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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61A531 it is the complementary color #9E5ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61A531. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61A531 shade: #66A52C, #77B73F, #88C952, #99DB65 and #AAED78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61A531. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61A531 shade: #61A531, #50931E, #3F810B, #2E6F00 and #1D5D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61A531 shade: #61A531, #80A531, #A0A531, #A58B31 and #A56C31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61A531 shade: #61A531, #42A531, #31A540, #31A55F and #31A57E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61A531 shade matches the following richer shades: #61A531, #5EB620 and #5BC80F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61A531 shade: #61A531, #649443, #678254, #6A7165 and #6D6077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61A531 shade: #9FA531, #80A531, #61A531, #43A531 and #31A53F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61A531 shade: #3C651E, #4E8528, #61A531, #74C43B and #8ACE5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61A531 shade: #61A531, #31A58C and #A53190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61A531 shade: #61A531, #3161A5 and #A53161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61A531 shade: #61A531, #31A58C, #7531A5 and #A5314A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61A531 shade: #61A531, #319BA5, #7531A5 and #A53B31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

Complementary color

CMYK 23 / 56 / 0 / 19

HEX #9E5ACE

RGB 158 90 206

HSL 275.17, 0.54%, 0.58%

LAB 50.73, 48.57, -49.41

 

CMYK 38 / 0 / 73 / 35

HEX #66A52C

RGB 102 165 44

HSL 91.24, 0.58%, 0.41%

LAB 61.58, -40.07, 53.13

 

CMYK 35 / 0 / 66 / 28

HEX #77B73F

RGB 119 183 63

HSL 92, 0.49%, 0.48%

LAB 68.13, -40.41, 52.68

 

CMYK 32 / 0 / 59 / 21

HEX #88C952

RGB 136 201 82

HSL 92.77, 0.52%, 0.55%

LAB 74.58, -40.58, 51.84

 

CMYK 30 / 0 / 54 / 14

HEX #99DB65

RGB 153 219 101

HSL 93.56, 0.62%, 0.63%

LAB 80.95, -40.64, 50.82

 

CMYK 28 / 0 / 49 / 7

HEX #AAED78

RGB 170 237 120

HSL 94.36, 0.76%, 0.7%

LAB 87.23, -40.64, 49.71

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 46 / 0 / 80 / 42

HEX #50931E

RGB 80 147 30

HSL 94.36, 0.66%, 0.35%

LAB 54.73, -40.95, 50.97

 

CMYK 51 / 0 / 91 / 49

HEX #3F810B

RGB 63 129 11

HSL 93.56, 0.84%, 0.27%

LAB 47.98, -40.06, 49.7

 

CMYK 59 / 0 / 100 / 56

HEX #2E6F00

RGB 46 111 0

HSL 95.14, 1%, 0.22%

LAB 41.14, -38.59, 46.21

 

CMYK 69 / 0 / 100 / 64

HEX #1D5D00

RGB 29 93 0

HSL 101.29, 1%, 0.18%

LAB 34.17, -36.43, 40.46

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 22 / 0 / 70 / 35

HEX #80A531

RGB 128 165 49

HSL 79.14, 0.54%, 0.42%

LAB 63.11, -29.82, 53.26

 

CMYK 3 / 0 / 70 / 35

HEX #A0A531

RGB 160 165 49

HSL 62.59, 0.54%, 0.42%

LAB 65.44, -16.35, 56.36

 

CMYK 0 / 16 / 70 / 35

HEX #A58B31

RGB 165 139 49

HSL 46.55, 0.54%, 0.42%

LAB 58.68, -0.26, 49.71

 

CMYK 0 / 35 / 70 / 35

HEX #A56C31

RGB 165 108 49

HSL 30.52, 0.54%, 0.42%

LAB 50.62, 17.17, 41.24

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 60 / 0 / 70 / 35

HEX #42A531

RGB 66 165 49

HSL 111.21, 0.54%, 0.42%

LAB 60.15, -50.69, 49.27

 

CMYK 70 / 0 / 61 / 35

HEX #31A540

RGB 49 165 64

HSL 127.76, 0.54%, 0.42%

LAB 59.83, -52.81, 42.29

 

CMYK 70 / 0 / 42 / 35

HEX #31A55F

RGB 49 165 95

HSL 143.79, 0.54%, 0.42%

LAB 60.24, -48.08, 27.19

 

CMYK 70 / 0 / 24 / 35

HEX #31A57E

RGB 49 165 126

HSL 159.83, 0.54%, 0.42%

LAB 60.84, -41.52, 11.05

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 48 / 0 / 82 / 29

HEX #5EB620

RGB 94 182 32

HSL 95.2, 0.7%, 0.42%

LAB 66.47, -50.35, 61.45

 

