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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61F557 it is the complementary color #9E0AA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61F557. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61F557 shade: #66F552, #77FF65, #88FF78, #99FF8B and #AAFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61F557. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61F557 shade: #61F557, #50E344, #3FD131, #2EBF1E and #1DAD0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61F557 shade: #60F556, #8BF556, #B6F556, #E1F556 and #F5DF56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61F557 shade: #60F556, #56F577, #56F5A2, #56F5CD and #56F3F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61F557 shade matches the following richer shades: #60F556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61F557 shade: #60F556, #6DE765, #7AD873, #86CA82 and #93BB90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61F557 shade: #B6F556, #8BF556, #61F556, #56F576 and #56F5A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61F557 shade: #1CEB0E, #3CF32F, #60F556, #85F77D and #AAFAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61F557 shade: #61F557, #56E0F5 and #F556A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61F557 shade: #61F557, #5661F5 and #F55661

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61F557 shade: #61F557, #56E0F5, #EB56F5 and #F56B56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61F557 shade: #61F557, #56B0F5, #EB56F5 and #F59B56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 64 / 4

HEX #61F557

RGB 97 245 87

HSL 116.2, 0.89%, 0.65%

LAB 86.27, -68.33, 62.31

 

Complementary color

CMYK 6 / 94 / 0 / 34

HEX #9E0AA8

RGB 158 10 168

HSL 296.2, 0.89%, 0.35%

LAB 38.4, 69.12, -46.91

 

CMYK 58 / 0 / 67 / 4

HEX #66F552

RGB 102 245 82

HSL 112.64, 0.89%, 0.64%

LAB 86.37, -67.66, 64.43

 

CMYK 53 / 0 / 60 / 0

HEX #77FF65

RGB 119 255 101

HSL 112.99, 1%, 0.7%

LAB 90.04, -65.3, 60.93

 

CMYK 47 / 0 / 53 / 0

HEX #88FF78

RGB 136 255 120

HSL 112.89, 1%, 0.74%

LAB 90.83, -58.73, 53.69

 

CMYK 40 / 0 / 45 / 0

HEX #99FF8B

RGB 153 255 139

HSL 112.76, 1%, 0.77%

LAB 91.75, -51.48, 46.12

 

CMYK 33 / 0 / 38 / 0

HEX #AAFF9E

RGB 170 255 158

HSL 112.58, 1%, 0.81%

LAB 92.81, -43.67, 38.41

 

CMYK 60 / 0 / 64 / 4

HEX #61F557

RGB 97 245 87

HSL 116.2, 0.89%, 0.65%

LAB 86.27, -68.33, 62.31

 

CMYK 65 / 0 / 70 / 11

HEX #50E344

RGB 80 227 68

HSL 115.47, 0.74%, 0.58%

LAB 80.21, -67.53, 63.04

 

CMYK 70 / 0 / 77 / 18

HEX #3FD131

RGB 63 209 49

HSL 114.75, 0.63%, 0.51%

LAB 74.11, -66.34, 63.32

 

CMYK 76 / 0 / 84 / 25

HEX #2EBF1E

RGB 46 191 30

HSL 114.04, 0.73%, 0.43%

LAB 67.97, -64.6, 62.81

 

CMYK 83 / 0 / 94 / 32

HEX #1DAD0B

RGB 29 173 11

HSL 113.33, 0.88%, 0.36%

LAB 61.8, -62.12, 61.01

 

CMYK 61 / 0 / 65 / 4

HEX #60F556

RGB 96 245 86

HSL 116.23, 0.89%, 0.65%

LAB 86.24, -68.64, 62.67

 

CMYK 43 / 0 / 65 / 4

HEX #8BF556

RGB 139 245 86

HSL 100, 0.89%, 0.65%

LAB 87.71, -57.39, 64.69

 

CMYK 26 / 0 / 65 / 4

HEX #B6F556

RGB 182 245 86

HSL 83.77, 0.89%, 0.65%

LAB 89.82, -42.98, 67.58

 

CMYK 8 / 0 / 65 / 4

HEX #E1F556

RGB 225 245 86

HSL 67.55, 0.89%, 0.65%

LAB 92.57, -26.58, 71.3

 

CMYK 0 / 9 / 65 / 4

HEX #F5DF56

RGB 245 223 86

HSL 51.7, 0.89%, 0.65%

LAB 88.38, -7.77, 67.42

 

CMYK 61 / 0 / 65 / 4

HEX #60F556

RGB 96 245 86

HSL 116.23, 0.89%, 0.65%

LAB 86.24, -68.64, 62.67

 

CMYK 65 / 0 / 51 / 4

HEX #56F577

RGB 86 245 119

HSL 132.45, 0.89%, 0.65%

LAB 86.31, -66.87, 48.32

 

CMYK 65 / 0 / 34 / 4

HEX #56F5A2

RGB 86 245 162

HSL 148.68, 0.89%, 0.65%

LAB 86.94, -59.85, 28.07

 

CMYK 65 / 0 / 16 / 4

HEX #56F5CD

RGB 86 245 205

HSL 164.91, 0.89%, 0.65%

LAB 87.82, -50.69, 7.14

 

CMYK 65 / 1 / 0 / 4

HEX #56F3F5

RGB 86 243 245

HSL 180.75, 0.89%, 0.65%

LAB 88.29, -39.62, -13.06

 

CMYK 61 / 0 / 65 / 4

HEX #60F556

RGB 96 245 86

HSL 116.23, 0.89%, 0.65%

LAB 86.24, -68.64, 62.67

 

CMYK 61 / 0 / 65 / 4

HEX #60F556

RGB 96 245 86

HSL 116.23, 0.89%, 0.65%

LAB 86.24, -68.64, 62.67

 

