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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #622CBD it is the complementary color #9DD342. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #622CBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #622CBD shade: #672CB8, #783ECB, #8950DE, #9A62F1 and #AB74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #622CBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #622CBD shade: #622CBD, #511AAA, #400897, #2F0084 and #1E0071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #622CBD shade: #632DBE, #8A2DBE, #B12DBE, #BE2DA4 and #BE2D7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #622CBD shade: #632DBE, #3C2DBE and #2D2DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #622CBD shade matches the following richer shades: #632DBE, #5E1AD1 and #5907E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #622CBD shade: #632DBE, #6840AB, #6C5398, #716685 and #767872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #622CBD shade: #2D45BE, #3B2DBE, #622DBE, #892DBE and #AF2DBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #622CBD shade: #401D7B, #51259D, #632DBE, #7741D3 and #8F63DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #622CBD shade: #622CBD, #BE2D6C and #31BE2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #622CBD shade: #622CBD, #BE622D and #2DBE62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #622CBD shade: #622CBD, #BE2D6C, #89BE2D and #2DBE7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #622CBD shade: #622CBD, #BE2D40, #89BE2D and #2DBEAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 77 / 0 / 26

HEX #622CBD

RGB 98 44 189

HSL 262.34, 0.62%, 0.46%

LAB 34.13, 54.85, -66.73

 

Complementary color

CMYK 26 / 0 / 69 / 17

HEX #9DD342

RGB 157 211 66

HSL 82.34, 0.62%, 0.54%

LAB 78.55, -38.61, 63.06

 

CMYK 44 / 76 / 0 / 28

HEX #672CB8

RGB 103 44 184

HSL 265.29, 0.61%, 0.45%

LAB 34.28, 54.33, -63.51

 

CMYK 41 / 69 / 0 / 20

HEX #783ECB

RGB 120 62 203

HSL 264.68, 0.58%, 0.52%

LAB 40.82, 53.72, -63.89

 

CMYK 38 / 64 / 0 / 13

HEX #8950DE

RGB 137 80 222

HSL 264.08, 0.68%, 0.59%

LAB 47.4, 52.81, -64.01

 

CMYK 36 / 59 / 0 / 5

HEX #9A62F1

RGB 154 98 241

HSL 263.5, 0.84%, 0.66%

LAB 53.98, 51.8, -63.99

 

CMYK 33 / 55 / 0 / 0

HEX #AB74FF

RGB 171 116 255

HSL 263.74, 1%, 0.73%

LAB 60.22, 49.53, -61.63

 

CMYK 48 / 77 / 0 / 26

HEX #622CBD

RGB 98 44 189

HSL 262.34, 0.62%, 0.46%

LAB 34.13, 54.85, -66.73

 

CMYK 52 / 85 / 0 / 33

HEX #511AAA

RGB 81 26 170

HSL 262.92, 0.73%, 0.38%

LAB 27.82, 54.92, -65.86

 

CMYK 58 / 95 / 0 / 41

HEX #400897

RGB 64 8 151

HSL 263.5, 0.9%, 0.31%

LAB 21.94, 53.64, -64.07

 

CMYK 64 / 100 / 0 / 48

HEX #2F0084

RGB 47 0 132

HSL 261.36, 1%, 0.26%

LAB 16.85, 49.89, -60.7

 

CMYK 73 / 100 / 0 / 56

HEX #1E0071

RGB 30 0 113

HSL 255.93, 1%, 0.22%

LAB 12.4, 44.17, -55.95

 

CMYK 48 / 76 / 0 / 25

HEX #632DBE

RGB 99 45 190

HSL 262.34, 0.62%, 0.46%

LAB 34.49, 54.81, -66.72

 

CMYK 27 / 76 / 0 / 25

HEX #8A2DBE

RGB 138 45 190

HSL 278.48, 0.62%, 0.46%

LAB 39.58, 61.34, -58.22

 

CMYK 7 / 76 / 0 / 25

HEX #B12DBE

RGB 177 45 190

HSL 294.62, 0.62%, 0.46%

LAB 45.55, 68.81, -48.28

 

CMYK 0 / 76 / 14 / 25

HEX #BE2DA4

RGB 190 45 164

HSL 310.76, 0.62%, 0.46%

LAB 46.32, 67.51, -31.61

 

CMYK 0 / 76 / 35 / 25

HEX #BE2D7C

RGB 190 45 124

HSL 327.31, 0.62%, 0.46%

LAB 44.63, 62.45, -10.03

 

CMYK 48 / 76 / 0 / 25

HEX #632DBE

RGB 99 45 190

HSL 262.34, 0.62%, 0.46%

LAB 34.49, 54.81, -66.72

 

CMYK 68 / 76 / 0 / 25

HEX #3C2DBE

RGB 60 45 190

HSL 246.21, 0.62%, 0.46%

LAB 30.77, 49.9, -72.98

 

CMYK 76 / 76 / 0 / 25

HEX #2D2DBE

RGB 45 45 190

HSL 240, 0.62%, 0.46%

LAB 29.79, 48.58, -74.63

 

CMYK 48 / 76 / 0 / 25

HEX #632DBE

RGB 99 45 190

HSL 262.34, 0.62%, 0.46%

LAB 34.49, 54.81, -66.72

 

CMYK 55 / 88 / 0 / 18

HEX #5E1AD1

RGB 94 26 209

HSL 262.3, 0.78%, 0.46%

LAB 33.4, 65.97, -79.66

 

CMYK 61 / 97 / 0 / 11

HEX #5907E4

RGB 89 7 228

HSL 262.26, 0.94%, 0.46%

LAB 33.73, 73.85, -90.08

 

