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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61D358 it is the complementary color #9E2CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61D358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61D358 shade: #66D353, #77E566, #88F779, #99FF8C and #AAFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61D358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61D358 shade: #61D358, #50C145, #3FAF32, #2E9D1F and #1D8B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61D358 shade: #63D35A, #83D35A, #A4D35A, #C5D35A and #D3C15A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61D358 shade: #63D35A, #5AD372, #5AD392, #5AD3B3 and #5AD2D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61D358 shade matches the following richer shades: #63D35A, #54E449 and #46F538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61D358 shade: #63D35A, #71C26B, #80B17C, #8EA08D and #9C8F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61D358 shade: #A5D35A, #84D35A, #64D35A, #5AD370 and #5AD390

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61D358 shade: #37AD2E, #44CA39, #63D35A, #82DC7A and #A0E49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61D358 shade: #61D358, #5AC5D3 and #D35A94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61D358 shade: #61D358, #5A64D3 and #D35A64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61D358 shade: #61D358, #5AC5D3, #C95AD3 and #D3685A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61D358 shade: #61D358, #5AA1D3, #C95AD3 and #D38C5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 58 / 17

HEX #61D358

RGB 97 211 88

HSL 115.61, 0.58%, 0.59%

LAB 75.97, -56.03, 50.3

 

Complementary color

CMYK 5 / 74 / 0 / 35

HEX #9E2CA7

RGB 158 44 167

HSL 295.61, 0.58%, 0.41%

LAB 40.99, 61.22, -42.16

 

CMYK 52 / 0 / 61 / 17

HEX #66D353

RGB 102 211 83

HSL 111.09, 0.59%, 0.58%

LAB 76.09, -55.26, 52.71

 

CMYK 48 / 0 / 55 / 10

HEX #77E566

RGB 119 229 102

HSL 111.97, 0.71%, 0.65%

LAB 82.34, -55.44, 51.61

 

CMYK 45 / 0 / 51 / 3

HEX #88F779

RGB 136 247 121

HSL 112.86, 0.89%, 0.72%

LAB 88.51, -55.48, 50.44

 

CMYK 40 / 0 / 45 / 0

HEX #99FF8C

RGB 153 255 140

HSL 113.22, 1%, 0.77%

LAB 91.77, -51.35, 45.66

 

CMYK 33 / 0 / 38 / 0

HEX #AAFF9F

RGB 170 255 159

HSL 113.13, 1%, 0.81%

LAB 92.83, -43.53, 37.94

 

CMYK 54 / 0 / 58 / 17

HEX #61D358

RGB 97 211 88

HSL 115.61, 0.58%, 0.59%

LAB 75.97, -56.03, 50.3

 

CMYK 59 / 0 / 64 / 24

HEX #50C145

RGB 80 193 69

HSL 114.68, 0.5%, 0.51%

LAB 69.67, -55.64, 51.36

 

CMYK 64 / 0 / 71 / 31

HEX #3FAF32

RGB 63 175 50

HSL 113.76, 0.56%, 0.44%

LAB 63.3, -54.91, 52.13

 

CMYK 71 / 0 / 80 / 38

HEX #2E9D1F

RGB 46 157 31

HSL 112.86, 0.67%, 0.37%

LAB 56.87, -53.68, 52.28

 

CMYK 79 / 0 / 91 / 45

HEX #1D8B0C

RGB 29 139 12

HSL 111.97, 0.84%, 0.3%

LAB 50.4, -51.69, 51.19

 

CMYK 53 / 0 / 57 / 17

HEX #63D35A

RGB 99 211 90

HSL 115.54, 0.58%, 0.59%

LAB 76.06, -55.29, 49.52

 

CMYK 38 / 0 / 57 / 17

HEX #83D35A

RGB 131 211 90

HSL 99.67, 0.58%, 0.59%

LAB 77.37, -45.8, 51.38

 

