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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #617895 it is the complementary color #9E876A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #617895. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #617895 shade: #667890, #778AA3, #889CB6, #99AEC9 and #AAC0DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #617895. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #617895 shade: #617895, #506682, #3F546F, #2E425C and #1D3049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #617895 shade: #617794, #616A94, #666194, #746194 and #816194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #617895 shade: #617794, #616A94 and #616194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #617895 shade matches the following richer shades: #617794, #4D75A8, #3973BC, #2571D0 and #116EE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #617895 shade: #617794, #757A80, #887C6C, #9C7E59 and #B08145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #617895 shade: #619394, #618694, #617894, #616A94 and #656194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #617895 shade: #404F62, #50637B, #617794, #788CA7 and #90A1B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #617895 shade: #617895, #876194 and #8C9461

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #617895 shade: #617895, #946178 and #789461

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #617895 shade: #617895, #876194, #947D61 and #6E9461

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #617895 shade: #617895, #946192, #947D61 and #619463

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 19 / 0 / 42

HEX #617895

RGB 97 120 149

HSL 213.46, 0.21%, 0.48%

LAB 49.67, -0.96, -18.4

 

Complementary color

CMYK 0 / 15 / 33 / 38

HEX #9E876A

RGB 158 135 106

HSL 33.46, 0.21%, 0.52%

LAB 57.69, 4.28, 18.84

 

CMYK 29 / 17 / 0 / 44

HEX #667890

RGB 102 120 144

HSL 214.29, 0.17%, 0.48%

LAB 49.82, -0.74, -15.2

 

CMYK 27 / 15 / 0 / 36

HEX #778AA3

RGB 119 138 163

HSL 214.09, 0.19%, 0.55%

LAB 56.82, -0.94, -15.5

 

CMYK 25 / 14 / 0 / 29

HEX #889CB6

RGB 136 156 182

HSL 213.91, 0.24%, 0.62%

LAB 63.66, -1.12, -15.81

 

CMYK 24 / 13 / 0 / 21

HEX #99AEC9

RGB 153 174 201

HSL 213.75, 0.31%, 0.69%

LAB 70.36, -1.28, -16.14

 

CMYK 23 / 13 / 0 / 14

HEX #AAC0DC

RGB 170 192 220

HSL 213.6, 0.42%, 0.76%

LAB 76.93, -1.43, -16.48

 

CMYK 35 / 19 / 0 / 42

HEX #617895

RGB 97 120 149

HSL 213.46, 0.21%, 0.48%

LAB 49.67, -0.96, -18.4

 

CMYK 38 / 22 / 0 / 49

HEX #506682

RGB 80 102 130

HSL 213.6, 0.24%, 0.41%

LAB 42.49, -0.66, -18.19

 

CMYK 43 / 24 / 0 / 56

HEX #3F546F

RGB 63 84 111

HSL 213.75, 0.28%, 0.34%

LAB 35.09, -0.29, -18.02

 

CMYK 50 / 28 / 0 / 64

HEX #2E425C

RGB 46 66 92

HSL 213.91, 0.33%, 0.27%

LAB 27.44, 0.21, -17.9

 

CMYK 60 / 34 / 0 / 71

HEX #1D3049

RGB 29 48 73

HSL 214.09, 0.43%, 0.2%

LAB 19.46, 0.96, -17.86

 

CMYK 34 / 20 / 0 / 42

HEX #617794

RGB 97 119 148

HSL 214.12, 0.21%, 0.48%

LAB 49.34, -0.64, -18.31

 

CMYK 34 / 28 / 0 / 42

HEX #616A94

RGB 97 106 148

HSL 229.41, 0.21%, 0.48%

LAB 45.62, 7.16, -24.04

 

CMYK 31 / 34 / 0 / 42

HEX #666194

RGB 102 97 148

HSL 245.88, 0.21%, 0.48%

LAB 43.53, 14.22, -27.26

 

CMYK 22 / 34 / 0 / 42

HEX #746194

RGB 116 97 148

HSL 262.35, 0.21%, 0.48%

LAB 44.8, 18.65, -25.18

 

CMYK 13 / 34 / 0 / 42

HEX #816194

RGB 129 97 148

HSL 277.65, 0.21%, 0.48%

LAB 46.12, 22.93, -23.04

 

CMYK 34 / 20 / 0 / 42

HEX #617794

RGB 97 119 148

HSL 214.12, 0.21%, 0.48%

LAB 49.34, -0.64, -18.31

 

CMYK 34 / 28 / 0 / 42

HEX #616A94

RGB 97 106 148

HSL 229.41, 0.21%, 0.48%

LAB 45.62, 7.16, -24.04

 

CMYK 34 / 34 / 0 / 42

HEX #616194

RGB 97 97 148

HSL 240, 0.21%, 0.48%

LAB 43.11, 12.7, -27.95

 

CMYK 34 / 20 / 0 / 42

HEX #617794

RGB 97 119 148

HSL 214.12, 0.21%, 0.48%

LAB 49.34, -0.64, -18.31

 

CMYK 54 / 30 / 0 / 34

HEX #4D75A8

RGB 77 117 168

HSL 213.63, 0.37%, 0.48%

LAB 48.42, 1.19, -31.55

 

CMYK 70 / 39 / 0 / 26

HEX #3973BC

RGB 57 115 188

HSL 213.44, 0.53%, 0.48%

LAB 47.96, 5.45, -43.95

 

CMYK 82 / 46 / 0 / 18

HEX #2571D0

RGB 37 113 208

HSL 213.33, 0.7%, 0.48%

LAB 47.95, 11.75, -55.47

 

CMYK 93 / 52 / 0 / 11

HEX #116EE3

RGB 17 110 227

HSL 213.43, 0.86%, 0.48%

LAB 48.03, 19.78, -66.14

 

