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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61942F it is the complementary color #9E6BD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61942F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61942F shade: #66942A, #77A63D, #88B850, #99CA63 and #AADC76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61942F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61942F shade: #61942F, #50821C, #3F7009, #2E5E00 and #1D4C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61942F shade: #60932F, #7C932F, #93902F, #93752F and #93592F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61942F shade: #60932F, #45932F, #2F9333, #2F934E and #2F9369

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61942F shade matches the following richer shades: #60932F, #60A31F and #60B30F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61942F shade: #60932F, #61843E, #61744E, #61645E and #61556D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61942F shade: #93902F, #7C932F, #61932F, #46932F and #2F9332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61942F shade: #37551B, #4C7425, #60932F, #75B338 and #8AC74D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61942F shade: #61942F, #2F9375 and #932F89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61942F shade: #61942F, #2F6193 and #932F61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61942F shade: #61942F, #2F9375, #612F93 and #932F4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61942F shade: #61942F, #2F9393, #612F93 and #932F2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 68 / 42

HEX #61942F

RGB 97 148 47

HSL 90.3, 0.52%, 0.38%

LAB 56.01, -34.14, 46.15

 

Complementary color

CMYK 24 / 49 / 0 / 18

HEX #9E6BD0

RGB 158 107 208

HSL 270.3, 0.52%, 0.62%

LAB 54.38, 39.84, -44.74

 

CMYK 31 / 0 / 72 / 42

HEX #66942A

RGB 102 148 42

HSL 86.04, 0.56%, 0.37%

LAB 56.26, -32.61, 48.53

 

CMYK 28 / 0 / 63 / 35

HEX #77A63D

RGB 119 166 61

HSL 86.86, 0.46%, 0.45%

LAB 62.95, -32.92, 47.93

 

CMYK 26 / 0 / 57 / 28

HEX #88B850

RGB 136 184 80

HSL 87.69, 0.42%, 0.52%

LAB 69.54, -33.09, 46.98

 

CMYK 24 / 0 / 51 / 21

HEX #99CA63

RGB 153 202 99

HSL 88.54, 0.49%, 0.59%

LAB 76.02, -33.16, 45.89

 

CMYK 23 / 0 / 46 / 14

HEX #AADC76

RGB 170 220 118

HSL 89.41, 0.59%, 0.66%

LAB 82.4, -33.17, 44.74

 

CMYK 34 / 0 / 68 / 42

HEX #61942F

RGB 97 148 47

HSL 90.3, 0.52%, 0.38%

LAB 56.01, -34.14, 46.15

 

CMYK 38 / 0 / 78 / 49

HEX #50821C

RGB 80 130 28

HSL 89.41, 0.65%, 0.31%

LAB 49.2, -33.72, 46.37

 

CMYK 44 / 0 / 92 / 56

HEX #3F7009

RGB 63 112 9

HSL 88.54, 0.85%, 0.24%

LAB 42.25, -32.95, 45.26

 

CMYK 51 / 0 / 100 / 63

HEX #2E5E00

RGB 46 94 0

HSL 90.64, 1%, 0.18%

LAB 35.18, -31.63, 41.52

 

CMYK 62 / 0 / 100 / 70

HEX #1D4C00

RGB 29 76 0

HSL 97.11, 1%, 0.15%

LAB 27.93, -29.74, 35.49

 

CMYK 35 / 0 / 68 / 42

HEX #60932F

RGB 96 147 47

HSL 90.6, 0.52%, 0.38%

LAB 55.64, -34.06, 45.74

 

CMYK 16 / 0 / 68 / 42

HEX #7C932F

RGB 124 147 47

HSL 73.8, 0.52%, 0.38%

LAB 57.42, -22.8, 48.15

 

CMYK 0 / 2 / 68 / 42

HEX #93902F

RGB 147 144 47

HSL 58.2, 0.52%, 0.38%

LAB 58.37, -11.18, 49.71

 

CMYK 0 / 20 / 68 / 42

HEX #93752F

RGB 147 117 47

HSL 42, 0.52%, 0.38%

LAB 50.84, 3.77, 41.83

 

CMYK 0 / 39 / 68 / 42

HEX #93592F

RGB 147 89 47

HSL 25.2, 0.52%, 0.38%

LAB 43.58, 19.92, 33.81

 

CMYK 35 / 0 / 68 / 42

HEX #60932F

RGB 96 147 47

HSL 90.6, 0.52%, 0.38%

LAB 55.64, -34.06, 45.74

 

CMYK 53 / 0 / 68 / 42

HEX #45932F

RGB 69 147 47

HSL 106.8, 0.52%, 0.38%

LAB 54.38, -43.14, 44.02

 

CMYK 68 / 0 / 65 / 42

HEX #2F9333

RGB 47 147 51

HSL 122.4, 0.52%, 0.38%

LAB 53.72, -48.27, 41.33

 

CMYK 68 / 0 / 47 / 42

HEX #2F934E

RGB 47 147 78

HSL 138.6, 0.52%, 0.38%

LAB 54.05, -44.45, 28.27

 

CMYK 68 / 0 / 29 / 42

HEX #2F9369

RGB 47 147 105

HSL 154.8, 0.52%, 0.38%

LAB 54.54, -39.04, 14.02

 

CMYK 35 / 0 / 68 / 42

HEX #60932F

RGB 96 147 47

HSL 90.6, 0.52%, 0.38%

LAB 55.64, -34.06, 45.74

 

CMYK 41 / 0 / 81 / 36

HEX #60A31F

RGB 96 163 31

HSL 90.45, 0.68%, 0.38%

LAB 60.59, -42.09, 56.39

 

CMYK 46 / 0 / 92 / 30

HEX #60B30F

RGB 96 179 15

HSL 90.37, 0.85%, 0.38%

LAB 65.56, -49.15, 64.29

 

