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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61CCC3 it is the complementary color #9E333C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61CCC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61CCC3 shade: #66CCBE, #77DED1, #88F0E4, #99FFF7 and #AAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61CCC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61CCC3 shade: #61CCC3, #50BAB0, #3FA89D, #2E968A and #1D8477

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61CCC3 shade: #61CBC2, #61CBA6, #61CB89, #61CB6C and #72CB61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61CCC3 shade: #61CBC2, #61B7CB, #619BCB, #617ECB and #6161CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61CCC3 shade matches the following richer shades: #61CBC2, #50DCD0, #3FEDDE and #2EFEED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61CCC3 shade: #61CBC2, #72BAB4, #82A9A6, #939998 and #A4888A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61CCC3 shade: #61CB88, #61CBA4, #61CBC1, #61B9CB and #619DCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61CCC3 shade: #35A49B, #41C1B6, #61CBC2, #80D5CE and #9FDFDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61CCC3 shade: #61CCC3, #6B61CB and #CB9661

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61CCC3 shade: #61CCC3, #C161CB and #CBC161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61CCC3 shade: #61CCC3, #6B61CB, #CB616B and #C1CB61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61CCC3 shade: #61CCC3, #8B61CB, #CB616B and #A1CB61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 4 / 20

HEX #61CCC3

RGB 97 204 195

HSL 174.95, 0.51%, 0.59%

LAB 75.86, -32.96, -4.94

 

Complementary color

CMYK 0 / 68 / 62 / 38

HEX #9E333C

RGB 158 51 60

HSL 354.95, 0.51%, 0.41%

LAB 37.78, 44.86, 19.47

 

CMYK 50 / 0 / 7 / 20

HEX #66CCBE

RGB 102 204 190

HSL 171.76, 0.5%, 0.6%

LAB 75.9, -33.14, -2.17

 

CMYK 46 / 0 / 6 / 13

HEX #77DED1

RGB 119 222 209

HSL 172.43, 0.61%, 0.67%

LAB 82.25, -33.13, -2.94

 

CMYK 43 / 0 / 5 / 6

HEX #88F0E4

RGB 136 240 228

HSL 173.08, 0.78%, 0.74%

LAB 88.52, -33.07, -3.66

 

CMYK 40 / 0 / 3 / 0

HEX #99FFF7

RGB 153 255 247

HSL 175.29, 1%, 0.8%

LAB 93.89, -31.59, -5.56

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 52 / 0 / 4 / 20

HEX #61CCC3

RGB 97 204 195

HSL 174.95, 0.51%, 0.59%

LAB 75.86, -32.96, -4.94

 

CMYK 57 / 0 / 5 / 27

HEX #50BAB0

RGB 80 186 176

HSL 174.34, 0.43%, 0.52%

LAB 69.44, -32.82, -4.13

 

CMYK 63 / 0 / 7 / 34

HEX #3FA89D

RGB 63 168 157

HSL 173.71, 0.45%, 0.45%

LAB 62.92, -32.55, -3.25

 

CMYK 69 / 0 / 8 / 41

HEX #2E968A

RGB 46 150 138

HSL 173.08, 0.53%, 0.38%

LAB 56.32, -32.11, -2.27

 

CMYK 78 / 0 / 10 / 48

HEX #1D8477

RGB 29 132 119

HSL 172.43, 0.64%, 0.32%

LAB 49.61, -31.37, -1.15

 

CMYK 52 / 0 / 4 / 20

HEX #61CBC2

RGB 97 203 194

HSL 174.91, 0.5%, 0.59%

LAB 75.54, -32.74, -4.87

 

CMYK 52 / 0 / 18 / 20

HEX #61CBA6

RGB 97 203 166

HSL 159.06, 0.5%, 0.59%

LAB 74.83, -39.49, 9.19

 

CMYK 52 / 0 / 33 / 20

HEX #61CB89

RGB 97 203 137

HSL 142.64, 0.5%, 0.59%

LAB 74.23, -45.48, 23.81

 

