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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #617ADE it is the complementary color #9E8521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #617ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #617ADE shade: #667AD9, #778CEC, #889EFF, #99B0FF and #AAC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #617ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #617ADE shade: #617ADE, #5068CB, #3F56B8, #2E44A5 and #1D3292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #617ADE shade: #637CDE, #6C63DE, #8D63DE, #AE63DE and #CF63DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #617ADE shade: #637CDE and #6363DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #617ADE shade matches the following richer shades: #637CDE, #5473ED and #456AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #617ADE shade: #637CDE, #7385CF, #828EBF, #9197B0 and #A0A0A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #617ADE shade: #63BDDE, #639DDE, #637CDE, #6B63DE and #8C63DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #617ADE shade: #2A49C5, #415FD7, #637CDE, #8599E5 and #A7B5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #617ADE shade: #617ADE, #DE63DE and #ADDE63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #617ADE shade: #617ADE, #DE637C and #7CDE63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #617ADE shade: #617ADE, #DE63DE, #DEC563 and #63DE63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #617ADE shade: #617ADE, #DE63B9, #DEC563 and #63DE88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 45 / 0 / 13

HEX #617ADE

RGB 97 122 222

HSL 228, 0.65%, 0.63%

LAB 53.74, 20.05, -53.98

 

Complementary color

CMYK 0 / 16 / 79 / 38

HEX #9E8521

RGB 158 133 33

HSL 48, 0.65%, 0.37%

LAB 56.24, -0.88, 53.41

 

CMYK 53 / 44 / 0 / 15

HEX #667AD9

RGB 102 122 217

HSL 229.57, 0.6%, 0.63%

LAB 53.76, 19.49, -51.11

 

CMYK 50 / 41 / 0 / 7

HEX #778CEC

RGB 119 140 236

HSL 229.23, 0.75%, 0.7%

LAB 60.55, 18.35, -50.88

 

CMYK 47 / 38 / 0 / 0

HEX #889EFF

RGB 136 158 255

HSL 228.91, 1%, 0.77%

LAB 67.21, 17.38, -50.69

 

CMYK 40 / 31 / 0 / 0

HEX #99B0FF

RGB 153 176 255

HSL 226.47, 1%, 0.8%

LAB 72.92, 11.3, -41.64

 

CMYK 33 / 24 / 0 / 0

HEX #AAC2FF

RGB 170 194 255

HSL 223.06, 1%, 0.83%

LAB 78.67, 5.87, -32.64

 

CMYK 56 / 45 / 0 / 13

HEX #617ADE

RGB 97 122 222

HSL 228, 0.65%, 0.63%

LAB 53.74, 20.05, -53.98

 

CMYK 61 / 49 / 0 / 20

HEX #5068CB

RGB 80 104 203

HSL 228.29, 0.54%, 0.55%

LAB 46.87, 21.57, -54.26

 

CMYK 66 / 53 / 0 / 28

HEX #3F56B8

RGB 63 86 184

HSL 228.6, 0.49%, 0.48%

LAB 39.87, 23.42, -54.57

 

CMYK 72 / 59 / 0 / 35

HEX #2E44A5

RGB 46 68 165

HSL 228.91, 0.56%, 0.41%

LAB 32.77, 25.71, -54.85

 

CMYK 80 / 66 / 0 / 43

HEX #1D3292

RGB 29 50 146

HSL 229.23, 0.67%, 0.34%

LAB 25.62, 28.55, -55.01

 

CMYK 55 / 44 / 0 / 13

HEX #637CDE

RGB 99 124 222

HSL 227.8, 0.65%, 0.63%

LAB 54.39, 19.25, -52.94

 

CMYK 51 / 55 / 0 / 13

HEX #6C63DE

RGB 108 99 222

HSL 244.39, 0.65%, 0.63%

LAB 48.74, 36.22, -61.98

 

CMYK 36 / 55 / 0 / 13

HEX #8D63DE

RGB 141 99 222

HSL 260.49, 0.65%, 0.63%

LAB 51.68, 43.45, -57.1

 

CMYK 22 / 55 / 0 / 13

HEX #AE63DE

RGB 174 99 222

HSL 276.59, 0.65%, 0.63%

LAB 55.27, 51.52, -51.14

 

CMYK 7 / 55 / 0 / 13

HEX #CF63DE

RGB 207 99 222

HSL 292.68, 0.65%, 0.63%

LAB 59.4, 59.96, -44.34

 

CMYK 55 / 44 / 0 / 13

HEX #637CDE

RGB 99 124 222

HSL 227.8, 0.65%, 0.63%

LAB 54.39, 19.25, -52.94

 

CMYK 55 / 55 / 0 / 13

HEX #6363DE

RGB 99 99 222

HSL 240, 0.65%, 0.63%

LAB 48.07, 34.47, -63.09

 

CMYK 55 / 44 / 0 / 13

HEX #637CDE

RGB 99 124 222

HSL 227.8, 0.65%, 0.63%

LAB 54.39, 19.25, -52.94

 

CMYK 65 / 51 / 0 / 7

HEX #5473ED

RGB 84 115 237

HSL 227.84, 0.81%, 0.63%

LAB 52.13, 27, -65.02

 

CMYK 73 / 58 / 0 / 1

HEX #456AFD

RGB 69 106 253

HSL 227.93, 0.98%, 0.63%

LAB 50.29, 36.05, -76.94

 

CMYK 55 / 44 / 0 / 13

HEX #637CDE

RGB 99 124 222

HSL 227.8, 0.65%, 0.63%

LAB 54.39, 19.25, -52.94

 

