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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618181CE it is the complementary color #9E7E7ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618181CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618181CE shade: #66817CCE, #77938FCE, #88A5A2CE, #99B7B5CE and #AAC9C8CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618181CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618181CE shade: #618181CE, #506F6ECE, #3F5D5BCE, #2E4B48CE and #1D3935CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618181CE shade: #608080, #608077, #60806F, #608066 and #638060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618181CE shade: #608080, #607780, #606F80, #606680 and #606080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618181CE shade matches the following richer shades: #608080, #4E9292, #3CA4A4, #2AB6B6 and #18C9C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618181CE shade: #608080, #736E6E, #855C5C, #974949 and #A93737

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618181CE shade: #60806F, #608078, #608080, #607880 and #606F80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618181CE shade: #3D5151, #4F6868, #608080, #749696 and #8BA8A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618181CE shade: #618181, #676080 and #807360

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618181CE shade: #618181, #806080 and #808060

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618181CE shade: #618181, #676080, #806060 and #7A8060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618181CE shade: #618181, #706080, #806060 and #708060

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 0 / 40

HEX #618181CE

RGBA 97 129 129 0.81

HSLA 180, 0.14%, 0.44%, 0.81

LABA 51.64, -11.27, -3.71, 0.81

 

Complementary color

CMYK 0 / 16 / 16 / 31

HEX #9E7E7ECE

RGBA 158 126 126 0.81

HSLA 0, 0.14%, 0.56%, 0.81

LABA 55.78, 12.34, 4.69, 0.81

 

CMYK 17 / 0 / 3 / 40

HEX #66817CCE

RGBA 102 129 124 0.81

HSLA 168.89, 0.12%, 0.45%, 0.81

LABA 51.82, -10.77, -0.49, 0.81

 

CMYK 15 / 0 / 2 / 34

HEX #77938FCE

RGBA 119 147 143 0.81

HSLA 171.43, 0.11%, 0.52%, 0.81

LABA 58.76, -10.68, -1.16, 0.81

 

CMYK 14 / 0 / 1 / 29

HEX #88A5A2CE

RGBA 136 165 162 0.81

HSLA 173.79, 0.14%, 0.59%, 0.81

LABA 65.56, -10.61, -1.79, 0.81

 

CMYK 13 / 0 / 1 / 23

HEX #99B7B5CE

RGBA 153 183 181 0.81

HSLA 176, 0.17%, 0.66%, 0.81

LABA 72.21, -10.56, -2.4, 0.81

 

CMYK 12 / 0 / 0 / 17

HEX #AAC9C8CE

RGBA 170 201 200 0.81

HSLA 178.06, 0.22%, 0.73%, 0.81

LABA 78.75, -10.52, -2.98, 0.81

 

CMYK 20 / 0 / 0 / 40

HEX #618181CE

RGBA 97 129 129 0.81

HSLA 180, 0.14%, 0.44%, 0.81

LABA 51.64, -11.27, -3.71, 0.81

 

CMYK 23 / 0 / 1 / 46

HEX #506F6ECE

RGBA 80 111 110 0.81

HSLA 178.06, 0.16%, 0.37%, 0.81

LABA 44.52, -11.37, -3.08, 0.81

 

CMYK 26 / 0 / 2 / 51

HEX #3F5D5BCE

RGBA 63 93 91 0.81

HSLA 176, 0.19%, 0.31%, 0.81

LABA 37.19, -11.5, -2.4, 0.81

 

CMYK 31 / 0 / 3 / 57

HEX #2E4B48CE

RGBA 46 75 72 0.81

HSLA 173.79, 0.24%, 0.24%, 0.81

LABA 29.62, -11.64, -1.67, 0.81

 

CMYK 40 / 0 / 6 / 63

HEX #1D3935CE

RGBA 29 57 53 0.81

HSLA 171.43, 0.33%, 0.17%, 0.81

LABA 21.74, -11.79, -0.83, 0.81

 

CMYK 25 / 0 / 0 / 50

HEX #608080

RGB 96 128 128

HSL 180, 0.14%, 0.44%

LAB 51.25, -11.28, -3.71

 

CMYK 25 / 0 / 7 / 50

HEX #608077

RGB 96 128 119

HSL 163.13, 0.14%, 0.44%

LAB 50.99, -13.39, 1.18

 

CMYK 25 / 0 / 13 / 50

HEX #60806F

RGB 96 128 111

HSL 148.13, 0.14%, 0.44%

LAB 50.77, -15.16, 5.55

 

CMYK 25 / 0 / 20 / 50

HEX #608066

RGB 96 128 102

HSL 131.25, 0.14%, 0.44%

LAB 50.55, -17.01, 10.48

 

CMYK 23 / 0 / 25 / 50

HEX #638060

RGB 99 128 96

HSL 114.38, 0.14%, 0.44%

LAB 50.61, -17.06, 14.07

 

