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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61FB73 it is the complementary color #9E048C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61FB73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61FB73 shade: #66FB6E, #77FF81, #88FF94, #99FFA7 and #AAFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61FB73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61FB73 shade: #61FB73, #50E960, #3FD74D, #2EC53A and #1DB327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61FB73 shade: #60FB72, #78FB60, #A1FB60, #CBFB60 and #F5FB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61FB73 shade: #60FB72, #60FB9C, #60FBC6, #60FBEF and #60DDFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61FB73 shade matches the following richer shades: #60FB72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61FB73 shade: #60FB72, #6DEE7C, #7AE186, #87D390 and #95C69A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61FB73 shade: #A0FB60, #77FB60, #60FB72, #60FB9B and #60FBC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61FB73 shade: #0FF92B, #38FA4E, #60FB72, #88FC96 and #B0FDB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61FB73 shade: #61FB73, #60CAFB and #FB608C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61FB73 shade: #61FB73, #7260FB and #FB7260

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61FB73 shade: #61FB73, #60CAFB, #FB60E9 and #FB9160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61FB73 shade: #61FB73, #609BFB, #FB60E9 and #FBBF60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 54 / 2

HEX #61FB73

RGB 97 251 115

HSL 127.01, 0.95%, 0.68%

LAB 88.34, -67.33, 52.67

 

Complementary color

CMYK 0 / 97 / 11 / 38

HEX #9E048C

RGB 158 4 140

HSL 307.01, 0.95%, 0.32%

LAB 36.46, 65.6, -32.99

 

CMYK 59 / 0 / 56 / 2

HEX #66FB6E

RGB 102 251 110

HSL 123.22, 0.95%, 0.69%

LAB 88.42, -66.88, 55.05

 

CMYK 53 / 0 / 49 / 0

HEX #77FF81

RGB 119 255 129

HSL 124.41, 1%, 0.73%

LAB 90.33, -62.02, 48.8

 

CMYK 47 / 0 / 42 / 0

HEX #88FF94

RGB 136 255 148

HSL 126.05, 1%, 0.77%

LAB 91.19, -55.02, 40.92

 

CMYK 40 / 0 / 35 / 0

HEX #99FFA7

RGB 153 255 167

HSL 128.24, 1%, 0.8%

LAB 92.17, -47.4, 32.96

 

CMYK 33 / 0 / 27 / 0

HEX #AAFFBA

RGB 170 255 186

HSL 131.29, 1%, 0.83%

LAB 93.28, -39.28, 25.03

 

CMYK 61 / 0 / 54 / 2

HEX #61FB73

RGB 97 251 115

HSL 127.01, 0.95%, 0.68%

LAB 88.34, -67.33, 52.67

 

CMYK 66 / 0 / 59 / 9

HEX #50E960

RGB 80 233 96

HSL 126.27, 0.78%, 0.61%

LAB 82.29, -66.78, 53.93

 

CMYK 71 / 0 / 64 / 16

HEX #3FD74D

RGB 63 215 77

HSL 125.53, 0.66%, 0.55%

LAB 76.19, -65.9, 55.08

 

CMYK 77 / 0 / 71 / 23

HEX #2EC53A

RGB 46 197 58

HSL 124.77, 0.62%, 0.48%

LAB 70.05, -64.57, 55.98

 

CMYK 84 / 0 / 78 / 30

HEX #1DB327

RGB 29 179 39

HSL 124, 0.72%, 0.41%

LAB 63.87, -62.61, 56.37

 

CMYK 62 / 0 / 55 / 2

HEX #60FB72

RGB 96 251 114

HSL 126.97, 0.95%, 0.68%

LAB 88.3, -67.66, 53.08

 

CMYK 52 / 0 / 62 / 2

HEX #78FB60

RGB 120 251 96

HSL 110.71, 0.95%, 0.68%

LAB 88.84, -64.08, 61.69

 

CMYK 36 / 0 / 62 / 2

HEX #A1FB60

RGB 161 251 96

HSL 94.84, 0.95%, 0.68%

LAB 90.51, -51.99, 64.01

 

CMYK 19 / 0 / 62 / 2

HEX #CBFB60

RGB 203 251 96

HSL 78.58, 0.95%, 0.68%

LAB 92.81, -37.17, 67.18

 

CMYK 2 / 0 / 62 / 2

HEX #F5FB60

RGB 245 251 96

HSL 62.32, 0.95%, 0.68%

LAB 95.69, -20.88, 71.11

 

CMYK 62 / 0 / 55 / 2

HEX #60FB72

RGB 96 251 114

HSL 126.97, 0.95%, 0.68%

LAB 88.3, -67.66, 53.08

 

CMYK 62 / 0 / 38 / 2

HEX #60FB9C

RGB 96 251 156

HSL 143.23, 0.95%, 0.68%

LAB 88.87, -61.39, 33.7

 

CMYK 62 / 0 / 21 / 2

HEX #60FBC6

RGB 96 251 198

HSL 159.48, 0.95%, 0.68%

LAB 89.65, -53.09, 13.41

 

CMYK 62 / 0 / 5 / 2

HEX #60FBEF

RGB 96 251 239

HSL 175.35, 0.95%, 0.68%

LAB 90.65, -43.29, -6.4

 

CMYK 62 / 12 / 0 / 2

HEX #60DDFB

RGB 96 221 251

HSL 191.61, 0.95%, 0.68%

LAB 82.47, -26, -24.98

 

CMYK 62 / 0 / 55 / 2

HEX #60FB72

RGB 96 251 114

HSL 126.97, 0.95%, 0.68%

LAB 88.3, -67.66, 53.08

 

CMYK 62 / 0 / 55 / 2

HEX #60FB72

RGB 96 251 114

HSL 126.97, 0.95%, 0.68%

LAB 88.3, -67.66, 53.08

 

