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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61F544 it is the complementary color #9E0ABB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61F544. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61F544 shade: #66F53F, #77FF52, #88FF65, #99FF78 and #AAFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61F544. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61F544 shade: #61F544, #50E331, #3FD11E, #2EBF0B and #1DAD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61F544 shade: #5FF542, #90F542, #C0F542, #F0F542 and #F5CA42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61F544 shade: #5FF542, #42F555, #42F585, #42F5B6 and #42F5E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61F544 shade matches the following richer shades: #5FF542

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61F544 shade: #5FF542, #6AE552, #75D562, #80C572 and #8BB582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61F544 shade: #BFF542, #90F542, #60F542, #42F554 and #42F584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61F544 shade: #2DD90B, #3EF31B, #5FF542, #80F769 and #A2F990

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61F544 shade: #61F544, #42EFF5 and #F542A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61F544 shade: #61F544, #4260F5 and #F54260

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61F544 shade: #61F544, #42EFF5, #D742F5 and #F54842

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61F544 shade: #61F544, #42B9F5, #D742F5 and #F57E42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 72 / 4

HEX #61F544

RGB 97 245 68

HSL 110.17, 0.9%, 0.61%

LAB 86.14, -69.9, 69.24

 

Complementary color

CMYK 16 / 95 / 0 / 27

HEX #9E0ABB

RGB 158 10 187

HSL 290.17, 0.9%, 0.39%

LAB 39.7, 72.28, -56.1

 

CMYK 58 / 0 / 74 / 4

HEX #66F53F

RGB 102 245 63

HSL 107.14, 0.9%, 0.6%

LAB 86.25, -69.1, 71.05

 

CMYK 53 / 0 / 68 / 0

HEX #77FF52

RGB 119 255 82

HSL 107.17, 1%, 0.66%

LAB 89.88, -67.01, 68.31

 

CMYK 47 / 0 / 60 / 0

HEX #88FF65

RGB 136 255 101

HSL 106.36, 1%, 0.7%

LAB 90.64, -60.76, 61.78

 

CMYK 40 / 0 / 53 / 0

HEX #99FF78

RGB 153 255 120

HSL 105.33, 1%, 0.74%

LAB 91.53, -53.79, 54.69

 

CMYK 33 / 0 / 45 / 0

HEX #AAFF8B

RGB 170 255 139

HSL 103.97, 1%, 0.77%

LAB 92.54, -46.22, 47.28

 

CMYK 60 / 0 / 72 / 4

HEX #61F544

RGB 97 245 68

HSL 110.17, 0.9%, 0.61%

LAB 86.14, -69.9, 69.24

 

CMYK 65 / 0 / 78 / 11

HEX #50E331

RGB 80 227 49

HSL 109.55, 0.76%, 0.54%

LAB 80.1, -68.84, 69.2

 

CMYK 70 / 0 / 86 / 18

HEX #3FD11E

RGB 63 209 30

HSL 108.94, 0.75%, 0.47%

LAB 74.03, -67.34, 68.33

 

CMYK 76 / 0 / 94 / 25

HEX #2EBF0B

RGB 46 191 11

HSL 108.33, 0.89%, 0.4%

LAB 67.92, -65.24, 66.2

 

CMYK 83 / 0 / 100 / 32

HEX #1DAD00

RGB 29 173 0

HSL 109.94, 1%, 0.34%

LAB 61.78, -62.39, 62.46

 

CMYK 61 / 0 / 73 / 4

HEX #5FF542

RGB 95 245 66

HSL 110.28, 0.9%, 0.61%

LAB 86.07, -70.48, 69.83

 

CMYK 41 / 0 / 73 / 4

HEX #90F542

RGB 144 245 66

HSL 93.85, 0.9%, 0.61%

LAB 87.79, -57.27, 72.1

 

CMYK 22 / 0 / 73 / 4

HEX #C0F542

RGB 192 245 66

HSL 77.77, 0.9%, 0.61%

LAB 90.28, -40.49, 75.37

 

CMYK 2 / 0 / 73 / 4

HEX #F0F542

RGB 240 245 66

HSL 61.68, 0.9%, 0.61%

LAB 93.55, -21.58, 79.63

 

CMYK 0 / 18 / 73 / 4

HEX #F5CA42

RGB 245 202 66

HSL 45.59, 0.9%, 0.61%

LAB 82.94, 1.89, 69.68

 

CMYK 61 / 0 / 73 / 4

HEX #5FF542

RGB 95 245 66

HSL 110.28, 0.9%, 0.61%

LAB 86.07, -70.48, 69.83

 

CMYK 73 / 0 / 65 / 4

HEX #42F555

RGB 66 245 85

HSL 126.37, 0.9%, 0.61%

LAB 85.56, -74.22, 62.14

 

CMYK 73 / 0 / 46 / 4

HEX #42F585

RGB 66 245 133

HSL 142.46, 0.9%, 0.61%

LAB 86.08, -68.05, 41.28

 

CMYK 73 / 0 / 26 / 4

HEX #42F5B6

RGB 66 245 182

HSL 158.88, 0.9%, 0.61%

LAB 86.92, -58.76, 17.73

 

CMYK 73 / 0 / 6 / 4

HEX #42F5E6

RGB 66 245 230

HSL 174.97, 0.9%, 0.61%

LAB 88.05, -47.09, -5.62

 

CMYK 61 / 0 / 73 / 4

HEX #5FF542

RGB 95 245 66

HSL 110.28, 0.9%, 0.61%

LAB 86.07, -70.48, 69.83

 

CMYK 61 / 0 / 73 / 4

HEX #5FF542

RGB 95 245 66

HSL 110.28, 0.9%, 0.61%

LAB 86.07, -70.48, 69.83

 