CMYK 52 / 0 / 47 / 20

HEX #61CB6C

RGB 97 203 108

HSL 126.23, 0.5%, 0.59%

LAB 73.76, -50.33, 38.11

 

CMYK 44 / 0 / 52 / 20

HEX #72CB61

RGB 114 203 97

HSL 110.38, 0.5%, 0.59%

LAB 74.29, -47.03, 44.29

 

CMYK 52 / 0 / 4 / 20

HEX #61CBC2

RGB 97 203 194

HSL 174.91, 0.5%, 0.59%

LAB 75.54, -32.74, -4.87

 

CMYK 52 / 10 / 0 / 20

HEX #61B7CB

RGB 97 183 203

HSL 191.32, 0.5%, 0.59%

LAB 69.98, -20.45, -18.1

 

CMYK 52 / 24 / 0 / 20

HEX #619BCB

RGB 97 155 203

HSL 207.17, 0.5%, 0.59%

LAB 61.91, -5.39, -30.46

 

CMYK 52 / 38 / 0 / 20

HEX #617ECB

RGB 97 126 203

HSL 223.58, 0.5%, 0.59%

LAB 53.79, 11.54, -43.17

 

CMYK 52 / 52 / 0 / 20

HEX #6161CB

RGB 97 97 203

HSL 240, 0.5%, 0.59%

LAB 46.18, 29.3, -55.31

 

CMYK 52 / 0 / 4 / 20

HEX #61CBC2

RGB 97 203 194

HSL 174.91, 0.5%, 0.59%

LAB 75.54, -32.74, -4.87

 

CMYK 64 / 0 / 5 / 14

HEX #50DCD0

RGB 80 220 208

HSL 174.86, 0.67%, 0.59%

LAB 80.43, -40.06, -5.23

 

CMYK 73 / 0 / 6 / 7

HEX #3FEDDE

RGB 63 237 222

HSL 174.83, 0.83%, 0.59%

LAB 85.45, -46.11, -5.27

 

CMYK 82 / 0 / 7 / 0

HEX #2EFEED

RGB 46 254 237

HSL 175.1, 0.99%, 0.59%

LAB 90.59, -50.87, -5.55

 

CMYK 52 / 0 / 4 / 20

HEX #61CBC2

RGB 97 203 194

HSL 174.91, 0.5%, 0.59%

LAB 75.54, -32.74, -4.87

 

CMYK 39 / 0 / 3 / 27

HEX #72BAB4

RGB 114 186 180

HSL 175, 0.34%, 0.59%

LAB 70.86, -23.93, -4.08

 

CMYK 23 / 0 / 2 / 34

HEX #82A9A6

RGB 130 169 166

HSL 175.38, 0.18%, 0.59%

LAB 66.42, -13.8, -2.79

 

CMYK 4 / 0 / 1 / 40

HEX #939998

RGB 147 153 152

HSL 170, 0.03%, 0.59%

LAB 62.72, -2.35, -0.23

 

CMYK 0 / 17 / 16 / 36

HEX #A4888A

RGB 164 136 138

HSL 355.71, 0.13%, 0.59%

LAB 59.28, 10.95, 2.91

 

CMYK 52 / 0 / 33 / 20

HEX #61CB88

RGB 97 203 136

HSL 142.08, 0.5%, 0.59%

LAB 74.21, -45.66, 24.31

 

CMYK 52 / 0 / 19 / 20

HEX #61CBA4

RGB 97 203 164

HSL 157.92, 0.5%, 0.59%

LAB 74.78, -39.93, 10.2

 

CMYK 52 / 0 / 5 / 20

HEX #61CBC1

RGB 97 203 193

HSL 174.34, 0.5%, 0.59%

LAB 75.52, -33, -4.38

 

CMYK 52 / 9 / 0 / 20

HEX #61B9CB

RGB 97 185 203

HSL 190.19, 0.5%, 0.59%

LAB 70.56, -21.48, -17.22

 

