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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #616F25 it is the complementary color #9E90DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #616F25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #616F25 shade: #666F20, #778133, #889346, #99A559 and #AAB76C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #616F25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #616F25 shade: #616F25, #505D12, #3F4B00, #2E3900 and #1D2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #616F25 shade: #616F25, #6F6925, #6F5525, #6F4125 and #6F2D25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #616F25 shade: #616F25, #4D6F25, #396F25, #256F25 and #256F39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #616F25 shade matches the following richer shades: #616F25, #687B19, #70870D and #779301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #616F25 shade: #616F25, #596331, #52573D, #4B4B49 and #433F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #616F25 shade: #6F5525, #6F6925, #616F25, #4E6F25 and #3A6F25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #616F25 shade: #2B3110, #46501B, #616F25, #7C8E2F and #97AD3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #616F25 shade: #616F25, #256F41 and #5F256F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #616F25 shade: #616F25, #25616F and #6F2561

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #616F25 shade: #616F25, #256F41, #33256F and #6F2553

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #616F25 shade: #616F25, #256F58, #33256F and #6F253C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

Complementary color

CMYK 28 / 34 / 0 / 15

HEX #9E90DA

RGB 158 144 218

HSL 251.35, 0.5%, 0.71%

LAB 63.57, 21.21, -35.93

 

CMYK 8 / 0 / 71 / 56

HEX #666F20

RGB 102 111 32

HSL 66.84, 0.55%, 0.28%

LAB 44.66, -14.7, 40.84

 

CMYK 8 / 0 / 60 / 49

HEX #778133

RGB 119 129 51

HSL 67.69, 0.43%, 0.35%

LAB 51.68, -15.33, 40.08

 

CMYK 7 / 0 / 52 / 42

HEX #889346

RGB 136 147 70

HSL 68.57, 0.35%, 0.43%

LAB 58.55, -15.78, 38.98

 

CMYK 7 / 0 / 46 / 35

HEX #99A559

RGB 153 165 89

HSL 69.47, 0.3%, 0.5%

LAB 65.28, -16.1, 37.79

 

CMYK 7 / 0 / 41 / 28

HEX #AAB76C

RGB 170 183 108

HSL 70.4, 0.34%, 0.57%

LAB 71.89, -16.35, 36.58

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 14 / 0 / 81 / 64

HEX #505D12

RGB 80 93 18

HSL 70.4, 0.68%, 0.22%

LAB 37.07, -15.92, 38.43

 

CMYK 16 / 0 / 100 / 71

HEX #3F4B00

RGB 63 75 0

HSL 69.6, 1%, 0.15%

LAB 29.64, -14.94, 37.73

 

CMYK 19 / 0 / 100 / 78

HEX #2E3900

RGB 46 57 0

HSL 71.58, 1%, 0.11%

LAB 21.97, -13.21, 30.15

 

CMYK 26 / 0 / 100 / 85

HEX #1D2700

RGB 29 39 0

HSL 75.38, 1%, 0.08%

LAB 13.9, -11.41, 20.16

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 0 / 5 / 67 / 56

HEX #6F6925

RGB 111 105 37

HSL 55.14, 0.5%, 0.29%

LAB 43.68, -6.81, 37.83

 

CMYK 0 / 23 / 67 / 56

HEX #6F5525

RGB 111 85 37

HSL 38.92, 0.5%, 0.29%

LAB 37.86, 4.97, 31.48

 

CMYK 0 / 41 / 67 / 56

HEX #6F4125

RGB 111 65 37

HSL 22.7, 0.5%, 0.29%

LAB 32.47, 17.12, 25.27

 

CMYK 0 / 59 / 67 / 56

HEX #6F2D25

RGB 111 45 37

HSL 6.49, 0.5%, 0.29%

LAB 27.82, 28.67, 19.64

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 31 / 0 / 67 / 56

HEX #4D6F25

RGB 77 111 37

HSL 87.57, 0.5%, 0.29%

LAB 42.88, -25.25, 36.19

 

CMYK 49 / 0 / 67 / 56

HEX #396F25

RGB 57 111 37

HSL 103.78, 0.5%, 0.29%

LAB 41.8, -32.74, 34.69

 

CMYK 67 / 0 / 67 / 56

HEX #256F25

RGB 37 111 37

HSL 120, 0.5%, 0.29%

LAB 41.05, -38.53, 33.65

 

CMYK 67 / 0 / 49 / 56

HEX #256F39

RGB 37 111 57

HSL 136.22, 0.5%, 0.29%

LAB 41.31, -35.59, 23.47

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 15 / 0 / 80 / 52

HEX #687B19

RGB 104 123 25

HSL 71.63, 0.66%, 0.29%

LAB 48.48, -20.55, 47.28

 