CMYK 48 / 76 / 0 / 25

HEX #632DBE

RGB 99 45 190

HSL 262.34, 0.62%, 0.46%

LAB 34.49, 54.81, -66.72

 

CMYK 39 / 63 / 0 / 33

HEX #6840AB

RGB 104 64 171

HSL 262.43, 0.46%, 0.46%

LAB 37.02, 41.01, -51.33

 

CMYK 29 / 45 / 0 / 40

HEX #6C5398

RGB 108 83 152

HSL 261.74, 0.29%, 0.46%

LAB 40.64, 25.73, -34.15

 

CMYK 15 / 23 / 0 / 48

HEX #716685

RGB 113 102 133

HSL 261.29, 0.13%, 0.46%

LAB 45.23, 10.97, -15.57

 

CMYK 2 / 0 / 5 / 53

HEX #767872

RGB 118 120 114

HSL 80, 0.03%, 0.46%

LAB 50.1, -1.95, 3.02

 

CMYK 76 / 64 / 0 / 25

HEX #2D45BE

RGB 45 69 190

HSL 230.07, 0.62%, 0.46%

LAB 35.07, 34.18, -65.95

 

CMYK 69 / 76 / 0 / 25

HEX #3B2DBE

RGB 59 45 190

HSL 245.79, 0.62%, 0.46%

LAB 30.7, 49.8, -73.1

 

CMYK 48 / 76 / 0 / 25

HEX #622DBE

RGB 98 45 190

HSL 261.93, 0.62%, 0.46%

LAB 34.38, 54.67, -66.92

 

CMYK 28 / 76 / 0 / 25

HEX #892DBE

RGB 137 45 190

HSL 278.07, 0.62%, 0.46%

LAB 39.43, 61.16, -58.46

 

CMYK 8 / 76 / 0 / 25

HEX #AF2DBE

RGB 175 45 190

HSL 293.79, 0.62%, 0.46%

LAB 45.23, 68.41, -48.81

 

CMYK 48 / 76 / 0 / 52

HEX #401D7B

RGB 64 29 123

HSL 262.34, 0.62%, 0.3%

LAB 21.57, 38.54, -47.12

 

CMYK 48 / 76 / 0 / 38

HEX #51259D

RGB 81 37 157

HSL 262, 0.62%, 0.38%

LAB 28.13, 46.92, -57.47

 

CMYK 48 / 76 / 0 / 25

HEX #632DBE

RGB 99 45 190

HSL 262.34, 0.62%, 0.46%

LAB 34.49, 54.81, -66.72

 

CMYK 44 / 69 / 0 / 17

HEX #7741D3

RGB 119 65 211

HSL 262.19, 0.62%, 0.54%

LAB 41.85, 54.12, -66.82

 

CMYK 34 / 55 / 0 / 15

HEX #8F63DA

RGB 143 99 218

HSL 262.18, 0.62%, 0.62%

LAB 51.64, 42.9, -54.88

 

CMYK 48 / 77 / 0 / 26

HEX #622CBD

RGB 98 44 189

HSL 262.34, 0.62%, 0.46%

LAB 34.13, 54.85, -66.73

 

CMYK 0 / 76 / 43 / 25

HEX #BE2D6C

RGB 190 45 108

HSL 333.93, 0.62%, 0.46%

LAB 44.1, 60.8, -0.95

 

CMYK 74 / 0 / 76 / 25

HEX #31BE2D

RGB 49 190 45

HSL 118.34, 0.62%, 0.46%

LAB 67.78, -62.95, 58.33

 

CMYK 48 / 77 / 0 / 26

HEX #622CBD

RGB 98 44 189

HSL 262.34, 0.62%, 0.46%

LAB 34.13, 54.85, -66.73

 

CMYK 0 / 48 / 76 / 25

HEX #BE622D

RGB 190 98 45

HSL 21.93, 0.62%, 0.46%

LAB 51.69, 33.12, 45.36

 

CMYK 76 / 0 / 48 / 25

HEX #2DBE62

RGB 45 190 98

HSL 141.93, 0.62%, 0.46%

LAB 68.22, -57.41, 35.85

 

CMYK 48 / 77 / 0 / 26

HEX #622CBD

RGB 98 44 189

HSL 262.34, 0.62%, 0.46%

LAB 34.13, 54.85, -66.73

 

CMYK 0 / 76 / 43 / 25

HEX #BE2D6C

RGB 190 45 108

HSL 333.93, 0.62%, 0.46%

LAB 44.1, 60.8, -0.95

 

CMYK 28 / 0 / 76 / 25

HEX #89BE2D

RGB 137 190 45

HSL 81.93, 0.62%, 0.46%

LAB 71.1, -38.04, 62.68

 

CMYK 76 / 0 / 33 / 25

HEX #2DBE7F

RGB 45 190 127

HSL 153.93, 0.62%, 0.46%

LAB 68.69, -52, 21.37

 

CMYK 48 / 77 / 0 / 26

HEX #622CBD

RGB 98 44 189

HSL 262.34, 0.62%, 0.46%

LAB 34.13, 54.85, -66.73

 

CMYK 0 / 76 / 66 / 25

HEX #BE2D40

RGB 190 45 64

HSL 352.14, 0.62%, 0.46%

LAB 43.05, 57.48, 24.96

 

CMYK 28 / 0 / 76 / 25

HEX #89BE2D

RGB 137 190 45

HSL 81.93, 0.62%, 0.46%

LAB 71.1, -38.04, 62.68

 

CMYK 76 / 0 / 10 / 25

HEX #2DBEAB

RGB 45 190 171

HSL 172.14, 0.62%, 0.46%

LAB 69.7, -41.34, -1.1

 

Description

Color code: HEX #622CBD | qconv.com Color code: HEX #622CBD | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 44 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 44 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 77 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 77% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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