CMYK 54 / 0 / 48 / 7

HEX #6DEE7C

RGB 109 238 124

HSL 126.98, 0.79%, 0.68%

LAB 84.92, -58.7, 44.38

 

CMYK 46 / 0 / 40 / 12

HEX #7AE186

RGB 122 225 134

HSL 126.99, 0.63%, 0.68%

LAB 81.68, -48.68, 35.43

 

CMYK 36 / 0 / 32 / 17

HEX #87D390

RGB 135 211 144

HSL 127.11, 0.46%, 0.68%

LAB 78.32, -37.17, 25.95

 

CMYK 25 / 0 / 22 / 22

HEX #95C69A

RGB 149 198 154

HSL 126.12, 0.3%, 0.68%

LAB 75.52, -24.79, 16.95

 

CMYK 36 / 0 / 62 / 2

HEX #A0FB60

RGB 160 251 96

HSL 95.23, 0.95%, 0.68%

LAB 90.47, -52.32, 63.94

 

CMYK 53 / 0 / 62 / 2

HEX #77FB60

RGB 119 251 96

HSL 111.1, 0.95%, 0.68%

LAB 88.81, -64.34, 61.64

 

CMYK 62 / 0 / 55 / 2

HEX #60FB72

RGB 96 251 114

HSL 126.97, 0.95%, 0.68%

LAB 88.3, -67.66, 53.08

 

CMYK 62 / 0 / 38 / 2

HEX #60FB9B

RGB 96 251 155

HSL 142.84, 0.95%, 0.68%

LAB 88.85, -61.56, 34.18

 

CMYK 62 / 0 / 22 / 2

HEX #60FBC5

RGB 96 251 197

HSL 159.1, 0.95%, 0.68%

LAB 89.63, -53.31, 13.9

 

CMYK 94 / 0 / 83 / 2

HEX #0FF92B

RGB 15 249 43

HSL 127.18, 0.95%, 0.52%

LAB 86.02, -83.04, 75.93

 

CMYK 78 / 0 / 69 / 2

HEX #38FA4E

RGB 56 250 78

HSL 126.8, 0.95%, 0.6%

LAB 86.88, -77.74, 66.18

 

CMYK 62 / 0 / 55 / 2

HEX #60FB72

RGB 96 251 114

HSL 126.97, 0.95%, 0.68%

LAB 88.3, -67.66, 53.08

 

CMYK 46 / 0 / 40 / 1

HEX #88FC96

RGB 136 252 150

HSL 127.24, 0.95%, 0.76%

LAB 90.35, -53.51, 38.86

 

CMYK 30 / 0 / 27 / 1

HEX #B0FDB9

RGB 176 253 185

HSL 127.01, 0.95%, 0.84%

LAB 93.01, -36.72, 25.2

 

CMYK 61 / 0 / 54 / 2

HEX #61FB73

RGB 97 251 115

HSL 127.01, 0.95%, 0.68%

LAB 88.34, -67.33, 52.67

 

CMYK 62 / 20 / 0 / 2

HEX #60CAFB

RGB 96 202 251

HSL 198.97, 0.95%, 0.68%

LAB 77.1, -16.38, -33.22

 

CMYK 0 / 62 / 44 / 2

HEX #FB608C

RGB 251 96 140

HSL 342.97, 0.95%, 0.68%

LAB 62.31, 62.55, 7.56

 

CMYK 61 / 0 / 54 / 2

HEX #61FB73

RGB 97 251 115

HSL 127.01, 0.95%, 0.68%

LAB 88.34, -67.33, 52.67

 

CMYK 55 / 62 / 0 / 2

HEX #7260FB

RGB 114 96 251

HSL 246.97, 0.95%, 0.68%

LAB 50.58, 47.82, -75.25

 

CMYK 0 / 55 / 62 / 2

HEX #FB7260

RGB 251 114 96

HSL 6.97, 0.95%, 0.68%

LAB 64.47, 51.06, 35.49

 

CMYK 61 / 0 / 54 / 2

HEX #61FB73

RGB 97 251 115

HSL 127.01, 0.95%, 0.68%

LAB 88.34, -67.33, 52.67

 

CMYK 62 / 20 / 0 / 2

HEX #60CAFB

RGB 96 202 251

HSL 198.97, 0.95%, 0.68%

LAB 77.1, -16.38, -33.22

 

CMYK 0 / 62 / 7 / 2

HEX #FB60E9

RGB 251 96 233

HSL 306.97, 0.95%, 0.68%

LAB 65.56, 74.18, -40.38

 

CMYK 0 / 42 / 62 / 2

HEX #FB9160

RGB 251 145 96

HSL 18.97, 0.95%, 0.68%

LAB 70.6, 35.73, 42.99

 

CMYK 61 / 0 / 54 / 2

HEX #61FB73

RGB 97 251 115

HSL 127.01, 0.95%, 0.68%

LAB 88.34, -67.33, 52.67

 

CMYK 62 / 38 / 0 / 2

HEX #609BFB

RGB 96 155 251

HSL 217.16, 0.95%, 0.68%

LAB 64.08, 9.64, -53.6

 

CMYK 0 / 62 / 7 / 2

HEX #FB60E9

RGB 251 96 233

HSL 306.97, 0.95%, 0.68%

LAB 65.56, 74.18, -40.38

 

CMYK 0 / 24 / 62 / 2

HEX #FBBF60

RGB 251 191 96

HSL 36.77, 0.95%, 0.68%

LAB 81.08, 11.72, 55.25

 

Description

Color code: HEX #61FB73 | qconv.com Color code: HEX #61FB73 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 251 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 251 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 54 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 54% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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