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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62527F it is the complementary color #9DAD80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62527F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62527F shade: #67527A, #78648D, #8976A0, #9A88B3 and #AB9AC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62527F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62527F shade: #62527F, #51406C, #402E59, #2F1C46 and #1E0A33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62527F shade: #625280, #6E5280, #7B5280, #805278 and #80526C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62527F shade: #625280, #555280 and #525280

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62527F shade matches the following richer shades: #625280, #5D4190, #5830A1, #531FB2 and #4E0EC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62527F shade: #625280, #67626F, #6C735E, #71844D and #75953C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62527F shade: #525A80, #555280, #625280, #6E5280 and #7A5280

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62527F shade: #3B314D, #4F4166, #625280, #756299 and #8B7AAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62527F shade: #62527F, #805266 and #548052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62527F shade: #62527F, #806252 and #528062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62527F shade: #62527F, #805266, #6F8052 and #52806B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62527F shade: #62527F, #805258, #6F8052 and #528079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 35 / 0 / 50

HEX #62527F

RGB 98 82 127

HSL 261.33, 0.22%, 0.41%

LAB 38.13, 16.69, -22.97

 

Complementary color

CMYK 9 / 0 / 26 / 32

HEX #9DAD80

RGB 157 173 128

HSL 81.33, 0.22%, 0.59%

LAB 68.47, -13.58, 21.32

 

CMYK 16 / 33 / 0 / 52

HEX #67527A

RGB 103 82 122

HSL 271.5, 0.2%, 0.4%

LAB 38.42, 17.14, -19.42

 

CMYK 15 / 29 / 0 / 45

HEX #78648D

RGB 120 100 141

HSL 269.27, 0.17%, 0.47%

LAB 45.68, 16.48, -19.62

 

CMYK 14 / 26 / 0 / 37

HEX #8976A0

RGB 137 118 160

HSL 267.14, 0.18%, 0.55%

LAB 52.74, 15.9, -19.84

 

CMYK 14 / 24 / 0 / 30

HEX #9A88B3

RGB 154 136 179

HSL 265.12, 0.22%, 0.62%

LAB 59.65, 15.38, -20.09

 

CMYK 14 / 22 / 0 / 22

HEX #AB9AC6

RGB 171 154 198

HSL 263.18, 0.28%, 0.69%

LAB 66.4, 14.91, -20.34

 

CMYK 23 / 35 / 0 / 50

HEX #62527F

RGB 98 82 127

HSL 261.33, 0.22%, 0.41%

LAB 38.13, 16.69, -22.97

 

CMYK 25 / 41 / 0 / 58

HEX #51406C

RGB 81 64 108

HSL 263.18, 0.26%, 0.34%

LAB 30.64, 17.49, -22.94

 

CMYK 28 / 48 / 0 / 65

HEX #402E59

RGB 64 46 89

HSL 265.12, 0.32%, 0.26%

LAB 22.88, 18.44, -22.96

 

CMYK 33 / 60 / 0 / 73

HEX #2F1C46

RGB 47 28 70

HSL 267.14, 0.43%, 0.19%

LAB 14.83, 19.55, -23.02

 

CMYK 41 / 80 / 0 / 80

HEX #1E0A33

RGB 30 10 51

HSL 269.27, 0.67%, 0.12%

LAB 6.61, 20.28, -22.78

 

CMYK 23 / 36 / 0 / 50

HEX #625280

RGB 98 82 128

HSL 260.87, 0.22%, 0.41%

LAB 38.18, 16.95, -23.51

 

CMYK 14 / 36 / 0 / 50

HEX #6E5280

RGB 110 82 128

HSL 276.52, 0.22%, 0.41%

LAB 39.43, 20.97, -21.49

 

CMYK 4 / 36 / 0 / 50

HEX #7B5280

RGB 123 82 128

HSL 293.48, 0.22%, 0.41%

LAB 40.9, 25.42, -19.08

 

CMYK 0 / 36 / 6 / 50

HEX #805278

RGB 128 82 120

HSL 310.43, 0.22%, 0.41%

LAB 41.18, 25.56, -13.7

 

CMYK 0 / 36 / 16 / 50

HEX #80526C

RGB 128 82 108

HSL 326.09, 0.22%, 0.41%

LAB 40.75, 23.34, -6.99

 

CMYK 23 / 36 / 0 / 50

HEX #625280

RGB 98 82 128

HSL 260.87, 0.22%, 0.41%

LAB 38.18, 16.95, -23.51

 

CMYK 34 / 36 / 0 / 50

HEX #555280

RGB 85 82 128

HSL 243.91, 0.22%, 0.41%

LAB 36.97, 12.78, -25.48

 

CMYK 36 / 36 / 0 / 50

HEX #525280

RGB 82 82 128

HSL 240, 0.22%, 0.41%

LAB 36.72, 11.86, -25.9

 

CMYK 23 / 36 / 0 / 50

HEX #625280

RGB 98 82 128

HSL 260.87, 0.22%, 0.41%

LAB 38.18, 16.95, -23.51

 

CMYK 35 / 55 / 0 / 44

HEX #5D4190

RGB 93 65 144

HSL 261.27, 0.38%, 0.41%

LAB 34.23, 30.33, -39.58

 

CMYK 45 / 70 / 0 / 37

HEX #5830A1

RGB 88 48 161

HSL 261.24, 0.54%, 0.41%

LAB 31.26, 43.7, -54.76

 

CMYK 53 / 83 / 0 / 30

HEX #531FB2

RGB 83 31 178

HSL 261.22, 0.7%, 0.41%

LAB 29.5, 55.37, -67.89

 

CMYK 60 / 93 / 0 / 24

HEX #4E0EC3

RGB 78 14 195

HSL 261.22, 0.87%, 0.41%

LAB 29.09, 64.23, -78.66

 

