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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61832C it is the complementary color #9E7CD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61832C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61832C shade: #668327, #77953A, #88A74D, #99B960 and #AACB73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61832C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61832C shade: #61832C, #507119, #3F5F06, #2E4D00 and #1D3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61832C shade: #60822B, #78822B, #82752B, #825E2B and #82462B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61832C shade: #60822B, #49822B, #31822B, #2B823D and #2B8254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61832C shade matches the following richer shades: #60822B, #63901D, #669E0F and #69AC01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61832C shade: #60822B, #5D7439, #5A6647, #575855 and #544A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61832C shade: #82752B, #78822B, #61822B, #4A822B and #33822B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61832C shade: #324417, #496321, #60822B, #77A136 and #8EBF40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61832C shade: #61832C, #2B825E and #812B82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61832C shade: #61832C, #2B6182 and #822B61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61832C shade: #61832C, #2B825E, #4D2B82 and #822B4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61832C shade: #61832C, #2B8278, #4D2B82 and #822B35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 66 / 49

HEX #61832C

RGB 97 131 44

HSL 83.45, 0.5%, 0.34%

LAB 50.64, -26.34, 41.73

 

Complementary color

CMYK 25 / 41 / 0 / 17

HEX #9E7CD3

RGB 158 124 211

HSL 263.45, 0.5%, 0.66%

LAB 58.4, 30.95, -40.1

 

CMYK 22 / 0 / 70 / 49

HEX #668327

RGB 102 131 39

HSL 78.91, 0.54%, 0.33%

LAB 50.92, -24.65, 44.3

 

CMYK 20 / 0 / 61 / 42

HEX #77953A

RGB 119 149 58

HSL 79.78, 0.44%, 0.41%

LAB 57.77, -25.02, 43.57

 

CMYK 19 / 0 / 54 / 35

HEX #88A74D

RGB 136 167 77

HSL 80.67, 0.37%, 0.48%

LAB 64.49, -25.25, 42.53

 

CMYK 17 / 0 / 48 / 27

HEX #99B960

RGB 153 185 96

HSL 81.57, 0.39%, 0.55%

LAB 71.09, -25.39, 41.38

 

CMYK 16 / 0 / 43 / 20

HEX #AACB73

RGB 170 203 115

HSL 82.5, 0.46%, 0.62%

LAB 77.58, -25.47, 40.21

 

CMYK 26 / 0 / 66 / 49

HEX #61832C

RGB 97 131 44

HSL 83.45, 0.5%, 0.34%

LAB 50.64, -26.34, 41.73

 

CMYK 29 / 0 / 78 / 56

HEX #507119

RGB 80 113 25

HSL 82.5, 0.64%, 0.27%

LAB 43.63, -25.91, 42.09

 

CMYK 34 / 0 / 94 / 63

HEX #3F5F06

RGB 63 95 6

HSL 81.57, 0.88%, 0.2%

LAB 36.47, -25.16, 41.14

 

CMYK 40 / 0 / 100 / 70

HEX #2E4D00

RGB 46 77 0

HSL 84.16, 1%, 0.15%

LAB 29.13, -23.85, 36.82

 

CMYK 51 / 0 / 100 / 77

HEX #1D3B00

RGB 29 59 0

HSL 90.51, 1%, 0.12%

LAB 21.54, -22.16, 29.34

 

CMYK 26 / 0 / 67 / 49

HEX #60822B

RGB 96 130 43

HSL 83.45, 0.5%, 0.34%

LAB 50.25, -26.34, 41.74

 

CMYK 8 / 0 / 67 / 49

HEX #78822B

RGB 120 130 43

HSL 66.9, 0.5%, 0.34%

LAB 51.99, -16.03, 44.1

 

CMYK 0 / 10 / 67 / 49

HEX #82752B

RGB 130 117 43

HSL 51.03, 0.5%, 0.34%

LAB 49.06, -4.34, 41.29

 

