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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61DC22 it is the complementary color #9E23DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61DC22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61DC22 shade: #66DC1D, #77EE30, #88FF43, #99FF56 and #AAFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61DC22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61DC22 shade: #61DC22, #50CA0F, #3FB800, #2EA600 and #1D9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61DC22 shade: #61DD22, #94DD22, #C6DD22, #DDC122 and #DD8F22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61DC22 shade: #61DD22, #2FDD22, #22DD48, #22DD7A and #22DDAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61DC22 shade matches the following richer shades: #61DD22 and #5BF10E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61DC22 shade: #61DD22, #68C837, #6FB34C, #759F60 and #7C8A75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61DC22 shade: #C7DD22, #95DD22, #64DD22, #32DD22 and #22DD45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61DC22 shade: #429517, #52B91D, #61DD22, #7BE246 and #94E86A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61DC22 shade: #61DC22, #22DDC1 and #DD22AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61DC22 shade: #61DC22, #2264DD and #DD2264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61DC22 shade: #61DC22, #22DDC1, #9B22DD and #DD223E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61DC22 shade: #61DC22, #22C1DD, #9B22DD and #DD3E22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 85 / 14

HEX #61DC22

RGB 97 220 34

HSL 99.68, 0.73%, 0.5%

LAB 78.37, -63.29, 71.63

 

Complementary color

CMYK 29 / 84 / 0 / 13

HEX #9E23DD

RGB 158 35 221

HSL 279.68, 0.73%, 0.5%

LAB 43.79, 74.01, -69.19

 

CMYK 54 / 0 / 87 / 14

HEX #66DC1D

RGB 102 220 29

HSL 97.07, 0.77%, 0.49%

LAB 78.52, -62.15, 72.86

 

CMYK 50 / 0 / 80 / 7

HEX #77EE30

RGB 119 238 48

HSL 97.58, 0.85%, 0.56%

LAB 84.63, -63.11, 74.12

 

CMYK 47 / 0 / 74 / 0

HEX #88FF43

RGB 136 255 67

HSL 97.98, 1%, 0.63%

LAB 90.39, -63.42, 74.22

 

CMYK 40 / 0 / 66 / 0

HEX #99FF56

RGB 153 255 86

HSL 96.21, 1%, 0.67%

LAB 91.22, -56.97, 68.61

 

CMYK 33 / 0 / 59 / 0

HEX #AAFF69

RGB 170 255 105

HSL 94, 1%, 0.71%

LAB 92.17, -49.88, 62.22

 

CMYK 56 / 0 / 85 / 14

HEX #61DC22

RGB 97 220 34

HSL 99.68, 0.73%, 0.5%

LAB 78.37, -63.29, 71.63

 

CMYK 60 / 0 / 93 / 21

HEX #50CA0F

RGB 80 202 15

HSL 99.14, 0.86%, 0.43%

LAB 72.22, -61.97, 69.57

 

CMYK 66 / 0 / 100 / 28

HEX #3FB800

RGB 63 184 0

HSL 99.46, 1%, 0.36%

LAB 66.01, -60.17, 66.1

 

CMYK 72 / 0 / 100 / 35

HEX #2EA600

RGB 46 166 0

HSL 103.37, 1%, 0.33%

LAB 59.76, -57.76, 60.97

 

CMYK 80 / 0 / 100 / 42

HEX #1D9400

RGB 29 148 0

HSL 108.24, 1%, 0.29%

LAB 53.43, -54.89, 55.79

 

CMYK 56 / 0 / 85 / 13

HEX #61DD22

RGB 97 221 34

HSL 99.79, 0.73%, 0.5%

LAB 78.68, -63.64, 71.9

 

CMYK 33 / 0 / 85 / 13

HEX #94DD22

RGB 148 221 34

HSL 83.42, 0.73%, 0.5%

LAB 80.81, -47.78, 74.59

 