CMYK 25 / 0 / 0 / 50

HEX #608080

RGB 96 128 128

HSL 180, 0.14%, 0.44%

LAB 51.25, -11.28, -3.71

 

CMYK 25 / 7 / 0 / 50

HEX #607780

RGB 96 119 128

HSL 196.88, 0.14%, 0.44%

LAB 48.56, -6.18, -7.7

 

CMYK 25 / 13 / 0 / 50

HEX #606F80

RGB 96 111 128

HSL 211.88, 0.14%, 0.44%

LAB 46.2, -1.51, -11.25

 

CMYK 25 / 20 / 0 / 50

HEX #606680

RGB 96 102 128

HSL 228.75, 0.14%, 0.44%

LAB 43.58, 3.89, -15.22

 

CMYK 25 / 25 / 0 / 50

HEX #606080

RGB 96 96 128

HSL 240, 0.14%, 0.44%

LAB 41.86, 7.57, -17.84

 

CMYK 25 / 0 / 0 / 50

HEX #608080

RGB 96 128 128

HSL 180, 0.14%, 0.44%

LAB 51.25, -11.28, -3.71

 

CMYK 47 / 0 / 0 / 43

HEX #4E9292

RGB 78 146 146

HSL 180, 0.3%, 0.44%

LAB 56.34, -21.48, -6.7

 

CMYK 63 / 0 / 0 / 36

HEX #3CA4A4

RGB 60 164 164

HSL 180, 0.46%, 0.44%

LAB 61.82, -29.18, -8.83

 

CMYK 77 / 0 / 0 / 29

HEX #2AB6B6

RGB 42 182 182

HSL 180, 0.63%, 0.44%

LAB 67.52, -34.9, -10.39

 

CMYK 88 / 0 / 0 / 21

HEX #18C9C9

RGB 24 201 201

HSL 180, 0.79%, 0.44%

LAB 73.67, -39.36, -11.62

 

CMYK 25 / 0 / 0 / 50

HEX #608080

RGB 96 128 128

HSL 180, 0.14%, 0.44%

LAB 51.25, -11.28, -3.71

 

CMYK 0 / 4 / 4 / 55

HEX #736E6E

RGB 115 110 110

HSL 0, 0.02%, 0.44%

LAB 46.87, 1.94, 0.68

 

CMYK 0 / 31 / 31 / 48

HEX #855C5C

RGB 133 92 92

HSL 0, 0.18%, 0.44%

LAB 43.38, 16.82, 6.75

 

CMYK 0 / 52 / 52 / 41

HEX #974949

RGB 151 73 73

HSL 0, 0.35%, 0.44%

LAB 40.94, 32.64, 15.37

 

CMYK 0 / 67 / 67 / 34

HEX #A93737

RGB 169 55 55

HSL 0, 0.51%, 0.44%

LAB 40.32, 46.59, 26.19

 

CMYK 25 / 0 / 13 / 50

HEX #60806F

RGB 96 128 111

HSL 148.13, 0.14%, 0.44%

LAB 50.77, -15.16, 5.55

 

CMYK 25 / 0 / 6 / 50

HEX #608078

RGB 96 128 120

HSL 165, 0.14%, 0.44%

LAB 51.01, -13.16, 0.63

 

CMYK 25 / 0 / 0 / 50

HEX #608080

RGB 96 128 128

HSL 180, 0.14%, 0.44%

LAB 51.25, -11.28, -3.71

 

CMYK 25 / 6 / 0 / 50

HEX #607880

RGB 96 120 128

HSL 195, 0.14%, 0.44%

LAB 48.86, -6.76, -7.26

 

CMYK 25 / 13 / 0 / 50

HEX #606F80

RGB 96 111 128

HSL 211.88, 0.14%, 0.44%

LAB 46.2, -1.51, -11.25

 

CMYK 25 / 0 / 0 / 68

HEX #3D5151

RGB 61 81 81

HSL 180, 0.14%, 0.28%

LAB 32.86, -7.68, -2.54

 

CMYK 24 / 0 / 0 / 59

HEX #4F6868

RGB 79 104 104

HSL 180, 0.14%, 0.36%

LAB 42.1, -9.19, -3.03

 

CMYK 25 / 0 / 0 / 50

HEX #608080

RGB 96 128 128

HSL 180, 0.14%, 0.44%

LAB 51.25, -11.28, -3.71

 

CMYK 23 / 0 / 0 / 41

HEX #749696

RGB 116 150 150

HSL 180, 0.14%, 0.52%

LAB 59.64, -11.72, -3.87

 

CMYK 17 / 0 / 0 / 34

HEX #8BA8A8

RGB 139 168 168

HSL 180, 0.14%, 0.6%

LAB 66.76, -9.93, -3.33

 

Description

Color code: HEX #618181CE | qconv.com Color code: HEX #618181CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 129 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 129 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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