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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #617EF1CE it is the complementary color #9E810ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #617EF1CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #617EF1CE shade: #667EECCE, #7790FFCE, #88A2FFCE, #99B4FFCE and #AAC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #617EF1CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #617EF1CE shade: #617EF1CE, #506CDECE, #3F5ACBCE, #2E48B8CE and #1D36A5CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #617EF1CE shade: #5F7DF1, #695FF1, #915FF1, #B85FF1 and #DF5FF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #617EF1CE shade: #5F7DF1 and #5F5FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #617EF1CE shade matches the following richer shades: #5F7DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #617EF1CE shade: #5F7DF1, #6E85E3, #7C8ED5, #8A96C7 and #989EB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #617EF1CE shade: #5FCDF1, #5FA6F1, #5F7FF1, #675FF1 and #8E5FF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #617EF1CE shade: #143FEA, #3A5EEE, #5F7DF1, #859CF4 and #ABBBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #617EF1CE shade: #617EF1, #EF5FF1 and #B9F15F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #617EF1CE shade: #617EF1, #F15F7F and #7FF15F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #617EF1CE shade: #617EF1, #EF5FF1, #F1D25F and #62F15F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #617EF1CE shade: #617EF1, #F15FC8, #F1D25F and #5FF189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 39 / 0 / 4

HEX #617EF1CE

RGBA 97 126 241 0.81

HSLA 227.92, 0.84%, 0.66%, 0.81

LABA 55.9, 23.83, -61.14, 0.81

 

Complementary color

CMYK 0 / 15 / 74 / 31

HEX #9E810ECE

RGBA 158 129 14 0.81

HSLA 47.92, 0.84%, 0.34%, 0.81

LABA 55.07, 0.78, 57.8, 0.81

 

CMYK 46 / 38 / 0 / 6

HEX #667EECCE

RGBA 102 126 236 0.81

HSLA 229.25, 0.78%, 0.66%, 0.81

LABA 55.89, 23.14, -58.36, 0.81

 

CMYK 43 / 35 / 0 / 0

HEX #7790FFCE

RGBA 119 144 255 0.81

HSLA 228.97, 1%, 0.73%, 0.81

LABA 62.58, 21.81, -58.09, 0.81

 

CMYK 38 / 30 / 0 / 0

HEX #88A2FFCE

RGBA 136 162 255 0.81

HSLA 226.89, 1%, 0.77%, 0.81

LABA 68.24, 15.08, -49.06, 0.81

 

CMYK 32 / 24 / 0 / 0

HEX #99B4FFCE

RGBA 153 180 255 0.81

HSLA 224.12, 1%, 0.8%, 0.81

LABA 73.96, 9.07, -40.02, 0.81

 

CMYK 27 / 18 / 0 / 0

HEX #AAC6FFCE

RGBA 170 198 255 0.81

HSLA 220.24, 1%, 0.83%, 0.81

LABA 79.7, 3.7, -31.05, 0.81

 

CMYK 48 / 39 / 0 / 4

HEX #617EF1CE

RGBA 97 126 241 0.81

HSLA 227.92, 0.84%, 0.66%, 0.81

LABA 55.9, 23.83, -61.14, 0.81

 

CMYK 52 / 42 / 0 / 10

HEX #506CDECE

RGBA 80 108 222 0.81

HSLA 228.17, 0.68%, 0.59%, 0.81

LABA 49.14, 25.56, -61.43, 0.81

 

CMYK 56 / 45 / 0 / 17

HEX #3F5ACBCE

RGBA 63 90 203 0.81

HSLA 228.43, 0.57%, 0.52%, 0.81

LABA 42.28, 27.64, -61.72, 0.81

 

CMYK 61 / 49 / 0 / 23

HEX #2E48B8CE

RGBA 46 72 184 0.81

HSLA 228.7, 0.6%, 0.45%, 0.81

LABA 35.35, 30.15, -61.95, 0.81

 

