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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61F3F9 it is the complementary color #9E0C06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61F3F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #61F3F9: #66F3F4, #77FFFF, #88FFFF, #99FFFF and #AAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61F3F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #61F3F9: #61F3F9, #50E1E6, #3FCFD3, #2EBDC0 and #1DABAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 2 / 0 / 2

HEX #61F3F9

RGB 97 243 249

HSL 182.37, 0.93%, 0.68%

LAB 88.68, -36.88, -14.55

 

Complementary color

CMYK 0 / 92 / 96 / 38

HEX #9E0C06

RGB 158 12 6

HSL 2.37, 0.93%, 0.32%

LAB 33.02, 54.43, 44.38

 

CMYK 58 / 0 / 0 / 4

HEX #66F3F4

RGB 102 243 244

HSL 180.42, 0.87%, 0.68%

LAB 88.67, -37.39, -11.94

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 61 / 2 / 0 / 2

HEX #61F3F9

RGB 97 243 249

HSL 182.37, 0.93%, 0.68%

LAB 88.68, -36.88, -14.55

 

CMYK 65 / 2 / 0 / 10

HEX #50E1E6

RGB 80 225 230

HSL 182, 0.75%, 0.61%

LAB 82.52, -36.37, -13.81

 

CMYK 70 / 2 / 0 / 17

HEX #3FCFD3

RGB 63 207 211

HSL 181.62, 0.63%, 0.54%

LAB 76.31, -35.7, -13.01

 

CMYK 76 / 2 / 0 / 25

HEX #2EBDC0

RGB 46 189 192

HSL 181.23, 0.61%, 0.47%

LAB 70.02, -34.81, -12.14

 

CMYK 83 / 1 / 0 / 32

HEX #1DABAD

RGB 29 171 173

HSL 180.83, 0.71%, 0.4%

LAB 63.68, -33.61, -11.16

 

CMYK 61 / 2 / 0 / 2

HEX #61F3F9

RGB 97 243 249

HSL 182.37, 0.93%, 0.68%

LAB 88.68, -36.88, -14.55

 

CMYK 61 / 12 / 0 / 2

HEX #61DAF9

RGB 97 218 249

HSL 192.24, 0.93%, 0.68%

LAB 81.58, -24.93, -25.27

 

CMYK 61 / 22 / 0 / 2

HEX #61C1F9

RGB 97 193 249

HSL 202.11, 0.93%, 0.68%

LAB 74.52, -12.09, -36.12

 

CMYK 61 / 33 / 0 / 2

HEX #61A8F9

RGB 97 168 249

HSL 211.97, 0.93%, 0.68%

LAB 67.57, 1.67, -46.99

 

CMYK 61 / 43 / 0 / 2

HEX #618FF9

RGB 97 143 249

HSL 221.84, 0.93%, 0.68%

LAB 60.8, 16.24, -57.71

 

CMYK 61 / 2 / 0 / 2

HEX #61F3F9

RGB 97 243 249

HSL 182.37, 0.93%, 0.68%

LAB 88.68, -36.88, -14.55

 

CMYK 60 / 2 / 0 / 82

HEX #122C2D

RGB 18 44 45

HSL 182.22, 0.43%, 0.12%

LAB 16.1, -9.59, -3.73

 

CMYK 61 / 2 / 0 / 62

HEX #255E60

RGB 37 94 96

HSL 182.03, 0.44%, 0.26%

LAB 36.45, -17.72, -6.74

 

CMYK 61 / 3 / 0 / 42

HEX #398F93

RGB 57 143 147

HSL 182.67, 0.44%, 0.4%

LAB 54.68, -24.18, -9.83

 

CMYK 61 / 3 / 0 / 22

HEX #4DC1C6

RGB 77 193 198

HSL 182.48, 0.51%, 0.54%

LAB 72.09, -30.7, -12.25

 

CMYK 61 / 2 / 0 / 2

HEX #61F3F9

RGB 97 243 249

HSL 182.37, 0.93%, 0.68%

LAB 88.68, -36.88, -14.55

 

CMYK 47 / 61 / 0 / 2

HEX #8461F9

RGB 132 97 249

HSL 253.82, 0.93%, 0.68%

LAB 52.17, 49.93, -71.48

 

CMYK 0 / 22 / 61 / 2

HEX #F9C161

RGB 249 193 97

HSL 37.89, 0.93%, 0.68%

LAB 81.37, 9.92, 55.05

 

CMYK 61 / 2 / 0 / 2

HEX #61F3F9

RGB 97 243 249

HSL 182.37, 0.93%, 0.68%

LAB 88.68, -36.88, -14.55

 

CMYK 0 / 61 / 2 / 2

HEX #F961F4

RGB 249 97 244

HSL 301.97, 0.93%, 0.68%

LAB 65.92, 75.03, -45.93

 

CMYK 2 / 0 / 61 / 2

HEX #F4F961

RGB 244 249 97

HSL 61.97, 0.93%, 0.68%

LAB 95.1, -20.26, 70.07

 

CMYK 61 / 2 / 0 / 2

HEX #61F3F9

RGB 97 243 249

HSL 182.37, 0.93%, 0.68%

LAB 88.68, -36.88, -14.55

 

CMYK 47 / 61 / 0 / 2

HEX #8461F9

RGB 132 97 249

HSL 253.82, 0.93%, 0.68%

LAB 52.17, 49.93, -71.48

 

CMYK 0 / 59 / 61 / 2

HEX #F96661

RGB 249 102 97

HSL 1.97, 0.93%, 0.68%

LAB 62.09, 55.91, 31.86

 

CMYK 14 / 0 / 61 / 2

HEX #D5F961

RGB 213 249 97

HSL 74.21, 0.93%, 0.68%

LAB 92.91, -32.4, 67.07

 

CMYK 61 / 2 / 0 / 2

HEX #61F3F9

RGB 97 243 249

HSL 182.37, 0.93%, 0.68%

LAB 88.68, -36.88, -14.55

 

CMYK 29 / 61 / 0 / 2

HEX #B261F9

RGB 178 97 249

HSL 271.97, 0.93%, 0.68%

LAB 56.93, 59.5, -63.55

 

CMYK 0 / 59 / 61 / 2

HEX #F96661

RGB 249 102 97

HSL 1.97, 0.93%, 0.68%

LAB 62.09, 55.91, 31.86

 

CMYK 33 / 0 / 61 / 2

HEX #A8F961

RGB 168 249 97

HSL 91.97, 0.93%, 0.68%

LAB 90.29, -48.75, 63.45

 

Description

Color code: HEX #61F3F9 | qconv.com Color code: HEX #61F3F9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 243 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 243 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 2 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 2% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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