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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61CB4F it is the complementary color #9E34B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61CB4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61CB4F shade: #66CB4A, #77DD5D, #88EF70, #99FF83 and #AAFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61CB4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61CB4F shade: #61CB4F, #50B93C, #3FA729, #2E9516 and #1D8303

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61CB4F shade: #60CA4E, #82CA4E, #A3CA4E, #C5CA4E and #CAAE4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61CB4F shade: #60CA4E, #4ECA5E, #4ECA7F, #4ECAA1 and #4ECAC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61CB4F shade matches the following richer shades: #60CA4E, #53DD3C and #46EF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61CB4F shade: #60CA4E, #6DB861, #7BA573, #889386 and #958099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61CB4F shade: #A3CA4E, #82CA4E, #61CA4E, #4ECA5D and #4ECA7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61CB4F shade: #3D982E, #4AB837, #60CA4E, #7DD46E and #99DD8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61CB4F shade: #61CB4F, #4EC4CA and #CA4E92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61CB4F shade: #61CB4F, #4E61CA and #CA4E61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61CB4F shade: #61CB4F, #4EC4CA, #B84ECA and #CA544E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61CB4F shade: #61CB4F, #4E9FCA, #B84ECA and #CA7A4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 61 / 20

HEX #61CB4F

RGB 97 203 79

HSL 111.29, 0.54%, 0.55%

LAB 73.43, -53.97, 51.4

 

Complementary color

CMYK 10 / 70 / 0 / 31

HEX #9E34B0

RGB 158 52 176

HSL 291.29, 0.54%, 0.45%

LAB 42.55, 59.95, -45.02

 

CMYK 50 / 0 / 64 / 20

HEX #66CB4A

RGB 102 203 74

HSL 106.98, 0.55%, 0.54%

LAB 73.57, -53.08, 53.76

 

CMYK 46 / 0 / 58 / 13

HEX #77DD5D

RGB 119 221 93

HSL 107.81, 0.65%, 0.62%

LAB 79.86, -53.29, 52.77

 

CMYK 43 / 0 / 53 / 6

HEX #88EF70

RGB 136 239 112

HSL 108.66, 0.8%, 0.69%

LAB 86.07, -53.35, 51.65

 

CMYK 40 / 0 / 49 / 0

HEX #99FF83

RGB 153 255 131

HSL 109.35, 1%, 0.76%

LAB 91.65, -52.5, 49.78

 

CMYK 33 / 0 / 41 / 0

HEX #AAFF96

RGB 170 255 150

HSL 108.57, 1%, 0.79%

LAB 92.69, -44.79, 42.18

 

CMYK 52 / 0 / 61 / 20

HEX #61CB4F

RGB 97 203 79

HSL 111.29, 0.54%, 0.55%

LAB 73.43, -53.97, 51.4

 

CMYK 57 / 0 / 68 / 27

HEX #50B93C

RGB 80 185 60

HSL 110.4, 0.51%, 0.48%

LAB 67.07, -53.55, 52.3

 

CMYK 62 / 0 / 75 / 35

HEX #3FA729

RGB 63 167 41

HSL 109.52, 0.61%, 0.41%

LAB 60.65, -52.79, 52.77

 

CMYK 69 / 0 / 85 / 42

HEX #2E9516

RGB 46 149 22

HSL 108.66, 0.74%, 0.34%

LAB 54.17, -51.49, 52.36

 

CMYK 78 / 0 / 98 / 49

HEX #1D8303

RGB 29 131 3

HSL 107.81, 0.96%, 0.26%

LAB 47.62, -49.43, 50.55

 

CMYK 52 / 0 / 61 / 21

HEX #60CA4E

RGB 96 202 78

HSL 111.29, 0.54%, 0.55%

LAB 73.07, -53.97, 51.43

 

CMYK 36 / 0 / 61 / 21

HEX #82CA4E

RGB 130 202 78

HSL 94.84, 0.54%, 0.55%

LAB 74.53, -43.47, 53.46

 

