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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61FDB7 it is the complementary color #9E0248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61FDB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61FDB7 shade: #66FDB2, #77FFC5, #88FFD8, #99FFEB and #AAFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61FDB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61FDB7 shade: #61FDB7, #50EBA4, #3FD991, #2EC77E and #1DB56B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61FDB7 shade: #62FDB8, #62FD8E, #62FD64, #8AFD62 and #B4FD62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61FDB7 shade: #62FDB8, #62FDE2, #62EFFD, #62C6FD and #629CFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61FDB7 shade matches the following richer shades: #62FDB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61FDB7 shade: #62FDB8, #6FF1B7, #7CE4B5, #89D7B4 and #96CAB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61FDB7 shade: #62FD65, #62FD8E, #62FDB8, #62FDE1 and #62F1FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61FDB7 shade: #11FD93, #3AFDA5, #62FDB8, #8BFECA and #B4FEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61FDB7 shade: #61FDB7, #6289FD and #FD7A62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61FDB7 shade: #61FDB7, #B862FD and #FDB862

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61FDB7 shade: #61FDB7, #6289FD, #FD62A8 and #FDD762

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61FDB7 shade: #61FDB7, #6A62FD, #FD62A8 and #F6FD62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 28 / 1

HEX #61FDB7

RGB 97 253 183

HSL 153.08, 0.98%, 0.69%

LAB 89.96, -56.88, 21.54

 

Complementary color

CMYK 0 / 99 / 54 / 38

HEX #9E0248

RGB 158 2 72

HSL 333.08, 0.98%, 0.31%

LAB 33.52, 58.49, 5.93

 

CMYK 60 / 0 / 30 / 1

HEX #66FDB2

RGB 102 253 178

HSL 150.2, 0.97%, 0.7%

LAB 89.99, -56.93, 24.16

 

CMYK 53 / 0 / 23 / 0

HEX #77FFC5

RGB 119 255 197

HSL 154.41, 1%, 0.73%

LAB 91.45, -50.44, 16.55

 

CMYK 47 / 0 / 15 / 0

HEX #88FFD8

RGB 136 255 216

HSL 160.34, 1%, 0.77%

LAB 92.45, -42.6, 8.28

 

CMYK 40 / 0 / 8 / 0

HEX #99FFEB

RGB 153 255 235

HSL 168.24, 1%, 0.8%

LAB 93.58, -34.31, 0.19

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFE

RGB 170 255 254

HSL 179.29, 1%, 0.83%

LAB 94.83, -25.7, -7.69

 

CMYK 62 / 0 / 28 / 1

HEX #61FDB7

RGB 97 253 183

HSL 153.08, 0.98%, 0.69%

LAB 89.96, -56.88, 21.54

 

CMYK 66 / 0 / 30 / 8

HEX #50EBA4

RGB 80 235 164

HSL 152.52, 0.79%, 0.62%

LAB 83.86, -56.63, 22.82

 

CMYK 71 / 0 / 33 / 15

HEX #3FD991

RGB 63 217 145

HSL 151.95, 0.67%, 0.55%

LAB 77.71, -56.2, 24.21

 

CMYK 77 / 0 / 37 / 22

HEX #2EC77E

RGB 46 199 126

HSL 151.37, 0.62%, 0.48%

LAB 71.51, -55.5, 25.71

 

CMYK 84 / 0 / 41 / 29

HEX #1DB56B

RGB 29 181 107

HSL 150.79, 0.72%, 0.41%

LAB 65.26, -54.42, 27.35

 

CMYK 61 / 0 / 27 / 1

HEX #62FDB8

RGB 98 253 184

HSL 153.29, 0.97%, 0.69%

LAB 90, -56.5, 21.1

 

CMYK 61 / 0 / 44 / 1

HEX #62FD8E

RGB 98 253 142

HSL 137.03, 0.97%, 0.69%

LAB 89.3, -64.05, 41.17

 

CMYK 61 / 0 / 60 / 1

HEX #62FD64

RGB 98 253 100

HSL 120.77, 0.97%, 0.69%

LAB 88.81, -69.55, 59.8

 

CMYK 45 / 0 / 61 / 1

HEX #8AFD62

RGB 138 253 98

HSL 104.52, 0.97%, 0.69%

LAB 90.11, -59.71, 62.45

 

CMYK 29 / 0 / 61 / 1

HEX #B4FD62

RGB 180 253 98

HSL 88.26, 0.97%, 0.69%

LAB 92.06, -46.22, 65.16

 

CMYK 61 / 0 / 27 / 1

HEX #62FDB8

RGB 98 253 184

HSL 153.29, 0.97%, 0.69%

LAB 90, -56.5, 21.1

 

CMYK 61 / 0 / 11 / 1

HEX #62FDE2

RGB 98 253 226

HSL 169.55, 0.97%, 0.69%

LAB 90.93, -47.09, 0.77

 

CMYK 61 / 6 / 0 / 1

HEX #62EFFD

RGB 98 239 253

HSL 185.42, 0.97%, 0.69%

LAB 87.69, -33.76, -18.12

 

CMYK 61 / 22 / 0 / 1

HEX #62C6FD

RGB 98 198 253

HSL 201.29, 0.97%, 0.69%

LAB 76.12, -13.33, -35.8

 

CMYK 61 / 38 / 0 / 1

HEX #629CFD

RGB 98 156 253

HSL 217.55, 0.97%, 0.69%

LAB 64.54, 10.06, -53.96

 

CMYK 61 / 0 / 27 / 1

HEX #62FDB8

RGB 98 253 184

HSL 153.29, 0.97%, 0.69%

LAB 90, -56.5, 21.1

 

