115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625515 shade: #1D1906, #3F360D, #615415, #83711C and #A58F23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625515 shade: #625515, #156116 and #341561

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625515 shade: #625515, #156153 and #531561

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625515 shade: #625515, #156116, #152361 and #611560

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625515 shade: #625515, #15612D, #152361 and #611549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 79 / 62

HEX #625515

RGB 98 85 21

HSL 49.87, 0.65%, 0.23%

LAB 36.27, -2.39, 37.07

 

Complementary color

CMYK 33 / 27 / 0 / 8

HEX #9DAAEA

RGB 157 170 234

HSL 229.87, 0.65%, 0.77%

LAB 70.77, 10.2, -33.56

 

CMYK 0 / 17 / 84 / 60

HEX #675510

RGB 103 85 16

HSL 47.59, 0.73%, 0.23%

LAB 36.78, -0.14, 39.7

 

CMYK 0 / 14 / 71 / 53

HEX #786723

RGB 120 103 35

HSL 48, 0.55%, 0.3%

LAB 43.97, -1.53, 39.34

 

CMYK 0 / 12 / 61 / 46

HEX #897936

RGB 137 121 54

HSL 48.43, 0.43%, 0.37%

LAB 50.99, -2.58, 38.27

 

CMYK 0 / 10 / 53 / 40

HEX #9A8B49

RGB 154 139 73

HSL 48.89, 0.36%, 0.45%

LAB 57.86, -3.39, 37.01

 

CMYK 0 / 8 / 46 / 33

HEX #AB9D5C

RGB 171 157 92

HSL 49.37, 0.32%, 0.52%

LAB 64.6, -4.04, 35.72

 

CMYK 0 / 13 / 79 / 62

HEX #625515

RGB 98 85 21

HSL 49.87, 0.65%, 0.23%

LAB 36.27, -2.39, 37.07

 

CMYK 0 / 17 / 98 / 68

HEX #514302

RGB 81 67 2

HSL 49.37, 0.95%, 0.16%

LAB 28.82, -0.84, 37.02

 

CMYK 0 / 23 / 100 / 75

HEX #403100

RGB 64 49 0

HSL 45.94, 1%, 0.13%

LAB 21.16, 1.5, 29.83

 

CMYK 0 / 34 / 100 / 82

HEX #2F1F00

RGB 47 31 0

HSL 39.57, 1%, 0.09%

LAB 13.13, 4.21, 19.52

 

CMYK 0 / 57 / 100 / 88

HEX #1E0D00

RGB 30 13 0

HSL 26, 1%, 0.06%

LAB 5.09, 5.87, 7.74

 

CMYK 0 / 13 / 78 / 62

HEX #615415

RGB 97 84 21

HSL 49.74, 0.64%, 0.23%

LAB 35.86, -2.29, 36.64

 

CMYK 0 / 35 / 78 / 62

HEX #613F15

RGB 97 63 21

HSL 33.16, 0.64%, 0.23%

LAB 29.79, 10.63, 30.62

 

CMYK 0 / 56 / 78 / 62

HEX #612B15

RGB 97 43 21

HSL 17.37, 0.64%, 0.23%

LAB 24.71, 22.81, 25.3

 

CMYK 0 / 77 / 78 / 62

HEX #611615

RGB 97 22 21

HSL 0.79, 0.64%, 0.23%

LAB 20.71, 33.41, 20.87

 

CMYK 0 / 78 / 78 / 62

HEX #611515

RGB 97 21 21

HSL 0, 0.64%, 0.23%

LAB 20.56, 33.82, 20.7

 

CMYK 0 / 13 / 78 / 62

HEX #615415

RGB 97 84 21

HSL 49.74, 0.64%, 0.23%

LAB 35.86, -2.29, 36.64

 

CMYK 8 / 0 / 78 / 62

HEX #596115

RGB 89 97 21

HSL 66.32, 0.64%, 0.23%

LAB 39.12, -13.72, 39.5

 

CMYK 29 / 0 / 78 / 62

HEX #456115

RGB 69 97 21

HSL 82.11, 0.64%, 0.23%

LAB 37.61, -22.84, 37.52

 

CMYK 51 / 0 / 78 / 62

HEX #306115

RGB 48 97 21

HSL 98.68, 0.64%, 0.23%

LAB 36.43, -31.08, 35.96

 

CMYK 72 / 0 / 78 / 62

HEX #1B6115

RGB 27 97 21

HSL 115.26, 0.64%, 0.23%

LAB 35.67, -37.1, 34.95

 

CMYK 0 / 13 / 78 / 62

HEX #615415

RGB 97 84 21

HSL 49.74, 0.64%, 0.23%

LAB 35.86, -2.29, 36.64

 

CMYK 0 / 15 / 90 / 58

HEX #6A5A0B

RGB 106 90 11

HSL 49.89, 0.81%, 0.23%

LAB 38.55, -1.8, 42.97

 

CMYK 0 / 17 / 98 / 55

HEX #746002

RGB 116 96 2

HSL 49.47, 0.97%, 0.23%

LAB 41.35, -0.64, 48.03

 

CMYK 0 / 13 / 78 / 62

HEX #615415

RGB 97 84 21

HSL 49.74, 0.64%, 0.23%

LAB 35.86, -2.29, 36.64

 

CMYK 0 / 10 / 66 / 66

HEX #574E1E

RGB 87 78 30

HSL 50.53, 0.49%, 0.23%

LAB 33.07, -3.03, 29.11

 