CMYK 19 / 0 / 61 / 21

HEX #A3CA4E

RGB 163 202 78

HSL 78.87, 0.54%, 0.55%

LAB 76.42, -31.33, 56.08

 

CMYK 2 / 0 / 61 / 21

HEX #C5CA4E

RGB 197 202 78

HSL 62.42, 0.54%, 0.55%

LAB 78.85, -17.62, 59.42

 

CMYK 0 / 14 / 61 / 21

HEX #CAAE4E

RGB 202 174 78

HSL 46.45, 0.54%, 0.55%

LAB 71.81, -1.11, 51.85

 

CMYK 52 / 0 / 61 / 21

HEX #60CA4E

RGB 96 202 78

HSL 111.29, 0.54%, 0.55%

LAB 73.07, -53.97, 51.43

 

CMYK 61 / 0 / 53 / 21

HEX #4ECA5E

RGB 78 202 94

HSL 127.74, 0.54%, 0.55%

LAB 72.67, -56.47, 43.47

 

CMYK 61 / 0 / 37 / 21

HEX #4ECA7F

RGB 78 202 127

HSL 143.71, 0.54%, 0.55%

LAB 73.15, -51.21, 27.5

 

CMYK 61 / 0 / 20 / 21

HEX #4ECAA1

RGB 78 202 161

HSL 160.16, 0.54%, 0.55%

LAB 73.83, -44.14, 10.38

 

CMYK 61 / 0 / 4 / 21

HEX #4ECAC2

RGB 78 202 194

HSL 176.13, 0.54%, 0.55%

LAB 74.67, -35.89, -6.23

 

CMYK 52 / 0 / 61 / 21

HEX #60CA4E

RGB 96 202 78

HSL 111.29, 0.54%, 0.55%

LAB 73.07, -53.97, 51.43

 

CMYK 62 / 0 / 73 / 13

HEX #53DD3C

RGB 83 221 60

HSL 111.43, 0.7%, 0.55%

LAB 78.39, -65.52, 64.06

 

CMYK 71 / 0 / 83 / 6

HEX #46EF29

RGB 70 239 41

HSL 111.21, 0.86%, 0.55%

LAB 83.54, -74.86, 74.39

 

CMYK 52 / 0 / 61 / 21

HEX #60CA4E

RGB 96 202 78

HSL 111.29, 0.54%, 0.55%

LAB 73.07, -53.97, 51.43

 

CMYK 41 / 0 / 47 / 28

HEX #6DB861

RGB 109 184 97

HSL 111.72, 0.38%, 0.55%

LAB 68.31, -40.49, 36.89

 

CMYK 25 / 0 / 30 / 35

HEX #7BA573

RGB 123 165 115

HSL 110.4, 0.22%, 0.55%

LAB 63.64, -24.12, 21.46

 

CMYK 7 / 0 / 9 / 42

HEX #889386

RGB 136 147 134

HSL 110.77, 0.06%, 0.55%

LAB 59.73, -6.53, 5.52

 

CMYK 3 / 16 / 0 / 40

HEX #958099

RGB 149 128 153

HSL 290.4, 0.11%, 0.55%

LAB 56.22, 12.73, -10.42

 

CMYK 19 / 0 / 61 / 21

HEX #A3CA4E

RGB 163 202 78

HSL 78.87, 0.54%, 0.55%

LAB 76.42, -31.33, 56.08

 

CMYK 36 / 0 / 61 / 21

HEX #82CA4E

RGB 130 202 78

HSL 94.84, 0.54%, 0.55%

LAB 74.53, -43.47, 53.46

 

CMYK 52 / 0 / 61 / 21

HEX #61CA4E

RGB 97 202 78

HSL 110.81, 0.54%, 0.55%

LAB 73.11, -53.69, 51.48

 

CMYK 61 / 0 / 54 / 21

HEX #4ECA5D

RGB 78 202 93

HSL 127.26, 0.54%, 0.55%

LAB 72.66, -56.6, 43.94

 

