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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61FAA2 it is the complementary color #9E055D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61FAA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61FAA2 shade: #66FA9D, #77FFB0, #88FFC3, #99FFD6 and #AAFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61FAA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61FAA2 shade: #61FAA2, #50E88F, #3FD67C, #2EC469 and #1DB256

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61FAA2 shade: #61FAA2, #61FA78, #72FA61, #9CFA61 and #C5FA61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61FAA2 shade: #61FAA2, #61FACB, #61FAF5, #61D6FA and #61ADFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61FAA2 shade matches the following richer shades: #61FAA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61FAA2 shade: #61FAA2, #6EEDA4, #7BE0A6, #88D2A8 and #96C5AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61FAA2 shade: #73FA61, #61FA78, #61FAA1, #61FACA and #61FAF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61FAA2 shade: #11F873, #39F98A, #61FAA2, #89FBB9 and #B1FDD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61FAA2 shade: #61FAA2, #619CFA and #FA6361

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61FAA2 shade: #61FAA2, #A161FA and #FAA161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61FAA2 shade: #61FAA2, #619CFA, #FA61BA and #FABF61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61FAA2 shade: #61FAA2, #616DFA, #FA61BA and #FAED61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

Complementary color

CMYK 0 / 97 / 41 / 38

HEX #9E055D

RGB 158 5 93

HSL 325.49, 0.94%, 0.32%

LAB 34.33, 59.89, -6.6

 

CMYK 59 / 0 / 37 / 2

HEX #66FA9D

RGB 102 250 157

HSL 142.3, 0.94%, 0.69%

LAB 88.75, -59.64, 33.07

 

CMYK 53 / 0 / 31 / 0

HEX #77FFB0

RGB 119 255 176

HSL 145.15, 1%, 0.73%

LAB 91.04, -54.55, 26.69

 

CMYK 47 / 0 / 24 / 0

HEX #88FFC3

RGB 136 255 195

HSL 149.75, 1%, 0.77%

LAB 92, -46.92, 18.43

 

CMYK 40 / 0 / 16 / 0

HEX #99FFD6

RGB 153 255 214

HSL 155.88, 1%, 0.8%

LAB 93.08, -38.8, 10.31

 

CMYK 33 / 0 / 9 / 0

HEX #AAFFE9

RGB 170 255 233

HSL 164.47, 1%, 0.83%

LAB 94.29, -30.3, 2.36

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 66 / 0 / 38 / 9

HEX #50E88F

RGB 80 232 143

HSL 144.87, 0.77%, 0.61%

LAB 82.59, -59.49, 31.85

 

CMYK 71 / 0 / 42 / 16

HEX #3FD67C

RGB 63 214 124

HSL 144.24, 0.65%, 0.54%

LAB 76.44, -59.02, 33.31

 

CMYK 77 / 0 / 46 / 23

HEX #2EC469

RGB 46 196 105

HSL 143.6, 0.62%, 0.47%

LAB 70.23, -58.24, 34.87

 

CMYK 84 / 0 / 52 / 30

HEX #1DB256

RGB 29 178 86

HSL 142.95, 0.72%, 0.41%

LAB 63.98, -57.03, 36.53

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 61 / 0 / 52 / 2

HEX #61FA78

RGB 97 250 120

HSL 129.02, 0.94%, 0.68%

LAB 88.1, -66.34, 50.1

 

CMYK 54 / 0 / 61 / 2

HEX #72FA61

RGB 114 250 97

HSL 113.33, 0.94%, 0.68%

LAB 88.36, -65.14, 60.67

 

CMYK 38 / 0 / 61 / 2

HEX #9CFA61

RGB 156 250 97

HSL 96.86, 0.94%, 0.68%

LAB 90, -53.12, 62.96

 

CMYK 21 / 0 / 61 / 2

HEX #C5FA61

RGB 197 250 97

HSL 80.78, 0.94%, 0.68%

LAB 92.18, -38.88, 65.98

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 61 / 0 / 19 / 2

HEX #61FACB

RGB 97 250 203

HSL 161.57, 0.94%, 0.68%

LAB 89.5, -51.39, 10.61

 

CMYK 61 / 0 / 2 / 2

HEX #61FAF5

RGB 97 250 245

HSL 178.04, 0.94%, 0.68%

LAB 90.55, -41.12, -9.66

 

CMYK 61 / 14 / 0 / 2

HEX #61D6FA

RGB 97 214 250

HSL 194.12, 0.94%, 0.68%

LAB 80.48, -22.64, -27.48

 

CMYK 61 / 31 / 0 / 2

HEX #61ADFA

RGB 97 173 250

HSL 210.2, 0.94%, 0.68%

LAB 68.99, -0.83, -45.3

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 54 / 0 / 31 / 7

HEX #6EEDA4

RGB 110 237 164

HSL 145.51, 0.78%, 0.68%

LAB 85.28, -51.5, 24.9

 

