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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #617FE8 it is the complementary color #9E8017. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #617FE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #617FE8 shade: #667FE3, #7791F6, #88A3FF, #99B5FF and #AAC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #617FE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #617FE8 shade: #617FE8, #506DD5, #3F5BC2, #2E49AF and #1D379C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #617FE8 shade: #6381E9, #6963E9, #8D63E9, #B163E9 and #D563E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #617FE8 shade: #6381E9 and #6363E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #617FE8 shade matches the following richer shades: #6381E9 and #5479F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #617FE8 shade: #6381E9, #7189DA, #8091CC, #8E99BD and #9DA1AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #617FE8 shade: #63C9E9, #63A6E9, #6382E9, #6763E9 and #8B63E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #617FE8 shade: #1F49DA, #3F63E4, #6381E9, #879EEE and #ABBBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #617FE8 shade: #617FE8, #E463E9 and #B8E963

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #617FE8 shade: #617FE8, #E96382 and #82E963

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #617FE8 shade: #617FE8, #E463E9, #E9C963 and #67E963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #617FE8 shade: #617FE8, #E963C5, #E9C963 and #63E987

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 45 / 0 / 9

HEX #617FE8

RGB 97 127 232

HSL 226.67, 0.75%, 0.65%

LAB 55.63, 20.27, -56.56

 

Complementary color

CMYK 0 / 19 / 85 / 38

HEX #9E8017

RGB 158 128 23

HSL 46.67, 0.75%, 0.35%

LAB 54.83, 1.56, 55.38

 

CMYK 55 / 44 / 0 / 11

HEX #667FE3

RGB 102 127 227

HSL 228, 0.69%, 0.65%

LAB 55.63, 19.65, -53.75

 

CMYK 52 / 41 / 0 / 4

HEX #7791F6

RGB 119 145 246

HSL 227.72, 0.88%, 0.72%

LAB 62.36, 18.45, -53.51

 

CMYK 47 / 36 / 0 / 0

HEX #88A3FF

RGB 136 163 255

HSL 226.39, 1%, 0.77%

LAB 68.5, 14.51, -48.65

 

CMYK 40 / 29 / 0 / 0

HEX #99B5FF

RGB 153 181 255

HSL 223.53, 1%, 0.8%

LAB 74.22, 8.51, -39.62

 

CMYK 33 / 22 / 0 / 0

HEX #AAC7FF

RGB 170 199 255

HSL 219.53, 1%, 0.83%

LAB 79.96, 3.16, -30.65

 

CMYK 58 / 45 / 0 / 9

HEX #617FE8

RGB 97 127 232

HSL 226.67, 0.75%, 0.65%

LAB 55.63, 20.27, -56.56

 

CMYK 62 / 49 / 0 / 16

HEX #506DD5

RGB 80 109 213

HSL 226.92, 0.61%, 0.57%

LAB 48.82, 21.86, -56.84

 

CMYK 68 / 53 / 0 / 24

HEX #3F5BC2

RGB 63 91 194

HSL 227.18, 0.52%, 0.5%

LAB 41.9, 23.78, -57.13

 

CMYK 74 / 58 / 0 / 31

HEX #2E49AF

RGB 46 73 175

HSL 227.44, 0.58%, 0.43%

LAB 34.89, 26.14, -57.38

 

CMYK 81 / 65 / 0 / 39

HEX #1D379C

RGB 29 55 156

HSL 227.72, 0.69%, 0.36%

LAB 27.83, 29.05, -57.51

 

CMYK 58 / 45 / 0 / 9

HEX #6381E9

RGB 99 129 233

HSL 226.57, 0.75%, 0.65%

LAB 56.32, 19.78, -56.01

 

CMYK 55 / 58 / 0 / 9

HEX #6963E9

RGB 105 99 233

HSL 242.69, 0.75%, 0.65%

LAB 49.27, 39.03, -67.35

 

CMYK 39 / 58 / 0 / 9

HEX #8D63E9

RGB 141 99 233

HSL 258.81, 0.75%, 0.65%

LAB 52.36, 46.34, -62.19

 

CMYK 24 / 58 / 0 / 9

HEX #B163E9

RGB 177 99 233

HSL 274.93, 0.75%, 0.65%

LAB 56.24, 54.68, -55.76

 

CMYK 9 / 58 / 0 / 9

HEX #D563E9

RGB 213 99 233

HSL 291.04, 0.75%, 0.65%

LAB 60.74, 63.52, -48.33

 

CMYK 58 / 45 / 0 / 9

HEX #6381E9

RGB 99 129 233

HSL 226.57, 0.75%, 0.65%

LAB 56.32, 19.78, -56.01

 

CMYK 58 / 58 / 0 / 9

HEX #6363E9

RGB 99 99 233

HSL 240, 0.75%, 0.65%

LAB 48.83, 37.95, -68.07

 

CMYK 58 / 45 / 0 / 9

HEX #6381E9

RGB 99 129 233

HSL 226.57, 0.75%, 0.65%

LAB 56.32, 19.78, -56.01

 

CMYK 66 / 51 / 0 / 3

HEX #5479F7

RGB 84 121 247

HSL 226.38, 0.91%, 0.65%

LAB 54.32, 26.73, -67.05

 

CMYK 58 / 45 / 0 / 9

HEX #6381E9

RGB 99 129 233

HSL 226.57, 0.75%, 0.65%

LAB 56.32, 19.78, -56.01

 

