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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618421 it is the complementary color #9E7BDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618421. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618421 shade: #66841C, #77962F, #88A842, #99BA55 and #AACC68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618421. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618421 shade: #618421, #50720E, #3F6000, #2E4E00 and #1D3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618421 shade: #608321, #7A8321, #837021, #835621 and #833C21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618421 shade: #608321, #468321, #2B8321, #218331 and #21834B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618421 shade matches the following richer shades: #608321, #649013 and #689D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618421 shade: #608321, #5C752E, #58683B, #545B48 and #504E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618421 shade: #837121, #7A8321, #608321, #468321 and #2C8321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618421 shade: #2F4110, #486218, #608321, #78A429 and #90C531

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618421 shade: #618421, #218356 and #7E2183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618421 shade: #618421, #216083 and #832160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618421 shade: #618421, #218356, #432183 and #83214D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618421 shade: #618421, #218374, #432183 and #83212F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 75 / 48

HEX #618421

RGB 97 132 33

HSL 81.21, 0.6%, 0.32%

LAB 50.87, -27.63, 46.52

 

Complementary color

CMYK 29 / 45 / 0 / 13

HEX #9E7BDE

RGB 158 123 222

HSL 261.21, 0.6%, 0.68%

LAB 58.7, 34.21, -45.81

 

CMYK 23 / 0 / 79 / 48

HEX #66841C

RGB 102 132 28

HSL 77.31, 0.65%, 0.31%

LAB 51.16, -25.82, 48.71

 

CMYK 21 / 0 / 69 / 41

HEX #77962F

RGB 119 150 47

HSL 78.06, 0.52%, 0.39%

LAB 57.98, -26.39, 48.62

 

CMYK 19 / 0 / 61 / 34

HEX #88A842

RGB 136 168 66

HSL 78.82, 0.44%, 0.46%

LAB 64.67, -26.76, 47.9

 

CMYK 18 / 0 / 54 / 27

HEX #99BA55

RGB 153 186 85

HSL 79.6, 0.42%, 0.53%

LAB 71.25, -27.01, 46.9

 

CMYK 17 / 0 / 49 / 20

HEX #AACC68

RGB 170 204 104

HSL 80.4, 0.5%, 0.6%

LAB 77.72, -27.18, 45.79

 

CMYK 27 / 0 / 75 / 48

HEX #618421

RGB 97 132 33

HSL 81.21, 0.6%, 0.32%

LAB 50.87, -27.63, 46.52

 

CMYK 30 / 0 / 88 / 55

HEX #50720E

RGB 80 114 14

HSL 80.4, 0.78%, 0.25%

LAB 43.9, -26.94, 45.85

 

CMYK 34 / 0 / 100 / 62

HEX #3F6000

RGB 63 96 0

HSL 80.63, 1%, 0.19%

LAB 36.79, -25.9, 43.17

 

CMYK 41 / 0 / 100 / 69

HEX #2E4E00

RGB 46 78 0

HSL 84.62, 1%, 0.15%

LAB 29.49, -24.33, 37.1

 

CMYK 52 / 0 / 100 / 76

HEX #1D3C00

RGB 29 60 0

HSL 91, 1%, 0.12%

LAB 21.92, -22.64, 29.75

 

CMYK 27 / 0 / 75 / 49

HEX #608321

RGB 96 131 33

HSL 81.43, 0.6%, 0.32%

LAB 50.49, -27.56, 46.12

 

CMYK 7 / 0 / 75 / 49

HEX #7A8321

RGB 122 131 33

HSL 65.51, 0.6%, 0.32%

LAB 52.38, -16.27, 48.6

 

CMYK 0 / 15 / 75 / 49

HEX #837021

RGB 131 112 33

HSL 48.37, 0.6%, 0.32%

LAB 47.65, -1.62, 44.3

 

CMYK 0 / 34 / 75 / 49

HEX #835621

RGB 131 86 33

HSL 32.45, 0.6%, 0.32%

LAB 40.56, 13.58, 37.16

 

CMYK 0 / 54 / 75 / 49

HEX #833C21

RGB 131 60 33

HSL 16.53, 0.6%, 0.32%

LAB 34.33, 28.57, 30.52

 

CMYK 27 / 0 / 75 / 49

HEX #608321

RGB 96 131 33

HSL 81.43, 0.6%, 0.32%

LAB 50.49, -27.56, 46.12

 

CMYK 47 / 0 / 75 / 49

HEX #468321

RGB 70 131 33

HSL 97.35, 0.6%, 0.32%

LAB 49.06, -37.4, 44.23

 

CMYK 67 / 0 / 75 / 49

HEX #2B8321

RGB 43 131 33

HSL 113.88, 0.6%, 0.32%

LAB 48.08, -45.08, 42.92

 

CMYK 75 / 0 / 63 / 49

HEX #218331

RGB 33 131 49

HSL 129.8, 0.6%, 0.32%

LAB 47.98, -45.39, 35.69

 

CMYK 75 / 0 / 43 / 49

HEX #21834B

RGB 33 131 75

HSL 145.71, 0.6%, 0.32%

LAB 48.34, -41.18, 22.47

 

CMYK 27 / 0 / 75 / 49

HEX #608321

RGB 96 131 33

HSL 81.43, 0.6%, 0.32%

LAB 50.49, -27.56, 46.12

 

CMYK 31 / 0 / 87 / 44

HEX #649013

RGB 100 144 19

HSL 81.12, 0.77%, 0.32%

LAB 54.76, -32.76, 54.49

 

CMYK 34 / 0 / 96 / 38

HEX #689D06

RGB 104 157 6

HSL 81.06, 0.93%, 0.32%

LAB 59.04, -37.39, 60.44

 

