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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61D1B1 it is the complementary color #9E2E4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61D1B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61D1B1 shade: #66D1AC, #77E3BF, #88F5D2, #99FFE5 and #AAFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61D1B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61D1B1 shade: #61D1B1, #50BF9E, #3FAD8B, #2E9B78 and #1D8965

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61D1B1 shade: #61D1B1, #61D193, #61D175, #6CD161 and #8AD161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61D1B1 shade: #61D1B1, #61D1CF, #61B5D1, #6196D1 and #6178D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61D1B1 shade matches the following richer shades: #61D1B1, #50E2B8 and #40F2BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61D1B1 shade: #61D1B1, #71C1AA, #82B0A3, #92A09C and #A38F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61D1B1 shade: #61D174, #61D192, #61D1AF, #61D1CD and #61B7D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61D1B1 shade: #32AD8A, #41C8A1, #61D1B1, #81DAC1 and #A1E4D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61D1B1 shade: #61D1B1, #616CD1 and #D18361

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61D1B1 shade: #61D1B1, #AF61D1 and #D1AF61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61D1B1 shade: #61D1B1, #616CD1, #D16183 and #D1C661

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61D1B1 shade: #61D1B1, #7761D1, #D16183 and #BBD161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

Complementary color

CMYK 0 / 71 / 51 / 38

HEX #9E2E4E

RGB 158 46 78

HSL 342.86, 0.55%, 0.4%

LAB 37.43, 48.35, 7.57

 

CMYK 51 / 0 / 18 / 18

HEX #66D1AC

RGB 102 209 172

HSL 159.25, 0.54%, 0.61%

LAB 76.92, -39.69, 8.99

 

CMYK 48 / 0 / 16 / 11

HEX #77E3BF

RGB 119 227 191

HSL 160, 0.66%, 0.68%

LAB 83.24, -39.58, 8.03

 

CMYK 44 / 0 / 14 / 4

HEX #88F5D2

RGB 136 245 210

HSL 160.73, 0.84%, 0.75%

LAB 89.48, -39.43, 7.13

 

CMYK 40 / 0 / 10 / 0

HEX #99FFE5

RGB 153 255 229

HSL 164.71, 1%, 0.8%

LAB 93.43, -35.63, 3.07

 

CMYK 33 / 0 / 3 / 0

HEX #AAFFF8

RGB 170 255 248

HSL 175.06, 1%, 0.83%

LAB 94.67, -27.05, -4.83

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 58 / 0 / 17 / 25

HEX #50BF9E

RGB 80 191 158

HSL 162.16, 0.46%, 0.53%

LAB 70.48, -39.63, 7.23

 

CMYK 64 / 0 / 20 / 32

HEX #3FAD8B

RGB 63 173 139

HSL 161.45, 0.47%, 0.46%

LAB 64.01, -39.47, 8.35

 

CMYK 70 / 0 / 23 / 39

HEX #2E9B78

RGB 46 155 120

HSL 160.73, 0.54%, 0.39%

LAB 57.44, -39.13, 9.6

 

CMYK 79 / 0 / 26 / 46

HEX #1D8965

RGB 29 137 101

HSL 160, 0.65%, 0.33%

LAB 50.79, -38.47, 11.02

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 54 / 0 / 30 / 18

HEX #61D193

RGB 97 209 147

HSL 146.79, 0.55%, 0.6%

LAB 76.22, -46.1, 21.27

 

CMYK 54 / 0 / 44 / 18

HEX #61D175

RGB 97 209 117

HSL 130.71, 0.55%, 0.6%

LAB 75.72, -51.37, 36.09

 

CMYK 48 / 0 / 54 / 18

HEX #6CD161

RGB 108 209 97

HSL 114.11, 0.55%, 0.6%

LAB 75.86, -51.23, 46.12

 

CMYK 34 / 0 / 54 / 18

HEX #8AD161

RGB 138 209 97

HSL 98.04, 0.55%, 0.6%

LAB 77.2, -41.85, 48.05

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 54 / 0 / 1 / 18

HEX #61D1CF

RGB 97 209 207

HSL 178.93, 0.55%, 0.6%

LAB 77.67, -32.21, -8.74

 

CMYK 54 / 13 / 0 / 18

HEX #61B5D1

RGB 97 181 209

HSL 195, 0.55%, 0.6%

LAB 69.61, -17.71, -21.96

 

CMYK 54 / 28 / 0 / 18

HEX #6196D1

RGB 97 150 209

HSL 211.61, 0.55%, 0.6%

LAB 60.74, -0.72, -35.63

 

CMYK 54 / 43 / 0 / 18

HEX #6178D1

RGB 97 120 209

HSL 227.68, 0.55%, 0.6%

LAB 52.48, 17.08, -48.65

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 65 / 0 / 19 / 11

HEX #50E2B8

RGB 80 226 184

HSL 162.74, 0.72%, 0.6%

LAB 81.6, -48.64, 9.2

 