CMYK 48 / 37 / 0 / 15

HEX #7189DA

RGB 113 137 218

HSL 226.29, 0.59%, 0.65%

LAB 58.47, 13.3, -44.16

 

CMYK 37 / 29 / 0 / 20

HEX #8091CC

RGB 128 145 204

HSL 226.58, 0.43%, 0.65%

LAB 60.96, 8.44, -32.36

 

CMYK 25 / 19 / 0 / 26

HEX #8E99BD

RGB 142 153 189

HSL 225.96, 0.26%, 0.65%

LAB 63.51, 4.13, -19.92

 

CMYK 10 / 8 / 0 / 31

HEX #9DA1AF

RGB 157 161 175

HSL 226.67, 0.1%, 0.65%

LAB 66.33, 1.41, -7.74

 

CMYK 58 / 14 / 0 / 9

HEX #63C9E9

RGB 99 201 233

HSL 194.33, 0.75%, 0.65%

LAB 76.26, -20.67, -24.84

 

CMYK 58 / 29 / 0 / 9

HEX #63A6E9

RGB 99 166 233

HSL 210, 0.75%, 0.65%

LAB 66.37, -1.91, -40.11

 

CMYK 58 / 44 / 0 / 9

HEX #6382E9

RGB 99 130 233

HSL 226.12, 0.75%, 0.65%

LAB 56.59, 19.17, -55.59

 

CMYK 56 / 58 / 0 / 9

HEX #6763E9

RGB 103 99 233

HSL 241.79, 0.75%, 0.65%

LAB 49.12, 38.66, -67.59

 

CMYK 40 / 58 / 0 / 9

HEX #8B63E9

RGB 139 99 233

HSL 257.91, 0.75%, 0.65%

LAB 52.17, 45.9, -62.51

 

CMYK 86 / 67 / 0 / 15

HEX #1F49DA

RGB 31 73 218

HSL 226.52, 0.75%, 0.49%

LAB 38.05, 40.78, -77.3

 

CMYK 72 / 57 / 0 / 11

HEX #3F63E4

RGB 63 99 228

HSL 226.91, 0.75%, 0.57%

LAB 46.42, 30.87, -69.26

 

CMYK 58 / 45 / 0 / 9

HEX #6381E9

RGB 99 129 233

HSL 226.57, 0.75%, 0.65%

LAB 56.32, 19.78, -56.01

 

CMYK 43 / 34 / 0 / 7

HEX #879EEE

RGB 135 158 238

HSL 226.6, 0.75%, 0.73%

LAB 66.35, 12.26, -42.76

 

CMYK 30 / 23 / 0 / 5

HEX #ABBBF3

RGB 171 187 243

HSL 226.67, 0.75%, 0.81%

LAB 76.48, 7, -29.56

 

CMYK 58 / 45 / 0 / 9

HEX #617FE8

RGB 97 127 232

HSL 226.67, 0.75%, 0.65%

LAB 55.63, 20.27, -56.56

 

CMYK 2 / 58 / 0 / 9

HEX #E463E9

RGB 228 99 233

HSL 297.76, 0.75%, 0.65%

LAB 62.76, 67.25, -45

 

CMYK 21 / 0 / 58 / 9

HEX #B8E963

RGB 184 233 99

HSL 81.94, 0.75%, 0.65%

LAB 86.69, -35.89, 58.81

 

CMYK 58 / 45 / 0 / 9

HEX #617FE8

RGB 97 127 232

HSL 226.67, 0.75%, 0.65%

LAB 55.63, 20.27, -56.56

 

CMYK 0 / 58 / 44 / 9

HEX #E96382

RGB 233 99 130

HSL 346.12, 0.75%, 0.65%

LAB 59.76, 54.57, 9.35

 

CMYK 44 / 0 / 58 / 9

HEX #82E963

RGB 130 233 99

HSL 106.12, 0.75%, 0.65%

LAB 83.93, -54.17, 54.92

 

CMYK 58 / 45 / 0 / 9

HEX #617FE8

RGB 97 127 232

HSL 226.67, 0.75%, 0.65%

LAB 55.63, 20.27, -56.56

 

CMYK 2 / 58 / 0 / 9

HEX #E463E9

RGB 228 99 233

HSL 297.76, 0.75%, 0.65%

LAB 62.76, 67.25, -45

 

CMYK 0 / 14 / 58 / 9

HEX #E9C963

RGB 233 201 99

HSL 45.67, 0.75%, 0.65%

LAB 81.84, -0.7, 54.25

 

CMYK 56 / 0 / 58 / 9

HEX #67E963

RGB 103 233 99

HSL 118.21, 0.75%, 0.65%

LAB 82.95, -61.46, 53.53

 

CMYK 58 / 45 / 0 / 9

HEX #617FE8

RGB 97 127 232

HSL 226.67, 0.75%, 0.65%

LAB 55.63, 20.27, -56.56

 

CMYK 0 / 58 / 15 / 9

HEX #E963C5

RGB 233 99 197

HSL 316.12, 0.75%, 0.65%

LAB 61.89, 62.82, -26.07

 

CMYK 0 / 14 / 58 / 9

HEX #E9C963

RGB 233 201 99

HSL 45.67, 0.75%, 0.65%

LAB 81.84, -0.7, 54.25

 

CMYK 58 / 0 / 42 / 9

HEX #63E987

RGB 99 233 135

HSL 136.12, 0.75%, 0.65%

LAB 83.27, -57.45, 36.84

 

Description

Color code: HEX #617FE8 | qconv.com Color code: HEX #617FE8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 127 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 127 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 45 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 45% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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