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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625293 it is the complementary color #9DAD6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625293 shade: #67528E, #7864A1, #8976B4, #9A88C7 and #AB9ADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625293 shade: #625293, #514080, #402E6D, #2F1C5A and #1E0A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625293 shade: #625393, #745393, #855393, #93538F and #93537E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625293 shade: #625393 and #535393

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625293 shade matches the following richer shades: #625393, #5940A5, #502DB8, #461BCB and #3D08DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625293 shade: #625393, #6C6580, #75786E, #7F8A5B and #889D49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625293 shade: #536693, #535593, #625393, #735393 and #845393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625293 shade: #3F355E, #514478, #625393, #7666A9 and #8E80B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625293 shade: #625293, #935377 and #5D9353

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625293 shade: #625293, #936253 and #539362

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625293 shade: #625293, #935377, #849353 and #53936E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625293 shade: #625293, #935364, #849353 and #539382

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 44 / 0 / 42

HEX #625293

RGB 98 82 147

HSL 254.77, 0.28%, 0.45%

LAB 39.14, 22.06, -33.58

 

Complementary color

CMYK 9 / 0 / 38 / 32

HEX #9DAD6C

RGB 157 173 108

HSL 74.77, 0.28%, 0.55%

LAB 68.12, -16.38, 31.57

 

CMYK 27 / 42 / 0 / 44

HEX #67528E

RGB 103 82 142

HSL 261, 0.27%, 0.44%

LAB 39.36, 22.2, -30.16

 

CMYK 25 / 38 / 0 / 37

HEX #7864A1

RGB 120 100 161

HSL 259.67, 0.24%, 0.51%

LAB 46.55, 21.37, -30.14

 

CMYK 24 / 34 / 0 / 29

HEX #8976B4

RGB 137 118 180

HSL 258.39, 0.29%, 0.58%

LAB 53.57, 20.64, -30.15

 

CMYK 23 / 32 / 0 / 22

HEX #9A88C7

RGB 154 136 199

HSL 257.14, 0.36%, 0.66%

LAB 60.43, 19.99, -30.21

 

CMYK 22 / 29 / 0 / 15

HEX #AB9ADA

RGB 171 154 218

HSL 255.94, 0.46%, 0.73%

LAB 67.15, 19.4, -30.3

 

CMYK 33 / 44 / 0 / 42

HEX #625293

RGB 98 82 147

HSL 254.77, 0.28%, 0.45%

LAB 39.14, 22.06, -33.58

 

CMYK 37 / 50 / 0 / 50

HEX #514080

RGB 81 64 128

HSL 255.94, 0.33%, 0.38%

LAB 31.75, 23.12, -33.75

 

CMYK 41 / 58 / 0 / 57

HEX #402E6D

RGB 64 46 109

HSL 257.14, 0.41%, 0.3%

LAB 24.16, 24.35, -33.97

 

CMYK 48 / 69 / 0 / 65

HEX #2F1C5A

RGB 47 28 90

HSL 258.39, 0.53%, 0.23%

LAB 16.37, 25.75, -34.16

 

CMYK 58 / 86 / 0 / 72

HEX #1E0A47

RGB 30 10 71

HSL 259.67, 0.75%, 0.16%

LAB 8.55, 26.99, -33.99

 

CMYK 33 / 44 / 0 / 42

HEX #625393

RGB 98 83 147

HSL 254.06, 0.28%, 0.45%

LAB 39.39, 21.44, -33.17

 

CMYK 21 / 44 / 0 / 42

HEX #745393

RGB 116 83 147

HSL 270.94, 0.28%, 0.45%

LAB 41.23, 26.87, -30.16

 

CMYK 10 / 44 / 0 / 42

HEX #855393

RGB 133 83 147

HSL 286.88, 0.28%, 0.45%

LAB 43.18, 32.21, -26.96

 

CMYK 0 / 44 / 3 / 42

HEX #93538F

RGB 147 83 143

HSL 303.75, 0.28%, 0.45%

LAB 44.76, 35.9, -21.97

 

CMYK 0 / 44 / 14 / 42

HEX #93537E

RGB 147 83 126

HSL 319.69, 0.28%, 0.45%

LAB 44.08, 32.82, -12.74

 

CMYK 33 / 44 / 0 / 42

HEX #625393

RGB 98 83 147

HSL 254.06, 0.28%, 0.45%

LAB 39.39, 21.44, -33.17

 

CMYK 44 / 44 / 0 / 42

HEX #535393

RGB 83 83 147

HSL 240, 0.28%, 0.45%

LAB 38.08, 17.23, -35.34

 

CMYK 33 / 44 / 0 / 42

HEX #625393

RGB 98 83 147

HSL 254.06, 0.28%, 0.45%

LAB 39.39, 21.44, -33.17

 

CMYK 46 / 61 / 0 / 35

HEX #5940A5

RGB 89 64 165

HSL 254.85, 0.44%, 0.45%

LAB 35.02, 36.01, -51.06

 

CMYK 57 / 76 / 0 / 28

HEX #502DB8

RGB 80 45 184

HSL 255.11, 0.61%, 0.45%

LAB 31.9, 50.46, -67.51

 

CMYK 66 / 87 / 0 / 20

HEX #461BCB

RGB 70 27 203

HSL 254.66, 0.77%, 0.45%

LAB 30.39, 62.16, -81.21

 

CMYK 72 / 96 / 0 / 13

HEX #3D08DD

RGB 61 8 221

HSL 254.93, 0.93%, 0.45%

LAB 30.37, 70.72, -91.72

 