CMYK 74 / 0 / 21 / 5

HEX #40F2BF

RGB 64 242 191

HSL 162.81, 0.87%, 0.6%

LAB 86.18, -55.81, 12.03

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 41 / 0 / 12 / 24

HEX #71C1AA

RGB 113 193 170

HSL 162.75, 0.39%, 0.6%

LAB 72.6, -29.98, 3.91

 

CMYK 26 / 0 / 7 / 31

HEX #82B0A3

RGB 130 176 163

HSL 163.04, 0.23%, 0.6%

LAB 68.34, -18.12, 1.68

 

CMYK 9 / 0 / 2 / 37

HEX #92A09C

RGB 146 160 156

HSL 162.86, 0.07%, 0.6%

LAB 64.69, -5.75, 0.38

 

CMYK 0 / 12 / 9 / 36

HEX #A38F95

RGB 163 143 149

HSL 342, 0.1%, 0.6%

LAB 61.31, 8.53, -0.44

 

CMYK 54 / 0 / 44 / 18

HEX #61D174

RGB 97 209 116

HSL 130.18, 0.55%, 0.6%

LAB 75.7, -51.53, 36.57

 

CMYK 54 / 0 / 30 / 18

HEX #61D192

RGB 97 209 146

HSL 146.25, 0.55%, 0.6%

LAB 76.2, -46.29, 21.77

 

CMYK 54 / 0 / 16 / 18

HEX #61D1AF

RGB 97 209 175

HSL 161.79, 0.55%, 0.6%

LAB 76.82, -40.12, 7.22

 

CMYK 54 / 0 / 2 / 18

HEX #61D1CD

RGB 97 209 205

HSL 177.86, 0.55%, 0.6%

LAB 77.61, -32.74, -7.75

 

CMYK 54 / 12 / 0 / 18

HEX #61B7D1

RGB 97 183 209

HSL 193.93, 0.55%, 0.6%

LAB 70.18, -18.75, -21.08

 

CMYK 71 / 0 / 20 / 32

HEX #32AD8A

RGB 50 173 138

HSL 162.93, 0.55%, 0.44%

LAB 63.67, -41.88, 8.39

 

CMYK 68 / 0 / 20 / 22

HEX #41C8A1

RGB 65 200 161

HSL 162.67, 0.55%, 0.52%

LAB 72.9, -45.53, 9.01

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 41 / 0 / 11 / 15

HEX #81DAC1

RGB 129 218 193

HSL 163.15, 0.55%, 0.68%

LAB 81.1, -32.5, 3.94

 

CMYK 29 / 0 / 8 / 11

HEX #A1E4D1

RGB 161 228 209

HSL 162.99, 0.55%, 0.76%

LAB 85.84, -24.98, 2.53

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 54 / 48 / 0 / 18

HEX #616CD1

RGB 97 108 209

HSL 234.11, 0.55%, 0.6%

LAB 49.34, 24.44, -53.67

 

CMYK 0 / 37 / 54 / 18

HEX #D18361

RGB 209 131 97

HSL 18.21, 0.55%, 0.6%

LAB 62.21, 26.54, 30.87

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 16 / 54 / 0 / 18

HEX #AF61D1

RGB 175 97 209

HSL 281.79, 0.55%, 0.6%

LAB 54.31, 50, -45.31

 

CMYK 0 / 16 / 54 / 18

HEX #D1AF61

RGB 209 175 97

HSL 41.79, 0.55%, 0.6%

LAB 72.94, 2.77, 44.19

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 54 / 48 / 0 / 18

HEX #616CD1

RGB 97 108 209

HSL 234.11, 0.55%, 0.6%

LAB 49.34, 24.44, -53.67

 

CMYK 0 / 54 / 37 / 18

HEX #D16183

RGB 209 97 131

HSL 341.79, 0.55%, 0.6%

LAB 55.83, 47.63, 2.65

 

CMYK 0 / 5 / 54 / 18

HEX #D1C661

RGB 209 198 97

HSL 54.11, 0.55%, 0.6%

LAB 78.93, -9.23, 51.28

 

CMYK 54 / 0 / 15 / 18

HEX #61D1B1

RGB 97 209 177

HSL 162.86, 0.55%, 0.6%

LAB 76.87, -39.66, 6.21

 

CMYK 43 / 54 / 0 / 18

HEX #7761D1

RGB 119 97 209

HSL 251.79, 0.55%, 0.6%

LAB 48.35, 35.95, -55.16

 

CMYK 0 / 54 / 37 / 18

HEX #D16183

RGB 209 97 131

HSL 341.79, 0.55%, 0.6%

LAB 55.83, 47.63, 2.65

 

CMYK 11 / 0 / 54 / 18

HEX #BBD161

RGB 187 209 97

HSL 71.79, 0.55%, 0.6%

LAB 80.2, -23.64, 52.31

 

Description

Color code: HEX #61D1B1 | qconv.com Color code: HEX #61D1B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 209 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 209 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 15 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 15% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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