CMYK 10 / 0 / 85 / 13

HEX #C6DD22

RGB 198 221 34

HSL 67.38, 0.73%, 0.5%

LAB 83.88, -28.42, 78.42

 

CMYK 0 / 13 / 85 / 13

HEX #DDC122

RGB 221 193 34

HSL 51.02, 0.73%, 0.5%

LAB 78.24, -4.82, 74.5

 

CMYK 0 / 35 / 85 / 13

HEX #DD8F22

RGB 221 143 34

HSL 34.97, 0.73%, 0.5%

LAB 65.85, 21.67, 64.22

 

CMYK 56 / 0 / 85 / 13

HEX #61DD22

RGB 97 221 34

HSL 99.79, 0.73%, 0.5%

LAB 78.68, -63.64, 71.9

 

CMYK 79 / 0 / 85 / 13

HEX #2FDD22

RGB 47 221 34

HSL 115.83, 0.73%, 0.5%

LAB 77.54, -73.22, 70.46

 

CMYK 85 / 0 / 67 / 13

HEX #22DD48

RGB 34 221 72

HSL 132.19, 0.73%, 0.5%

LAB 77.59, -71.97, 58.51

 

CMYK 85 / 0 / 45 / 13

HEX #22DD7A

RGB 34 221 122

HSL 148.24, 0.73%, 0.5%

LAB 78.14, -65.25, 36.44

 

CMYK 85 / 0 / 22 / 13

HEX #22DDAC

RGB 34 221 172

HSL 164.28, 0.73%, 0.5%

LAB 79.06, -54.93, 11.83

 

CMYK 56 / 0 / 85 / 13

HEX #61DD22

RGB 97 221 34

HSL 99.79, 0.73%, 0.5%

LAB 78.68, -63.64, 71.9

 

CMYK 62 / 0 / 94 / 5

HEX #5BF10E

RGB 91 241 14

HSL 99.65, 0.89%, 0.5%

LAB 84.57, -72.23, 79.95

 

CMYK 56 / 0 / 85 / 13

HEX #61DD22

RGB 97 221 34

HSL 99.79, 0.73%, 0.5%

LAB 78.68, -63.64, 71.9

 

CMYK 48 / 0 / 73 / 22

HEX #68C837

RGB 104 200 55

HSL 99.72, 0.57%, 0.5%

LAB 72.58, -52.91, 60.19

 

CMYK 38 / 0 / 58 / 30

HEX #6FB34C

RGB 111 179 76

HSL 99.61, 0.4%, 0.5%

LAB 66.63, -40.21, 45.13

 

CMYK 26 / 0 / 40 / 38

HEX #759F60

RGB 117 159 96

HSL 100, 0.25%, 0.5%

LAB 61.15, -26.28, 28.38

 

CMYK 10 / 0 / 15 / 46

HEX #7C8A75

RGB 124 138 117

HSL 100, 0.08%, 0.5%

LAB 55.83, -9.23, 9.54

 

CMYK 10 / 0 / 85 / 13

HEX #C7DD22

RGB 199 221 34

HSL 67.06, 0.73%, 0.5%

LAB 83.95, -28.01, 78.5

 

CMYK 33 / 0 / 85 / 13

HEX #95DD22

RGB 149 221 34

HSL 83.1, 0.73%, 0.5%

LAB 80.86, -47.42, 74.65

 

CMYK 55 / 0 / 85 / 13

HEX #64DD22

RGB 100 221 34

HSL 98.82, 0.73%, 0.5%

LAB 78.77, -62.86, 72.02

 

CMYK 77 / 0 / 85 / 13

HEX #32DD22

RGB 50 221 34

HSL 114.87, 0.73%, 0.5%

LAB 77.58, -72.83, 70.51

 

CMYK 85 / 0 / 69 / 13

HEX #22DD45

RGB 34 221 69

HSL 131.23, 0.73%, 0.5%

LAB 77.57, -72.25, 59.65

 

