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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #624092 it is the complementary color #9DBF6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #624092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #624092 shade: #67408D, #7852A0, #8964B3, #9A76C6 and #AB88D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #624092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #624092 shade: #624092, #512E7F, #401C6C, #2F0A59 and #1E0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #624092 shade: #624091, #784091, #8E4091, #91407F and #914069

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #624092 shade: #624091, #4C4091 and #404091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #624092 shade matches the following richer shades: #624091, #5F2FA2, #5C1EB3 and #590DC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #624092 shade: #624091, #645180, #67626F, #6A735F and #6D834E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #624092 shade: #404B91, #4B4091, #604091, #764091 and #8C4091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #624092 shade: #3B2758, #4E3375, #624091, #754CAE and #8B67BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #624092 shade: #624092, #914060 and #409140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #624092 shade: #624092, #916040 and #409160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #624092 shade: #624092, #914060, #719140 and #409171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #624092 shade: #624092, #914048, #719140 and #409189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 56 / 0 / 43

HEX #624092

RGB 98 64 146

HSL 264.88, 0.39%, 0.41%

LAB 34.68, 32.8, -40.06

 

Complementary color

CMYK 18 / 0 / 43 / 25

HEX #9DBF6D

RGB 157 191 109

HSL 84.88, 0.39%, 0.59%

LAB 73.24, -25.27, 37.59

 

CMYK 27 / 55 / 0 / 45

HEX #67408D

RGB 103 64 141

HSL 270.39, 0.38%, 0.4%

LAB 34.95, 32.84, -36.54

 

CMYK 25 / 49 / 0 / 37

HEX #7852A0

RGB 120 82 160

HSL 269.23, 0.32%, 0.47%

LAB 42.1, 31.87, -36.54

 

CMYK 23 / 44 / 0 / 30

HEX #8964B3

RGB 137 100 179

HSL 268.1, 0.34%, 0.55%

LAB 49.11, 30.96, -36.54

 

CMYK 22 / 40 / 0 / 22

HEX #9A76C6

RGB 154 118 198

HSL 267, 0.41%, 0.62%

LAB 55.99, 30.12, -36.55

 

CMYK 21 / 37 / 0 / 15

HEX #AB88D9

RGB 171 136 217

HSL 265.93, 0.52%, 0.69%

LAB 62.74, 29.34, -36.59

 

CMYK 33 / 56 / 0 / 43

HEX #624092

RGB 98 64 146

HSL 264.88, 0.39%, 0.41%

LAB 34.68, 32.8, -40.06

 

CMYK 36 / 64 / 0 / 50

HEX #512E7F

RGB 81 46 127

HSL 265.93, 0.47%, 0.34%

LAB 27.4, 33.89, -40.1

 

CMYK 41 / 74 / 0 / 58

HEX #401C6C

RGB 64 28 108

HSL 267, 0.59%, 0.27%

LAB 20.06, 34.84, -39.95

 

CMYK 47 / 89 / 0 / 65

HEX #2F0A59

RGB 47 10 89

HSL 268.1, 0.8%, 0.19%

LAB 12.88, 35.01, -39.19

 

CMYK 57 / 100 / 0 / 73

HEX #1E0046

RGB 30 0 70

HSL 265.71, 1%, 0.14%

LAB 6.49, 32.3, -36.68

 

CMYK 32 / 56 / 0 / 43

HEX #624091

RGB 98 64 145

HSL 265.19, 0.39%, 0.41%

LAB 34.62, 32.53, -39.55

 

CMYK 17 / 56 / 0 / 43

HEX #784091

RGB 120 64 145

HSL 281.48, 0.39%, 0.41%

LAB 37.31, 38.56, -35.1

 

CMYK 2 / 56 / 0 / 43

HEX #8E4091

RGB 142 64 145

HSL 297.78, 0.39%, 0.41%

LAB 40.35, 44.78, -30.1

 

CMYK 0 / 56 / 12 / 43

HEX #91407F

RGB 145 64 127

HSL 313.33, 0.39%, 0.41%

LAB 39.95, 42.44, -19.7

 

CMYK 0 / 56 / 28 / 43

HEX #914069

RGB 145 64 105

HSL 329.63, 0.39%, 0.41%

LAB 39.08, 39, -7.36

 

CMYK 32 / 56 / 0 / 43

HEX #624091

RGB 98 64 145

HSL 265.19, 0.39%, 0.41%

LAB 34.62, 32.53, -39.55

 

CMYK 48 / 56 / 0 / 43

HEX #4C4091

RGB 76 64 145

HSL 248.89, 0.39%, 0.41%

LAB 32.36, 26.98, -43.29

 

CMYK 56 / 56 / 0 / 43

HEX #404091

RGB 64 64 145

HSL 240, 0.39%, 0.41%

LAB 31.35, 24.3, -44.97

 

CMYK 32 / 56 / 0 / 43

HEX #624091

RGB 98 64 145

HSL 265.19, 0.39%, 0.41%

LAB 34.62, 32.53, -39.55

 

CMYK 41 / 71 / 0 / 36

HEX #5F2FA2

RGB 95 47 162

HSL 265.04, 0.55%, 0.41%

LAB 31.98, 45.82, -54.16

 

CMYK 49 / 83 / 0 / 30

HEX #5C1EB3

RGB 92 30 179

HSL 264.97, 0.71%, 0.41%

LAB 30.54, 57.1, -66.73

 

CMYK 55 / 93 / 0 / 23

HEX #590DC4

RGB 89 13 196

HSL 264.92, 0.88%, 0.41%

LAB 30.39, 65.51, -77.05

 