CMYK 0 / 28 / 67 / 49

HEX #825E2B

RGB 130 94 43

HSL 35.17, 0.5%, 0.34%

LAB 42.65, 9, 34.3

 

CMYK 0 / 46 / 67 / 49

HEX #82462B

RGB 130 70 43

HSL 18.62, 0.5%, 0.34%

LAB 36.56, 23.12, 27.28

 

CMYK 26 / 0 / 67 / 49

HEX #60822B

RGB 96 130 43

HSL 83.45, 0.5%, 0.34%

LAB 50.25, -26.34, 41.74

 

CMYK 44 / 0 / 67 / 49

HEX #49822B

RGB 73 130 43

HSL 99.31, 0.5%, 0.34%

LAB 48.95, -35.09, 39.96

 

CMYK 62 / 0 / 67 / 49

HEX #31822B

RGB 49 130 43

HSL 115.86, 0.5%, 0.34%

LAB 48, -42.31, 38.64

 

CMYK 67 / 0 / 53 / 49

HEX #2B823D

RGB 43 130 61

HSL 132.41, 0.5%, 0.34%

LAB 48.03, -41.35, 29.73

 

CMYK 67 / 0 / 35 / 49

HEX #2B8254

RGB 43 130 84

HSL 148.28, 0.5%, 0.34%

LAB 48.41, -37.11, 17.53

 

CMYK 26 / 0 / 67 / 49

HEX #60822B

RGB 96 130 43

HSL 83.45, 0.5%, 0.34%

LAB 50.25, -26.34, 41.74

 

CMYK 31 / 0 / 80 / 44

HEX #63901D

RGB 99 144 29

HSL 83.48, 0.66%, 0.34%

LAB 54.75, -32.72, 51.66

 

CMYK 35 / 0 / 91 / 38

HEX #669E0F

RGB 102 158 15

HSL 83.5, 0.83%, 0.34%

LAB 59.26, -38.38, 59.18

 

CMYK 39 / 0 / 99 / 33

HEX #69AC01

RGB 105 172 1

HSL 83.51, 0.99%, 0.34%

LAB 63.76, -43.54, 64.87

 

CMYK 26 / 0 / 67 / 49

HEX #60822B

RGB 96 130 43

HSL 83.45, 0.5%, 0.34%

LAB 50.25, -26.34, 41.74

 

CMYK 20 / 0 / 51 / 55

HEX #5D7439

RGB 93 116 57

HSL 83.39, 0.34%, 0.34%

LAB 45.79, -19.05, 29.66

 

CMYK 12 / 0 / 30 / 60

HEX #5A6647

RGB 90 102 71

HSL 83.23, 0.18%, 0.34%

LAB 41.42, -10.65, 16.05

 

CMYK 1 / 0 / 3 / 65

HEX #575855

RGB 87 88 85

HSL 80, 0.02%, 0.34%

LAB 37.23, -1.03, 1.59

 

CMYK 15 / 25 / 0 / 61

HEX #544A63

RGB 84 74 99

HSL 264, 0.14%, 0.34%

LAB 33.31, 9.77, -13.07

 

CMYK 0 / 10 / 67 / 49

HEX #82752B

RGB 130 117 43

HSL 51.03, 0.5%, 0.34%

LAB 49.06, -4.34, 41.29

 

CMYK 8 / 0 / 67 / 49

HEX #78822B

RGB 120 130 43

HSL 66.9, 0.5%, 0.34%

LAB 51.99, -16.03, 44.1

 

CMYK 25 / 0 / 67 / 49

HEX #61822B

RGB 97 130 43

HSL 82.76, 0.5%, 0.34%

LAB 50.31, -25.93, 41.83

 

CMYK 43 / 0 / 67 / 49

HEX #4A822B

RGB 74 130 43

HSL 98.62, 0.5%, 0.34%

LAB 49, -34.74, 40.03

 