CMYK 56 / 0 / 85 / 42

HEX #429517

RGB 66 149 23

HSL 99.52, 0.73%, 0.34%

LAB 54.78, -46.48, 52.87

 

CMYK 56 / 0 / 84 / 27

HEX #52B91D

RGB 82 185 29

HSL 99.62, 0.73%, 0.42%

LAB 66.96, -55.08, 62.48

 

CMYK 56 / 0 / 85 / 13

HEX #61DD22

RGB 97 221 34

HSL 99.79, 0.73%, 0.5%

LAB 78.68, -63.64, 71.9

 

CMYK 46 / 0 / 69 / 11

HEX #7BE246

RGB 123 226 70

HSL 99.62, 0.73%, 0.58%

LAB 81.32, -56.14, 63.88

 

CMYK 36 / 0 / 54 / 9

HEX #94E86A

RGB 148 232 106

HSL 100, 0.73%, 0.66%

LAB 84.51, -47.41, 52.66

 

CMYK 56 / 0 / 85 / 14

HEX #61DC22

RGB 97 220 34

HSL 99.68, 0.73%, 0.5%

LAB 78.37, -63.29, 71.63

 

CMYK 85 / 0 / 13 / 13

HEX #22DDC1

RGB 34 221 193

HSL 171.02, 0.73%, 0.5%

LAB 79.56, -49.65, 1.39

 

CMYK 0 / 85 / 21 / 13

HEX #DD22AE

RGB 221 34 174

HSL 315.08, 0.73%, 0.5%

LAB 51.35, 78.14, -29.26

 

CMYK 56 / 0 / 85 / 14

HEX #61DC22

RGB 97 220 34

HSL 99.68, 0.73%, 0.5%

LAB 78.37, -63.29, 71.63

 

CMYK 85 / 55 / 0 / 13

HEX #2264DD

RGB 34 100 221

HSL 218.82, 0.73%, 0.5%

LAB 45.19, 24.82, -67.35

 

CMYK 0 / 85 / 55 / 13

HEX #DD2264

RGB 221 34 100

HSL 338.82, 0.73%, 0.5%

LAB 48.81, 70.99, 11.52

 

CMYK 56 / 0 / 85 / 14

HEX #61DC22

RGB 97 220 34

HSL 99.68, 0.73%, 0.5%

LAB 78.37, -63.29, 71.63

 

CMYK 85 / 0 / 13 / 13

HEX #22DDC1

RGB 34 221 193

HSL 171.02, 0.73%, 0.5%

LAB 79.56, -49.65, 1.39

 

CMYK 30 / 85 / 0 / 13

HEX #9B22DD

RGB 155 34 221

HSL 278.82, 0.73%, 0.5%

LAB 43.26, 73.82, -70.07

 

CMYK 0 / 85 / 72 / 13

HEX #DD223E

RGB 221 34 62

HSL 351.02, 0.73%, 0.5%

LAB 48.09, 68.89, 33.7

 

CMYK 56 / 0 / 85 / 14

HEX #61DC22

RGB 97 220 34

HSL 99.68, 0.73%, 0.5%

LAB 78.37, -63.29, 71.63

 

CMYK 85 / 13 / 0 / 13

HEX #22C1DD

RGB 34 193 221

HSL 188.98, 0.73%, 0.5%

LAB 72.03, -28.79, -24.95

 

CMYK 30 / 85 / 0 / 13

HEX #9B22DD

RGB 155 34 221

HSL 278.82, 0.73%, 0.5%

LAB 43.26, 73.82, -70.07

 

CMYK 0 / 72 / 85 / 13

HEX #DD3E22

RGB 221 62 34

HSL 8.98, 0.73%, 0.5%

LAB 50.61, 60.11, 51.31

 

Description

Color code: HEX #61DC22 | qconv.com Color code: HEX #61DC22 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 220 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 220 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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