CMYK 22 / 0 / 57 / 17

HEX #A4D35A

RGB 164 211 90

HSL 83.31, 0.58%, 0.59%

LAB 79.17, -34.11, 53.91

 

CMYK 7 / 0 / 57 / 17

HEX #C5D35A

RGB 197 211 90

HSL 66.94, 0.58%, 0.59%

LAB 81.4, -21.2, 57.04

 

CMYK 0 / 9 / 57 / 17

HEX #D3C15A

RGB 211 193 90

HSL 51.07, 0.58%, 0.59%

LAB 77.71, -6.38, 53.18

 

CMYK 53 / 0 / 57 / 17

HEX #63D35A

RGB 99 211 90

HSL 115.54, 0.58%, 0.59%

LAB 76.06, -55.29, 49.52

 

CMYK 57 / 0 / 46 / 17

HEX #5AD372

RGB 90 211 114

HSL 131.9, 0.58%, 0.59%

LAB 76.06, -54.3, 37.98

 

CMYK 57 / 0 / 31 / 17

HEX #5AD392

RGB 90 211 146

HSL 147.77, 0.58%, 0.59%

LAB 76.58, -48.7, 22.25

 

CMYK 57 / 0 / 15 / 17

HEX #5AD3B3

RGB 90 211 179

HSL 164.13, 0.58%, 0.59%

LAB 77.29, -41.54, 5.72

 

CMYK 57 / 0 / 0 / 17

HEX #5AD2D3

RGB 90 210 211

HSL 180.5, 0.58%, 0.59%

LAB 77.86, -32.95, -10.62

 

CMYK 53 / 0 / 57 / 17

HEX #63D35A

RGB 99 211 90

HSL 115.54, 0.58%, 0.59%

LAB 76.06, -55.29, 49.52

 

CMYK 63 / 0 / 68 / 11

HEX #54E449

RGB 84 228 73

HSL 115.74, 0.74%, 0.59%

LAB 80.66, -66.62, 61.66

 

CMYK 71 / 0 / 77 / 4

HEX #46F538

RGB 70 245 56

HSL 115.56, 0.9%, 0.59%

LAB 85.45, -75.88, 72.17

 

CMYK 53 / 0 / 57 / 17

HEX #63D35A

RGB 99 211 90

HSL 115.54, 0.58%, 0.59%

LAB 76.06, -55.29, 49.52

 

CMYK 42 / 0 / 45 / 24

HEX #71C26B

RGB 113 194 107

HSL 115.86, 0.42%, 0.59%

LAB 71.66, -42.19, 36.09

 

CMYK 28 / 0 / 30 / 31

HEX #80B17C

RGB 128 177 124

HSL 115.47, 0.25%, 0.59%

LAB 67.64, -26.8, 22.04

 

CMYK 11 / 0 / 12 / 37

HEX #8EA08D

RGB 142 160 141

HSL 116.84, 0.09%, 0.59%

LAB 64.01, -10.08, 7.77

 

CMYK 1 / 9 / 0 / 38

HEX #9C8F9D

RGB 156 143 157

HSL 295.71, 0.07%, 0.59%

LAB 60.91, 7.47, -5.64

 

CMYK 22 / 0 / 57 / 17

HEX #A5D35A

RGB 165 211 90

HSL 82.81, 0.58%, 0.59%

LAB 79.23, -33.73, 54

 

CMYK 37 / 0 / 57 / 17

HEX #84D35A

RGB 132 211 90

HSL 99.17, 0.58%, 0.59%

LAB 77.42, -45.47, 51.45

 

CMYK 53 / 0 / 57 / 17

HEX #64D35A

RGB 100 211 90

HSL 115.04, 0.58%, 0.59%

LAB 76.09, -55.02, 49.57

 

CMYK 57 / 0 / 47 / 17

HEX #5AD370

RGB 90 211 112

HSL 130.91, 0.58%, 0.59%

LAB 76.03, -54.6, 38.93

 

CMYK 57 / 0 / 32 / 17

HEX #5AD390

RGB 90 211 144

HSL 146.78, 0.58%, 0.59%

LAB 76.54, -49.09, 23.25

 