CMYK 61 / 0 / 38 / 21

HEX #4ECA7E

RGB 78 202 126

HSL 143.23, 0.54%, 0.55%

LAB 73.13, -51.39, 28

 

CMYK 60 / 0 / 70 / 40

HEX #3D982E

RGB 61 152 46

HSL 111.51, 0.54%, 0.39%

LAB 55.73, -47.37, 45.79

 

CMYK 60 / 0 / 70 / 28

HEX #4AB837

RGB 74 184 55

HSL 111.16, 0.54%, 0.47%

LAB 66.53, -55.13, 53.66

 

CMYK 52 / 0 / 61 / 21

HEX #60CA4E

RGB 96 202 78

HSL 111.29, 0.54%, 0.55%

LAB 73.07, -53.97, 51.43

 

CMYK 41 / 0 / 48 / 17

HEX #7DD46E

RGB 125 212 110

HSL 111.18, 0.54%, 0.63%

LAB 77.62, -45.79, 42.2

 

CMYK 31 / 0 / 36 / 13

HEX #99DD8E

RGB 153 221 142

HSL 111.65, 0.54%, 0.71%

LAB 82.08, -36.32, 32.16

 

CMYK 52 / 0 / 61 / 20

HEX #61CB4F

RGB 97 203 79

HSL 111.29, 0.54%, 0.55%

LAB 73.43, -53.97, 51.4

 

CMYK 61 / 3 / 0 / 21

HEX #4EC4CA

RGB 78 196 202

HSL 182.9, 0.54%, 0.55%

LAB 73.13, -30.85, -12.86

 

CMYK 0 / 61 / 28 / 21

HEX #CA4E92

RGB 202 78 146

HSL 327.1, 0.54%, 0.55%

LAB 51.93, 56.02, -12.11

 

CMYK 52 / 0 / 61 / 20

HEX #61CB4F

RGB 97 203 79

HSL 111.29, 0.54%, 0.55%

LAB 73.43, -53.97, 51.4

 

CMYK 61 / 52 / 0 / 21

HEX #4E61CA

RGB 78 97 202

HSL 230.81, 0.54%, 0.55%

LAB 44.85, 25.27, -56.95

 

CMYK 0 / 61 / 52 / 21

HEX #CA4E61

RGB 202 78 97

HSL 350.81, 0.54%, 0.55%

LAB 50.53, 50.75, 15.2

 

CMYK 52 / 0 / 61 / 20

HEX #61CB4F

RGB 97 203 79

HSL 111.29, 0.54%, 0.55%

LAB 73.43, -53.97, 51.4

 

CMYK 61 / 3 / 0 / 21

HEX #4EC4CA

RGB 78 196 202

HSL 182.9, 0.54%, 0.55%

LAB 73.13, -30.85, -12.86

 

CMYK 9 / 61 / 0 / 21

HEX #B84ECA

RGB 184 78 202

HSL 291.29, 0.54%, 0.55%

LAB 51.73, 60.03, -45.33

 

CMYK 0 / 58 / 61 / 21

HEX #CA544E

RGB 202 84 78

HSL 2.9, 0.54%, 0.55%

LAB 51.21, 46.55, 27.36

 

CMYK 52 / 0 / 61 / 20

HEX #61CB4F

RGB 97 203 79

HSL 111.29, 0.54%, 0.55%

LAB 73.43, -53.97, 51.4

 

CMYK 61 / 21 / 0 / 21

HEX #4E9FCA

RGB 78 159 202

HSL 200.81, 0.54%, 0.55%

LAB 62.24, -11.82, -29.46

 

CMYK 9 / 61 / 0 / 21

HEX #B84ECA

RGB 184 78 202

HSL 291.29, 0.54%, 0.55%

LAB 51.73, 60.03, -45.33

 

CMYK 0 / 40 / 61 / 21

HEX #CA7A4E

RGB 202 122 78

HSL 21.29, 0.54%, 0.55%

LAB 59, 27.06, 37.01

 

Description

Color code: HEX #61CB4F | qconv.com Color code: HEX #61CB4F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 203 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 203 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 61% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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