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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618D11 it is the complementary color #9E72EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618D11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618D11 shade: #668D0C, #779F1F, #88B132, #99C345 and #AAD558

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618D11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618D11 shade: #618D11, #507B00, #3F6900, #2E5700 and #1D4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618D11 shade: #618D11, #828D11, #8D7611, #8D5511 and #8D3311

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618D11 shade: #618D11, #408D11, #1E8D11, #118D26 and #118D47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618D11 shade matches the following richer shades: #618D11 and #659905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618D11 shade: #618D11, #5D801E, #5A732B, #566638 and #525A45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618D11 shade: #8D7611, #828D11, #628D11, #418D11 and #208D11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618D11 shade: #2E4308, #48680D, #618D11, #7AB116 and #94D61A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618D11 shade: #618D11, #118D55 and #87118D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618D11 shade: #618D11, #11628D and #8D1162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618D11 shade: #618D11, #118D55, #3D118D and #8D1149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618D11 shade: #618D11, #118D7A, #3D118D and #8D1124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

Complementary color

CMYK 34 / 52 / 0 / 7

HEX #9E72EE

RGB 158 114 238

HSL 261.29, 0.78%, 0.69%

LAB 57.54, 43.28, -56.59

 

CMYK 28 / 0 / 91 / 45

HEX #668D0C

RGB 102 141 12

HSL 78.14, 0.84%, 0.3%

LAB 53.92, -30.76, 55.31

 

CMYK 25 / 0 / 81 / 38

HEX #779F1F

RGB 119 159 31

HSL 78.75, 0.67%, 0.37%

LAB 60.62, -31.61, 56.89

 

CMYK 23 / 0 / 72 / 31

HEX #88B132

RGB 136 177 50

HSL 79.37, 0.56%, 0.45%

LAB 67.21, -32.22, 57.16

 

CMYK 22 / 0 / 65 / 24

HEX #99C345

RGB 153 195 69

HSL 80, 0.51%, 0.52%

LAB 73.7, -32.64, 56.73

 

CMYK 20 / 0 / 59 / 16

HEX #AAD558

RGB 170 213 88

HSL 80.64, 0.6%, 0.59%

LAB 80.09, -32.94, 55.94

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 35 / 0 / 100 / 52

HEX #507B00

RGB 80 123 0

HSL 80.98, 1%, 0.24%

LAB 46.81, -31.63, 51.32

 

CMYK 40 / 0 / 100 / 59

HEX #3F6900

RGB 63 105 0

HSL 84, 1%, 0.21%

LAB 39.85, -30.14, 45.53

 

CMYK 47 / 0 / 100 / 66

HEX #2E5700

RGB 46 87 0

HSL 88.28, 1%, 0.17%

LAB 32.69, -28.54, 39.59

 

CMYK 58 / 0 / 100 / 73

HEX #1D4500

RGB 29 69 0

HSL 94.78, 1%, 0.14%

LAB 25.31, -26.75, 33.16

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 8 / 0 / 88 / 45

HEX #828D11

RGB 130 141 17

HSL 65.32, 0.78%, 0.31%

LAB 55.92, -18.52, 56.76

 

CMYK 0 / 16 / 88 / 45

HEX #8D7611

RGB 141 118 17

HSL 48.87, 0.78%, 0.31%

LAB 50.29, -0.93, 52.53

 

CMYK 0 / 40 / 88 / 45

HEX #8D5511

RGB 141 85 17

HSL 32.9, 0.78%, 0.31%

LAB 41.53, 18.16, 45.31

 

CMYK 0 / 64 / 88 / 45

HEX #8D3311

RGB 141 51 17

HSL 16.45, 0.78%, 0.31%

LAB 34.13, 36.62, 39.12

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 55 / 0 / 88 / 45

HEX #408D11

RGB 64 141 17

HSL 97.26, 0.78%, 0.31%

LAB 52.04, -44.27, 51.91

 

CMYK 79 / 0 / 88 / 45

HEX #1E8D11

RGB 30 141 17

HSL 113.71, 0.78%, 0.31%

LAB 51.11, -51.97, 50.74

 

CMYK 88 / 0 / 73 / 45

HEX #118D26

RGB 17 141 38

HSL 130.16, 0.78%, 0.31%

LAB 51.05, -52.12, 43.84

 

CMYK 88 / 0 / 50 / 45

HEX #118D47

RGB 17 141 71

HSL 146.13, 0.78%, 0.31%

LAB 51.41, -47.68, 28.54

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 34 / 0 / 97 / 40

HEX #659905

RGB 101 153 5

HSL 81.08, 0.94%, 0.31%

LAB 57.62, -36.79, 59.39

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 27 / 0 / 77 / 50

HEX #5D801E

RGB 93 128 30

HSL 81.43, 0.62%, 0.31%

LAB 49.32, -27.52, 46.04

 

