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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61F857 it is the complementary color #9E07A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61F857. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61F857 shade: #66F852, #77FF65, #88FF78, #99FF8B and #AAFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61F857. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61F857 shade: #61F857, #50E644, #3FD431, #2EC21E and #1DB00B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61F857 shade: #62F859, #8DF859, #B8F859, #E4F859 and #F8E259

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61F857 shade: #62F859, #59F87A, #59F8A5, #59F8D0 and #59F5F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61F857 shade matches the following richer shades: #62F859

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61F857 shade: #62F859, #6FEA67, #7BDC75, #87CE83 and #94C091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61F857 shade: #B8F859, #8EF859, #63F859, #59F878 and #59F8A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61F857 shade: #19F40A, #3DF631, #62F859, #88FA80 and #ADFBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61F857 shade: #61F857, #59E3F8 and #F859A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61F857 shade: #61F857, #5963F8 and #F85963

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61F857 shade: #61F857, #59E3F8, #ED59F8 and #F86E59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61F857 shade: #61F857, #59B3F8, #ED59F8 and #F89E59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 65 / 3

HEX #61F857

RGB 97 248 87

HSL 116.27, 0.92%, 0.66%

LAB 87.18, -69.35, 63.3

 

Complementary color

CMYK 6 / 96 / 0 / 34

HEX #9E07A8

RGB 158 7 168

HSL 296.27, 0.92%, 0.34%

LAB 38.28, 69.46, -47.1

 

CMYK 59 / 0 / 67 / 3

HEX #66F852

RGB 102 248 82

HSL 112.77, 0.92%, 0.65%

LAB 87.28, -68.69, 65.39

 

CMYK 53 / 0 / 60 / 0

HEX #77FF65

RGB 119 255 101

HSL 112.99, 1%, 0.7%

LAB 90.04, -65.3, 60.93

 

CMYK 47 / 0 / 53 / 0

HEX #88FF78

RGB 136 255 120

HSL 112.89, 1%, 0.74%

LAB 90.83, -58.73, 53.69

 

CMYK 40 / 0 / 45 / 0

HEX #99FF8B

RGB 153 255 139

HSL 112.76, 1%, 0.77%

LAB 91.75, -51.48, 46.12

 

CMYK 33 / 0 / 38 / 0

HEX #AAFF9E

RGB 170 255 158

HSL 112.58, 1%, 0.81%

LAB 92.81, -43.67, 38.41

 

CMYK 61 / 0 / 65 / 3

HEX #61F857

RGB 97 248 87

HSL 116.27, 0.92%, 0.66%

LAB 87.18, -69.35, 63.3

 

CMYK 65 / 0 / 70 / 10

HEX #50E644

RGB 80 230 68

HSL 115.56, 0.76%, 0.58%

LAB 81.14, -68.52, 63.99

 

CMYK 70 / 0 / 77 / 17

HEX #3FD431

RGB 63 212 49

HSL 114.85, 0.65%, 0.51%

LAB 75.05, -67.29, 64.23

 

CMYK 76 / 0 / 85 / 24

HEX #2EC21E

RGB 46 194 30

HSL 114.15, 0.73%, 0.44%

LAB 68.94, -65.52, 63.68

 

CMYK 84 / 0 / 94 / 31

HEX #1DB00B

RGB 29 176 11

HSL 113.45, 0.88%, 0.37%

LAB 62.79, -63.01, 61.84

 

CMYK 60 / 0 / 64 / 3

HEX #62F859

RGB 98 248 89

HSL 116.6, 0.92%, 0.66%

LAB 87.22, -68.94, 62.56

 

CMYK 43 / 0 / 64 / 3

HEX #8DF859

RGB 141 248 89

HSL 100.38, 0.92%, 0.66%

LAB 88.69, -57.7, 64.59

 

CMYK 26 / 0 / 64 / 3

HEX #B8F859

RGB 184 248 89

HSL 84.15, 0.92%, 0.66%

LAB 90.8, -43.35, 67.48

 

CMYK 8 / 0 / 64 / 3

HEX #E4F859

RGB 228 248 89

HSL 67.55, 0.92%, 0.66%

LAB 93.6, -26.63, 71.29

 

CMYK 0 / 9 / 64 / 3

HEX #F8E259

RGB 248 226 89

HSL 51.7, 0.92%, 0.66%

LAB 89.43, -7.87, 67.38

 

CMYK 60 / 0 / 64 / 3

HEX #62F859

RGB 98 248 89

HSL 116.6, 0.92%, 0.66%

LAB 87.22, -68.94, 62.56

 

CMYK 64 / 0 / 51 / 3

HEX #59F87A

RGB 89 248 122

HSL 132.45, 0.92%, 0.66%

LAB 87.32, -66.95, 48.17

 

CMYK 64 / 0 / 33 / 3

HEX #59F8A5

RGB 89 248 165

HSL 148.68, 0.92%, 0.66%

LAB 87.96, -59.9, 27.93

 

CMYK 64 / 0 / 16 / 3

HEX #59F8D0

RGB 89 248 208

HSL 164.91, 0.92%, 0.66%

LAB 88.83, -50.75, 7.04

 

CMYK 64 / 1 / 0 / 3

HEX #59F5F8

RGB 89 245 248

HSL 181.13, 0.92%, 0.66%

LAB 89.02, -39.28, -13.53

 

CMYK 60 / 0 / 64 / 3

HEX #62F859

RGB 98 248 89

HSL 116.6, 0.92%, 0.66%

LAB 87.22, -68.94, 62.56

 

CMYK 60 / 0 / 64 / 3

HEX #62F859

RGB 98 248 89

HSL 116.6, 0.92%, 0.66%

LAB 87.22, -68.94, 62.56

 

