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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #621964 it is the complementary color #9DE69B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #621964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #621964 shade: #67195F, #782B72, #893D85, #9A4F98 and #AB61AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #621964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #621964 shade: #621964, #510751, #40003E, #2F002B and #1E0018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #621964 shade: #641A66, #661A53, #661A3F, #661A2A and #661A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #621964 shade: #641A66, #4F1A66, #3B1A66, #261A66 and #1A1A66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #621964 shade matches the following richer shades: #641A66, #6E0F70 and #77057B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #621964 shade: #641A66, #5A245C, #502E51, #473847 and #3D433D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #621964 shade: #3B1A66, #4F1A66, #631A66, #661A54 and #661A40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #621964 shade: #230924, #441145, #641A66, #842287 and #A52AA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #621964 shade: #621964, #66261A and #1A6645

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #621964 shade: #621964, #66631A and #1A6663

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #621964 shade: #621964, #66261A, #1C661A and #1A5966

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #621964 shade: #621964, #663D1A, #1C661A and #1A4266

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 75 / 0 / 61

HEX #621964

RGB 98 25 100

HSL 298.4, 0.6%, 0.25%

LAB 24.36, 42.24, -27.52

 

Complementary color

CMYK 32 / 0 / 33 / 10

HEX #9DE69B

RGB 157 230 155

HSL 118.4, 0.6%, 0.75%

LAB 85.06, -37.11, 29.54

 

CMYK 0 / 76 / 8 / 60

HEX #67195F

RGB 103 25 95

HSL 306.15, 0.61%, 0.25%

LAB 24.97, 42.6, -23.23

 

CMYK 0 / 64 / 5 / 53

HEX #782B72

RGB 120 43 114

HSL 304.68, 0.47%, 0.32%

LAB 31.66, 42.92, -24.77

 

CMYK 0 / 55 / 3 / 46

HEX #893D85

RGB 137 61 133

HSL 303.16, 0.38%, 0.39%

LAB 38.46, 42.58, -25.78

 

CMYK 0 / 49 / 1 / 40

HEX #9A4F98

RGB 154 79 152

HSL 301.6, 0.32%, 0.46%

LAB 45.26, 41.96, -26.51

 

CMYK 0 / 43 / 0 / 33

HEX #AB61AB

RGB 171 97 171

HSL 300, 0.31%, 0.53%

LAB 52, 41.23, -27.08

 

CMYK 2 / 75 / 0 / 61

HEX #621964

RGB 98 25 100

HSL 298.4, 0.6%, 0.25%

LAB 24.36, 42.24, -27.52

 

CMYK 0 / 91 / 0 / 68

HEX #510751

RGB 81 7 81

HSL 300, 0.84%, 0.17%

LAB 17.9, 40.67, -25.34

 

CMYK 0 / 100 / 3 / 75

HEX #40003E

RGB 64 0 62

HSL 301.88, 1%, 0.13%

LAB 12.21, 36.15, -21.41

 

CMYK 0 / 100 / 9 / 82

HEX #2F002B

RGB 47 0 43

HSL 305.11, 1%, 0.09%

LAB 7.03, 29.08, -15.98

 

CMYK 0 / 100 / 20 / 88

HEX #1E0018

RGB 30 0 24

HSL 312, 1%, 0.06%

LAB 3.09, 15.37, -7.45

 

CMYK 2 / 75 / 0 / 60

HEX #641A66

RGB 100 26 102

HSL 298.42, 0.59%, 0.25%

LAB 24.98, 42.72, -27.83

 

CMYK 0 / 75 / 19 / 60

HEX #661A53

RGB 102 26 83

HSL 315, 0.59%, 0.25%

LAB 24.28, 39.96, -16.36

 

CMYK 0 / 75 / 38 / 60

HEX #661A3F

RGB 102 26 63

HSL 330.79, 0.59%, 0.25%

LAB 23.41, 37.13, -4.16

 