CMYK 53 / 0 / 56 / 9

HEX #6DE765

RGB 109 231 101

HSL 116.31, 0.73%, 0.65%

LAB 82.56, -59, 52.24

 

CMYK 44 / 0 / 47 / 15

HEX #7AD873

RGB 122 216 115

HSL 115.84, 0.56%, 0.65%

LAB 78.74, -47.71, 41.12

 

CMYK 34 / 0 / 36 / 21

HEX #86CA82

RGB 134 202 130

HSL 116.67, 0.4%, 0.65%

LAB 75.4, -35.66, 29.33

 

CMYK 21 / 0 / 23 / 27

HEX #93BB90

RGB 147 187 144

HSL 115.81, 0.24%, 0.65%

LAB 72.07, -21.77, 17.5

 

CMYK 26 / 0 / 65 / 4

HEX #B6F556

RGB 182 245 86

HSL 83.77, 0.89%, 0.65%

LAB 89.82, -42.98, 67.58

 

CMYK 43 / 0 / 65 / 4

HEX #8BF556

RGB 139 245 86

HSL 100, 0.89%, 0.65%

LAB 87.71, -57.39, 64.69

 

CMYK 60 / 0 / 65 / 4

HEX #61F556

RGB 97 245 86

HSL 115.85, 0.89%, 0.65%

LAB 86.26, -68.42, 62.7

 

CMYK 65 / 0 / 52 / 4

HEX #56F576

RGB 86 245 118

HSL 132.08, 0.89%, 0.65%

LAB 86.3, -67.01, 48.77

 

CMYK 65 / 0 / 35 / 4

HEX #56F5A0

RGB 86 245 160

HSL 147.92, 0.89%, 0.65%

LAB 86.91, -60.23, 29.03

 

CMYK 88 / 0 / 94 / 8

HEX #1CEB0E

RGB 28 235 14

HSL 116.2, 0.89%, 0.49%

LAB 81.67, -79.56, 77.15

 

CMYK 75 / 0 / 81 / 5

HEX #3CF32F

RGB 60 243 47

HSL 116.02, 0.89%, 0.57%

LAB 84.62, -77.3, 73.82

 

CMYK 61 / 0 / 65 / 4

HEX #60F556

RGB 96 245 86

HSL 116.23, 0.89%, 0.65%

LAB 86.24, -68.64, 62.67

 

CMYK 46 / 0 / 49 / 3

HEX #85F77D

RGB 133 247 125

HSL 116.07, 0.88%, 0.73%

LAB 88.44, -55.82, 48.46

 

CMYK 32 / 0 / 34 / 2

HEX #AAFAA4

RGB 170 250 164

HSL 115.81, 0.9%, 0.81%

LAB 91.5, -40.59, 33.71

 

CMYK 60 / 0 / 64 / 4

HEX #61F557

RGB 97 245 87

HSL 116.2, 0.89%, 0.65%

LAB 86.27, -68.33, 62.31

 

CMYK 65 / 9 / 0 / 4

HEX #56E0F5

RGB 86 224 245

HSL 187.92, 0.89%, 0.65%

LAB 82.85, -30.76, -21.25

 

CMYK 0 / 65 / 35 / 4

HEX #F556A0

RGB 245 86 160

HSL 332.08, 0.89%, 0.65%

LAB 60.43, 66.86, -6.88

 

CMYK 60 / 0 / 64 / 4

HEX #61F557

RGB 97 245 87

HSL 116.2, 0.89%, 0.65%

LAB 86.27, -68.33, 62.31

 

CMYK 65 / 60 / 0 / 4

HEX #5661F5

RGB 86 97 245

HSL 235.85, 0.89%, 0.65%

LAB 48.41, 40.98, -75.52

 

CMYK 0 / 65 / 60 / 4

HEX #F55661

RGB 245 86 97

HSL 355.85, 0.89%, 0.65%

LAB 58.91, 61.37, 27.65

 

CMYK 60 / 0 / 64 / 4

HEX #61F557

RGB 97 245 87

HSL 116.2, 0.89%, 0.65%

LAB 86.27, -68.33, 62.31

 

CMYK 65 / 9 / 0 / 4

HEX #56E0F5

RGB 86 224 245

HSL 187.92, 0.89%, 0.65%

LAB 82.85, -30.76, -21.25

 

CMYK 4 / 65 / 0 / 4

HEX #EB56F5

RGB 235 86 245

HSL 296.23, 0.89%, 0.65%

LAB 62.43, 76.23, -52.12

 

CMYK 0 / 56 / 65 / 4

HEX #F56B56

RGB 245 107 86

HSL 7.92, 0.89%, 0.65%

LAB 62.17, 51.59, 37.93

 

CMYK 60 / 0 / 64 / 4

HEX #61F557

RGB 97 245 87

HSL 116.2, 0.89%, 0.65%

LAB 86.27, -68.33, 62.31

 

CMYK 65 / 28 / 0 / 4

HEX #56B0F5

RGB 86 176 245

HSL 206.04, 0.89%, 0.65%

LAB 69.2, -6, -42.28

 

CMYK 4 / 65 / 0 / 4

HEX #EB56F5

RGB 235 86 245

HSL 296.23, 0.89%, 0.65%

LAB 62.43, 76.23, -52.12

 

CMYK 0 / 37 / 65 / 4

HEX #F59B56

RGB 245 155 86

HSL 26.04, 0.89%, 0.65%

LAB 71.91, 27.52, 49.4

 

Description

Color code: HEX #61F557 | qconv.com Color code: HEX #61F557 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 245 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 245 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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