CMYK 55 / 0 / 93 / 22

HEX #5BC80F

RGB 91 200 15

HSL 95.35, 0.86%, 0.42%

LAB 71.94, -58.45, 69.49

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 32 / 0 / 55 / 42

HEX #649443

RGB 100 148 67

HSL 95.56, 0.38%, 0.42%

LAB 56.38, -31.06, 37.32

 

CMYK 21 / 0 / 35 / 49

HEX #678254

RGB 103 130 84

HSL 95.22, 0.21%, 0.42%

LAB 51.25, -18.63, 21.83

 

CMYK 6 / 0 / 11 / 56

HEX #6A7165

RGB 106 113 101

HSL 95, 0.06%, 0.42%

LAB 46.73, -5.09, 5.75

 

CMYK 8 / 19 / 0 / 53

HEX #6D6077

RGB 109 96 119

HSL 273.91, 0.11%, 0.42%

LAB 42.69, 9.96, -11.02

 

CMYK 4 / 0 / 70 / 35

HEX #9FA531

RGB 159 165 49

HSL 63.1, 0.54%, 0.42%

LAB 65.36, -16.78, 56.25

 

CMYK 22 / 0 / 70 / 35

HEX #80A531

RGB 128 165 49

HSL 79.14, 0.54%, 0.42%

LAB 63.11, -29.82, 53.26

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 59 / 0 / 70 / 35

HEX #43A531

RGB 67 165 49

HSL 110.69, 0.54%, 0.42%

LAB 60.18, -50.44, 49.32

 

CMYK 70 / 0 / 62 / 35

HEX #31A53F

RGB 49 165 63

HSL 127.24, 0.54%, 0.42%

LAB 59.82, -52.94, 42.74

 

CMYK 41 / 0 / 70 / 60

HEX #3C651E

RGB 60 101 30

HSL 94.65, 0.54%, 0.26%

LAB 38.48, -27.77, 34.4

 

CMYK 41 / 0 / 70 / 48

HEX #4E8528

RGB 78 133 40

HSL 95.48, 0.54%, 0.34%

LAB 50.15, -34.93, 42.63

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 41 / 0 / 70 / 23

HEX #74C43B

RGB 116 196 59

HSL 95.04, 0.54%, 0.5%

LAB 71.9, -47.25, 58.19

 

CMYK 33 / 0 / 56 / 19

HEX #8ACE5B

RGB 138 206 91

HSL 95.48, 0.54%, 0.58%

LAB 76.25, -41.18, 49.72

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 70 / 0 / 15 / 35

HEX #31A58C

RGB 49 165 140

HSL 167.07, 0.54%, 0.42%

LAB 61.18, -38.01, 3.7

 

CMYK 0 / 70 / 13 / 35

HEX #A53190

RGB 165 49 144

HSL 310.86, 0.54%, 0.42%

LAB 41.55, 57.31, -27.36

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 70 / 41 / 0 / 35

HEX #3161A5

RGB 49 97 165

HSL 215.17, 0.54%, 0.42%

LAB 41.09, 7.07, -41.45

 

CMYK 0 / 70 / 41 / 35

HEX #A53161

RGB 165 49 97

HSL 335.17, 0.54%, 0.42%

LAB 39.68, 51.19, -1.09

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 70 / 0 / 15 / 35

HEX #31A58C

RGB 49 165 140

HSL 167.07, 0.54%, 0.42%

LAB 61.18, -38.01, 3.7

 

CMYK 29 / 70 / 0 / 35

HEX #7531A5

RGB 117 49 165

HSL 275.17, 0.54%, 0.42%

LAB 35.39, 50.04, -50.3

 

CMYK 0 / 70 / 55 / 35

HEX #A5314A

RGB 165 49 74

HSL 347.07, 0.54%, 0.42%

LAB 39.05, 49.04, 12.57

 

CMYK 41 / 0 / 70 / 35

HEX #61A531

RGB 97 165 49

HSL 95.17, 0.54%, 0.42%

LAB 61.37, -41.46, 50.93

 

CMYK 70 / 6 / 0 / 35

HEX #319BA5

RGB 49 155 165

HSL 185.17, 0.54%, 0.42%

LAB 58.8, -26.12, -13.95

 

CMYK 29 / 70 / 0 / 35

HEX #7531A5

RGB 117 49 165

HSL 275.17, 0.54%, 0.42%

LAB 35.39, 50.04, -50.3

 

CMYK 0 / 64 / 70 / 35

HEX #A53B31

RGB 165 59 49

HSL 5.17, 0.54%, 0.42%

LAB 40.16, 43.1, 29.43

 

Description

Color code: HEX #61A531 | qconv.com Color code: HEX #61A531 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 165 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 165 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 70 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 70% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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