CMYK 61 / 0 / 27 / 1

HEX #62FDB8

RGB 98 253 184

HSL 153.29, 0.97%, 0.69%

LAB 90, -56.5, 21.1

 

CMYK 54 / 0 / 24 / 5

HEX #6FF1B7

RGB 111 241 183

HSL 153.23, 0.82%, 0.69%

LAB 86.85, -49.19, 17.28

 

CMYK 46 / 0 / 21 / 11

HEX #7CE4B5

RGB 124 228 181

HSL 152.88, 0.66%, 0.69%

LAB 83.5, -40.93, 13.67

 

CMYK 36 / 0 / 16 / 16

HEX #89D7B4

RGB 137 215 180

HSL 153.08, 0.49%, 0.69%

LAB 80.3, -31.68, 9.74

 

CMYK 26 / 0 / 11 / 21

HEX #96CAB3

RGB 150 202 179

HSL 153.46, 0.33%, 0.69%

LAB 77.27, -21.68, 6.02

 

CMYK 61 / 0 / 60 / 1

HEX #62FD65

RGB 98 253 101

HSL 121.16, 0.97%, 0.69%

LAB 88.82, -69.44, 59.39

 

CMYK 61 / 0 / 44 / 1

HEX #62FD8E

RGB 98 253 142

HSL 137.03, 0.97%, 0.69%

LAB 89.3, -64.05, 41.17

 

CMYK 61 / 0 / 27 / 1

HEX #62FDB8

RGB 98 253 184

HSL 153.29, 0.97%, 0.69%

LAB 90, -56.5, 21.1

 

CMYK 61 / 0 / 11 / 1

HEX #62FDE1

RGB 98 253 225

HSL 169.16, 0.97%, 0.69%

LAB 90.91, -47.33, 1.25

 

CMYK 61 / 5 / 0 / 1

HEX #62F1FD

RGB 98 241 253

HSL 184.65, 0.97%, 0.69%

LAB 88.26, -34.7, -17.27

 

CMYK 93 / 0 / 42 / 1

HEX #11FD93

RGB 17 253 147

HSL 153.05, 0.98%, 0.53%

LAB 88.2, -72.5, 37.07

 

CMYK 77 / 0 / 35 / 1

HEX #3AFDA5

RGB 58 253 165

HSL 152.92, 0.98%, 0.61%

LAB 88.86, -66.18, 29.05

 

CMYK 61 / 0 / 27 / 1

HEX #62FDB8

RGB 98 253 184

HSL 153.29, 0.97%, 0.69%

LAB 90, -56.5, 21.1

 

CMYK 45 / 0 / 20 / 0

HEX #8BFECA

RGB 139 254 202

HSL 152.87, 0.98%, 0.77%

LAB 91.97, -44.36, 14.82

 

CMYK 29 / 0 / 13 / 0

HEX #B4FEDD

RGB 180 254 221

HSL 153.24, 0.97%, 0.85%

LAB 94.23, -29.44, 8.52

 

CMYK 62 / 0 / 28 / 1

HEX #61FDB7

RGB 97 253 183

HSL 153.08, 0.98%, 0.69%

LAB 89.96, -56.88, 21.54

 

CMYK 61 / 46 / 0 / 1

HEX #6289FD

RGB 98 137 253

HSL 224.9, 0.97%, 0.69%

LAB 59.51, 21.33, -61.98

 

CMYK 0 / 52 / 61 / 1

HEX #FD7A62

RGB 253 122 98

HSL 9.29, 0.97%, 0.69%

LAB 66.28, 48.1, 36.7

 

CMYK 62 / 0 / 28 / 1

HEX #61FDB7

RGB 97 253 183

HSL 153.08, 0.98%, 0.69%

LAB 89.96, -56.88, 21.54

 

CMYK 27 / 61 / 0 / 1

HEX #B862FD

RGB 184 98 253

HSL 273.29, 0.97%, 0.69%

LAB 58.05, 61.23, -63.93

 

CMYK 0 / 27 / 61 / 1

HEX #FDB862

RGB 253 184 98

HSL 33.29, 0.97%, 0.69%

LAB 79.64, 16.33, 52.71

 

CMYK 62 / 0 / 28 / 1

HEX #61FDB7

RGB 97 253 183

HSL 153.08, 0.98%, 0.69%

LAB 89.96, -56.88, 21.54

 

CMYK 61 / 46 / 0 / 1

HEX #6289FD

RGB 98 137 253

HSL 224.9, 0.97%, 0.69%

LAB 59.51, 21.33, -61.98

 

CMYK 0 / 61 / 34 / 1

HEX #FD62A8

RGB 253 98 168

HSL 332.9, 0.97%, 0.69%

LAB 63.71, 65.22, -6.49

 

CMYK 0 / 15 / 61 / 1

HEX #FDD762

RGB 253 215 98

HSL 45.29, 0.97%, 0.69%

LAB 87.18, 0.29, 61.24

 

CMYK 62 / 0 / 28 / 1

HEX #61FDB7

RGB 97 253 183

HSL 153.08, 0.98%, 0.69%

LAB 89.96, -56.88, 21.54

 

CMYK 58 / 61 / 0 / 1

HEX #6A62FD

RGB 106 98 253

HSL 243.1, 0.97%, 0.69%

LAB 50.56, 45.96, -76.42

 

CMYK 0 / 61 / 34 / 1

HEX #FD62A8

RGB 253 98 168

HSL 332.9, 0.97%, 0.69%

LAB 63.71, 65.22, -6.49

 

CMYK 3 / 0 / 61 / 1

HEX #F6FD62

RGB 246 253 98

HSL 62.71, 0.97%, 0.69%

LAB 96.3, -21.31, 70.99

 

Description

Color code: HEX #61FDB7 | qconv.com Color code: HEX #61FDB7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 253 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 253 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 28% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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