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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62094A3F it is the complementary color #9DF6B53F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62094A3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62094A3F shade: #6709453F, #781B583F, #892D6B3F, #9A3F7E3F and #AB51913F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62094A3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62094A3F shade: #62094A3F, #5100373F, #4000243F, #2F00113F and #1E00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62094A3F shade: #62094A, #620932, #62091A and #620909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62094A3F shade: #62094A, #620962, #4A0962, #320962 and #1A0962

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62094A3F shade matches the following richer shades: #62094A and #6B004E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62094A3F shade: #62094A, #591246, #511A42, #48233E and #3F2C3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62094A3F shade: #4A0962, #620962, #62094A, #620933 and #62091B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62094A3F shade: #160211, #3C062E, #62094A, #880D67 and #AE1083

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62094A3F shade: #62094A, #623309 and #096256

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62094A3F shade: #62094A, #4A6209 and #094A62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62094A3F shade: #62094A, #623309, #096221 and #093962

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62094A3F shade: #62094A, #624D09, #096221 and #091E62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 6 / 15

HEX #62094A3F

RGBA 98 9 74 0.25

HSLA 316.18, 0.83%, 0.21%, 0.25

LABA 21.16, 42.95, -15.2, 0.25

 

Complementary color

CMYK 9 / 0 / 7 / 1

HEX #9DF6B53F

RGBA 157 246 181 0.25

HSLA 136.18, 0.83%, 0.79%, 0.25

LABA 90.05, -39.96, 23.03, 0.25

 

CMYK 0 / 23 / 8 / 15

HEX #6709453F

RGBA 103 9 69 0.25

HSLA 321.7, 0.84%, 0.22%, 0.25

LABA 21.98, 43.53, -10.42, 0.25

 

CMYK 0 / 19 / 7 / 13

HEX #781B583F

RGBA 120 27 88 0.25

HSLA 320.65, 0.63%, 0.29%, 0.25

LABA 28.06, 45.31, -13.56, 0.25

 

CMYK 0 / 17 / 5 / 12

HEX #892D6B3F

RGBA 137 45 107 0.25

HSLA 319.57, 0.51%, 0.36%, 0.25

LABA 34.51, 45.76, -15.67, 0.25

 

CMYK 0 / 15 / 5 / 10

HEX #9A3F7E3F

RGBA 154 63 126 0.25

HSLA 318.46, 0.42%, 0.43%, 0.25

LABA 41.11, 45.53, -17.18, 0.25

 

CMYK 0 / 13 / 4 / 8

HEX #AB51913F

RGBA 171 81 145 0.25

HSLA 317.33, 0.36%, 0.49%, 0.25

LABA 47.74, 44.99, -18.32, 0.25

 

CMYK 0 / 23 / 6 / 15

HEX #62094A3F

RGBA 98 9 74 0.25

HSLA 316.18, 0.83%, 0.21%, 0.25

LABA 21.16, 42.95, -15.2, 0.25

 

CMYK 0 / 25 / 8 / 17

HEX #5100373F

RGBA 81 0 55 0.25

HSLA 319.26, 1%, 0.16%, 0.25

LABA 15.62, 38.82, -10.79, 0.25

 

CMYK 0 / 25 / 11 / 19

HEX #4000243F

RGBA 64 0 36 0.25

HSLA 326.25, 1%, 0.13%, 0.25

LABA 10.68, 32.33, -4.71, 0.25

 

CMYK 0 / 25 / 16 / 20

HEX #2F00113F

RGBA 47 0 17 0.25

HSLA 338.3, 1%, 0.09%, 0.25

LABA 5.82, 24.68, 1.64, 0.25

 

CMYK 0 / 25 / 25 / 22

HEX #1E00003F

RGBA 30 0 0 0.25

HSLA 0, 1%, 0.06%, 0.25

LABA 2.49, 11.19, 3.94, 0.25

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 0 / 91 / 49 / 62

HEX #620932

RGB 98 9 50

HSL 332.36, 0.83%, 0.21%

LAB 20.13, 40.08, -0.06

 

CMYK 0 / 91 / 73 / 62

HEX #62091A

RGB 98 9 26

HSL 348.54, 0.83%, 0.21%

LAB 19.5, 38.25, 16.09

 

CMYK 0 / 91 / 91 / 62

HEX #620909

RGB 98 9 9

HSL 0, 0.83%, 0.21%

LAB 19.27, 37.58, 25.68

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 0 / 91 / 0 / 62

HEX #620962

RGB 98 9 98

HSL 300, 0.83%, 0.21%

LAB 22.56, 46.7, -29.07

 

CMYK 24 / 91 / 0 / 62

HEX #4A0962

RGB 74 9 98

HSL 283.82, 0.83%, 0.21%

LAB 18.07, 42.07, -36.55

 

CMYK 49 / 91 / 0 / 62

HEX #320962

RGB 50 9 98

HSL 267.64, 0.83%, 0.21%

LAB 14.15, 38.25, -43.12

 