CMYK 67 / 54 / 0 / 29

HEX #1D36A5CE

RGBA 29 54 165 0.81

HSLA 228.97, 0.7%, 0.38%, 0.81

LABA 28.42, 33.14, -62, 0.81

 

CMYK 61 / 48 / 0 / 5

HEX #5F7DF1

RGB 95 125 241

HSL 227.67, 0.84%, 0.66%

LAB 55.53, 24.08, -61.74

 

CMYK 56 / 61 / 0 / 5

HEX #695FF1

RGB 105 95 241

HSL 244.11, 0.84%, 0.66%

LAB 48.93, 43.84, -72.38

 

CMYK 40 / 61 / 0 / 5

HEX #915FF1

RGB 145 95 241

HSL 260.55, 0.84%, 0.66%

LAB 52.46, 51.47, -66.5

 

CMYK 24 / 61 / 0 / 5

HEX #B85FF1

RGB 184 95 241

HSL 276.58, 0.84%, 0.66%

LAB 56.81, 60.05, -59.27

 

CMYK 7 / 61 / 0 / 5

HEX #DF5FF1

RGB 223 95 241

HSL 292.6, 0.84%, 0.66%

LAB 61.85, 69.16, -50.94

 

CMYK 61 / 48 / 0 / 5

HEX #5F7DF1

RGB 95 125 241

HSL 227.67, 0.84%, 0.66%

LAB 55.53, 24.08, -61.74

 

CMYK 61 / 61 / 0 / 5

HEX #5F5FF1

RGB 95 95 241

HSL 240, 0.84%, 0.66%

LAB 48.22, 42.21, -73.57

 

CMYK 61 / 48 / 0 / 5

HEX #5F7DF1

RGB 95 125 241

HSL 227.67, 0.84%, 0.66%

LAB 55.53, 24.08, -61.74

 

CMYK 61 / 48 / 0 / 5

HEX #5F7DF1

RGB 95 125 241

HSL 227.67, 0.84%, 0.66%

LAB 55.53, 24.08, -61.74

 

CMYK 52 / 41 / 0 / 11

HEX #6E85E3

RGB 110 133 227

HSL 228.21, 0.68%, 0.66%

LAB 57.69, 17.75, -50.44

 

CMYK 42 / 33 / 0 / 16

HEX #7C8ED5

RGB 124 142 213

HSL 227.87, 0.51%, 0.66%

LAB 60.28, 11.62, -38.48

 

CMYK 31 / 25 / 0 / 22

HEX #8A96C7

RGB 138 150 199

HSL 228.2, 0.35%, 0.66%

LAB 62.79, 7.11, -26.66

 

CMYK 18 / 15 / 0 / 27

HEX #989EB9

RGB 152 158 185

HSL 229.09, 0.19%, 0.66%

LAB 65.46, 3.58, -14.66

 

CMYK 61 / 15 / 0 / 5

HEX #5FCDF1

RGB 95 205 241

HSL 194.79, 0.84%, 0.66%

LAB 77.55, -21.09, -27.17

 

CMYK 61 / 31 / 0 / 5

HEX #5FA6F1

RGB 95 166 241

HSL 210.82, 0.84%, 0.66%

LAB 66.56, -0.13, -44.21

 

CMYK 61 / 47 / 0 / 5

HEX #5F7FF1

RGB 95 127 241

HSL 226.85, 0.84%, 0.66%

LAB 56.05, 22.87, -60.91

 

CMYK 57 / 61 / 0 / 5

HEX #675FF1

RGB 103 95 241

HSL 243.29, 0.84%, 0.66%

LAB 48.78, 43.51, -72.63

 

CMYK 41 / 61 / 0 / 5

HEX #8E5FF1

RGB 142 95 241

HSL 259.32, 0.84%, 0.66%

LAB 52.16, 50.85, -67

 