CMYK 44 / 36 / 0 / 19

HEX #7385CF

RGB 115 133 207

HSL 228.26, 0.49%, 0.63%

LAB 57, 12.88, -40.29

 

CMYK 32 / 26 / 0 / 25

HEX #828EBF

RGB 130 142 191

HSL 228.2, 0.32%, 0.63%

LAB 59.76, 7.27, -26.89

 

CMYK 18 / 14 / 0 / 31

HEX #9197B0

RGB 145 151 176

HSL 228.39, 0.16%, 0.63%

LAB 62.75, 3.17, -13.75

 

CMYK 1 / 1 / 0 / 37

HEX #A0A0A1

RGB 160 160 161

HSL 240, 0.01%, 0.63%

LAB 65.9, 0.2, -0.53

 

CMYK 55 / 15 / 0 / 13

HEX #63BDDE

RGB 99 189 222

HSL 196.1, 0.65%, 0.63%

LAB 72.44, -17.7, -24.72

 

CMYK 55 / 29 / 0 / 13

HEX #639DDE

RGB 99 157 222

HSL 211.71, 0.65%, 0.63%

LAB 63.38, -0.25, -38.74

 

CMYK 55 / 44 / 0 / 13

HEX #637CDE

RGB 99 124 222

HSL 227.8, 0.65%, 0.63%

LAB 54.39, 19.25, -52.94

 

CMYK 52 / 55 / 0 / 13

HEX #6B63DE

RGB 107 99 222

HSL 243.9, 0.65%, 0.63%

LAB 48.66, 36.02, -62.1

 

CMYK 37 / 55 / 0 / 13

HEX #8C63DE

RGB 140 99 222

HSL 260, 0.65%, 0.63%

LAB 51.58, 43.22, -57.26

 

CMYK 79 / 63 / 0 / 23

HEX #2A49C5

RGB 42 73 197

HSL 228, 0.65%, 0.47%

LAB 36.53, 33.89, -67.65

 

CMYK 70 / 56 / 0 / 16

HEX #415FD7

RGB 65 95 215

HSL 228, 0.65%, 0.55%

LAB 44.54, 29.02, -64.93

 

CMYK 55 / 44 / 0 / 13

HEX #637CDE

RGB 99 124 222

HSL 227.8, 0.65%, 0.63%

LAB 54.39, 19.25, -52.94

 

CMYK 42 / 33 / 0 / 10

HEX #8599E5

RGB 133 153 229

HSL 227.5, 0.65%, 0.71%

LAB 64.5, 12.09, -40.71

 

CMYK 29 / 23 / 0 / 7

HEX #A7B5EC

RGB 167 181 236

HSL 227.83, 0.64%, 0.79%

LAB 74.39, 7.44, -29.01

 

CMYK 56 / 45 / 0 / 13

HEX #617ADE

RGB 97 122 222

HSL 228, 0.65%, 0.63%

LAB 53.74, 20.05, -53.98

 

CMYK 0 / 55 / 0 / 13

HEX #DE63DE

RGB 222 99 222

HSL 300, 0.65%, 0.63%

LAB 61.42, 63.84, -41.03

 

CMYK 22 / 0 / 55 / 13

HEX #ADDE63

RGB 173 222 99

HSL 83.9, 0.65%, 0.63%

LAB 82.93, -34.97, 54.33

 

CMYK 56 / 45 / 0 / 13

HEX #617ADE

RGB 97 122 222

HSL 228, 0.65%, 0.63%

LAB 53.74, 20.05, -53.98

 

CMYK 0 / 55 / 44 / 13

HEX #DE637C

RGB 222 99 124

HSL 347.8, 0.65%, 0.63%

LAB 57.95, 50.31, 10.04

 

CMYK 44 / 0 / 55 / 13

HEX #7CDE63

RGB 124 222 99

HSL 107.8, 0.65%, 0.63%

LAB 80.42, -51.56, 50.77

 

CMYK 56 / 45 / 0 / 13

HEX #617ADE

RGB 97 122 222

HSL 228, 0.65%, 0.63%

LAB 53.74, 20.05, -53.98

 

CMYK 0 / 55 / 0 / 13

HEX #DE63DE

RGB 222 99 222

HSL 300, 0.65%, 0.63%

LAB 61.42, 63.84, -41.03

 

CMYK 0 / 11 / 55 / 13

HEX #DEC563

RGB 222 197 99

HSL 47.8, 0.65%, 0.63%

LAB 79.82, -3.18, 51.66

 

CMYK 55 / 0 / 55 / 13

HEX #63DE63

RGB 99 222 99

HSL 120, 0.65%, 0.63%

LAB 79.5, -58.37, 49.45

 

CMYK 56 / 45 / 0 / 13

HEX #617ADE

RGB 97 122 222

HSL 228, 0.65%, 0.63%

LAB 53.74, 20.05, -53.98

 

CMYK 0 / 55 / 17 / 13

HEX #DE63B9

RGB 222 99 185

HSL 318.05, 0.65%, 0.63%

LAB 59.85, 57.92, -22.5

 

CMYK 0 / 11 / 55 / 13

HEX #DEC563

RGB 222 197 99

HSL 47.8, 0.65%, 0.63%

LAB 79.82, -3.18, 51.66

 

CMYK 55 / 0 / 39 / 13

HEX #63DE88

RGB 99 222 136

HSL 138.05, 0.65%, 0.63%

LAB 80, -52.98, 32.05

 

Description

Color code: HEX #617ADE | qconv.com Color code: HEX #617ADE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 122 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 122 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 45 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 45% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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