CMYK 73 / 91 / 0 / 62

HEX #1A0962

RGB 26 9 98

HSL 251.46, 0.83%, 0.21%

LAB 11.25, 35.62, -47.99

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 0 / 100 / 27 / 58

HEX #6B004E

RGB 107 0 78

HSL 316.26, 1%, 0.21%

LAB 22.57, 47.62, -15.58

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 0 / 80 / 21 / 65

HEX #591246

RGB 89 18 70

HSL 316.06, 0.66%, 0.21%

LAB 20.04, 37.37, -14.34

 

CMYK 0 / 68 / 19 / 68

HEX #511A42

RGB 81 26 66

HSL 316.36, 0.51%, 0.21%

LAB 19.56, 30.83, -12.44

 

CMYK 0 / 51 / 14 / 72

HEX #48233E

RGB 72 35 62

HSL 316.22, 0.35%, 0.21%

LAB 19.75, 21.87, -9.52

 

CMYK 0 / 30 / 8 / 75

HEX #3F2C3A

RGB 63 44 58

HSL 315.79, 0.18%, 0.21%

LAB 20.69, 11.54, -5.47

 

CMYK 24 / 91 / 0 / 62

HEX #4A0962

RGB 74 9 98

HSL 283.82, 0.83%, 0.21%

LAB 18.07, 42.07, -36.55

 

CMYK 0 / 91 / 0 / 62

HEX #620962

RGB 98 9 98

HSL 300, 0.83%, 0.21%

LAB 22.56, 46.7, -29.07

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 0 / 91 / 48 / 62

HEX #620933

RGB 98 9 51

HSL 331.69, 0.83%, 0.21%

LAB 20.17, 40.18, -0.71

 

CMYK 0 / 91 / 72 / 62

HEX #62091B

RGB 98 9 27

HSL 347.87, 0.83%, 0.21%

LAB 19.52, 38.31, 15.41

 

CMYK 0 / 91 / 23 / 91

HEX #160211

RGB 22 2 17

HSL 315, 0.83%, 0.05%

LAB 2.3, 8.68, -3.98

 

CMYK 0 / 90 / 23 / 76

HEX #3C062E

RGB 60 6 46

HSL 315.56, 0.82%, 0.13%

LAB 11.19, 29.92, -11.48

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 0 / 90 / 24 / 47

HEX #880D67

RGB 136 13 103

HSL 316.1, 0.83%, 0.29%

LAB 30.64, 54.87, -19.1

 

CMYK 0 / 91 / 25 / 32

HEX #AE1083

RGB 174 16 131

HSL 316.33, 0.83%, 0.37%

LAB 39.59, 66.14, -22.31

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 0 / 48 / 91 / 62

HEX #623309

RGB 98 51 9

HSL 28.31, 0.83%, 0.21%

LAB 26.69, 18.02, 33.29

 

CMYK 91 / 0 / 12 / 62

HEX #096256

RGB 9 98 86

HSL 171.91, 0.83%, 0.21%

LAB 36.87, -27.03, -0

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 24 / 0 / 91 / 62

HEX #4A6209

RGB 74 98 9

HSL 76.18, 0.83%, 0.21%

LAB 38.22, -21.74, 42.08

 

CMYK 91 / 24 / 0 / 62

HEX #094A62

RGB 9 74 98

HSL 196.18, 0.83%, 0.21%

LAB 29, -9.58, -19.44

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 0 / 48 / 91 / 62

HEX #623309

RGB 98 51 9

HSL 28.31, 0.83%, 0.21%

LAB 26.69, 18.02, 33.29

 

CMYK 91 / 0 / 66 / 62

HEX #096221

RGB 9 98 33

HSL 136.18, 0.83%, 0.21%

LAB 35.8, -39.03, 29.53

 

CMYK 91 / 42 / 0 / 62

HEX #093962

RGB 9 57 98

HSL 207.64, 0.83%, 0.21%

LAB 23.22, 1.61, -28.53

 

CMYK 0 / 91 / 24 / 62

HEX #62094A

RGB 98 9 74

HSL 316.18, 0.83%, 0.21%

LAB 21.16, 42.95, -15.2

 

CMYK 0 / 21 / 91 / 62

HEX #624D09

RGB 98 77 9

HSL 45.84, 0.83%, 0.21%

LAB 33.82, 1.96, 39.27

 

CMYK 91 / 0 / 66 / 62

HEX #096221

RGB 9 98 33

HSL 136.18, 0.83%, 0.21%

LAB 35.8, -39.03, 29.53

 

CMYK 91 / 69 / 0 / 62

HEX #091E62

RGB 9 30 98

HSL 225.84, 0.83%, 0.21%

LAB 14.78, 21.4, -42.2

 

Description

Color code: HEX #62094A3F | qconv.com Color code: HEX #62094A3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 9 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 9 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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