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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618AF03F it is the complementary color #9E750F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618AF03F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618AF03F shade: #668AEB3F, #779CFE3F, #88AEFF3F, #99C0FF3F and #AAD2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618AF03F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618AF03F shade: #618AF03F, #5078DD3F, #3F66CA3F, #2E54B73F and #1D42A43F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618AF03F shade: #608AF0, #6063F0, #8560F0, #AC60F0 and #D260F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618AF03F shade: #608AF0, #6063F0 and #6060F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618AF03F shade matches the following richer shades: #608AF0 and #5284FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618AF03F shade: #608AF0, #6E90E2, #7C96D4, #8A9CC6 and #98A2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618AF03F shade: #60D8F0, #60B2F0, #608CF0, #6065F0 and #8260F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618AF03F shade: #1652E8, #3B6EED, #608AF0, #86A6F4 and #ACC1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618AF03F shade: #618AF0, #E260F0 and #C5F060

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618AF03F shade: #618AF0, #F0608C and #8CF060

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618AF03F shade: #618AF0, #E260F0, #F0C560 and #6FF060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618AF03F shade: #618AF0, #F060D3, #F0C560 and #60F07D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 11 / 0 / 1

HEX #618AF03F

RGBA 97 138 240 0.25

HSLA 222.8, 0.83%, 0.66%, 0.25

LABA 58.98, 16.27, -55.65, 0.25

 

Complementary color

CMYK 0 / 6 / 23 / 10

HEX #9E750F3F

RGBA 158 117 15 0.25

HSLA 42.8, 0.83%, 0.34%, 0.25

LABA 51.87, 7.56, 55.07, 0.25

 

CMYK 14 / 10 / 0 / 2

HEX #668AEB3F

RGBA 102 138 235 0.25

HSLA 223.76, 0.77%, 0.66%, 0.25

LABA 58.97, 15.61, -52.88, 0.25

 

CMYK 13 / 10 / 0 / 0

HEX #779CFE3F

RGBA 119 156 254 0.25

HSLA 223.56, 0.99%, 0.73%, 0.25

LABA 65.64, 14.47, -52.69, 0.25

 

CMYK 12 / 8 / 0 / 0

HEX #88AEFF3F

RGBA 136 174 255 0.25

HSLA 220.84, 1%, 0.77%, 0.25

LABA 71.37, 8.25, -44.14, 0.25

 

CMYK 10 / 6 / 0 / 0

HEX #99C0FF3F

RGBA 153 192 255 0.25

HSLA 217.06, 1%, 0.8%, 0.25

LABA 77.1, 2.45, -35.15, 0.25

 

CMYK 8 / 4 / 0 / 0

HEX #AAD2FF3F

RGBA 170 210 255 0.25

HSLA 211.76, 1%, 0.83%, 0.25

LABA 82.84, -2.73, -26.24, 0.25

 

CMYK 15 / 11 / 0 / 1

HEX #618AF03F

RGBA 97 138 240 0.25

HSLA 222.8, 0.83%, 0.66%, 0.25

LABA 58.98, 16.27, -55.65, 0.25

 

CMYK 16 / 11 / 0 / 3

HEX #5078DD3F

RGBA 80 120 221 0.25

HSLA 222.98, 0.67%, 0.59%, 0.25

LABA 52.24, 17.78, -55.87, 0.25

 

CMYK 17 / 12 / 0 / 5

HEX #3F66CA3F

RGBA 63 102 202 0.25

HSLA 223.17, 0.57%, 0.52%, 0.25

LABA 45.39, 19.62, -56.11, 0.25

 

CMYK 19 / 14 / 0 / 7

HEX #2E54B73F

RGBA 46 84 183 0.25

HSLA 223.36, 0.6%, 0.45%, 0.25

LABA 38.45, 21.9, -56.33, 0.25

 

CMYK 21 / 15 / 0 / 9

HEX #1D42A43F

RGBA 29 66 164 0.25

HSLA 223.56, 0.7%, 0.38%, 0.25

LABA 31.44, 24.74, -56.46, 0.25

 

CMYK 60 / 43 / 0 / 6

HEX #608AF0

RGB 96 138 240

HSL 222.5, 0.83%, 0.66%

LAB 58.93, 16.08, -55.74

 

CMYK 60 / 59 / 0 / 6

HEX #6063F0

RGB 96 99 240

HSL 238.75, 0.83%, 0.66%

LAB 49.13, 39.68, -71.52

 

CMYK 45 / 60 / 0 / 6

HEX #8560F0

RGB 133 96 240

HSL 255.42, 0.83%, 0.66%

LAB 51.43, 48.2, -67.65

 

CMYK 28 / 60 / 0 / 6

HEX #AC60F0

RGB 172 96 240

HSL 271.67, 0.83%, 0.66%

LAB 55.51, 56.6, -60.87

 

CMYK 13 / 60 / 0 / 6

HEX #D260F0

RGB 210 96 240

HSL 287.5, 0.83%, 0.66%

LAB 60.21, 65.45, -53.09

 

CMYK 60 / 43 / 0 / 6

HEX #608AF0

RGB 96 138 240

HSL 222.5, 0.83%, 0.66%

LAB 58.93, 16.08, -55.74

 

CMYK 60 / 59 / 0 / 6

HEX #6063F0

RGB 96 99 240

HSL 238.75, 0.83%, 0.66%

LAB 49.13, 39.68, -71.52

 

CMYK 60 / 60 / 0 / 6

HEX #6060F0

RGB 96 96 240

HSL 240, 0.83%, 0.66%

LAB 48.44, 41.46, -72.65

 

