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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618CCB it is the complementary color #9E7334. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618CCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618CCB shade: #668CC6, #779ED9, #88B0EC, #99C2FF and #AAD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618CCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618CCB shade: #618CCB, #507AB8, #3F68A5, #2E5692 and #1D447F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618CCB shade: #628DCB, #6270CB, #7062CB, #8C62CB and #A962CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618CCB shade: #628DCB, #6270CB and #6262CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618CCB shade matches the following richer shades: #628DCB, #5189DC, #4086ED and #2F83FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618CCB shade: #628DCB, #7390BA, #8493A9, #959698 and #A69987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618CCB shade: #62C5CB, #62AACB, #628ECB, #6272CB and #6E62CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618CCB shade: #3763A4, #4376C0, #628DCB, #81A3D5 and #A0BADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618CCB shade: #618CCB, #B462CB and #B8CB62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618CCB shade: #618CCB, #CB628E and #8ECB62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618CCB shade: #618CCB, #B462CB, #CB9F62 and #79CB62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618CCB shade: #618CCB, #CB62C2, #CB9F62 and #62CB6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 31 / 0 / 20

HEX #618CCB

RGB 97 140 203

HSL 215.66, 0.5%, 0.59%

LAB 57.66, 3.21, -37.07

 

Complementary color

CMYK 0 / 27 / 67 / 38

HEX #9E7334

RGB 158 115 52

HSL 35.66, 0.5%, 0.41%

LAB 51.59, 10.24, 40.56

 

CMYK 48 / 29 / 0 / 22

HEX #668CC6

RGB 102 140 198

HSL 216.25, 0.46%, 0.59%

LAB 57.71, 2.85, -34.16

 

CMYK 45 / 27 / 0 / 15

HEX #779ED9

RGB 119 158 217

HSL 216.12, 0.56%, 0.66%

LAB 64.47, 2.27, -34.18

 

CMYK 42 / 25 / 0 / 7

HEX #88B0EC

RGB 136 176 236

HSL 216, 0.72%, 0.73%

LAB 71.11, 1.78, -34.25

 

CMYK 40 / 24 / 0 / 0

HEX #99C2FF

RGB 153 194 255

HSL 215.88, 1%, 0.8%

LAB 77.62, 1.36, -34.33

 

CMYK 33 / 17 / 0 / 0

HEX #AAD4FF

RGB 170 212 255

HSL 210.35, 1%, 0.83%

LAB 83.36, -3.78, -25.44

 

CMYK 52 / 31 / 0 / 20

HEX #618CCB

RGB 97 140 203

HSL 215.66, 0.5%, 0.59%

LAB 57.66, 3.21, -37.07

 

CMYK 57 / 34 / 0 / 28

HEX #507AB8

RGB 80 122 184

HSL 215.77, 0.42%, 0.52%

LAB 50.79, 4.07, -37.1

 

CMYK 62 / 37 / 0 / 35

HEX #3F68A5

RGB 63 104 165

HSL 215.88, 0.45%, 0.45%

LAB 43.76, 5.15, -37.17

 

CMYK 68 / 41 / 0 / 43

HEX #2E5692

RGB 46 86 146

HSL 216, 0.52%, 0.38%

LAB 36.58, 6.57, -37.26

 

CMYK 77 / 46 / 0 / 50

HEX #1D447F

RGB 29 68 127

HSL 216.12, 0.63%, 0.31%

LAB 29.23, 8.51, -37.36

 

CMYK 52 / 31 / 0 / 20

HEX #628DCB

RGB 98 141 203

HSL 215.43, 0.5%, 0.59%

LAB 58, 2.86, -36.55

 

CMYK 52 / 45 / 0 / 20

HEX #6270CB

RGB 98 112 203

HSL 232, 0.5%, 0.59%

LAB 50.09, 20.29, -49.04

 

CMYK 45 / 52 / 0 / 20

HEX #7062CB

RGB 112 98 203

HSL 248, 0.5%, 0.59%

LAB 47.61, 32, -52.94

 

CMYK 31 / 52 / 0 / 20

HEX #8C62CB

RGB 140 98 203

HSL 264, 0.5%, 0.59%

LAB 50.24, 38.89, -48.59

 

CMYK 17 / 52 / 0 / 20

HEX #A962CB

RGB 169 98 203

HSL 280.57, 0.5%, 0.59%

LAB 53.47, 46.6, -43.26

 

CMYK 52 / 31 / 0 / 20

HEX #628DCB

RGB 98 141 203

HSL 215.43, 0.5%, 0.59%

LAB 58, 2.86, -36.55

 

CMYK 52 / 45 / 0 / 20

HEX #6270CB

RGB 98 112 203

HSL 232, 0.5%, 0.59%

LAB 50.09, 20.29, -49.04

 

CMYK 52 / 52 / 0 / 20

HEX #6262CB

RGB 98 98 203

HSL 240, 0.5%, 0.59%

LAB 46.5, 28.89, -54.78

 

CMYK 52 / 31 / 0 / 20

HEX #628DCB

RGB 98 141 203

HSL 215.43, 0.5%, 0.59%

LAB 58, 2.86, -36.55

 

CMYK 63 / 38 / 0 / 14

HEX #5189DC

RGB 81 137 220

HSL 215.83, 0.67%, 0.59%

LAB 56.89, 7.28, -47.9

 

CMYK 73 / 43 / 0 / 7

HEX #4086ED

RGB 64 134 237

HSL 215.72, 0.83%, 0.59%

LAB 56.34, 12.45, -58.29

 

CMYK 81 / 48 / 0 / 1

HEX #2F83FD

RGB 47 131 253

HSL 215.53, 0.98%, 0.59%

LAB 56.02, 18.34, -67.69

 

