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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618A07 it is the complementary color #9E75F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618A07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618A07 shade: #668A02, #779C15, #88AE28, #99C03B and #AAD24E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618A07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618A07 shade: #618A07, #507800, #3F6600, #2E5400 and #1D4200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618A07 shade: #5F8807, #828807, #886B07, #884807 and #882507

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618A07 shade: #5F8807, #3D8807, #1A8807, #078817 and #078839

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618A07 shade matches the following richer shades: #5F8807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618A07 shade: #5F8807, #5B7C13, #57711E, #52652A and #4E5935

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618A07 shade: #886A07, #838807, #618807, #3F8807 and #1D8807

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618A07 shade: #283903, #446005, #5F8807, #7BAF09 and #97D60B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618A07 shade: #618A07, #078847 and #7B0788

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618A07 shade: #618A07, #076188 and #880761

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618A07 shade: #618A07, #078847, #2E0788 and #880747

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618A07 shade: #618A07, #07886E, #2E0788 and #880721

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 95 / 46

HEX #618A07

RGB 97 138 7

HSL 78.78, 0.9%, 0.28%

LAB 52.66, -31.52, 55.01

 

Complementary color

CMYK 36 / 53 / 0 / 3

HEX #9E75F8

RGB 158 117 248

HSL 258.78, 0.9%, 0.72%

LAB 58.76, 44.17, -60.18

 

CMYK 26 / 0 / 99 / 46

HEX #668A02

RGB 102 138 2

HSL 75.88, 0.97%, 0.27%

LAB 52.96, -29.58, 56.26

 

CMYK 24 / 0 / 87 / 39

HEX #779C15

RGB 119 156 21

HSL 76.44, 0.76%, 0.35%

LAB 59.66, -30.58, 58.69

 

CMYK 22 / 0 / 77 / 32

HEX #88AE28

RGB 136 174 40

HSL 77.01, 0.63%, 0.42%

LAB 66.26, -31.36, 59.71

 

CMYK 20 / 0 / 69 / 25

HEX #99C03B

RGB 153 192 59

HSL 77.59, 0.53%, 0.49%

LAB 72.75, -31.93, 59.72

 

CMYK 19 / 0 / 63 / 18

HEX #AAD24E

RGB 170 210 78

HSL 78.18, 0.59%, 0.56%

LAB 79.15, -32.34, 59.18

 

CMYK 30 / 0 / 95 / 46

HEX #618A07

RGB 97 138 7

HSL 78.78, 0.9%, 0.28%

LAB 52.66, -31.52, 55.01

 

CMYK 33 / 0 / 100 / 53

HEX #507800

RGB 80 120 0

HSL 80, 1%, 0.24%

LAB 45.82, -30.24, 50.56

 

CMYK 38 / 0 / 100 / 60

HEX #3F6600

RGB 63 102 0

HSL 82.94, 1%, 0.2%

LAB 38.83, -28.75, 44.74

 

CMYK 45 / 0 / 100 / 67

HEX #2E5400

RGB 46 84 0

HSL 87.14, 1%, 0.16%

LAB 31.63, -27.17, 38.76

 

CMYK 56 / 0 / 100 / 74

HEX #1D4200

RGB 29 66 0

HSL 93.64, 1%, 0.13%

LAB 24.19, -25.42, 32.07

 

CMYK 30 / 0 / 95 / 47

HEX #5F8807

RGB 95 136 7

HSL 79.07, 0.9%, 0.28%

LAB 51.9, -31.4, 54.35

 

CMYK 4 / 0 / 95 / 47

HEX #828807

RGB 130 136 7

HSL 62.79, 0.9%, 0.28%

LAB 54.42, -16.13, 57.41

 

CMYK 0 / 21 / 95 / 47

HEX #886B07

RGB 136 107 7

HSL 46.51, 0.9%, 0.28%

LAB 46.66, 2.77, 51.74

 

CMYK 0 / 47 / 95 / 47

HEX #884807

RGB 136 72 7

HSL 30.23, 0.9%, 0.28%

LAB 37.63, 23.15, 45.07

 

CMYK 0 / 73 / 95 / 47

HEX #882507

RGB 136 37 7

HSL 13.95, 0.9%, 0.28%

LAB 30.81, 40.79, 40.29

 

CMYK 30 / 0 / 95 / 47

HEX #5F8807

RGB 95 136 7

HSL 79.07, 0.9%, 0.28%

LAB 51.9, -31.4, 54.35

 

CMYK 55 / 0 / 95 / 47

HEX #3D8807

RGB 61 136 7

HSL 94.88, 0.9%, 0.28%

LAB 50.23, -43.56, 52.31

 

CMYK 81 / 0 / 95 / 47

HEX #1A8807

RGB 26 136 7

HSL 111.16, 0.9%, 0.28%

LAB 49.31, -51.35, 51.16

 

CMYK 95 / 0 / 83 / 47

HEX #078817

RGB 7 136 23

HSL 127.44, 0.9%, 0.28%

LAB 49.15, -52.53, 47.24

 

CMYK 95 / 0 / 58 / 47

HEX #078839

RGB 7 136 57

HSL 143.26, 0.9%, 0.28%

LAB 49.43, -48.95, 33.36

 

CMYK 30 / 0 / 95 / 47

HEX #5F8807

RGB 95 136 7

HSL 79.07, 0.9%, 0.28%

LAB 51.9, -31.4, 54.35

 

CMYK 30 / 0 / 95 / 47

HEX #5F8807

RGB 95 136 7

HSL 79.07, 0.9%, 0.28%

LAB 51.9, -31.4, 54.35

 