CMYK 91 / 73 / 0 / 8

HEX #143FEA

RGB 20 63 234

HSL 227.94, 0.84%, 0.5%

LAB 37.2, 51.96, -87.86

 

CMYK 76 / 61 / 0 / 7

HEX #3A5EEE

RGB 58 94 238

HSL 228, 0.84%, 0.58%

LAB 45.74, 37.01, -76.02

 

CMYK 61 / 48 / 0 / 5

HEX #5F7DF1

RGB 95 125 241

HSL 227.67, 0.84%, 0.66%

LAB 55.53, 24.08, -61.74

 

CMYK 45 / 36 / 0 / 4

HEX #859CF4

RGB 133 156 244

HSL 227.57, 0.83%, 0.74%

LAB 65.98, 14.64, -46.64

 

CMYK 31 / 25 / 0 / 3

HEX #ABBBF8

RGB 171 187 248

HSL 227.53, 0.85%, 0.82%

LAB 76.66, 8.23, -31.97

 

CMYK 60 / 48 / 0 / 5

HEX #617EF1

RGB 97 126 241

HSL 227.92, 0.84%, 0.66%

LAB 55.9, 23.83, -61.14

 

CMYK 1 / 61 / 0 / 5

HEX #EF5FF1

RGB 239 95 241

HSL 299.18, 0.84%, 0.66%

LAB 64.07, 72.96, -47.28

 

CMYK 23 / 0 / 61 / 5

HEX #B9F15F

RGB 185 241 95

HSL 83.01, 0.84%, 0.66%

LAB 88.95, -39.45, 63.05

 

CMYK 60 / 48 / 0 / 5

HEX #617EF1

RGB 97 126 241

HSL 227.92, 0.84%, 0.66%

LAB 55.9, 23.83, -61.14

 

CMYK 0 / 61 / 47 / 5

HEX #F15F7F

RGB 241 95 127

HSL 346.85, 0.84%, 0.66%

LAB 60.26, 58.65, 11.98

 

CMYK 47 / 0 / 61 / 5

HEX #7FF15F

RGB 127 241 95

HSL 106.85, 0.84%, 0.66%

LAB 86.13, -58.56, 59.14

 

CMYK 60 / 48 / 0 / 5

HEX #617EF1

RGB 97 126 241

HSL 227.92, 0.84%, 0.66%

LAB 55.9, 23.83, -61.14

 

CMYK 1 / 61 / 0 / 5

HEX #EF5FF1

RGB 239 95 241

HSL 299.18, 0.84%, 0.66%

LAB 64.07, 72.96, -47.28

 

CMYK 0 / 13 / 61 / 5

HEX #F1D25F

RGB 241 210 95

HSL 47.26, 0.84%, 0.66%

LAB 84.8, -2.29, 59.62

 

CMYK 59 / 0 / 61 / 5

HEX #62F15F

RGB 98 241 95

HSL 118.77, 0.84%, 0.66%

LAB 85.17, -65.93, 57.78

 

CMYK 60 / 48 / 0 / 5

HEX #617EF1

RGB 97 126 241

HSL 227.92, 0.84%, 0.66%

LAB 55.9, 23.83, -61.14

 

CMYK 0 / 61 / 17 / 5

HEX #F15FC8

RGB 241 95 200

HSL 316.85, 0.84%, 0.66%

LAB 62.55, 67.15, -26.65

 

CMYK 0 / 13 / 61 / 5

HEX #F1D25F

RGB 241 210 95

HSL 47.26, 0.84%, 0.66%

LAB 84.8, -2.29, 59.62

 

CMYK 61 / 0 / 43 / 5

HEX #5FF189

RGB 95 241 137

HSL 137.26, 0.84%, 0.66%

LAB 85.58, -61.01, 38.81

 

Description

Color code: HEX #617EF1CE | qconv.com Color code: HEX #617EF1CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 126 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 126 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 39 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 39% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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