CMYK 52 / 23 / 0 / 20

HEX #619DCB

RGB 97 157 203

HSL 206.04, 0.5%, 0.59%

LAB 62.48, -6.51, -29.58

 

CMYK 68 / 0 / 5 / 36

HEX #35A49B

RGB 53 164 155

HSL 175.14, 0.51%, 0.43%

LAB 61.37, -32.87, -4.45

 

CMYK 66 / 0 / 6 / 24

HEX #41C1B6

RGB 65 193 182

HSL 174.84, 0.51%, 0.51%

LAB 71.31, -37.07, -4.71

 

CMYK 52 / 0 / 4 / 20

HEX #61CBC2

RGB 97 203 194

HSL 174.91, 0.5%, 0.59%

LAB 75.54, -32.74, -4.87

 

CMYK 40 / 0 / 3 / 16

HEX #80D5CE

RGB 128 213 206

HSL 175.06, 0.5%, 0.67%

LAB 79.97, -27.37, -4.65

 

CMYK 29 / 0 / 2 / 13

HEX #9FDFDA

RGB 159 223 218

HSL 175.31, 0.5%, 0.75%

LAB 84.59, -21.16, -4.06

 

CMYK 52 / 0 / 4 / 20

HEX #61CCC3

RGB 97 204 195

HSL 174.95, 0.51%, 0.59%

LAB 75.86, -32.96, -4.94

 

CMYK 47 / 52 / 0 / 20

HEX #6B61CB

RGB 107 97 203

HSL 245.66, 0.5%, 0.59%

LAB 46.96, 31.47, -54.02

 

CMYK 0 / 26 / 52 / 20

HEX #CB9661

RGB 203 150 97

HSL 30, 0.5%, 0.59%

LAB 66.04, 13.74, 35.57

 

CMYK 52 / 0 / 4 / 20

HEX #61CCC3

RGB 97 204 195

HSL 174.95, 0.51%, 0.59%

LAB 75.86, -32.96, -4.94

 

CMYK 5 / 52 / 0 / 20

HEX #C161CB

RGB 193 97 203

HSL 294.34, 0.5%, 0.59%

LAB 56.29, 53.66, -38.62

 

CMYK 0 / 5 / 52 / 20

HEX #CBC161

RGB 203 193 97

HSL 54.34, 0.5%, 0.59%

LAB 77.1, -9.14, 49.01

 

CMYK 52 / 0 / 4 / 20

HEX #61CCC3

RGB 97 204 195

HSL 174.95, 0.51%, 0.59%

LAB 75.86, -32.96, -4.94

 

CMYK 47 / 52 / 0 / 20

HEX #6B61CB

RGB 107 97 203

HSL 245.66, 0.5%, 0.59%

LAB 46.96, 31.47, -54.02

 

CMYK 0 / 52 / 47 / 20

HEX #CB616B

RGB 203 97 107

HSL 354.34, 0.5%, 0.59%

LAB 54.35, 42.98, 14.56

 

CMYK 5 / 0 / 52 / 20

HEX #C1CB61

RGB 193 203 97

HSL 65.66, 0.5%, 0.59%

LAB 78.99, -18.29, 51.02

 

CMYK 52 / 0 / 4 / 20

HEX #61CCC3

RGB 97 204 195

HSL 174.95, 0.51%, 0.59%

LAB 75.86, -32.96, -4.94

 

CMYK 32 / 52 / 0 / 20

HEX #8B61CB

RGB 139 97 203

HSL 263.77, 0.5%, 0.59%

LAB 49.92, 39.2, -49.11

 

CMYK 0 / 52 / 47 / 20

HEX #CB616B

RGB 203 97 107

HSL 354.34, 0.5%, 0.59%

LAB 54.35, 42.98, 14.56

 

CMYK 21 / 0 / 52 / 20

HEX #A1CB61

RGB 161 203 97

HSL 83.77, 0.5%, 0.59%

LAB 76.77, -30.85, 47.86

 

Description

Color code: HEX #61CCC3 | qconv.com Color code: HEX #61CCC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 204 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 204 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 4 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 4% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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