CMYK 17 / 0 / 90 / 47

HEX #70870D

RGB 112 135 13

HSL 71.31, 0.82%, 0.29%

LAB 52.73, -23.57, 54.41

 

CMYK 19 / 0 / 99 / 42

HEX #779301

RGB 119 147 1

HSL 71.51, 0.99%, 0.29%

LAB 56.87, -26.72, 59.92

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 10 / 0 / 51 / 61

HEX #596331

RGB 89 99 49

HSL 72, 0.34%, 0.29%

LAB 40.03, -12.47, 26.95

 

CMYK 6 / 0 / 30 / 66

HEX #52573D

RGB 82 87 61

HSL 71.54, 0.18%, 0.29%

LAB 35.88, -7, 14.48

 

CMYK 0 / 0 / 3 / 71

HEX #4B4B49

RGB 75 75 73

HSL 60, 0.01%, 0.29%

LAB 31.83, -0.43, 1.19

 

CMYK 21 / 26 / 0 / 67

HEX #433F55

RGB 67 63 85

HSL 250.91, 0.15%, 0.29%

LAB 27.86, 7.04, -12.58

 

CMYK 0 / 23 / 67 / 56

HEX #6F5525

RGB 111 85 37

HSL 38.92, 0.5%, 0.29%

LAB 37.86, 4.97, 31.48

 

CMYK 0 / 5 / 67 / 56

HEX #6F6925

RGB 111 105 37

HSL 55.14, 0.5%, 0.29%

LAB 43.68, -6.81, 37.83

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 30 / 0 / 67 / 56

HEX #4E6F25

RGB 78 111 37

HSL 86.76, 0.5%, 0.29%

LAB 42.95, -24.84, 36.27

 

CMYK 48 / 0 / 67 / 56

HEX #3A6F25

RGB 58 111 37

HSL 102.97, 0.5%, 0.29%

LAB 41.85, -32.41, 34.75

 

CMYK 12 / 0 / 67 / 81

HEX #2B3110

RGB 43 49 16

HSL 70.91, 0.51%, 0.13%

LAB 19, -8.64, 19.82

 

CMYK 13 / 0 / 66 / 69

HEX #46501B

RGB 70 80 27

HSL 71.32, 0.5%, 0.21%

LAB 32.08, -12.75, 29.12

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 13 / 0 / 67 / 44

HEX #7C8E2F

RGB 124 142 47

HSL 71.37, 0.5%, 0.37%

LAB 55.92, -20.26, 46.59

 

CMYK 13 / 0 / 66 / 32

HEX #97AD3A

RGB 151 173 58

HSL 71.48, 0.5%, 0.45%

LAB 67.11, -23.67, 54.27

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 67 / 0 / 41 / 56

HEX #256F41

RGB 37 111 65

HSL 142.7, 0.5%, 0.29%

LAB 41.44, -34.09, 19.09

 

CMYK 14 / 67 / 0 / 56

HEX #5F256F

RGB 95 37 111

HSL 287.03, 0.5%, 0.29%

LAB 26.46, 38.37, -31.34

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 67 / 13 / 0 / 56

HEX #25616F

RGB 37 97 111

HSL 191.35, 0.5%, 0.29%

LAB 38, -14.51, -13.67

 

CMYK 0 / 67 / 13 / 56

HEX #6F2561

RGB 111 37 97

HSL 311.35, 0.5%, 0.29%

LAB 28.29, 40.12, -19.23

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 67 / 0 / 41 / 56

HEX #256F41

RGB 37 111 65

HSL 142.7, 0.5%, 0.29%

LAB 41.44, -34.09, 19.09

 

CMYK 54 / 67 / 0 / 56

HEX #33256F

RGB 51 37 111

HSL 251.35, 0.5%, 0.29%

LAB 20.73, 27.72, -40.86

 

CMYK 0 / 67 / 25 / 56

HEX #6F2553

RGB 111 37 83

HSL 322.7, 0.5%, 0.29%

LAB 27.65, 37.88, -11.05

 

CMYK 13 / 0 / 67 / 56

HEX #616F25

RGB 97 111 37

HSL 71.35, 0.5%, 0.29%

LAB 44.3, -16.62, 38.12

 

CMYK 67 / 0 / 21 / 56

HEX #256F58

RGB 37 111 88

HSL 161.35, 0.5%, 0.29%

LAB 41.95, -28.77, 6.18

 

CMYK 54 / 67 / 0 / 56

HEX #33256F

RGB 51 37 111

HSL 251.35, 0.5%, 0.29%

LAB 20.73, 27.72, -40.86

 

CMYK 0 / 67 / 46 / 56

HEX #6F253C

RGB 111 37 60

HSL 341.35, 0.5%, 0.29%

LAB 26.82, 34.87, 3.06

 

Description

Color code: HEX #616F25 | qconv.com Color code: HEX #616F25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 111 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 111 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 67 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 67% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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