CMYK 23 / 36 / 0 / 50

HEX #625280

RGB 98 82 128

HSL 260.87, 0.22%, 0.41%

LAB 38.18, 16.95, -23.51

 

CMYK 7 / 12 / 0 / 56

HEX #67626F

RGB 103 98 111

HSL 263.08, 0.06%, 0.41%

LAB 42.41, 4.73, -6.62

 

CMYK 6 / 0 / 18 / 55

HEX #6C735E

RGB 108 115 94

HSL 80, 0.1%, 0.41%

LAB 47.31, -6.74, 10.74

 

CMYK 14 / 0 / 42 / 48

HEX #71844D

RGB 113 132 77

HSL 80.73, 0.26%, 0.41%

LAB 52.45, -16.69, 27.42

 

CMYK 21 / 0 / 60 / 42

HEX #75953C

RGB 117 149 60

HSL 81.57, 0.43%, 0.41%

LAB 57.66, -25.66, 42.47

 

CMYK 36 / 30 / 0 / 50

HEX #525A80

RGB 82 90 128

HSL 229.57, 0.22%, 0.41%

LAB 39.01, 6.79, -22.34

 

CMYK 34 / 36 / 0 / 50

HEX #555280

RGB 85 82 128

HSL 243.91, 0.22%, 0.41%

LAB 36.97, 12.78, -25.48

 

CMYK 23 / 36 / 0 / 50

HEX #625280

RGB 98 82 128

HSL 260.87, 0.22%, 0.41%

LAB 38.18, 16.95, -23.51

 

CMYK 14 / 36 / 0 / 50

HEX #6E5280

RGB 110 82 128

HSL 276.52, 0.22%, 0.41%

LAB 39.43, 20.97, -21.49

 

CMYK 5 / 36 / 0 / 50

HEX #7A5280

RGB 122 82 128

HSL 292.17, 0.22%, 0.41%

LAB 40.78, 25.08, -19.27

 

CMYK 23 / 36 / 0 / 70

HEX #3B314D

RGB 59 49 77

HSL 261.43, 0.22%, 0.25%

LAB 22.52, 11.31, -15.58

 

CMYK 23 / 36 / 0 / 60

HEX #4F4166

RGB 79 65 102

HSL 262.7, 0.22%, 0.33%

LAB 30.41, 14.56, -19.5

 

CMYK 23 / 36 / 0 / 50

HEX #625280

RGB 98 82 128

HSL 260.87, 0.22%, 0.41%

LAB 38.18, 16.95, -23.51

 

CMYK 24 / 36 / 0 / 40

HEX #756299

RGB 117 98 153

HSL 260.73, 0.22%, 0.49%

LAB 45.38, 19.62, -27.25

 

CMYK 18 / 28 / 0 / 33

HEX #8B7AAA

RGB 139 122 170

HSL 261.25, 0.22%, 0.57%

LAB 54.35, 16.52, -23.15

 

CMYK 23 / 35 / 0 / 50

HEX #62527F

RGB 98 82 127

HSL 261.33, 0.22%, 0.41%

LAB 38.13, 16.69, -22.97

 

CMYK 0 / 36 / 20 / 50

HEX #805266

RGB 128 82 102

HSL 333.91, 0.22%, 0.41%

LAB 40.55, 22.31, -3.58

 

CMYK 34 / 0 / 36 / 50

HEX #548052

RGB 84 128 82

HSL 117.39, 0.22%, 0.41%

LAB 49.41, -25.01, 20.31

 

CMYK 23 / 35 / 0 / 50

HEX #62527F

RGB 98 82 127

HSL 261.33, 0.22%, 0.41%

LAB 38.13, 16.69, -22.97

 

CMYK 0 / 23 / 36 / 50

HEX #806252

RGB 128 98 82

HSL 20.87, 0.22%, 0.41%

LAB 44.14, 9.74, 13.78

 

CMYK 36 / 0 / 23 / 50

HEX #528062

RGB 82 128 98

HSL 140.87, 0.22%, 0.41%

LAB 49.63, -22.65, 11.39

 

CMYK 23 / 35 / 0 / 50

HEX #62527F

RGB 98 82 127

HSL 261.33, 0.22%, 0.41%

LAB 38.13, 16.69, -22.97

 

CMYK 0 / 36 / 20 / 50

HEX #805266

RGB 128 82 102

HSL 333.91, 0.22%, 0.41%

LAB 40.55, 22.31, -3.58

 

CMYK 13 / 0 / 36 / 50

HEX #6F8052

RGB 111 128 82

HSL 82.17, 0.22%, 0.41%

LAB 51.18, -14.67, 22.97

 

CMYK 36 / 0 / 16 / 50

HEX #52806B

RGB 82 128 107

HSL 152.61, 0.22%, 0.41%

LAB 49.85, -20.71, 6.45

 

CMYK 23 / 35 / 0 / 50

HEX #62527F

RGB 98 82 127

HSL 261.33, 0.22%, 0.41%

LAB 38.13, 16.69, -22.97

 

CMYK 0 / 36 / 31 / 50

HEX #805258

RGB 128 82 88

HSL 352.17, 0.22%, 0.41%

LAB 40.13, 20.1, 4.48

 

CMYK 13 / 0 / 36 / 50

HEX #6F8052

RGB 111 128 82

HSL 82.17, 0.22%, 0.41%

LAB 51.18, -14.67, 22.97

 

CMYK 36 / 0 / 5 / 50

HEX #528079

RGB 82 128 121

HSL 170.87, 0.22%, 0.41%

LAB 50.23, -17.39, -1.2

 

Description

Color code: HEX #62527F | qconv.com Color code: HEX #62527F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 82 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 82 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 35 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 35% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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