CMYK 53 / 0 / 56 / 8

HEX #6FEA67

RGB 111 234 103

HSL 116.34, 0.76%, 0.66%

LAB 83.55, -59.38, 52.52

 

CMYK 44 / 0 / 47 / 14

HEX #7BDC75

RGB 123 220 117

HSL 116.5, 0.6%, 0.66%

LAB 80, -48.8, 41.72

 

CMYK 34 / 0 / 36 / 19

HEX #87CE83

RGB 135 206 131

HSL 116.8, 0.43%, 0.66%

LAB 76.64, -37, 30.46

 

CMYK 23 / 0 / 24 / 25

HEX #94C091

RGB 148 192 145

HSL 116.17, 0.27%, 0.66%

LAB 73.57, -23.74, 19.06

 

CMYK 26 / 0 / 64 / 3

HEX #B8F859

RGB 184 248 89

HSL 84.15, 0.92%, 0.66%

LAB 90.8, -43.35, 67.48

 

CMYK 43 / 0 / 64 / 3

HEX #8EF859

RGB 142 248 89

HSL 100, 0.92%, 0.66%

LAB 88.74, -57.4, 64.65

 

CMYK 60 / 0 / 64 / 3

HEX #63F859

RGB 99 248 89

HSL 116.23, 0.92%, 0.66%

LAB 87.25, -68.73, 62.59

 

CMYK 64 / 0 / 52 / 3

HEX #59F878

RGB 89 248 120

HSL 131.7, 0.92%, 0.66%

LAB 87.3, -67.22, 49.07

 

CMYK 64 / 0 / 34 / 3

HEX #59F8A3

RGB 89 248 163

HSL 147.92, 0.92%, 0.66%

LAB 87.92, -60.28, 28.89

 

CMYK 90 / 0 / 96 / 4

HEX #19F40A

RGB 25 244 10

HSL 116.15, 0.92%, 0.5%

LAB 84.45, -82.23, 79.78

 

CMYK 75 / 0 / 80 / 4

HEX #3DF631

RGB 61 246 49

HSL 116.35, 0.92%, 0.58%

LAB 85.57, -77.93, 74.18

 

CMYK 60 / 0 / 64 / 3

HEX #62F859

RGB 98 248 89

HSL 116.6, 0.92%, 0.66%

LAB 87.22, -68.94, 62.56

 

CMYK 46 / 0 / 49 / 2

HEX #88FA80

RGB 136 250 128

HSL 116.07, 0.92%, 0.74%

LAB 89.47, -55.79, 48.34

 

CMYK 31 / 0 / 33 / 2

HEX #ADFBA8

RGB 173 251 168

HSL 116.39, 0.91%, 0.82%

LAB 92, -39.48, 32.4

 

CMYK 61 / 0 / 65 / 3

HEX #61F857

RGB 97 248 87

HSL 116.27, 0.92%, 0.66%

LAB 87.18, -69.35, 63.3

 

CMYK 64 / 8 / 0 / 3

HEX #59E3F8

RGB 89 227 248

HSL 187.92, 0.92%, 0.66%

LAB 83.88, -30.89, -21.27

 

CMYK 0 / 64 / 34 / 3

HEX #F859A3

RGB 248 89 163

HSL 332.08, 0.92%, 0.66%

LAB 61.43, 66.86, -7.08

 

CMYK 61 / 0 / 65 / 3

HEX #61F857

RGB 97 248 87

HSL 116.27, 0.92%, 0.66%

LAB 87.18, -69.35, 63.3

 

CMYK 64 / 60 / 0 / 3

HEX #5963F8

RGB 89 99 248

HSL 236.23, 0.92%, 0.66%

LAB 49.28, 41.19, -75.77

 

CMYK 0 / 64 / 60 / 3

HEX #F85963

RGB 248 89 99

HSL 356.23, 0.92%, 0.66%

LAB 59.89, 61.24, 27.87

 

CMYK 61 / 0 / 65 / 3

HEX #61F857

RGB 97 248 87

HSL 116.27, 0.92%, 0.66%

LAB 87.18, -69.35, 63.3

 

CMYK 64 / 8 / 0 / 3

HEX #59E3F8

RGB 89 227 248

HSL 187.92, 0.92%, 0.66%

LAB 83.88, -30.89, -21.27

 

CMYK 4 / 64 / 0 / 3

HEX #ED59F8

RGB 237 89 248

HSL 295.85, 0.92%, 0.66%

LAB 63.28, 76.03, -52.42

 

CMYK 0 / 56 / 64 / 3

HEX #F86E59

RGB 248 110 89

HSL 7.92, 0.92%, 0.66%

LAB 63.2, 51.43, 37.66

 

CMYK 61 / 0 / 65 / 3

HEX #61F857

RGB 97 248 87

HSL 116.27, 0.92%, 0.66%

LAB 87.18, -69.35, 63.3

 

CMYK 64 / 28 / 0 / 3

HEX #59B3F8

RGB 89 179 248

HSL 206.04, 0.92%, 0.66%

LAB 70.27, -6.19, -42.22

 

CMYK 4 / 64 / 0 / 3

HEX #ED59F8

RGB 237 89 248

HSL 295.85, 0.92%, 0.66%

LAB 63.28, 76.03, -52.42

 

CMYK 0 / 36 / 64 / 3

HEX #F89E59

RGB 248 158 89

HSL 26.04, 0.92%, 0.66%

LAB 72.98, 27.35, 49.25

 

Description

Color code: HEX #61F857 | qconv.com Color code: HEX #61F857 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 248 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 248 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 65 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 65% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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