CMYK 52 / 31 / 0 / 20

HEX #628DCB

RGB 98 141 203

HSL 215.43, 0.5%, 0.59%

LAB 58, 2.86, -36.55

 

CMYK 38 / 23 / 0 / 27

HEX #7390BA

RGB 115 144 186

HSL 215.49, 0.34%, 0.59%

LAB 59.1, 0.48, -25.15

 

CMYK 22 / 13 / 0 / 34

HEX #8493A9

RGB 132 147 169

HSL 215.68, 0.18%, 0.59%

LAB 60.46, -0.44, -13.34

 

CMYK 2 / 1 / 0 / 40

HEX #959698

RGB 149 150 152

HSL 220, 0.01%, 0.59%

LAB 62.06, 0.03, -1.19

 

CMYK 0 / 8 / 19 / 35

HEX #A69987

RGB 166 153 135

HSL 34.84, 0.15%, 0.59%

LAB 63.87, 1.72, 11.19

 

CMYK 52 / 3 / 0 / 20

HEX #62C5CB

RGB 98 197 203

HSL 183.43, 0.5%, 0.59%

LAB 74.09, -27.28, -11.91

 

CMYK 52 / 16 / 0 / 20

HEX #62AACB

RGB 98 170 203

HSL 198.86, 0.5%, 0.59%

LAB 66.26, -13.4, -23.76

 

CMYK 52 / 30 / 0 / 20

HEX #628ECB

RGB 98 142 203

HSL 214.86, 0.5%, 0.59%

LAB 58.28, 2.27, -36.11

 

CMYK 52 / 44 / 0 / 20

HEX #6272CB

RGB 98 114 203

HSL 230.86, 0.5%, 0.59%

LAB 50.62, 19.06, -48.19

 

CMYK 46 / 52 / 0 / 20

HEX #6E62CB

RGB 110 98 203

HSL 246.86, 0.5%, 0.59%

LAB 47.45, 31.54, -53.22

 

CMYK 66 / 40 / 0 / 36

HEX #3763A4

RGB 55 99 164

HSL 215.78, 0.5%, 0.43%

LAB 41.87, 6.43, -39.6

 

CMYK 65 / 39 / 0 / 25

HEX #4376C0

RGB 67 118 192

HSL 215.52, 0.5%, 0.51%

LAB 49.44, 6.68, -43.87

 

CMYK 52 / 31 / 0 / 20

HEX #628DCB

RGB 98 141 203

HSL 215.43, 0.5%, 0.59%

LAB 58, 2.86, -36.55

 

CMYK 39 / 23 / 0 / 16

HEX #81A3D5

RGB 129 163 213

HSL 215.71, 0.5%, 0.67%

LAB 66.26, 0.91, -29.15

 

CMYK 28 / 17 / 0 / 13

HEX #A0BADF

RGB 160 186 223

HSL 215.24, 0.5%, 0.75%

LAB 74.77, -0.49, -21.42

 

CMYK 52 / 31 / 0 / 20

HEX #618CCB

RGB 97 140 203

HSL 215.66, 0.5%, 0.59%

LAB 57.66, 3.21, -37.07

 

CMYK 11 / 52 / 0 / 20

HEX #B462CB

RGB 180 98 203

HSL 286.86, 0.5%, 0.59%

LAB 54.81, 49.6, -41.05

 

CMYK 9 / 0 / 52 / 20

HEX #B8CB62

RGB 184 203 98

HSL 70.86, 0.5%, 0.59%

LAB 78.34, -21.81, 49.62

 

CMYK 52 / 31 / 0 / 20

HEX #618CCB

RGB 97 140 203

HSL 215.66, 0.5%, 0.59%

LAB 57.66, 3.21, -37.07

 

CMYK 0 / 52 / 30 / 20

HEX #CB628E

RGB 203 98 142

HSL 334.86, 0.5%, 0.59%

LAB 55.47, 46.47, -4.45

 

CMYK 30 / 0 / 52 / 20

HEX #8ECB62

RGB 142 203 98

HSL 94.86, 0.5%, 0.59%

LAB 75.67, -37.7, 45.79

 

CMYK 52 / 31 / 0 / 20

HEX #618CCB

RGB 97 140 203

HSL 215.66, 0.5%, 0.59%

LAB 57.66, 3.21, -37.07

 

CMYK 11 / 52 / 0 / 20

HEX #B462CB

RGB 180 98 203

HSL 286.86, 0.5%, 0.59%

LAB 54.81, 49.6, -41.05

 

CMYK 0 / 22 / 52 / 20

HEX #CB9F62

RGB 203 159 98

HSL 34.86, 0.5%, 0.59%

LAB 68.3, 8.93, 37.87

 

CMYK 40 / 0 / 52 / 20

HEX #79CB62

RGB 121 203 98

HSL 106.86, 0.5%, 0.59%

LAB 74.61, -44.74, 44.27

 

CMYK 52 / 31 / 0 / 20

HEX #618CCB

RGB 97 140 203

HSL 215.66, 0.5%, 0.59%

LAB 57.66, 3.21, -37.07

 

CMYK 0 / 52 / 4 / 20

HEX #CB62C2

RGB 203 98 194

HSL 305.14, 0.5%, 0.59%

LAB 57.39, 54.35, -31.66

 

CMYK 0 / 22 / 52 / 20

HEX #CB9F62

RGB 203 159 98

HSL 34.86, 0.5%, 0.59%

LAB 68.3, 8.93, 37.87

 

CMYK 52 / 0 / 47 / 20

HEX #62CB6B

RGB 98 203 107

HSL 125.14, 0.5%, 0.59%

LAB 73.79, -50.22, 38.65

 

Description

Color code: HEX #618CCB | qconv.com Color code: HEX #618CCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 140 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 140 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 31 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 31% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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