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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618AE33F it is the complementary color #9E751C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618AE33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618AE33F shade: #668ADE3F, #779CF13F, #88AEFF3F, #99C0FF3F and #AAD2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618AE33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618AE33F shade: #618AE33F, #5078D03F, #3F66BD3F, #2E54AA3F and #1D42973F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618AE33F shade: #638BE3, #6369E3, #8063E3, #A263E3 and #C563E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618AE33F shade: #638BE3, #6369E3 and #6363E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618AE33F shade matches the following richer shades: #638BE3 and #5486F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618AE33F shade: #638BE3, #7291D5, #8196C6, #8F9CB7 and #9EA1A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618AE33F shade: #63D0E3, #63AEE3, #638CE3, #6369E3 and #7F63E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618AE33F shade: #255ACF, #4072DD, #638BE3, #86A5EA and #A9BFF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618AE33F shade: #618AE3, #D463E3 and #BFE363

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618AE33F shade: #618AE3, #E3638C and #8CE363

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618AE33F shade: #618AE3, #D463E3, #E3BB63 and #72E363

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618AE33F shade: #618AE3, #E363CC, #E3BB63 and #63E37B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 10 / 0 / 3

HEX #618AE33F

RGBA 97 138 227 0.25

HSLA 221.08, 0.7%, 0.64%, 0.25

LABA 58.29, 12.03, -49.54, 0.25

 

Complementary color

CMYK 0 / 6 / 21 / 10

HEX #9E751C3F

RGBA 158 117 28 0.25

HSLA 41.08, 0.7%, 0.36%, 0.25

LABA 51.92, 7.92, 51.27, 0.25

 

CMYK 14 / 9 / 0 / 3

HEX #668ADE3F

RGBA 102 138 222 0.25

HSLA 222, 0.65%, 0.64%, 0.25

LABA 58.3, 11.46, -46.72, 0.25

 

CMYK 13 / 9 / 0 / 1

HEX #779CF13F

RGBA 119 156 241 0.25

HSLA 221.8, 0.81%, 0.71%, 0.25

LABA 65, 10.51, -46.59, 0.25

 

CMYK 12 / 8 / 0 / 0

HEX #88AEFF3F

RGBA 136 174 255 0.25

HSLA 220.84, 1%, 0.77%, 0.25

LABA 71.37, 8.25, -44.14, 0.25

 

CMYK 10 / 6 / 0 / 0

HEX #99C0FF3F

RGBA 153 192 255 0.25

HSLA 217.06, 1%, 0.8%, 0.25

LABA 77.1, 2.45, -35.15, 0.25

 

CMYK 8 / 4 / 0 / 0

HEX #AAD2FF3F

RGBA 170 210 255 0.25

HSLA 211.76, 1%, 0.83%, 0.25

LABA 82.84, -2.73, -26.24, 0.25

 

CMYK 14 / 10 / 0 / 3

HEX #618AE33F

RGBA 97 138 227 0.25

HSLA 221.08, 0.7%, 0.64%, 0.25

LABA 58.29, 12.03, -49.54, 0.25

 

CMYK 15 / 11 / 0 / 5

HEX #5078D03F

RGBA 80 120 208 0.25

HSLA 221.25, 0.58%, 0.56%, 0.25

LABA 51.49, 13.33, -49.72, 0.25

 

CMYK 17 / 12 / 0 / 6

HEX #3F66BD3F

RGBA 63 102 189 0.25

HSLA 221.43, 0.5%, 0.49%, 0.25

LABA 44.57, 14.94, -49.93, 0.25

 

CMYK 18 / 13 / 0 / 8

HEX #2E54AA3F

RGBA 46 84 170 0.25

HSLA 221.61, 0.57%, 0.42%, 0.25

LABA 37.52, 16.97, -50.14, 0.25

 

CMYK 20 / 14 / 0 / 10

HEX #1D42973F

RGBA 29 66 151 0.25

HSLA 221.8, 0.68%, 0.35%, 0.25

LABA 30.38, 19.58, -50.3, 0.25

 