CMYK 0 / 75 / 59 / 60

HEX #661A2A

RGB 102 26 42

HSL 347.37, 0.59%, 0.25%

LAB 22.76, 34.92, 9.38

 

CMYK 0 / 75 / 75 / 60

HEX #661A1A

RGB 102 26 26

HSL 0, 0.59%, 0.25%

LAB 22.44, 33.8, 19.85

 

CMYK 2 / 75 / 0 / 60

HEX #641A66

RGB 100 26 102

HSL 298.42, 0.59%, 0.25%

LAB 24.98, 42.72, -27.83

 

CMYK 23 / 75 / 0 / 60

HEX #4F1A66

RGB 79 26 102

HSL 281.84, 0.59%, 0.25%

LAB 21.43, 37.65, -33.7

 

CMYK 42 / 75 / 0 / 60

HEX #3B1A66

RGB 59 26 102

HSL 266.05, 0.59%, 0.25%

LAB 18.49, 33.18, -38.61

 

CMYK 63 / 75 / 0 / 60

HEX #261A66

RGB 38 26 102

HSL 249.47, 0.59%, 0.25%

LAB 16.06, 29.23, -42.68

 

CMYK 75 / 75 / 0 / 60

HEX #1A1A66

RGB 26 26 102

HSL 240, 0.59%, 0.25%

LAB 15.05, 27.51, -44.37

 

CMYK 2 / 75 / 0 / 60

HEX #641A66

RGB 100 26 102

HSL 298.42, 0.59%, 0.25%

LAB 24.98, 42.72, -27.83

 

CMYK 2 / 87 / 0 / 56

HEX #6E0F70

RGB 110 15 112

HSL 298.76, 0.76%, 0.25%

LAB 26.23, 50.21, -32.19

 

CMYK 3 / 96 / 0 / 52

HEX #77057B

RGB 119 5 123

HSL 297.97, 0.92%, 0.25%

LAB 28.01, 55.71, -36.28

 

CMYK 2 / 75 / 0 / 60

HEX #641A66

RGB 100 26 102

HSL 298.42, 0.59%, 0.25%

LAB 24.98, 42.72, -27.83

 

CMYK 2 / 61 / 0 / 64

HEX #5A245C

RGB 90 36 92

HSL 297.86, 0.44%, 0.25%

LAB 24.35, 33.44, -22.38

 

CMYK 1 / 43 / 0 / 68

HEX #502E51

RGB 80 46 81

HSL 298.29, 0.28%, 0.25%

LAB 24.49, 21.98, -14.99

 

CMYK 0 / 21 / 0 / 72

HEX #473847

RGB 71 56 71

HSL 300, 0.12%, 0.25%

LAB 25.63, 9.75, -6.71

 

CMYK 9 / 0 / 9 / 74

HEX #3D433D

RGB 61 67 61

HSL 120, 0.05%, 0.25%

LAB 27.69, -3.84, 2.79

 

CMYK 42 / 75 / 0 / 60

HEX #3B1A66

RGB 59 26 102

HSL 266.05, 0.59%, 0.25%

LAB 18.49, 33.18, -38.61

 

CMYK 23 / 75 / 0 / 60

HEX #4F1A66

RGB 79 26 102

HSL 281.84, 0.59%, 0.25%

LAB 21.43, 37.65, -33.7

 

CMYK 3 / 75 / 0 / 60

HEX #631A66

RGB 99 26 102

HSL 297.63, 0.59%, 0.25%

LAB 24.8, 42.47, -28.12

 

CMYK 0 / 75 / 18 / 60

HEX #661A54

RGB 102 26 84

HSL 314.21, 0.59%, 0.25%

LAB 24.33, 40.12, -16.95

 

CMYK 0 / 75 / 37 / 60

HEX #661A40

RGB 102 26 64

HSL 330, 0.59%, 0.25%

LAB 23.45, 37.26, -4.79

 