CMYK 54 / 0 / 64 / 10

HEX #6AE552

RGB 106 229 82

HSL 110.2, 0.74%, 0.61%

LAB 81.68, -61.01, 59.39

 

CMYK 45 / 0 / 54 / 16

HEX #75D562

RGB 117 213 98

HSL 110.09, 0.58%, 0.61%

LAB 77.43, -50.11, 47.62

 

CMYK 35 / 0 / 42 / 23

HEX #80C572

RGB 128 197 114

HSL 109.88, 0.42%, 0.61%

LAB 73.37, -37.74, 34.87

 

CMYK 23 / 0 / 28 / 29

HEX #8BB582

RGB 139 181 130

HSL 109.41, 0.26%, 0.61%

LAB 69.58, -23.94, 21.55

 

CMYK 22 / 0 / 73 / 4

HEX #BFF542

RGB 191 245 66

HSL 78.1, 0.9%, 0.61%

LAB 90.22, -40.87, 75.3

 

CMYK 41 / 0 / 73 / 4

HEX #90F542

RGB 144 245 66

HSL 93.85, 0.9%, 0.61%

LAB 87.79, -57.27, 72.1

 

CMYK 61 / 0 / 73 / 4

HEX #60F542

RGB 96 245 66

HSL 109.94, 0.9%, 0.61%

LAB 86.1, -70.26, 69.86

 

CMYK 73 / 0 / 66 / 4

HEX #42F554

RGB 66 245 84

HSL 126.03, 0.9%, 0.61%

LAB 85.56, -74.31, 62.52

 

CMYK 73 / 0 / 46 / 4

HEX #42F584

RGB 66 245 132

HSL 142.12, 0.9%, 0.61%

LAB 86.07, -68.21, 41.75

 

CMYK 79 / 0 / 95 / 15

HEX #2DD90B

RGB 45 217 11

HSL 110.1, 0.9%, 0.45%

LAB 76.2, -73.01, 73.02

 

CMYK 74 / 0 / 89 / 5

HEX #3EF31B

RGB 62 243 27

HSL 110.28, 0.9%, 0.53%

LAB 84.59, -77.82, 78.03

 

CMYK 61 / 0 / 73 / 4

HEX #5FF542

RGB 95 245 66

HSL 110.28, 0.9%, 0.61%

LAB 86.07, -70.48, 69.83

 

CMYK 48 / 0 / 57 / 3

HEX #80F769

RGB 128 247 105

HSL 110.28, 0.9%, 0.69%

LAB 88.03, -59.54, 57.01

 

CMYK 35 / 0 / 42 / 2

HEX #A2F990

RGB 162 249 144

HSL 109.71, 0.9%, 0.77%

LAB 90.53, -45.54, 42.24

 

CMYK 60 / 0 / 72 / 4

HEX #61F544

RGB 97 245 68

HSL 110.17, 0.9%, 0.61%

LAB 86.14, -69.9, 69.24

 

CMYK 73 / 2 / 0 / 4

HEX #42EFF5

RGB 66 239 245

HSL 182.01, 0.9%, 0.61%

LAB 86.74, -40.32, -15.42

 

CMYK 0 / 73 / 32 / 4

HEX #F542A7

RGB 245 66 167

HSL 326.15, 0.9%, 0.61%

LAB 58.13, 74.68, -14.4

 

CMYK 60 / 0 / 72 / 4

HEX #61F544

RGB 97 245 68

HSL 110.17, 0.9%, 0.61%

LAB 86.14, -69.9, 69.24

 

CMYK 73 / 61 / 0 / 4

HEX #4260F5

RGB 66 96 245

HSL 229.94, 0.9%, 0.61%

LAB 47.13, 39.08, -77.66

 

CMYK 0 / 73 / 61 / 4

HEX #F54260

RGB 245 66 96

HSL 349.94, 0.9%, 0.61%

LAB 56.24, 68.59, 24.75

 

CMYK 60 / 0 / 72 / 4

HEX #61F544

RGB 97 245 68

HSL 110.17, 0.9%, 0.61%

LAB 86.14, -69.9, 69.24

 

CMYK 73 / 2 / 0 / 4

HEX #42EFF5

RGB 66 239 245

HSL 182.01, 0.9%, 0.61%

LAB 86.74, -40.32, -15.42

 

CMYK 12 / 73 / 0 / 4

HEX #D742F5

RGB 215 66 245

HSL 289.94, 0.9%, 0.61%

LAB 57.01, 79.14, -60.94

 

CMYK 0 / 71 / 73 / 4

HEX #F54842

RGB 245 72 66

HSL 2.01, 0.9%, 0.61%

LAB 56.53, 65.05, 42.29

 

CMYK 60 / 0 / 72 / 4

HEX #61F544

RGB 97 245 68

HSL 110.17, 0.9%, 0.61%

LAB 86.14, -69.9, 69.24

 

CMYK 73 / 24 / 0 / 4

HEX #42B9F5

RGB 66 185 245

HSL 200.11, 0.9%, 0.61%

LAB 71.18, -13.75, -39.23

 

CMYK 12 / 73 / 0 / 4

HEX #D742F5

RGB 215 66 245

HSL 289.94, 0.9%, 0.61%

LAB 57.01, 79.14, -60.94

 

CMYK 0 / 49 / 73 / 4

HEX #F57E42

RGB 245 126 66

HSL 20.11, 0.9%, 0.61%

LAB 65.54, 41.4, 52.1

 

Description

Color code: HEX #61F544 | qconv.com Color code: HEX #61F544 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 245 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 245 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 72 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 72% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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