CMYK 56 / 39 / 0 / 11

HEX #638BE3

RGB 99 139 227

HSL 221.25, 0.7%, 0.64%

LAB 58.66, 11.83, -48.94

 

CMYK 56 / 54 / 0 / 11

HEX #6369E3

RGB 99 105 227

HSL 237.19, 0.7%, 0.64%

LAB 49.86, 32.42, -63.03

 

CMYK 44 / 56 / 0 / 11

HEX #8063E3

RGB 128 99 227

HSL 253.59, 0.7%, 0.64%

LAB 50.76, 41.87, -61.47

 

CMYK 29 / 56 / 0 / 11

HEX #A263E3

RGB 162 99 227

HSL 269.53, 0.7%, 0.64%

LAB 54.19, 49.7, -55.77

 

CMYK 13 / 56 / 0 / 11

HEX #C563E3

RGB 197 99 227

HSL 285.94, 0.7%, 0.64%

LAB 58.36, 58.36, -48.88

 

CMYK 56 / 39 / 0 / 11

HEX #638BE3

RGB 99 139 227

HSL 221.25, 0.7%, 0.64%

LAB 58.66, 11.83, -48.94

 

CMYK 56 / 54 / 0 / 11

HEX #6369E3

RGB 99 105 227

HSL 237.19, 0.7%, 0.64%

LAB 49.86, 32.42, -63.03

 

CMYK 56 / 56 / 0 / 11

HEX #6363E3

RGB 99 99 227

HSL 240, 0.7%, 0.64%

LAB 48.41, 36.05, -65.37

 

CMYK 56 / 39 / 0 / 11

HEX #638BE3

RGB 99 139 227

HSL 221.25, 0.7%, 0.64%

LAB 58.66, 11.83, -48.94

 

CMYK 65 / 45 / 0 / 5

HEX #5486F2

RGB 84 134 242

HSL 221.01, 0.86%, 0.64%

LAB 57.41, 17.09, -59.31

 

CMYK 56 / 39 / 0 / 11

HEX #638BE3

RGB 99 139 227

HSL 221.25, 0.7%, 0.64%

LAB 58.66, 11.83, -48.94

 

CMYK 46 / 32 / 0 / 16

HEX #7291D5

RGB 114 145 213

HSL 221.21, 0.54%, 0.64%

LAB 60.46, 7.35, -38.25

 

CMYK 35 / 24 / 0 / 22

HEX #8196C6

RGB 129 150 198

HSL 221.74, 0.38%, 0.64%

LAB 62.13, 4.23, -27.17

 

CMYK 22 / 15 / 0 / 28

HEX #8F9CB7

RGB 143 156 183

HSL 220.5, 0.22%, 0.64%

LAB 64.19, 1.33, -15.53

 

CMYK 6 / 4 / 0 / 34

HEX #9EA1A8

RGB 158 161 168

HSL 222, 0.05%, 0.64%

LAB 66.2, 0.31, -4.01

 

CMYK 56 / 8 / 0 / 11

HEX #63D0E3

RGB 99 208 227

HSL 188.91, 0.7%, 0.64%

LAB 78.06, -25.9, -18.88

 

CMYK 56 / 23 / 0 / 11

HEX #63AEE3

RGB 99 174 227

HSL 204.84, 0.7%, 0.64%

LAB 68.37, -8.2, -33.72

 

CMYK 56 / 38 / 0 / 11

HEX #638CE3

RGB 99 140 227

HSL 220.78, 0.7%, 0.64%

LAB 58.93, 11.24, -48.51

 

CMYK 56 / 54 / 0 / 11

HEX #6369E3

RGB 99 105 227

HSL 237.19, 0.7%, 0.64%

LAB 49.86, 32.42, -63.03

 

CMYK 44 / 56 / 0 / 11

HEX #7F63E3

RGB 127 99 227

HSL 253.13, 0.7%, 0.64%

LAB 50.67, 41.65, -61.62

 