CMYK 33 / 44 / 0 / 42

HEX #625393

RGB 98 83 147

HSL 254.06, 0.28%, 0.45%

LAB 39.39, 21.44, -33.17

 

CMYK 16 / 21 / 0 / 50

HEX #6C6580

RGB 108 101 128

HSL 255.56, 0.12%, 0.45%

LAB 44.31, 8.64, -14.01

 

CMYK 3 / 0 / 8 / 53

HEX #75786E

RGB 117 120 110

HSL 78, 0.04%, 0.45%

LAB 49.91, -3.1, 5.09

 

CMYK 8 / 0 / 34 / 46

HEX #7F8A5B

RGB 127 138 91

HSL 74.04, 0.21%, 0.45%

LAB 55.53, -12.26, 23.88

 

CMYK 13 / 0 / 54 / 38

HEX #889D49

RGB 136 157 73

HSL 75, 0.37%, 0.45%

LAB 61.51, -20.65, 40.97

 

CMYK 44 / 31 / 0 / 42

HEX #536693

RGB 83 102 147

HSL 222.19, 0.28%, 0.45%

LAB 43.43, 5.25, -26.92

 

CMYK 44 / 42 / 0 / 42

HEX #535593

RGB 83 85 147

HSL 238.13, 0.28%, 0.45%

LAB 38.63, 15.95, -34.47

 

CMYK 33 / 44 / 0 / 42

HEX #625393

RGB 98 83 147

HSL 254.06, 0.28%, 0.45%

LAB 39.39, 21.44, -33.17

 

CMYK 22 / 44 / 0 / 42

HEX #735393

RGB 115 83 147

HSL 270, 0.28%, 0.45%

LAB 41.12, 26.56, -30.34

 

CMYK 10 / 44 / 0 / 42

HEX #845393

RGB 132 83 147

HSL 285.94, 0.28%, 0.45%

LAB 43.06, 31.89, -27.16

 

CMYK 33 / 44 / 0 / 63

HEX #3F355E

RGB 63 53 94

HSL 254.63, 0.28%, 0.29%

LAB 24.99, 14.88, -22.93

 

CMYK 33 / 43 / 0 / 53

HEX #514478

RGB 81 68 120

HSL 255, 0.28%, 0.37%

LAB 32.35, 18.24, -27.82

 

CMYK 33 / 44 / 0 / 42

HEX #625393

RGB 98 83 147

HSL 254.06, 0.28%, 0.45%

LAB 39.39, 21.44, -33.17

 

CMYK 30 / 40 / 0 / 34

HEX #7666A9

RGB 118 102 169

HSL 254.33, 0.28%, 0.53%

LAB 47.26, 21.64, -33.75

 

CMYK 23 / 30 / 0 / 28

HEX #8E80B8

RGB 142 128 184

HSL 255, 0.28%, 0.61%

LAB 56.73, 17.3, -27.5

 

CMYK 33 / 44 / 0 / 42

HEX #625293

RGB 98 82 147

HSL 254.77, 0.28%, 0.45%

LAB 39.14, 22.06, -33.58

 

CMYK 0 / 44 / 19 / 42

HEX #935377

RGB 147 83 119

HSL 326.25, 0.28%, 0.45%

LAB 43.83, 31.64, -8.86

 

CMYK 37 / 0 / 44 / 42

HEX #5D9353

RGB 93 147 83

HSL 110.63, 0.28%, 0.45%

LAB 55.91, -30.97, 28.32

 

CMYK 33 / 44 / 0 / 42

HEX #625293

RGB 98 82 147

HSL 254.77, 0.28%, 0.45%

LAB 39.14, 22.06, -33.58

 

CMYK 0 / 33 / 44 / 42

HEX #936253

RGB 147 98 83

HSL 14.06, 0.28%, 0.45%

LAB 46.4, 17.98, 16.62

 

CMYK 44 / 0 / 33 / 42

HEX #539362

RGB 83 147 98

HSL 134.06, 0.28%, 0.45%

LAB 55.67, -31.68, 19.7

 

CMYK 33 / 44 / 0 / 42

HEX #625293

RGB 98 82 147

HSL 254.77, 0.28%, 0.45%

LAB 39.14, 22.06, -33.58

 

CMYK 0 / 44 / 19 / 42

HEX #935377

RGB 147 83 119

HSL 326.25, 0.28%, 0.45%

LAB 43.83, 31.64, -8.86

 

CMYK 10 / 0 / 44 / 42

HEX #849353

RGB 132 147 83

HSL 74.06, 0.28%, 0.45%

LAB 58.41, -16.04, 32.02

 

CMYK 44 / 0 / 25 / 42

HEX #53936E

RGB 83 147 110

HSL 145.31, 0.28%, 0.45%

LAB 55.92, -29.31, 13.29

 

CMYK 33 / 44 / 0 / 42

HEX #625293

RGB 98 82 147

HSL 254.77, 0.28%, 0.45%

LAB 39.14, 22.06, -33.58

 

CMYK 0 / 44 / 32 / 42

HEX #935364

RGB 147 83 100

HSL 344.06, 0.28%, 0.45%

LAB 43.23, 28.76, 1.88

 

CMYK 10 / 0 / 44 / 42

HEX #849353

RGB 132 147 83

HSL 74.06, 0.28%, 0.45%

LAB 58.41, -16.04, 32.02

 

CMYK 44 / 0 / 12 / 42

HEX #539382

RGB 83 147 130

HSL 164.06, 0.28%, 0.45%

LAB 56.4, -24.8, 2.59

 

Description

Color code: HEX #625293 | qconv.com Color code: HEX #625293 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 82 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 82 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 44 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 44% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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