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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61EFEC it is the complementary color #9E1013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61EFEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61EFEC shade: #66EFE7, #77FFFA, #88FFFF, #99FFFF and #AAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61EFEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61EFEC shade: #61EFEC, #50DDD9, #3FCBC6, #2EB9B3 and #1DA7A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61EFEC shade: #61EFEC, #61EFC6, #61EFA0, #61EF79 and #6FEF61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61EFEC shade: #61EFEC, #61CCEF, #61A6EF, #617FEF and #6161EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61EFEC shade matches the following richer shades: #61EFEC and #53FDFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61EFEC shade: #61EFEC, #6FE1DF, #7DD3D2, #8BC5C4 and #99B7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61EFEC shade: #61EF9F, #61EFC5, #61EFEB, #61CEEF and #61A8EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61EFEC shade: #17E7E3, #3CECE8, #61EFEC, #87F3F1 and #ACF7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61EFEC shade: #61EFEC, #7961EF and #EFB261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61EFEC shade: #61EFEC, #EB61EF and #EFEB61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61EFEC shade: #61EFEC, #7961EF, #EF6166 and #D8EF61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61EFEC shade: #61EFEC, #A461EF, #EF6166 and #ADEF61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

Complementary color

CMYK 0 / 90 / 88 / 38

HEX #9E1013

RGB 158 16 19

HSL 358.73, 0.82%, 0.34%

LAB 33.32, 53.98, 38.85

 

CMYK 57 / 0 / 3 / 6

HEX #66EFE7

RGB 102 239 231

HSL 176.5, 0.81%, 0.67%

LAB 87.16, -38.95, -7.37

 

CMYK 53 / 0 / 2 / 0

HEX #77FFFA

RGB 119 255 250

HSL 177.79, 1%, 0.73%

LAB 92.73, -38.25, -8.96

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 64 / 0 / 2 / 13

HEX #50DDD9

RGB 80 221 217

HSL 178.3, 0.67%, 0.59%

LAB 80.98, -38.11, -9.21

 

CMYK 69 / 0 / 2 / 20

HEX #3FCBC6

RGB 63 203 198

HSL 177.86, 0.57%, 0.52%

LAB 74.73, -37.53, -8.35

 

CMYK 75 / 0 / 3 / 27

HEX #2EB9B3

RGB 46 185 179

HSL 177.41, 0.6%, 0.45%

LAB 68.41, -36.74, -7.4

 

CMYK 83 / 0 / 4 / 35

HEX #1DA7A0

RGB 29 167 160

HSL 176.96, 0.7%, 0.38%

LAB 62.03, -35.65, -6.33

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 59 / 0 / 17 / 6

HEX #61EFC6

RGB 97 239 198

HSL 162.68, 0.82%, 0.66%

LAB 86.18, -47.91, 8.47

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA0

RGB 97 239 160

HSL 146.62, 0.82%, 0.66%

LAB 85.41, -55.84, 27.06

 

CMYK 59 / 0 / 49 / 6

HEX #61EF79

RGB 97 239 121

HSL 130.14, 0.82%, 0.66%

LAB 84.82, -62.24, 45.6

 

CMYK 54 / 0 / 59 / 6

HEX #6FEF61

RGB 111 239 97

HSL 114.08, 0.82%, 0.66%

LAB 84.98, -61.9, 56.83

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 59 / 15 / 0 / 6

HEX #61CCEF

RGB 97 204 239

HSL 194.79, 0.82%, 0.66%

LAB 77.26, -20.82, -26.54

 

CMYK 59 / 31 / 0 / 6

HEX #61A6EF

RGB 97 166 239

HSL 210.85, 0.82%, 0.66%

LAB 66.55, -0.4, -43.12

 

CMYK 59 / 47 / 0 / 6

HEX #617FEF

RGB 97 127 239

HSL 227.32, 0.82%, 0.66%

LAB 56.04, 22.57, -59.81

 

CMYK 59 / 59 / 0 / 6

HEX #6161EF

RGB 97 97 239

HSL 240, 0.82%, 0.66%

LAB 48.66, 40.71, -71.72

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 67 / 0 / 1 / 1

HEX #53FDFA

RGB 83 253 250

HSL 178.94, 0.98%, 0.66%

LAB 91.23, -43.16, -11.29

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 51 / 0 / 1 / 12

HEX #6FE1DF

RGB 111 225 223

HSL 178.95, 0.66%, 0.66%

LAB 83.21, -32.8, -8.98

 