CMYK 82 / 57 / 0 / 19

HEX #255ACF

RGB 37 90 207

HSL 221.29, 0.7%, 0.48%

LAB 41.55, 26.18, -65.26

 

CMYK 71 / 48 / 0 / 13

HEX #4072DD

RGB 64 114 221

HSL 220.89, 0.7%, 0.56%

LAB 49.91, 19.04, -59.65

 

CMYK 56 / 39 / 0 / 11

HEX #638BE3

RGB 99 139 227

HSL 221.25, 0.7%, 0.64%

LAB 58.66, 11.83, -48.94

 

CMYK 43 / 29 / 0 / 8

HEX #86A5EA

RGB 134 165 234

HSL 221.4, 0.7%, 0.72%

LAB 67.96, 6.89, -38.05

 

CMYK 30 / 20 / 0 / 6

HEX #A9BFF0

RGB 169 191 240

HSL 221.41, 0.7%, 0.8%

LAB 77.27, 3.52, -26.74

 

CMYK 57 / 39 / 0 / 11

HEX #618AE3

RGB 97 138 227

HSL 221.08, 0.7%, 0.64%

LAB 58.29, 12.03, -49.54

 

CMYK 7 / 56 / 0 / 11

HEX #D463E3

RGB 212 99 227

HSL 292.97, 0.7%, 0.64%

LAB 60.31, 62.16, -45.67

 

CMYK 16 / 0 / 56 / 11

HEX #BFE363

RGB 191 227 99

HSL 76.88, 0.7%, 0.64%

LAB 85.46, -30.48, 57.54

 

CMYK 57 / 39 / 0 / 11

HEX #618AE3

RGB 97 138 227

HSL 221.08, 0.7%, 0.64%

LAB 58.29, 12.03, -49.54

 

CMYK 0 / 56 / 38 / 11

HEX #E3638C

RGB 227 99 140

HSL 340.78, 0.7%, 0.64%

LAB 59.11, 53.65, 2.48

 

CMYK 38 / 0 / 56 / 11

HEX #8CE363

RGB 140 227 99

HSL 100.78, 0.7%, 0.64%

LAB 82.6, -48.64, 53.5

 

CMYK 57 / 39 / 0 / 11

HEX #618AE3

RGB 97 138 227

HSL 221.08, 0.7%, 0.64%

LAB 58.29, 12.03, -49.54

 

CMYK 7 / 56 / 0 / 11

HEX #D463E3

RGB 212 99 227

HSL 292.97, 0.7%, 0.64%

LAB 60.31, 62.16, -45.67

 

CMYK 0 / 18 / 56 / 11

HEX #E3BB63

RGB 227 187 99

HSL 41.25, 0.7%, 0.64%

LAB 77.74, 4.1, 49.34

 

CMYK 50 / 0 / 56 / 11

HEX #72E363

RGB 114 227 99

HSL 112.97, 0.7%, 0.64%

LAB 81.52, -56.38, 51.96

 

CMYK 57 / 39 / 0 / 11

HEX #618AE3

RGB 97 138 227

HSL 221.08, 0.7%, 0.64%

LAB 58.29, 12.03, -49.54

 

CMYK 0 / 56 / 10 / 11

HEX #E363CC

RGB 227 99 204

HSL 310.78, 0.7%, 0.64%

LAB 61.32, 62.22, -30.99

 

CMYK 0 / 18 / 56 / 11

HEX #E3BB63

RGB 227 187 99

HSL 41.25, 0.7%, 0.64%

LAB 77.74, 4.1, 49.34

 

CMYK 56 / 0 / 46 / 11

HEX #63E37B

RGB 99 227 123

HSL 131.25, 0.7%, 0.64%

LAB 81.3, -57.01, 40.24

 

Description

Color code: HEX #618AE33F | qconv.com Color code: HEX #618AE33F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 138 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 138 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 10 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 10% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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