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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61B534 it is the complementary color #9E4ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61B534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61B534 shade: #66B52F, #77C742, #88D955, #99EB68 and #AAFD7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61B534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61B534 shade: #61B534, #50A321, #3F910E, #2E7F00 and #1D6D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61B534 shade: #61B534, #84B534, #A7B534, #B5A134 and #B57E34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61B534 shade: #61B534, #3EB534, #34B54D, #34B570 and #34B592

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61B534 shade matches the following richer shades: #61B534, #5CC821 and #56DB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61B534 shade: #61B534, #67A247, #6D8F5A, #737C6D and #786980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61B534 shade: #A6B534, #84B534, #61B534, #3FB534 and #34B54C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61B534 shade: #3F7522, #50952B, #61B534, #76CA49 and #8ED369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61B534 shade: #61B534, #34B5A2 and #B53495

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61B534 shade: #61B534, #3461B5 and #B53461

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61B534 shade: #61B534, #34B5A2, #8834B5 and #B53448

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61B534 shade: #61B534, #34A2B5, #8834B5 and #B54834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

Complementary color

CMYK 22 / 64 / 0 / 20

HEX #9E4ACB

RGB 158 74 203

HSL 279.07, 0.55%, 0.54%

LAB 47.6, 55.89, -52.7

 

CMYK 44 / 0 / 74 / 29

HEX #66B52F

RGB 102 181 47

HSL 95.37, 0.59%, 0.45%

LAB 66.58, -46.57, 57.01

 

CMYK 40 / 0 / 67 / 22

HEX #77C742

RGB 119 199 66

HSL 96.09, 0.54%, 0.52%

LAB 73, -46.95, 56.65

 

CMYK 37 / 0 / 61 / 15

HEX #88D955

RGB 136 217 85

HSL 96.82, 0.63%, 0.59%

LAB 79.34, -47.16, 55.88

 

CMYK 35 / 0 / 56 / 8

HEX #99EB68

RGB 153 235 104

HSL 97.56, 0.77%, 0.66%

LAB 85.6, -47.24, 54.9

 

CMYK 33 / 0 / 51 / 1

HEX #AAFD7B

RGB 170 253 123

HSL 98.31, 0.97%, 0.74%

LAB 91.79, -47.24, 53.83

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 51 / 0 / 80 / 36

HEX #50A321

RGB 80 163 33

HSL 98.31, 0.66%, 0.38%

LAB 59.9, -47.21, 54.89

 

CMYK 57 / 0 / 90 / 43

HEX #3F910E

RGB 63 145 14

HSL 97.56, 0.82%, 0.31%

LAB 53.32, -46.19, 53.65

 

CMYK 64 / 0 / 100 / 50

HEX #2E7F00

RGB 46 127 0

HSL 98.27, 1%, 0.25%

LAB 46.66, -44.6, 50.57

 

CMYK 73 / 0 / 100 / 57

HEX #1D6D00

RGB 29 109 0

HSL 104.04, 1%, 0.21%

LAB 39.91, -42.19, 45.02

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 27 / 0 / 71 / 29

HEX #84B534

RGB 132 181 52

HSL 82.79, 0.55%, 0.46%

LAB 68.17, -35.5, 57.3

 

CMYK 8 / 0 / 71 / 29

HEX #A7B534

RGB 167 181 52

HSL 66.51, 0.55%, 0.46%

LAB 70.53, -21.28, 60.43

 

CMYK 0 / 11 / 71 / 29

HEX #B5A134

RGB 181 161 52

HSL 50.7, 0.55%, 0.46%

LAB 66.18, -4.89, 56.54

 

CMYK 0 / 30 / 71 / 29

HEX #B57E34

RGB 181 126 52

HSL 34.42, 0.55%, 0.46%

LAB 57.07, 14.29, 47.25

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 66 / 0 / 71 / 29

HEX #3EB534

RGB 62 181 52

HSL 115.35, 0.55%, 0.46%

LAB 65.22, -57.05, 53.34

 

CMYK 71 / 0 / 57 / 29

HEX #34B54D

RGB 52 181 77

HSL 131.63, 0.55%, 0.46%

LAB 65.21, -56.27, 42.48

 

CMYK 71 / 0 / 38 / 29

HEX #34B570

RGB 52 181 112

HSL 147.91, 0.55%, 0.46%

LAB 65.71, -50.57, 25.37

 

CMYK 71 / 0 / 19 / 29

HEX #34B592

RGB 52 181 146

HSL 163.72, 0.55%, 0.46%

LAB 66.41, -43.05, 7.88

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 54 / 0 / 84 / 22

HEX #5CC821

RGB 92 200 33

HSL 98.8, 0.72%, 0.46%

LAB 72.02, -57.6, 66.16

 