CMYK 3 / 75 / 0 / 86

HEX #230924

RGB 35 9 36

HSL 297.78, 0.6%, 0.09%

LAB 6.14, 17.97, -12.22

 

CMYK 1 / 75 / 0 / 73

HEX #441145

RGB 68 17 69

HSL 298.85, 0.6%, 0.17%

LAB 15.8, 31.77, -20.58

 

CMYK 2 / 75 / 0 / 60

HEX #641A66

RGB 100 26 102

HSL 298.42, 0.59%, 0.25%

LAB 24.98, 42.72, -27.83

 

CMYK 2 / 75 / 0 / 47

HEX #842287

RGB 132 34 135

HSL 298.22, 0.6%, 0.33%

LAB 33.56, 53.3, -34.8

 

CMYK 2 / 75 / 0 / 34

HEX #A52AA8

RGB 165 42 168

HSL 298.57, 0.6%, 0.41%

LAB 41.97, 63.55, -41.13

 

CMYK 2 / 75 / 0 / 61

HEX #621964

RGB 98 25 100

HSL 298.4, 0.6%, 0.25%

LAB 24.36, 42.24, -27.52

 

CMYK 0 / 63 / 75 / 60

HEX #66261A

RGB 102 38 26

HSL 9.47, 0.59%, 0.25%

LAB 24.59, 28.01, 22.37

 

CMYK 75 / 0 / 32 / 60

HEX #1A6645

RGB 26 102 69

HSL 153.95, 0.59%, 0.25%

LAB 38.11, -31.42, 12.2

 

CMYK 2 / 75 / 0 / 61

HEX #621964

RGB 98 25 100

HSL 298.4, 0.6%, 0.25%

LAB 24.36, 42.24, -27.52

 

CMYK 0 / 3 / 75 / 60

HEX #66631A

RGB 102 99 26

HSL 57.63, 0.59%, 0.25%

LAB 40.93, -8.36, 39.66

 

CMYK 75 / 0 / 3 / 60

HEX #1A6663

RGB 26 102 99

HSL 177.63, 0.59%, 0.25%

LAB 38.94, -23.02, -4.92

 

CMYK 2 / 75 / 0 / 61

HEX #621964

RGB 98 25 100

HSL 298.4, 0.6%, 0.25%

LAB 24.36, 42.24, -27.52

 

CMYK 0 / 63 / 75 / 60

HEX #66261A

RGB 102 38 26

HSL 9.47, 0.59%, 0.25%

LAB 24.59, 28.01, 22.37

 

CMYK 73 / 0 / 75 / 60

HEX #1C661A

RGB 28 102 26

HSL 118.42, 0.59%, 0.25%

LAB 37.53, -38.3, 34.78

 

CMYK 75 / 13 / 0 / 60

HEX #1A5966

RGB 26 89 102

HSL 190.26, 0.59%, 0.25%

LAB 34.65, -14.93, -13.23

 

CMYK 2 / 75 / 0 / 61

HEX #621964

RGB 98 25 100

HSL 298.4, 0.6%, 0.25%

LAB 24.36, 42.24, -27.52

 

CMYK 0 / 40 / 75 / 60

HEX #663D1A

RGB 102 61 26

HSL 27.63, 0.59%, 0.25%

LAB 30, 14.59, 28.42

 

CMYK 73 / 0 / 75 / 60

HEX #1C661A

RGB 28 102 26

HSL 118.42, 0.59%, 0.25%

LAB 37.53, -38.3, 34.78

 

CMYK 75 / 35 / 0 / 60

HEX #1A4266

RGB 26 66 102

HSL 208.42, 0.59%, 0.25%

LAB 26.95, -0.66, -25.18

 

Description

Color code: HEX #621964 | qconv.com Color code: HEX #621964 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 25 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 25 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 75 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 75% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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