CMYK 35 / 0 / 68 / 42

HEX #60932F

RGB 96 147 47

HSL 90.6, 0.52%, 0.38%

LAB 55.64, -34.06, 45.74

 

CMYK 27 / 0 / 53 / 48

HEX #61843E

RGB 97 132 62

HSL 90, 0.36%, 0.38%

LAB 51.14, -25.03, 33.56

 

CMYK 16 / 0 / 33 / 55

HEX #61744E

RGB 97 116 78

HSL 90, 0.2%, 0.38%

LAB 46.42, -14.45, 18.75

 

CMYK 3 / 0 / 6 / 61

HEX #61645E

RGB 97 100 94

HSL 90, 0.03%, 0.38%

LAB 41.94, -2.41, 2.99

 

CMYK 11 / 22 / 0 / 57

HEX #61556D

RGB 97 85 109

HSL 270, 0.12%, 0.38%

LAB 38.1, 10.03, -11.94

 

CMYK 0 / 2 / 68 / 42

HEX #93902F

RGB 147 144 47

HSL 58.2, 0.52%, 0.38%

LAB 58.37, -11.18, 49.71

 

CMYK 16 / 0 / 68 / 42

HEX #7C932F

RGB 124 147 47

HSL 73.8, 0.52%, 0.38%

LAB 57.42, -22.8, 48.15

 

CMYK 34 / 0 / 68 / 42

HEX #61932F

RGB 97 147 47

HSL 90, 0.52%, 0.38%

LAB 55.7, -33.68, 45.81

 

CMYK 52 / 0 / 68 / 42

HEX #46932F

RGB 70 147 47

HSL 106.2, 0.52%, 0.38%

LAB 54.42, -42.84, 44.07

 

CMYK 68 / 0 / 66 / 42

HEX #2F9332

RGB 47 147 50

HSL 121.8, 0.52%, 0.38%

LAB 53.71, -48.38, 41.77

 

CMYK 35 / 0 / 68 / 67

HEX #37551B

RGB 55 85 27

HSL 91.03, 0.52%, 0.22%

LAB 32.68, -22.19, 29.46

 

CMYK 34 / 0 / 68 / 55

HEX #4C7425

RGB 76 116 37

HSL 90.38, 0.52%, 0.3%

LAB 44.46, -28.09, 37.87

 

CMYK 35 / 0 / 68 / 42

HEX #60932F

RGB 96 147 47

HSL 90.6, 0.52%, 0.38%

LAB 55.64, -34.06, 45.74

 

CMYK 35 / 0 / 69 / 30

HEX #75B338

RGB 117 179 56

HSL 90.24, 0.52%, 0.46%

LAB 66.75, -39.93, 54.05

 

CMYK 31 / 0 / 61 / 22

HEX #8AC74D

RGB 138 199 77

HSL 90, 0.52%, 0.54%

LAB 74.05, -39.44, 53.48

 

CMYK 34 / 0 / 68 / 42

HEX #61942F

RGB 97 148 47

HSL 90.3, 0.52%, 0.38%

LAB 56.01, -34.14, 46.15

 

CMYK 68 / 0 / 20 / 42

HEX #2F9375

RGB 47 147 117

HSL 162, 0.52%, 0.38%

LAB 54.82, -36.16, 7.58

 

CMYK 0 / 68 / 7 / 42

HEX #932F89

RGB 147 47 137

HSL 306, 0.52%, 0.38%

LAB 37.92, 52.39, -28.98

 

CMYK 34 / 0 / 68 / 42

HEX #61942F

RGB 97 148 47

HSL 90.3, 0.52%, 0.38%

LAB 56.01, -34.14, 46.15

 

CMYK 68 / 34 / 0 / 42

HEX #2F6193

RGB 47 97 147

HSL 210, 0.52%, 0.38%

LAB 40.02, 0.08, -32.41

 

CMYK 0 / 68 / 34 / 42

HEX #932F61

RGB 147 47 97

HSL 330, 0.52%, 0.38%

LAB 36.17, 46.55, -6.63

 

CMYK 34 / 0 / 68 / 42

HEX #61942F

RGB 97 148 47

HSL 90.3, 0.52%, 0.38%

LAB 56.01, -34.14, 46.15

 

CMYK 68 / 0 / 20 / 42

HEX #2F9375

RGB 47 147 117

HSL 162, 0.52%, 0.38%

LAB 54.82, -36.16, 7.58

 

CMYK 34 / 68 / 0 / 42

HEX #612F93

RGB 97 47 147

HSL 270, 0.52%, 0.38%

LAB 31.07, 42.34, -46.49

 

CMYK 0 / 68 / 48 / 42

HEX #932F4D

RGB 147 47 77

HSL 342, 0.52%, 0.38%

LAB 35.54, 44.32, 5.25

 

CMYK 34 / 0 / 68 / 42

HEX #61942F

RGB 97 148 47

HSL 90.3, 0.52%, 0.38%

LAB 56.01, -34.14, 46.15

 

CMYK 68 / 0 / 0 / 42

HEX #2F9393

RGB 47 147 147

HSL 180, 0.52%, 0.38%

LAB 55.66, -27.89, -8.39

 

CMYK 34 / 68 / 0 / 42

HEX #612F93

RGB 97 47 147

HSL 270, 0.52%, 0.38%

LAB 31.07, 42.34, -46.49

 

CMYK 0 / 68 / 68 / 42

HEX #932F2F

RGB 147 47 47

HSL 0, 0.52%, 0.38%

LAB 34.89, 41.94, 23.52

 

Description

Color code: HEX #61942F | qconv.com Color code: HEX #61942F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 148 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 148 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 68 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 68% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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