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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6230233F it is the complementary color #9DCFDC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6230233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6230233F shade: #67301E3F, #7842313F, #8954443F, #9A66573F and #AB786A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6230233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6230233F shade: #6230233F, #511E103F, #400C003F, #2F00003F and #1E00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6230233F shade: #613023 and #612323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6230233F shade: #613023, #614123, #615223, #616123 and #506123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6230233F shade matches the following richer shades: #613023, #6C2A18, #77230E and #821D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6230233F shade: #613023, #57362E, #4C3D39, #414343 and #37494E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6230233F shade: #612338, #612327, #613023, #614023 and #615123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6230233F shade: #25120D, #432118, #613023, #803F2E and #9E4E39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6230233F shade: #623023, #496123 and #233061

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6230233F shade: #623023, #236130 and #302361

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6230233F shade: #623023, #496123, #235561 and #3C2361

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6230233F shade: #623023, #366123, #235561 and #4F2361

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 16 / 15

HEX #6230233F

RGBA 98 48 35 0.25

HSLA 12.38, 0.47%, 0.26%, 0.25

LABA 26.25, 21.27, 18.49, 0.25

 

Complementary color

CMYK 7 / 1 / 0 / 3

HEX #9DCFDC3F

RGBA 157 207 220 0.25

HSLA 192.38, 0.47%, 0.74%, 0.25

LABA 80.16, -13.18, -11.71, 0.25

 

CMYK 0 / 13 / 18 / 15

HEX #67301E3F

RGBA 103 48 30 0.25

HSLA 14.79, 0.55%, 0.26%, 0.25

LABA 26.99, 23.11, 22.73, 0.25

 

CMYK 0 / 11 / 15 / 13

HEX #7842313F

RGBA 120 66 49 0.25

HSLA 14.37, 0.42%, 0.33%, 0.25

LABA 34.21, 21.54, 20.47, 0.25

 

CMYK 0 / 10 / 13 / 12

HEX #8954443F

RGBA 137 84 68 0.25

HSLA 13.91, 0.34%, 0.4%, 0.25

LABA 41.34, 20.21, 18.61, 0.25

 

CMYK 0 / 8 / 11 / 10

HEX #9A66573F

RGBA 154 102 87 0.25

HSLA 13.43, 0.28%, 0.47%, 0.25

LABA 48.34, 19.08, 17.03, 0.25

 

CMYK 0 / 7 / 10 / 8

HEX #AB786A3F

RGBA 171 120 106 0.25

HSLA 12.92, 0.28%, 0.54%, 0.25

LABA 55.21, 18.11, 15.66, 0.25

 

CMYK 0 / 13 / 16 / 15

HEX #6230233F

RGBA 98 48 35 0.25

HSLA 12.38, 0.47%, 0.26%, 0.25

LABA 26.25, 21.27, 18.49, 0.25

 

CMYK 0 / 16 / 20 / 17

HEX #511E103F

RGBA 81 30 16 0.25

HSLA 12.92, 0.67%, 0.19%, 0.25

LABA 18.87, 22.92, 21, 0.25

 

CMYK 0 / 20 / 25 / 19

HEX #400C003F

RGBA 64 12 0 0.25

HSLA 11.25, 1%, 0.13%, 0.25

LABA 11.64, 24.34, 18.03, 0.25

 

CMYK 0 / 25 / 25 / 20

HEX #2F00003F

RGBA 47 0 0 0.25

HSLA 0, 1%, 0.09%, 0.25

LABA 5.46, 23.03, 8.63, 0.25

 

CMYK 0 / 25 / 25 / 22

HEX #1E00003F

RGBA 30 0 0 0.25

HSLA 0, 1%, 0.06%, 0.25

LABA 2.49, 11.19, 3.94, 0.25

 

CMYK 0 / 51 / 64 / 62

HEX #613023

RGB 97 48 35

HSL 12.58, 0.47%, 0.26%

LAB 26.09, 20.83, 18.25

 

CMYK 0 / 64 / 64 / 62

HEX #612323

RGB 97 35 35

HSL 0, 0.47%, 0.26%

LAB 23.22, 28.19, 14.6

 

CMYK 0 / 51 / 64 / 62

HEX #613023

RGB 97 48 35

HSL 12.58, 0.47%, 0.26%

LAB 26.09, 20.83, 18.25

 

CMYK 0 / 33 / 64 / 62

HEX #614123

RGB 97 65 35

HSL 29.03, 0.47%, 0.26%

LAB 30.5, 10.36, 23.65

 

CMYK 0 / 15 / 64 / 62

HEX #615223

RGB 97 82 35

HSL 45.48, 0.47%, 0.26%

LAB 35.39, -0.14, 29.34

 

CMYK 0 / 0 / 64 / 62

HEX #616123

RGB 97 97 35

HSL 60, 0.47%, 0.26%

LAB 39.94, -9, 34.38

 

CMYK 18 / 0 / 64 / 62

HEX #506123

RGB 80 97 35

HSL 76.45, 0.47%, 0.26%

LAB 38.51, -16.87, 32.41

 

CMYK 0 / 51 / 64 / 62

HEX #613023

RGB 97 48 35

HSL 12.58, 0.47%, 0.26%

LAB 26.09, 20.83, 18.25

 

CMYK 0 / 61 / 78 / 58

HEX #6C2A18

RGB 108 42 24

HSL 12.86, 0.64%, 0.26%

LAB 26.48, 28.25, 26.01

 

CMYK 0 / 71 / 88 / 53

HEX #77230E

RGB 119 35 14

HSL 12, 0.79%, 0.26%

LAB 27.17, 35.63, 32.92

 

CMYK 0 / 78 / 98 / 49

HEX #821D03

RGB 130 29 3

HSL 12.28, 0.95%, 0.26%

LAB 28.46, 41.7, 39.58

 