CMYK 41 / 0 / 0 / 17

HEX #7DD3D2

RGB 125 211 210

HSL 179.3, 0.49%, 0.66%

LAB 79.39, -26.17, -7.67

 

CMYK 29 / 0 / 1 / 23

HEX #8BC5C4

RGB 139 197 196

HSL 178.97, 0.33%, 0.66%

LAB 75.7, -18.79, -5.51

 

CMYK 16 / 0 / 0 / 28

HEX #99B7B7

RGB 153 183 183

HSL 180, 0.17%, 0.66%

LAB 72.27, -10.14, -3.41

 

CMYK 59 / 0 / 33 / 6

HEX #61EF9F

RGB 97 239 159

HSL 146.2, 0.82%, 0.66%

LAB 85.39, -56.03, 27.54

 

CMYK 59 / 0 / 18 / 6

HEX #61EFC5

RGB 97 239 197

HSL 162.25, 0.82%, 0.66%

LAB 86.16, -48.14, 8.96

 

CMYK 59 / 0 / 2 / 6

HEX #61EFEB

RGB 97 239 235

HSL 178.31, 0.82%, 0.66%

LAB 87.13, -38.78, -9.53

 

CMYK 59 / 14 / 0 / 6

HEX #61CEEF

RGB 97 206 239

HSL 193.94, 0.82%, 0.66%

LAB 77.83, -21.83, -25.67

 

CMYK 59 / 30 / 0 / 6

HEX #61A8EF

RGB 97 168 239

HSL 210, 0.82%, 0.66%

LAB 67.11, -1.53, -42.25

 

CMYK 90 / 0 / 2 / 9

HEX #17E7E3

RGB 23 231 227

HSL 178.85, 0.82%, 0.5%

LAB 83.38, -45.13, -11.03

 

CMYK 75 / 0 / 2 / 7

HEX #3CECE8

RGB 60 236 232

HSL 178.64, 0.82%, 0.58%

LAB 85.39, -43.27, -10.62

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 44 / 0 / 1 / 5

HEX #87F3F1

RGB 135 243 241

HSL 178.89, 0.82%, 0.74%

LAB 89.67, -31.59, -8.75

 

CMYK 30 / 0 / 1 / 3

HEX #ACF7F5

RGB 172 247 245

HSL 178.4, 0.82%, 0.82%

LAB 92.52, -23.33, -6.43

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 49 / 59 / 0 / 6

HEX #7961EF

RGB 121 97 239

HSL 250.14, 0.82%, 0.66%

LAB 50.51, 44.99, -68.64

 

CMYK 0 / 26 / 59 / 6

HEX #EFB261

RGB 239 178 97

HSL 34.23, 0.82%, 0.66%

LAB 76.71, 13.66, 49.41

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 2 / 59 / 0 / 6

HEX #EB61EF

RGB 235 97 239

HSL 298.31, 0.82%, 0.66%

LAB 63.71, 70.84, -46.78

 

CMYK 0 / 2 / 59 / 6

HEX #EFEB61

RGB 239 235 97

HSL 58.31, 0.82%, 0.66%

LAB 91.07, -15.48, 65.61

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 49 / 59 / 0 / 6

HEX #7961EF

RGB 121 97 239

HSL 250.14, 0.82%, 0.66%

LAB 50.51, 44.99, -68.64

 

CMYK 0 / 59 / 57 / 6

HEX #EF6166

RGB 239 97 102

HSL 357.89, 0.82%, 0.66%

LAB 59.76, 55.09, 25.7

 

CMYK 10 / 0 / 59 / 6

HEX #D8EF61

RGB 216 239 97

HSL 69.72, 0.82%, 0.66%

LAB 90.41, -26.57, 64.4

 

CMYK 59 / 0 / 1 / 6

HEX #61EFEC

RGB 97 239 236

HSL 178.73, 0.82%, 0.66%

LAB 87.16, -38.52, -10.01

 

CMYK 31 / 59 / 0 / 6

HEX #A461EF

RGB 164 97 239

HSL 268.31, 0.82%, 0.66%

LAB 54.73, 54.05, -61.61

 

CMYK 0 / 59 / 57 / 6

HEX #EF6166

RGB 239 97 102

HSL 357.89, 0.82%, 0.66%

LAB 59.76, 55.09, 25.7

 

CMYK 28 / 0 / 59 / 6

HEX #ADEF61

RGB 173 239 97

HSL 87.89, 0.82%, 0.66%

LAB 87.72, -42.74, 60.66

 

Description

Color code: HEX #61EFEC | qconv.com Color code: HEX #61EFEC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 239 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 239 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 1 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 1% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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