CMYK 61 / 0 / 94 / 14

HEX #56DB0E

RGB 86 219 14

HSL 98.93, 0.88%, 0.46%

LAB 77.68, -66.23, 74.27

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 36 / 0 / 56 / 36

HEX #67A247

RGB 103 162 71

HSL 98.9, 0.39%, 0.46%

LAB 60.94, -35.98, 40.77

 

CMYK 24 / 0 / 37 / 44

HEX #6D8F5A

RGB 109 143 90

HSL 98.49, 0.23%, 0.46%

LAB 55.72, -22.14, 24.45

 

CMYK 7 / 0 / 12 / 51

HEX #737C6D

RGB 115 124 109

HSL 96, 0.06%, 0.46%

LAB 50.88, -6.35, 7.05

 

CMYK 6 / 18 / 0 / 50

HEX #786980

RGB 120 105 128

HSL 279.13, 0.1%, 0.46%

LAB 46.52, 10.54, -10.56

 

CMYK 8 / 0 / 71 / 29

HEX #A6B534

RGB 166 181 52

HSL 66.98, 0.55%, 0.46%

LAB 70.46, -21.7, 60.33

 

CMYK 27 / 0 / 71 / 29

HEX #84B534

RGB 132 181 52

HSL 82.79, 0.55%, 0.46%

LAB 68.17, -35.5, 57.3

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 65 / 0 / 71 / 29

HEX #3FB534

RGB 63 181 52

HSL 114.88, 0.55%, 0.46%

LAB 65.24, -56.84, 53.38

 

CMYK 71 / 0 / 58 / 29

HEX #34B54C

RGB 52 181 76

HSL 131.16, 0.55%, 0.46%

LAB 65.2, -56.4, 42.94

 

CMYK 46 / 0 / 71 / 54

HEX #3F7522

RGB 63 117 34

HSL 99.04, 0.55%, 0.3%

LAB 44.08, -33.64, 38.59

 

CMYK 46 / 0 / 71 / 42

HEX #50952B

RGB 80 149 43

HSL 99.06, 0.55%, 0.38%

LAB 55.46, -40.89, 46.95

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 42 / 0 / 64 / 21

HEX #76CA49

RGB 118 202 73

HSL 99.07, 0.55%, 0.54%

LAB 73.92, -47.92, 54.75

 

CMYK 33 / 0 / 50 / 17

HEX #8ED369

RGB 142 211 105

HSL 99.06, 0.55%, 0.62%

LAB 78.09, -40.47, 45.37

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 71 / 0 / 10 / 29

HEX #34B5A2

RGB 52 181 162

HSL 171.16, 0.55%, 0.46%

LAB 66.81, -38.91, -0.36

 

CMYK 0 / 71 / 18 / 29

HEX #B53495

RGB 181 52 149

HSL 314.88, 0.55%, 0.46%

LAB 44.87, 60.98, -25

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 71 / 46 / 0 / 29

HEX #3461B5

RGB 52 97 181

HSL 219.07, 0.55%, 0.46%

LAB 42.18, 13.49, -49.12

 

CMYK 0 / 71 / 46 / 29

HEX #B53461

RGB 181 52 97

HSL 339.07, 0.55%, 0.46%

LAB 42.98, 54.82, 4.06

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 71 / 0 / 10 / 29

HEX #34B5A2

RGB 52 181 162

HSL 171.16, 0.55%, 0.46%

LAB 66.81, -38.91, -0.36

 

CMYK 25 / 71 / 0 / 29

HEX #8834B5

RGB 136 52 181

HSL 279.07, 0.55%, 0.46%

LAB 39.62, 56.25, -52.85

 

CMYK 0 / 71 / 60 / 29

HEX #B53448

RGB 181 52 72

HSL 350.7, 0.55%, 0.46%

LAB 42.38, 52.79, 18.82

 

CMYK 46 / 0 / 71 / 29

HEX #61B534

RGB 97 181 52

HSL 99.07, 0.55%, 0.46%

LAB 66.4, -47.82, 54.93

 

CMYK 71 / 10 / 0 / 29

HEX #34A2B5

RGB 52 162 181

HSL 188.84, 0.55%, 0.46%

LAB 61.57, -24.26, -18.78

 

CMYK 25 / 71 / 0 / 29

HEX #8834B5

RGB 136 52 181

HSL 279.07, 0.55%, 0.46%

LAB 39.62, 56.25, -52.85

 

CMYK 0 / 60 / 71 / 29

HEX #B54834

RGB 181 72 52

HSL 9.3, 0.55%, 0.46%

LAB 45.23, 43.04, 34.29

 

Description

Color code: HEX #61B534 | qconv.com Color code: HEX #61B534 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 181 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 181 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 71% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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