CMYK 0 / 51 / 64 / 62

HEX #613023

RGB 97 48 35

HSL 12.58, 0.47%, 0.26%

LAB 26.09, 20.83, 18.25

 

CMYK 0 / 38 / 47 / 66

HEX #57362E

RGB 87 54 46

HSL 11.71, 0.31%, 0.26%

LAB 26.34, 13.71, 11.14

 

CMYK 0 / 20 / 25 / 70

HEX #4C3D39

RGB 76 61 57

HSL 12.63, 0.14%, 0.26%

LAB 27.21, 5.81, 4.92

 

CMYK 3 / 0 / 0 / 74

HEX #414343

RGB 65 67 67

HSL 180, 0.02%, 0.26%

LAB 28.23, -0.83, -0.29

 

CMYK 29 / 6 / 0 / 69

HEX #37494E

RGB 55 73 78

HSL 193.04, 0.17%, 0.26%

LAB 29.73, -5.7, -5.3

 

CMYK 0 / 64 / 42 / 62

HEX #612338

RGB 97 35 56

HSL 339.68, 0.47%, 0.26%

LAB 23.77, 30.35, 1.04

 

CMYK 0 / 64 / 60 / 62

HEX #612327

RGB 97 35 39

HSL 356.13, 0.47%, 0.26%

LAB 23.3, 28.53, 12.01

 

CMYK 0 / 51 / 64 / 62

HEX #613023

RGB 97 48 35

HSL 12.58, 0.47%, 0.26%

LAB 26.09, 20.83, 18.25

 

CMYK 0 / 34 / 64 / 62

HEX #614023

RGB 97 64 35

HSL 28.06, 0.47%, 0.26%

LAB 30.23, 10.98, 23.32

 

CMYK 0 / 16 / 64 / 62

HEX #615123

RGB 97 81 35

HSL 44.52, 0.47%, 0.26%

LAB 35.1, 0.46, 29

 

CMYK 0 / 51 / 65 / 85

HEX #25120D

RGB 37 18 13

HSL 12.5, 0.48%, 0.1%

LAB 7.72, 9.17, 6.3

 

CMYK 0 / 51 / 64 / 74

HEX #432118

RGB 67 33 24

HSL 12.56, 0.47%, 0.18%

LAB 17.21, 15.27, 13.28

 

CMYK 0 / 51 / 64 / 62

HEX #613023

RGB 97 48 35

HSL 12.58, 0.47%, 0.26%

LAB 26.09, 20.83, 18.25

 

CMYK 0 / 51 / 64 / 50

HEX #803F2E

RGB 128 63 46

HSL 12.44, 0.47%, 0.34%

LAB 34.68, 26.46, 23.16

 

CMYK 0 / 51 / 64 / 38

HEX #9E4E39

RGB 158 78 57

HSL 12.48, 0.47%, 0.42%

LAB 42.78, 31.42, 27.61

 

CMYK 0 / 51 / 64 / 62

HEX #623023

RGB 98 48 35

HSL 12.38, 0.47%, 0.26%

LAB 26.25, 21.27, 18.49

 

CMYK 25 / 0 / 64 / 62

HEX #496123

RGB 73 97 35

HSL 83.23, 0.47%, 0.26%

LAB 38, -19.97, 31.7

 

CMYK 64 / 51 / 0 / 62

HEX #233061

RGB 35 48 97

HSL 227.42, 0.47%, 0.26%

LAB 21.34, 11.64, -30.84

 

CMYK 0 / 51 / 64 / 62

HEX #623023

RGB 98 48 35

HSL 12.38, 0.47%, 0.26%

LAB 26.25, 21.27, 18.49

 

CMYK 64 / 0 / 51 / 62

HEX #236130

RGB 35 97 48

HSL 132.58, 0.47%, 0.26%

LAB 36.21, -31.65, 22.09

 

CMYK 51 / 64 / 0 / 62

HEX #302361

RGB 48 35 97

HSL 252.58, 0.47%, 0.26%

LAB 18.77, 23.71, -34.91

 

CMYK 0 / 51 / 64 / 62

HEX #623023

RGB 98 48 35

HSL 12.38, 0.47%, 0.26%

LAB 26.25, 21.27, 18.49

 

CMYK 25 / 0 / 64 / 62

HEX #496123

RGB 73 97 35

HSL 83.23, 0.47%, 0.26%

LAB 38, -19.97, 31.7

 

CMYK 64 / 12 / 0 / 62

HEX #235561

RGB 35 85 97

HSL 191.61, 0.47%, 0.26%

LAB 33.39, -12.7, -11.99

 

CMYK 38 / 64 / 0 / 62

HEX #3C2361

RGB 60 35 97

HSL 264.19, 0.47%, 0.26%

LAB 20.15, 26.7, -32.62

 

CMYK 0 / 51 / 64 / 62

HEX #623023

RGB 98 48 35

HSL 12.38, 0.47%, 0.26%

LAB 26.25, 21.27, 18.49

 

CMYK 44 / 0 / 64 / 62

HEX #366123

RGB 54 97 35

HSL 101.61, 0.47%, 0.26%

LAB 36.85, -27.61, 30.09

 

CMYK 64 / 12 / 0 / 62

HEX #235561

RGB 35 85 97

HSL 191.61, 0.47%, 0.26%

LAB 33.39, -12.7, -11.99

 

CMYK 19 / 64 / 0 / 62

HEX #4F2361

RGB 79 35 97

HSL 282.58, 0.47%, 0.26%

LAB 22.75, 31.88, -28.31

 

Description

Color code: HEX #6230233F | qconv.com Color code: HEX #6230233F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 48 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 48 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 16 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 16% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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