CMYK 27 / 0 / 85 / 51

HEX #5B7C13

RGB 91 124 19

HSL 78.86, 0.73%, 0.28%

LAB 47.86, -26.97, 48.24

 

CMYK 23 / 0 / 73 / 56

HEX #57711E

RGB 87 113 30

HSL 78.8, 0.58%, 0.28%

LAB 44.13, -22.6, 40.78

 

CMYK 19 / 0 / 58 / 60

HEX #52652A

RGB 82 101 42

HSL 79.32, 0.41%, 0.28%

LAB 40.03, -17.46, 30.59

 

CMYK 12 / 0 / 40 / 65

HEX #4E5935

RGB 78 89 53

HSL 78.33, 0.25%, 0.28%

LAB 36.03, -11.16, 19.43

 

CMYK 0 / 22 / 95 / 47

HEX #886A07

RGB 136 106 7

HSL 46.05, 0.9%, 0.28%

LAB 46.39, 3.34, 51.53

 

CMYK 4 / 0 / 95 / 47

HEX #838807

RGB 131 136 7

HSL 62.33, 0.9%, 0.28%

LAB 54.5, -15.67, 57.51

 

CMYK 29 / 0 / 95 / 47

HEX #618807

RGB 97 136 7

HSL 78.14, 0.9%, 0.28%

LAB 52.02, -30.59, 54.5

 

CMYK 54 / 0 / 95 / 47

HEX #3F8807

RGB 63 136 7

HSL 93.95, 0.9%, 0.28%

LAB 50.31, -42.96, 52.4

 

CMYK 79 / 0 / 95 / 47

HEX #1D8807

RGB 29 136 7

HSL 109.77, 0.9%, 0.28%

LAB 49.36, -50.9, 51.22

 

CMYK 30 / 0 / 95 / 78

HEX #283903

RGB 40 57 3

HSL 78.89, 0.9%, 0.12%

LAB 21.52, -15.97, 28.3

 

CMYK 29 / 0 / 95 / 62

HEX #446005

RGB 68 96 5

HSL 78.46, 0.9%, 0.2%

LAB 37.13, -23.54, 42.1

 

CMYK 30 / 0 / 95 / 47

HEX #5F8807

RGB 95 136 7

HSL 79.07, 0.9%, 0.28%

LAB 51.9, -31.4, 54.35

 

CMYK 30 / 0 / 95 / 31

HEX #7BAF09

RGB 123 175 9

HSL 78.8, 0.9%, 0.36%

LAB 65.66, -37.97, 65.76

 

CMYK 29 / 0 / 95 / 16

HEX #97D60B

RGB 151 214 11

HSL 78.62, 0.9%, 0.44%

LAB 78.87, -44.25, 76.66

 

CMYK 30 / 0 / 95 / 46

HEX #618A07

RGB 97 138 7

HSL 78.78, 0.9%, 0.28%

LAB 52.66, -31.52, 55.01

 

CMYK 95 / 0 / 48 / 47

HEX #078847

RGB 7 136 71

HSL 149.77, 0.9%, 0.28%

LAB 49.63, -46.6, 26.26

 

CMYK 10 / 95 / 0 / 47

HEX #7B0788

RGB 123 7 136

HSL 293.95, 0.9%, 0.28%

LAB 29.76, 58.28, -41.59

 

CMYK 30 / 0 / 95 / 46

HEX #618A07

RGB 97 138 7

HSL 78.78, 0.9%, 0.28%

LAB 52.66, -31.52, 55.01

 

CMYK 95 / 29 / 0 / 47

HEX #076188

RGB 7 97 136

HSL 198.14, 0.9%, 0.28%

LAB 38.5, -8.67, -28.22

 

CMYK 0 / 95 / 29 / 47

HEX #880761

RGB 136 7 97

HSL 318.14, 0.9%, 0.28%

LAB 30.03, 55.08, -16.16

 

CMYK 30 / 0 / 95 / 46

HEX #618A07

RGB 97 138 7

HSL 78.78, 0.9%, 0.28%

LAB 52.66, -31.52, 55.01

 

CMYK 95 / 0 / 48 / 47

HEX #078847

RGB 7 136 71

HSL 149.77, 0.9%, 0.28%

LAB 49.63, -46.6, 26.26

 

CMYK 66 / 95 / 0 / 47

HEX #2E0788

RGB 46 7 136

HSL 258.14, 0.9%, 0.28%

LAB 17.97, 48.7, -61.37

 

CMYK 0 / 95 / 48 / 47

HEX #880747

RGB 136 7 71

HSL 330.23, 0.9%, 0.28%

LAB 29.01, 52.34, -0.52

 

CMYK 30 / 0 / 95 / 46

HEX #618A07

RGB 97 138 7

HSL 78.78, 0.9%, 0.28%

LAB 52.66, -31.52, 55.01

 

CMYK 95 / 0 / 19 / 47

HEX #07886E

RGB 7 136 110

HSL 167.91, 0.9%, 0.28%

LAB 50.43, -37.56, 5.26

 

CMYK 66 / 95 / 0 / 47

HEX #2E0788

RGB 46 7 136

HSL 258.14, 0.9%, 0.28%

LAB 17.97, 48.7, -61.37

 

CMYK 0 / 95 / 76 / 47

HEX #880721

RGB 136 7 33

HSL 347.91, 0.9%, 0.28%

LAB 28.1, 49.84, 23.75

 

Description

Color code: HEX #618A07 | qconv.com Color code: HEX #618A07 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 138 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 138 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 95 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 95% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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