CMYK 45 / 0 / 26 / 12

HEX #7BE0A6

RGB 123 224 166

HSL 145.54, 0.62%, 0.68%

LAB 81.99, -42.41, 19.41

 

CMYK 35 / 0 / 20 / 18

HEX #88D2A8

RGB 136 210 168

HSL 145.95, 0.45%, 0.68%

LAB 78.55, -32.02, 13.63

 

CMYK 24 / 0 / 14 / 23

HEX #96C5AA

RGB 150 197 170

HSL 145.53, 0.29%, 0.68%

LAB 75.65, -20.97, 8.54

 

CMYK 54 / 0 / 61 / 2

HEX #73FA61

RGB 115 250 97

HSL 112.94, 0.94%, 0.68%

LAB 88.39, -64.89, 60.72

 

CMYK 61 / 0 / 52 / 2

HEX #61FA78

RGB 97 250 120

HSL 129.02, 0.94%, 0.68%

LAB 88.1, -66.34, 50.1

 

CMYK 61 / 0 / 36 / 2

HEX #61FAA1

RGB 97 250 161

HSL 145.1, 0.94%, 0.68%

LAB 88.68, -59.93, 30.95

 

CMYK 61 / 0 / 19 / 2

HEX #61FACA

RGB 97 250 202

HSL 161.18, 0.94%, 0.68%

LAB 89.48, -51.61, 11.1

 

CMYK 61 / 0 / 3 / 2

HEX #61FAF2

RGB 97 250 242

HSL 176.86, 0.94%, 0.68%

LAB 90.47, -41.91, -8.22

 

CMYK 93 / 0 / 54 / 3

HEX #11F873

RGB 17 248 115

HSL 145.45, 0.94%, 0.52%

LAB 86.25, -76.01, 49.88

 

CMYK 77 / 0 / 45 / 2

HEX #39F98A

RGB 57 249 138

HSL 145.31, 0.94%, 0.6%

LAB 87.22, -69.75, 40.28

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 45 / 0 / 26 / 2

HEX #89FBB9

RGB 137 251 185

HSL 145.26, 0.93%, 0.76%

LAB 90.7, -46.88, 21.74

 

CMYK 30 / 0 / 17 / 1

HEX #B1FDD1

RGB 177 253 209

HSL 145.26, 0.95%, 0.84%

LAB 93.54, -32.16, 13.68

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 61 / 38 / 0 / 2

HEX #619CFA

RGB 97 156 250

HSL 216.86, 0.94%, 0.68%

LAB 64.34, 8.9, -52.63

 

CMYK 0 / 60 / 61 / 2

HEX #FA6361

RGB 250 99 97

HSL 0.78, 0.94%, 0.68%

LAB 61.75, 57.56, 31.46

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 36 / 61 / 0 / 2

HEX #A161FA

RGB 161 97 250

HSL 265.1, 0.94%, 0.68%

LAB 55.1, 56.05, -67.16

 

CMYK 0 / 36 / 61 / 2

HEX #FAA161

RGB 250 161 97

HSL 25.1, 0.94%, 0.68%

LAB 73.98, 27.09, 46.49

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 61 / 38 / 0 / 2

HEX #619CFA

RGB 97 156 250

HSL 216.86, 0.94%, 0.68%

LAB 64.34, 8.9, -52.63

 

CMYK 0 / 61 / 26 / 2

HEX #FA61BA

RGB 250 97 186

HSL 325.1, 0.94%, 0.68%

LAB 63.69, 66.93, -16.85

 

CMYK 0 / 24 / 61 / 2

HEX #FABF61

RGB 250 191 97

HSL 36.86, 0.94%, 0.68%

LAB 80.99, 11.37, 54.65

 

CMYK 61 / 0 / 35 / 2

HEX #61FAA2

RGB 97 250 162

HSL 145.49, 0.94%, 0.68%

LAB 88.7, -59.75, 30.47

 

CMYK 61 / 56 / 0 / 2

HEX #616DFA

RGB 97 109 250

HSL 235.29, 0.94%, 0.68%

LAB 52.27, 37.07, -72.01

 

CMYK 0 / 61 / 26 / 2

HEX #FA61BA

RGB 250 97 186

HSL 325.1, 0.94%, 0.68%

LAB 63.69, 66.93, -16.85

 

CMYK 0 / 5 / 61 / 2

HEX #FAED61

RGB 250 237 97

HSL 54.9, 0.94%, 0.68%

LAB 92.47, -12.02, 67.38

 

Description

Color code: HEX #61FAA2 | qconv.com Color code: HEX #61FAA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 250 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 250 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 35 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 35% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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