CMYK 61 / 0 / 67 / 49

HEX #33822B

RGB 51 130 43

HSL 114.48, 0.5%, 0.34%

LAB 48.06, -41.8, 38.73

 

CMYK 26 / 0 / 66 / 73

HEX #324417

RGB 50 68 23

HSL 84, 0.49%, 0.18%

LAB 26.37, -15.71, 24.43

 

CMYK 26 / 0 / 67 / 61

HEX #496321

RGB 73 99 33

HSL 83.64, 0.5%, 0.26%

LAB 38.64, -21.2, 33.39

 

CMYK 26 / 0 / 67 / 49

HEX #60822B

RGB 96 130 43

HSL 83.45, 0.5%, 0.34%

LAB 50.25, -26.34, 41.74

 

CMYK 26 / 0 / 66 / 37

HEX #77A136

RGB 119 161 54

HSL 83.55, 0.5%, 0.42%

LAB 61.38, -31.15, 49.25

 

CMYK 26 / 0 / 66 / 25

HEX #8EBF40

RGB 142 191 64

HSL 83.15, 0.5%, 0.5%

LAB 71.81, -35.41, 56.58

 

CMYK 26 / 0 / 66 / 49

HEX #61832C

RGB 97 131 44

HSL 83.45, 0.5%, 0.34%

LAB 50.64, -26.34, 41.73

 

CMYK 67 / 0 / 28 / 49

HEX #2B825E

RGB 43 130 94

HSL 155.17, 0.5%, 0.34%

LAB 48.62, -34.88, 12.06

 

CMYK 1 / 67 / 0 / 49

HEX #812B82

RGB 129 43 130

HSL 299.31, 0.5%, 0.34%

LAB 34, 48.22, -31.03

 

CMYK 26 / 0 / 66 / 49

HEX #61832C

RGB 97 131 44

HSL 83.45, 0.5%, 0.34%

LAB 50.64, -26.34, 41.73

 

CMYK 67 / 25 / 0 / 49

HEX #2B6182

RGB 43 97 130

HSL 202.76, 0.5%, 0.34%

LAB 39.03, -6.78, -23.7

 

CMYK 0 / 67 / 25 / 49

HEX #822B61

RGB 130 43 97

HSL 322.76, 0.5%, 0.34%

LAB 32.56, 43.09, -12.38

 

CMYK 26 / 0 / 66 / 49

HEX #61832C

RGB 97 131 44

HSL 83.45, 0.5%, 0.34%

LAB 50.64, -26.34, 41.73

 

CMYK 67 / 0 / 28 / 49

HEX #2B825E

RGB 43 130 94

HSL 155.17, 0.5%, 0.34%

LAB 48.62, -34.88, 12.06

 

CMYK 41 / 67 / 0 / 49

HEX #4D2B82

RGB 77 43 130

HSL 263.45, 0.5%, 0.34%

LAB 26.5, 35.52, -43.46

 

CMYK 0 / 67 / 39 / 49

HEX #822B4F

RGB 130 43 79

HSL 335.17, 0.5%, 0.34%

LAB 31.89, 40.73, -1.71

 

CMYK 26 / 0 / 66 / 49

HEX #61832C

RGB 97 131 44

HSL 83.45, 0.5%, 0.34%

LAB 50.64, -26.34, 41.73

 

CMYK 67 / 0 / 8 / 49

HEX #2B8278

RGB 43 130 120

HSL 173.1, 0.5%, 0.34%

LAB 49.3, -28.07, -2.16

 

CMYK 41 / 67 / 0 / 49

HEX #4D2B82

RGB 77 43 130

HSL 263.45, 0.5%, 0.34%

LAB 26.5, 35.52, -43.46

 

CMYK 0 / 67 / 59 / 49

HEX #822B35

RGB 130 43 53

HSL 353.1, 0.5%, 0.34%

LAB 31.19, 38.13, 14.3

 

Description

Color code: HEX #61832C | qconv.com Color code: HEX #61832C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 131 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 131 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 66 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 66% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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