CMYK 0 / 9 / 49 / 69

HEX #4E4728

RGB 78 71 40

HSL 48.95, 0.32%, 0.23%

LAB 30.11, -2.13, 19.66

 

CMYK 0 / 4 / 28 / 73

HEX #444131

RGB 68 65 49

HSL 50.53, 0.16%, 0.23%

LAB 27.38, -1.82, 10.25

 

CMYK 0 / 0 / 2 / 77

HEX #3B3B3A

RGB 59 59 58

HSL 60, 0.01%, 0.23%

LAB 24.84, -0.22, 0.61

 

CMYK 0 / 57 / 78 / 62

HEX #612A15

RGB 97 42 21

HSL 16.58, 0.64%, 0.23%

LAB 24.49, 23.39, 25.06

 

CMYK 0 / 36 / 78 / 62

HEX #613E15

RGB 97 62 21

HSL 32.37, 0.64%, 0.23%

LAB 29.52, 11.26, 30.34

 

CMYK 0 / 14 / 78 / 62

HEX #615315

RGB 97 83 21

HSL 48.95, 0.64%, 0.23%

LAB 35.56, -1.69, 36.35

 

CMYK 7 / 0 / 78 / 62

HEX #5A6115

RGB 90 97 21

HSL 65.53, 0.64%, 0.23%

LAB 39.2, -13.24, 39.61

 

CMYK 28 / 0 / 78 / 62

HEX #466115

RGB 70 97 21

HSL 81.32, 0.64%, 0.23%

LAB 37.67, -22.41, 37.61

 

CMYK 0 / 14 / 79 / 89

HEX #1D1906

RGB 29 25 6

HSL 49.57, 0.66%, 0.07%

LAB 8.74, -1.34, 10.59

 

CMYK 0 / 14 / 79 / 75

HEX #3F360D

RGB 63 54 13

HSL 49.2, 0.66%, 0.15%

LAB 22.74, -1.56, 26.07

 

CMYK 0 / 13 / 78 / 62

HEX #615415

RGB 97 84 21

HSL 49.74, 0.64%, 0.23%

LAB 35.86, -2.29, 36.64

 

CMYK 0 / 14 / 79 / 49

HEX #83711C

RGB 131 113 28

HSL 49.51, 0.65%, 0.31%

LAB 47.9, -2.43, 46.53

 

CMYK 0 / 13 / 79 / 35

HEX #A58F23

RGB 165 143 35

HSL 49.85, 0.65%, 0.39%

LAB 59.68, -3.11, 56.11

 

CMYK 0 / 13 / 79 / 62

HEX #625515

RGB 98 85 21

HSL 49.87, 0.65%, 0.23%

LAB 36.27, -2.39, 37.07

 

CMYK 78 / 0 / 77 / 62

HEX #156116

RGB 21 97 22

HSL 120.79, 0.64%, 0.23%

LAB 35.53, -38.22, 34.36

 

CMYK 46 / 78 / 0 / 62

HEX #341561

RGB 52 21 97

HSL 264.47, 0.64%, 0.23%

LAB 16.15, 33.01, -39.15

 

CMYK 0 / 13 / 79 / 62

HEX #625515

RGB 98 85 21

HSL 49.87, 0.65%, 0.23%

LAB 36.27, -2.39, 37.07

 

CMYK 78 / 0 / 14 / 62

HEX #156153

RGB 21 97 83

HSL 168.95, 0.64%, 0.23%

LAB 36.62, -26.12, 1.52

 

CMYK 14 / 78 / 0 / 62

HEX #531561

RGB 83 21 97

HSL 288.95, 0.64%, 0.23%

LAB 20.97, 39.64, -31.11

 

CMYK 0 / 13 / 79 / 62

HEX #625515

RGB 98 85 21

HSL 49.87, 0.65%, 0.23%

LAB 36.27, -2.39, 37.07

 

CMYK 78 / 0 / 77 / 62

HEX #156116

RGB 21 97 22

HSL 120.79, 0.64%, 0.23%

LAB 35.53, -38.22, 34.36

 

CMYK 78 / 64 / 0 / 62

HEX #152361

RGB 21 35 97

HSL 228.95, 0.64%, 0.23%

LAB 16.62, 18.58, -38.5

 

CMYK 0 / 78 / 1 / 62

HEX #611560

RGB 97 21 96

HSL 300.79, 0.64%, 0.23%

LAB 23.41, 42.74, -26.42

 

CMYK 0 / 13 / 79 / 62

HEX #625515

RGB 98 85 21

HSL 49.87, 0.65%, 0.23%

LAB 36.27, -2.39, 37.07

 

CMYK 78 / 0 / 54 / 62

HEX #15612D

RGB 21 97 45

HSL 138.95, 0.64%, 0.23%

LAB 35.79, -35.16, 23.17

 

CMYK 78 / 64 / 0 / 62

HEX #152361

RGB 21 35 97

HSL 228.95, 0.64%, 0.23%

LAB 16.62, 18.58, -38.5

 

CMYK 0 / 78 / 25 / 62

HEX #611549

RGB 97 21 73

HSL 318.95, 0.64%, 0.23%

LAB 22.16, 38.96, -12.99

 

Description

Color code: HEX #625515 | qconv.com Color code: HEX #625515 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 85 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 85 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 79 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 79% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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