CMYK 34 / 20 / 0 / 42

HEX #617794

RGB 97 119 148

HSL 214.12, 0.21%, 0.48%

LAB 49.34, -0.64, -18.31

 

CMYK 9 / 5 / 0 / 50

HEX #757A80

RGB 117 122 128

HSL 212.73, 0.04%, 0.48%

LAB 50.99, -0.6, -3.92

 

CMYK 0 / 9 / 21 / 47

HEX #887C6C

RGB 136 124 108

HSL 34.29, 0.11%, 0.48%

LAB 52.66, 1.8, 10.4

 

CMYK 0 / 19 / 43 / 39

HEX #9C7E59

RGB 156 126 89

HSL 33.13, 0.27%, 0.48%

LAB 54.77, 6.4, 24.5

 

CMYK 0 / 27 / 61 / 31

HEX #B08145

RGB 176 129 69

HSL 33.64, 0.44%, 0.48%

LAB 57.42, 11.5, 39.12

 

CMYK 34 / 1 / 0 / 42

HEX #619394

RGB 97 147 148

HSL 181.18, 0.21%, 0.48%

LAB 57.6, -16.39, -5.87

 

CMYK 34 / 9 / 0 / 42

HEX #618694

RGB 97 134 148

HSL 196.47, 0.21%, 0.48%

LAB 53.74, -9.27, -11.64

 

CMYK 34 / 19 / 0 / 42

HEX #617894

RGB 97 120 148

HSL 212.94, 0.21%, 0.48%

LAB 49.63, -1.23, -17.87

 

CMYK 34 / 28 / 0 / 42

HEX #616A94

RGB 97 106 148

HSL 229.41, 0.21%, 0.48%

LAB 45.62, 7.16, -24.04

 

CMYK 32 / 34 / 0 / 42

HEX #656194

RGB 101 97 148

HSL 244.71, 0.21%, 0.48%

LAB 43.44, 13.92, -27.4

 

CMYK 35 / 19 / 0 / 62

HEX #404F62

RGB 64 79 98

HSL 213.53, 0.21%, 0.32%

LAB 33.06, -0.73, -12.98

 

CMYK 35 / 20 / 0 / 52

HEX #50637B

RGB 80 99 123

HSL 213.49, 0.21%, 0.4%

LAB 41.31, -0.84, -15.76

 

CMYK 34 / 20 / 0 / 42

HEX #617794

RGB 97 119 148

HSL 214.12, 0.21%, 0.48%

LAB 49.34, -0.64, -18.31

 

CMYK 28 / 16 / 0 / 35

HEX #788CA7

RGB 120 140 167

HSL 214.47, 0.21%, 0.56%

LAB 57.6, -0.77, -16.61

 

CMYK 21 / 12 / 0 / 28

HEX #90A1B7

RGB 144 161 183

HSL 213.85, 0.21%, 0.64%

LAB 65.62, -1.13, -13.36

 

CMYK 35 / 19 / 0 / 42

HEX #617895

RGB 97 120 149

HSL 213.46, 0.21%, 0.48%

LAB 49.67, -0.96, -18.4

 

CMYK 9 / 34 / 0 / 42

HEX #876194

RGB 135 97 148

HSL 284.71, 0.21%, 0.48%

LAB 46.76, 24.93, -21.99

 

CMYK 5 / 0 / 34 / 42

HEX #8C9461

RGB 140 148 97

HSL 69.41, 0.21%, 0.48%

LAB 59.54, -11.51, 26.05

 

CMYK 35 / 19 / 0 / 42

HEX #617895

RGB 97 120 149

HSL 213.46, 0.21%, 0.48%

LAB 49.67, -0.96, -18.4

 

CMYK 0 / 34 / 19 / 42

HEX #946178

RGB 148 97 120

HSL 332.94, 0.21%, 0.48%

LAB 47.24, 24.21, -4.37

 

CMYK 19 / 0 / 34 / 42

HEX #789461

RGB 120 148 97

HSL 92.94, 0.21%, 0.48%

LAB 58.07, -19.45, 23.83

 

CMYK 35 / 19 / 0 / 42

HEX #617895

RGB 97 120 149

HSL 213.46, 0.21%, 0.48%

LAB 49.67, -0.96, -18.4

 

CMYK 9 / 34 / 0 / 42

HEX #876194

RGB 135 97 148

HSL 284.71, 0.21%, 0.48%

LAB 46.76, 24.93, -21.99

 

CMYK 0 / 16 / 34 / 42

HEX #947D61

RGB 148 125 97

HSL 32.94, 0.21%, 0.48%

LAB 53.84, 4.57, 18.57

 

CMYK 26 / 0 / 34 / 42

HEX #6E9461

RGB 110 148 97

HSL 104.71, 0.21%, 0.48%

LAB 57.42, -23.21, 22.86

 

CMYK 35 / 19 / 0 / 42

HEX #617895

RGB 97 120 149

HSL 213.46, 0.21%, 0.48%

LAB 49.67, -0.96, -18.4

 

CMYK 0 / 34 / 1 / 42

HEX #946192

RGB 148 97 146

HSL 302.35, 0.21%, 0.48%

LAB 48.16, 28.93, -18.53

 

CMYK 0 / 16 / 34 / 42

HEX #947D61

RGB 148 125 97

HSL 32.94, 0.21%, 0.48%

LAB 53.84, 4.57, 18.57

 

CMYK 34 / 0 / 33 / 42

HEX #619463

RGB 97 148 99

HSL 122.35, 0.21%, 0.48%

LAB 56.71, -27.47, 20.66

 

Description

Color code: HEX #617895 | qconv.com Color code: HEX #617895 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 120 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 120 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 19 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 19% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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