CMYK 27 / 0 / 75 / 49

HEX #608321

RGB 96 131 33

HSL 81.43, 0.6%, 0.32%

LAB 50.49, -27.56, 46.12

 

CMYK 21 / 0 / 61 / 54

HEX #5C752E

RGB 92 117 46

HSL 81.13, 0.44%, 0.32%

LAB 45.9, -21.19, 35.47

 

CMYK 15 / 0 / 43 / 59

HEX #58683B

RGB 88 104 59

HSL 81.33, 0.28%, 0.32%

LAB 41.68, -14.43, 23.35

 

CMYK 8 / 0 / 21 / 64

HEX #545B48

RGB 84 91 72

HSL 82.11, 0.12%, 0.32%

LAB 37.54, -6.61, 10.05

 

CMYK 6 / 8 / 0 / 67

HEX #504E55

RGB 80 78 85

HSL 257.14, 0.04%, 0.32%

LAB 33.58, 2.36, -3.83

 

CMYK 0 / 14 / 75 / 49

HEX #837121

RGB 131 113 33

HSL 48.98, 0.6%, 0.32%

LAB 47.94, -2.19, 44.58

 

CMYK 7 / 0 / 75 / 49

HEX #7A8321

RGB 122 131 33

HSL 65.51, 0.6%, 0.32%

LAB 52.38, -16.27, 48.6

 

CMYK 27 / 0 / 75 / 49

HEX #608321

RGB 96 131 33

HSL 81.43, 0.6%, 0.32%

LAB 50.49, -27.56, 46.12

 

CMYK 47 / 0 / 75 / 49

HEX #468321

RGB 70 131 33

HSL 97.35, 0.6%, 0.32%

LAB 49.06, -37.4, 44.23

 

CMYK 66 / 0 / 75 / 49

HEX #2C8321

RGB 44 131 33

HSL 113.27, 0.6%, 0.32%

LAB 48.11, -44.85, 42.95

 

CMYK 28 / 0 / 75 / 75

HEX #2F4110

RGB 47 65 16

HSL 82.04, 0.6%, 0.16%

LAB 25.02, -16.11, 26.5

 

CMYK 27 / 0 / 76 / 62

HEX #486218

RGB 72 98 24

HSL 81.08, 0.61%, 0.24%

LAB 38.16, -21.85, 36.93

 

CMYK 27 / 0 / 75 / 49

HEX #608321

RGB 96 131 33

HSL 81.43, 0.6%, 0.32%

LAB 50.49, -27.56, 46.12

 

CMYK 27 / 0 / 75 / 36

HEX #78A429

RGB 120 164 41

HSL 81.46, 0.6%, 0.4%

LAB 62.26, -33.03, 55.21

 

CMYK 27 / 0 / 75 / 23

HEX #90C531

RGB 144 197 49

HSL 81.49, 0.6%, 0.48%

LAB 73.6, -38.29, 63.91

 

CMYK 27 / 0 / 75 / 48

HEX #618421

RGB 97 132 33

HSL 81.21, 0.6%, 0.32%

LAB 50.87, -27.63, 46.52

 

CMYK 75 / 0 / 34 / 49

HEX #218356

RGB 33 131 86

HSL 152.45, 0.6%, 0.32%

LAB 48.55, -38.89, 16.53

 

CMYK 4 / 75 / 0 / 49

HEX #7E2183

RGB 126 33 131

HSL 296.94, 0.6%, 0.32%

LAB 32.17, 51.58, -34.58

 

CMYK 27 / 0 / 75 / 48

HEX #618421

RGB 97 132 33

HSL 81.21, 0.6%, 0.32%

LAB 50.87, -27.63, 46.52

 

CMYK 75 / 27 / 0 / 49

HEX #216083

RGB 33 96 131

HSL 201.43, 0.6%, 0.32%

LAB 38.42, -7.48, -25.27

 

CMYK 0 / 75 / 27 / 49

HEX #832160

RGB 131 33 96

HSL 321.43, 0.6%, 0.32%

LAB 31.25, 47.28, -13.72

 

CMYK 27 / 0 / 75 / 48

HEX #618421

RGB 97 132 33

HSL 81.21, 0.6%, 0.32%

LAB 50.87, -27.63, 46.52

 

CMYK 75 / 0 / 34 / 49

HEX #218356

RGB 33 131 86

HSL 152.45, 0.6%, 0.32%

LAB 48.55, -38.89, 16.53

 

CMYK 49 / 75 / 0 / 49

HEX #432183

RGB 67 33 131

HSL 260.82, 0.6%, 0.32%

LAB 23.4, 39.29, -49.18

 

CMYK 0 / 75 / 41 / 49

HEX #83214D

RGB 131 33 77

HSL 333.06, 0.6%, 0.32%

LAB 30.52, 44.94, -2.41

 

CMYK 27 / 0 / 75 / 48

HEX #618421

RGB 97 132 33

HSL 81.21, 0.6%, 0.32%

LAB 50.87, -27.63, 46.52

 

CMYK 75 / 0 / 11 / 49

HEX #218374

RGB 33 131 116

HSL 170.82, 0.6%, 0.32%

LAB 49.27, -31.24, 0.12

 

CMYK 49 / 75 / 0 / 49

HEX #432183

RGB 67 33 131

HSL 260.82, 0.6%, 0.32%

LAB 23.4, 39.29, -49.18

 

CMYK 0 / 75 / 64 / 49

HEX #83212F

RGB 131 33 47

HSL 351.43, 0.6%, 0.32%

LAB 29.71, 42.26, 16.32

 

Description

Color code: HEX #618421 | qconv.com Color code: HEX #618421 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 132 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 132 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 75 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 75% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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