CMYK 68 / 0 / 73 / 32

HEX #37AD2E

RGB 55 173 46

HSL 115.75, 0.58%, 0.43%

LAB 62.42, -56.24, 52.67

 

CMYK 66 / 0 / 72 / 21

HEX #44CA39

RGB 68 202 57

HSL 115.45, 0.58%, 0.51%

LAB 72.07, -62.53, 58.58

 

CMYK 53 / 0 / 57 / 17

HEX #63D35A

RGB 99 211 90

HSL 115.54, 0.58%, 0.59%

LAB 76.06, -55.29, 49.52

 

CMYK 41 / 0 / 45 / 14

HEX #82DC7A

RGB 130 220 122

HSL 115.1, 0.58%, 0.67%

LAB 80.37, -46.04, 39.79

 

CMYK 30 / 0 / 32 / 11

HEX #A0E49B

RGB 160 228 155

HSL 115.89, 0.57%, 0.75%

LAB 84.65, -35.24, 29.02

 

CMYK 54 / 0 / 58 / 17

HEX #61D358

RGB 97 211 88

HSL 115.61, 0.58%, 0.59%

LAB 75.97, -56.03, 50.3

 

CMYK 57 / 7 / 0 / 17

HEX #5AC5D3

RGB 90 197 211

HSL 186.94, 0.58%, 0.59%

LAB 74.07, -26.66, -16.31

 

CMYK 0 / 57 / 30 / 17

HEX #D35A94

RGB 211 90 148

HSL 331.24, 0.58%, 0.59%

LAB 55.38, 53.64, -7.97

 

CMYK 54 / 0 / 58 / 17

HEX #61D358

RGB 97 211 88

HSL 115.61, 0.58%, 0.59%

LAB 75.97, -56.03, 50.3

 

CMYK 57 / 53 / 0 / 17

HEX #5A64D3

RGB 90 100 211

HSL 235.04, 0.58%, 0.59%

LAB 46.96, 28.61, -58.66

 

CMYK 0 / 57 / 53 / 17

HEX #D35A64

RGB 211 90 100

HSL 355.04, 0.58%, 0.59%

LAB 54.11, 48.57, 18.54

 

CMYK 54 / 0 / 58 / 17

HEX #61D358

RGB 97 211 88

HSL 115.61, 0.58%, 0.59%

LAB 75.97, -56.03, 50.3

 

CMYK 57 / 7 / 0 / 17

HEX #5AC5D3

RGB 90 197 211

HSL 186.94, 0.58%, 0.59%

LAB 74.07, -26.66, -16.31

 

CMYK 5 / 57 / 0 / 17

HEX #C95AD3

RGB 201 90 211

HSL 295.04, 0.58%, 0.59%

LAB 56.52, 60.55, -42.73

 

CMYK 0 / 51 / 57 / 17

HEX #D3685A

RGB 211 104 90

HSL 6.94, 0.58%, 0.59%

LAB 56.57, 40.93, 27.6

 

CMYK 54 / 0 / 58 / 17

HEX #61D358

RGB 97 211 88

HSL 115.61, 0.58%, 0.59%

LAB 75.97, -56.03, 50.3

 

CMYK 57 / 24 / 0 / 17

HEX #5AA1D3

RGB 90 161 211

HSL 204.79, 0.58%, 0.59%

LAB 63.64, -7.78, -32.25

 

CMYK 5 / 57 / 0 / 17

HEX #C95AD3

RGB 201 90 211

HSL 295.04, 0.58%, 0.59%

LAB 56.52, 60.55, -42.73

 

CMYK 0 / 34 / 57 / 17

HEX #D38C5A

RGB 211 140 90

HSL 24.79, 0.58%, 0.59%

LAB 64.44, 21.91, 37.5

 

Description

Color code: HEX #61D358 | qconv.com Color code: HEX #61D358 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 211 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 211 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 58% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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