CMYK 32 / 56 / 0 / 43

HEX #624091

RGB 98 64 145

HSL 265.19, 0.39%, 0.41%

LAB 34.62, 32.53, -39.55

 

CMYK 22 / 37 / 0 / 50

HEX #645180

RGB 100 81 128

HSL 264.26, 0.22%, 0.41%

LAB 38.12, 18.23, -23.6

 

CMYK 7 / 12 / 0 / 56

HEX #67626F

RGB 103 98 111

HSL 263.08, 0.06%, 0.41%

LAB 42.41, 4.73, -6.62

 

CMYK 8 / 0 / 17 / 55

HEX #6A735F

RGB 106 115 95

HSL 87, 0.1%, 0.41%

LAB 47.17, -7.36, 9.94

 

CMYK 17 / 0 / 40 / 49

HEX #6D834E

RGB 109 131 78

HSL 84.91, 0.25%, 0.41%

LAB 51.88, -17.66, 26.07

 

CMYK 56 / 48 / 0 / 43

HEX #404B91

RGB 64 75 145

HSL 231.85, 0.39%, 0.41%

LAB 34.33, 17.06, -40.19

 

CMYK 48 / 56 / 0 / 43

HEX #4B4091

RGB 75 64 145

HSL 248.15, 0.39%, 0.41%

LAB 32.27, 26.75, -43.44

 

CMYK 34 / 56 / 0 / 43

HEX #604091

RGB 96 64 145

HSL 263.7, 0.39%, 0.41%

LAB 34.39, 32, -39.92

 

CMYK 19 / 56 / 0 / 43

HEX #764091

RGB 118 64 145

HSL 280, 0.39%, 0.41%

LAB 37.05, 38, -35.53

 

CMYK 3 / 56 / 0 / 43

HEX #8C4091

RGB 140 64 145

HSL 296.3, 0.39%, 0.41%

LAB 40.06, 44.21, -30.58

 

CMYK 33 / 56 / 0 / 65

HEX #3B2758

RGB 59 39 88

HSL 264.49, 0.39%, 0.25%

LAB 20.38, 21.21, -26.29

 

CMYK 33 / 56 / 0 / 54

HEX #4E3375

RGB 78 51 117

HSL 264.55, 0.39%, 0.33%

LAB 27.5, 27.33, -33.64

 

CMYK 32 / 56 / 0 / 43

HEX #624091

RGB 98 64 145

HSL 265.19, 0.39%, 0.41%

LAB 34.62, 32.53, -39.55

 

CMYK 33 / 56 / 0 / 32

HEX #754CAE

RGB 117 76 174

HSL 265.1, 0.39%, 0.49%

LAB 41.23, 38.11, -46.27

 

CMYK 26 / 45 / 0 / 26

HEX #8B67BC

RGB 139 103 188

HSL 265.41, 0.39%, 0.57%

LAB 50.48, 32, -39.6

 

CMYK 33 / 56 / 0 / 43

HEX #624092

RGB 98 64 146

HSL 264.88, 0.39%, 0.41%

LAB 34.68, 32.8, -40.06

 

CMYK 0 / 56 / 34 / 43

HEX #914060

RGB 145 64 96

HSL 336.3, 0.39%, 0.41%

LAB 38.78, 37.77, -2.17

 

CMYK 56 / 0 / 56 / 43

HEX #409140

RGB 64 145 64

HSL 120, 0.39%, 0.41%

LAB 53.72, -41.81, 35.24

 

CMYK 33 / 56 / 0 / 43

HEX #624092

RGB 98 64 146

HSL 264.88, 0.39%, 0.41%

LAB 34.68, 32.8, -40.06

 

CMYK 0 / 34 / 56 / 43

HEX #916040

RGB 145 96 64

HSL 23.7, 0.39%, 0.41%

LAB 45.3, 16.31, 26.28

 

CMYK 56 / 0 / 34 / 43

HEX #409160

RGB 64 145 96

HSL 143.7, 0.39%, 0.41%

LAB 54.22, -36.44, 18.73

 

CMYK 33 / 56 / 0 / 43

HEX #624092

RGB 98 64 146

HSL 264.88, 0.39%, 0.41%

LAB 34.68, 32.8, -40.06

 

CMYK 0 / 56 / 34 / 43

HEX #914060

RGB 145 64 96

HSL 336.3, 0.39%, 0.41%

LAB 38.78, 37.77, -2.17

 

CMYK 22 / 0 / 56 / 43

HEX #719140

RGB 113 145 64

HSL 83.7, 0.39%, 0.41%

LAB 56.22, -24.9, 38.82

 

CMYK 56 / 0 / 22 / 43

HEX #409171

RGB 64 145 113

HSL 156.3, 0.39%, 0.41%

LAB 54.59, -32.74, 9.61

 

CMYK 33 / 56 / 0 / 43

HEX #624092

RGB 98 64 146

HSL 264.88, 0.39%, 0.41%

LAB 34.68, 32.8, -40.06

 

CMYK 0 / 56 / 50 / 43

HEX #914048

RGB 145 64 72

HSL 354.07, 0.39%, 0.41%

LAB 38.12, 35, 11.99

 

CMYK 22 / 0 / 56 / 43

HEX #719140

RGB 113 145 64

HSL 83.7, 0.39%, 0.41%

LAB 56.22, -24.9, 38.82

 

CMYK 56 / 0 / 6 / 43

HEX #409189

RGB 64 145 137

HSL 174.07, 0.39%, 0.41%

LAB 55.22, -26.64, -3.24

 

Description

Color code: HEX #624092 | qconv.com Color code: HEX #624092 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 64 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 64 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 56 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 56% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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