CMYK 60 / 43 / 0 / 6

HEX #608AF0

RGB 96 138 240

HSL 222.5, 0.83%, 0.66%

LAB 58.93, 16.08, -55.74

 

CMYK 68 / 48 / 0 / 0

HEX #5284FE

RGB 82 132 254

HSL 222.56, 0.99%, 0.66%

LAB 57.51, 22.12, -65.77

 

CMYK 60 / 43 / 0 / 6

HEX #608AF0

RGB 96 138 240

HSL 222.5, 0.83%, 0.66%

LAB 58.93, 16.08, -55.74

 

CMYK 51 / 36 / 0 / 11

HEX #6E90E2

RGB 110 144 226

HSL 222.41, 0.67%, 0.66%

LAB 60.56, 10.92, -45.34

 

CMYK 42 / 29 / 0 / 17

HEX #7C96D4

RGB 124 150 212

HSL 222.27, 0.51%, 0.66%

LAB 62.38, 6.7, -34.63

 

CMYK 30 / 21 / 0 / 22

HEX #8A9CC6

RGB 138 156 198

HSL 222, 0.34%, 0.66%

LAB 64.37, 3.45, -23.68

 

CMYK 17 / 12 / 0 / 28

HEX #98A2B8

RGB 152 162 184

HSL 221.25, 0.18%, 0.66%

LAB 66.5, 1.13, -12.54

 

CMYK 60 / 10 / 0 / 6

HEX #60D8F0

RGB 96 216 240

HSL 190, 0.83%, 0.66%

LAB 80.68, -26.7, -21.87

 

CMYK 60 / 26 / 0 / 6

HEX #60B2F0

RGB 96 178 240

HSL 205.83, 0.83%, 0.66%

LAB 69.91, -6.95, -38.43

 

CMYK 60 / 42 / 0 / 6

HEX #608CF0

RGB 96 140 240

HSL 221.67, 0.83%, 0.66%

LAB 59.47, 14.89, -54.89

 

CMYK 60 / 58 / 0 / 6

HEX #6065F0

RGB 96 101 240

HSL 237.92, 0.83%, 0.66%

LAB 49.6, 38.48, -70.76

 

CMYK 46 / 60 / 0 / 6

HEX #8260F0

RGB 130 96 240

HSL 254.17, 0.83%, 0.66%

LAB 51.16, 47.6, -68.12

 

CMYK 91 / 65 / 0 / 9

HEX #1652E8

RGB 22 82 232

HSL 222.86, 0.83%, 0.5%

LAB 41.27, 39.84, -80.01

 

CMYK 75 / 54 / 0 / 7

HEX #3B6EED

RGB 59 110 237

HSL 222.81, 0.83%, 0.58%

LAB 49.73, 26.73, -68.95

 

CMYK 60 / 43 / 0 / 6

HEX #608AF0

RGB 96 138 240

HSL 222.5, 0.83%, 0.66%

LAB 58.93, 16.08, -55.74

 

CMYK 45 / 32 / 0 / 4

HEX #86A6F4

RGB 134 166 244

HSL 222.55, 0.83%, 0.74%

LAB 68.66, 9.15, -42.42

 

CMYK 30 / 22 / 0 / 3

HEX #ACC1F7

RGB 172 193 247

HSL 223.2, 0.82%, 0.82%

LAB 78.24, 4.99, -29

 

CMYK 60 / 43 / 0 / 6

HEX #618AF0

RGB 97 138 240

HSL 222.8, 0.83%, 0.66%

LAB 58.98, 16.27, -55.65

 

CMYK 6 / 60 / 0 / 6

HEX #E260F0

RGB 226 96 240

HSL 294.17, 0.83%, 0.66%

LAB 62.36, 69.27, -49.54

 

CMYK 18 / 0 / 60 / 6

HEX #C5F060

RGB 197 240 96

HSL 77.92, 0.83%, 0.66%

LAB 89.41, -34.44, 63.35

 

CMYK 60 / 43 / 0 / 6

HEX #618AF0

RGB 97 138 240

HSL 222.8, 0.83%, 0.66%

LAB 58.98, 16.27, -55.65

 

CMYK 0 / 60 / 42 / 6

HEX #F0608C

RGB 240 96 140

HSL 341.67, 0.83%, 0.66%

LAB 60.59, 59.14, 4.87

 

CMYK 42 / 0 / 60 / 6

HEX #8CF060

RGB 140 240 96

HSL 101.67, 0.83%, 0.66%

LAB 86.38, -54.23, 59.13

 

CMYK 60 / 43 / 0 / 6

HEX #618AF0

RGB 97 138 240

HSL 222.8, 0.83%, 0.66%

LAB 58.98, 16.27, -55.65

 

CMYK 6 / 60 / 0 / 6

HEX #E260F0

RGB 226 96 240

HSL 294.17, 0.83%, 0.66%

LAB 62.36, 69.27, -49.54

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 54 / 0 / 60 / 6

HEX #6FF060

RGB 111 240 96

HSL 113.75, 0.83%, 0.66%

LAB 85.27, -62.37, 57.59

 

CMYK 60 / 43 / 0 / 6

HEX #618AF0

RGB 97 138 240

HSL 222.8, 0.83%, 0.66%

LAB 58.98, 16.27, -55.65

 

CMYK 0 / 60 / 12 / 6

HEX #F060D3

RGB 240 96 211

HSL 312.08, 0.83%, 0.66%

LAB 63.01, 68.07, -32.18

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 60 / 0 / 48 / 6

HEX #60F07D

RGB 96 240 125

HSL 132.08, 0.83%, 0.66%

LAB 85.14, -62.25, 44.09

 

Description

Color code: HEX #618AF03F | qconv.com Color code: HEX #618AF03F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 138 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 138 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 11 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 11% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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