CMYK 22 / 0 / 63 / 55

HEX #5A732B

RGB 90 115 43

HSL 80.83, 0.46%, 0.31%

LAB 45.09, -21.29, 36

 

CMYK 16 / 0 / 45 / 60

HEX #566638

RGB 86 102 56

HSL 80.87, 0.29%, 0.31%

LAB 40.84, -14.59, 23.97

 

CMYK 9 / 0 / 23 / 65

HEX #525A45

RGB 82 90 69

HSL 82.86, 0.13%, 0.31%

LAB 37, -7.41, 11.11

 

CMYK 0 / 16 / 88 / 45

HEX #8D7611

RGB 141 118 17

HSL 48.87, 0.78%, 0.31%

LAB 50.29, -0.93, 52.53

 

CMYK 8 / 0 / 88 / 45

HEX #828D11

RGB 130 141 17

HSL 65.32, 0.78%, 0.31%

LAB 55.92, -18.52, 56.76

 

CMYK 30 / 0 / 88 / 45

HEX #628D11

RGB 98 141 17

HSL 80.81, 0.78%, 0.31%

LAB 53.69, -32.24, 53.99

 

CMYK 54 / 0 / 88 / 45

HEX #418D11

RGB 65 141 17

HSL 96.77, 0.78%, 0.31%

LAB 52.08, -43.97, 51.96

 

CMYK 77 / 0 / 88 / 45

HEX #208D11

RGB 32 141 17

HSL 112.74, 0.78%, 0.31%

LAB 51.15, -51.66, 50.79

 

CMYK 31 / 0 / 88 / 74

HEX #2E4308

RGB 46 67 8

HSL 81.36, 0.79%, 0.15%

LAB 25.6, -18.24, 30.52

 

CMYK 31 / 0 / 88 / 59

HEX #48680D

RGB 72 104 13

HSL 81.1, 0.78%, 0.23%

LAB 40.09, -25.48, 42.59

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 31 / 0 / 88 / 31

HEX #7AB116

RGB 122 177 22

HSL 81.29, 0.78%, 0.39%

LAB 66.24, -38.94, 64.12

 

CMYK 31 / 0 / 88 / 16

HEX #94D61A

RGB 148 214 26

HSL 81.06, 0.78%, 0.47%

LAB 78.73, -45.07, 74.41

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 88 / 0 / 40 / 45

HEX #118D55

RGB 17 141 85

HSL 152.9, 0.78%, 0.31%

LAB 51.64, -45, 21.21

 

CMYK 4 / 88 / 0 / 45

HEX #87118D

RGB 135 17 141

HSL 297.1, 0.78%, 0.31%

LAB 32.86, 59.58, -39.59

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 88 / 30 / 0 / 45

HEX #11628D

RGB 17 98 141

HSL 200.81, 0.78%, 0.31%

LAB 39.2, -6.67, -30.14

 

CMYK 0 / 88 / 30 / 45

HEX #8D1162

RGB 141 17 98

HSL 320.81, 0.78%, 0.31%

LAB 31.68, 54.64, -14.18

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 88 / 0 / 40 / 45

HEX #118D55

RGB 17 141 85

HSL 152.9, 0.78%, 0.31%

LAB 51.64, -45, 21.21

 

CMYK 57 / 88 / 0 / 45

HEX #3D118D

RGB 61 17 141

HSL 261.29, 0.78%, 0.31%

LAB 21.27, 48.27, -58.98

 

CMYK 0 / 88 / 48 / 45

HEX #8D1149

RGB 141 17 73

HSL 332.9, 0.78%, 0.31%

LAB 30.75, 52.01, 0.81

 

CMYK 31 / 0 / 88 / 45

HEX #618D11

RGB 97 141 17

HSL 81.29, 0.78%, 0.31%

LAB 53.63, -32.64, 53.92

 

CMYK 88 / 0 / 13 / 45

HEX #118D7A

RGB 17 141 122

HSL 170.81, 0.78%, 0.31%

LAB 52.48, -35.79, 1.27

 

CMYK 57 / 88 / 0 / 45

HEX #3D118D

RGB 61 17 141

HSL 261.29, 0.78%, 0.31%

LAB 21.27, 48.27, -58.98

 

CMYK 0 / 88 / 74 / 45

HEX #8D1124

RGB 141 17 36

HSL 350.81, 0.78%, 0.31%

LAB 29.89, 49.53, 24.17

 

Description

Color code: HEX #618D11 | qconv.com Color code: HEX #618D11 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 141 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 141 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 88 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 88% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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